American Impressionist Art

Signed oil on canvas landscape by American impressionist painter William Samuel Horton. The piece depicts a nighttime view of Pontarlier, a commune in eastern France near the Swiss b...

California Farmhouse Landscape in Watercolor on Paper Original watercolor painting of a farmhouse at the top of a hill by Bertram Spencer (American, 1918-1992). A small farmhouse si...

Mountain Lake Landscape, Oil on Canvas, Giltwood Frame, 1930, 16x28" A lakeside landscape with dense foreground foliage opens to distant mountains under soft light. Painterly brushw...

Signed lower right. A beautiful painting of a woman with her back to the viewer, watering a plant in front of an old brick wall. She is wearing a red skirt. A fruit arrangement sits...

Nicolai S. Cikovsky (1894 - 1984) On the Beach Oil on panel 15 1/4 x 20 inches Signed lower right Provenance: ACA Galleries, New York

This artwork titled "Rock in Open Sea" 1964, is an oil painting on canvas board by Italian/American artist Xavier Barile, 1891-1981. It is signed at the lower right corner by the artist. Also signed, dated, and titled on the back. The canvas board size is 12 x 16 inches, framed size is 15.25 x 19.25 inches. Framed in original wooden gold and red frame. It is in excellent condition. About the artist: Xavier J Barile was a Social Realist painter, teacher, lecturer, graphic artist, and writer. He was born March 18, 1891, in Tufo, Italy. His love of beauty manifested itself at a very early age. During his early teens, he used to design monograms for the young girls of his home town, Tufo, Italy, to embroider on their most precious possession, their hope chest and trousseau. In 1907, his mother brought him, his two younger brothers and two sisters to New York, to join their father who had been in New York for several years, preparing the way. He quickly learned English and spent some time helping his father, who was earning a living for the family as a tailor. Having learned English well, Barile then enrolled in the Evening Art Classes at Cooper Union Institute in New York. In due course he enrolled in the Art Students League, New York City. Here he came under the influence of John Sloan, Reginald Marsh and Victor Perard as teachers and George Luks, Robert Henri and Everett Shinn of "the Eight" as friends and colleagues. In 1939 John Sloan dedicated his book, Gist of Art as follows, "To my old friend, first monitor of my first class at the Art Students League 1914." This friendship and mutual regard lasted until Sloan's death in 1951. Of course, it was only natural that Barile should be a part of the "Ashcan School," painting the New York Scene. During this time that he was on his own he worked with all mediums - oil, watercolor, pastel, casein, charcoal, etc. - and he did some fine work with monotypes. It was during these years, the 20's and 30's, that he began to exhibit in such places as the Whitney Studio Club (forerunner of the Whitney Museum of American Art), The Kit Kat Club, The Anderson Gallery, The Cincinnati Museum, The New Mexico Museum, National Society of Painters in Casein, The Salmagundi Club and many other exhibits throughout the United States. He is currently represented in The National Collection of Fine Arts (NCFA) Smithsonian Institution, Washington, D.C. In the mid 30's, like many another struggling artist, XJB worked on the WPA Art Project. One of the murals he worked on is in the U.S. Customs House, Bowling Green, N.Y.C. In this project he collaborated with Reginald Marsh who was the supervisor of this phase of the work. The years until 1939 were spent working in all parts of the United States and in conducting his own classes for aspiring artists. In 1939, on the recommendation of John Sloan, he became the founder, first teacher and Chairman of The Department of Fine Arts, Pueblo Junior College, Pueblo Colorado...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972). One of the finest painters to embark upon the New Hope Art Colony, John...

Dennis Sheehan Quietude, circa 2025 Signed lower left Oil on canvas laid to foam 12 1/2 x 17 inches Dennis Sheehan was born in Boston in 1950. His work is based upon the Barbizon S...

Katharine Ludington (1869-1953). Portrait of Mrs. Allen Wilson, Villanova PA, 1904. Pastel on cardboard. Panel measuring 11 x 16 inches. Signed and dated lower left. Unframed. ...

Scott Conary's "Indian Four" is an original, handmade oil painting that depicts an old style Indian Motorcycle in red. About the Artist: Raised whe...

"Oak in Spring" is a 1930 American Impressionist oil painting of an oak tree landscape. Painted en plein-air, in an almost pointillist style, H.C. White depicts a classic Connecticut landscape. A Tall wiry tree stands as the focal point, having just bloomed its first leaves; foliage still thin enough to outline every single branch. Reds and browns scattered throughout the foreground connote autumn leaves that had yet to be cleared. Henry Cooke White (b. 1861) in Hartford Connecticut. His career in art was founded at the age of 14, when he met the famous American Tonalist painter, Dwight William Tyron. The two became lifelong friends, and White even wrote Tyron’s major biography, The Life and Art of Dwight William Tyron (pub. 1930). In the late 1880’s, Tyron pushed White to move to New York City to further his artistic training at the Art Students League. During this time, White studied under many talented artist’s; Kenyon Cox, John H. Twatchman, and William Merritt Chase. From 1896-1897, White spent time travelling in Europe. Upon his return to the states, he began to spend most of his time in Connecticut, following his favorite painting seasons. Spring in Hartford was followed a week later by spring in Old Lyme, and then finally at Waterford. He’d experience his favorite seasons three times over each year. Once immersed into Connecticut’s community, White was encouraged to paint habitually in Old Lyme; where an art colony was developing, beginning in the spring of 1903. Inspired by European artists, including Claude Monet, and Pierre Auguste-Renoir, the Old Lyme Art Colony defined American Impressionism by memorializing the serene qualities of rural New England life through use of vibrant palettes and broken strokes on wood and canvas. The Colony comprised upwards of 200 artists during its three decades of creating nature-based scenes in oils and pastels; Frederick Childe Hassam...

Title: Hopi ca. 1920s Artist: Lon Megargee Medium: Block Print Size: 11 x 11 inches (Sight Measurement) SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & INSURANCE Creator of Stetson's hat logo "Last Drop from his Hat" Image of Lon Megargee not included in purchase. Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...

Dorothy Lampl lives a private, contemplative life in Taos, New Mexico. Her main companions are her cats, her shelves of books, oriental objects, her gard...

Illustrated in "Joseph Barrett, The Prime Years 1970s - 1990s", pg. 60, plate #070. Jim’s of Lambertville is proud to offer this artwork by: Joseph Barrett (1936 – ) Joseph Barrett was born in Midland, North Carolina, in 1936 and studied at the Massachusetts College of Art in Boston and at the Tyler School of Art in Philadelphia. Barrett, now of Lahaska, Pennsylvania, has been painting his entire adult life. His favorite subjects include the landscape surrounding New Hope and many local landmarks often encompassing figures into his compositions. Barrett utilizes a heavy impasto and his palette bears similarities to that of Fern Coppedge and George Sotter. Barrett’s paintings are always found in unique and somewhat charming handmade frames designed by the artist and finished in metal leaf. A living contemporary of the no longer living “New Hope School” impressionist painters, Joseph Barrett resides outside of New Hope above his old-fashioned antique shop and studio. Entering Barrett’s shop is like taking a step back in time. Inside this cluttered and dusty haven of treasures from the past, is a studio spanning only four by eight feet. This little studio, containing cans of old brushes...

Estate stamped on verso paper of backing board size 9 x 14 3/4 inches As we travel back in American art, Central Park is one of the subjects, while done - is hard to come by and very...

Painted en plein air in the Bahamas, a narrow seascape beneath a pale lilac sky. A single sailboat soars along the distant horizon. Hues of green, teal, and blue make up the textured...

Susan Ricker Knox 1874-1959 was a famous Female American Impressionist painter. She studied at the Drexel Institute in Philadelphia with Howard Pyle and the Cooper Union Art School ...

BIG ROCK CANDY MOUNTAIN Artist's Statement: Big Rock Candy Mountain, a painting 60” X 40”, painted with acrylic & oil pigments on canvas, was inspired by many hiking trips to Enchan...

Aspen Autumn by Lu Haskew Oil 12x9" image size Landscape Painting This painting is unframed, canvas on gator board, the price reflects that it is unframed. Shipping price includes ...

Walter Launt Palmer is best known as “the painter of the American Winter.” In Bars of Light, the cool areas of shade haphazardly crisscross and then blanket the warm sunlight on the ...

Small landscape with large trees by M. J. (Charles) Karnoff (Russian-American). Several large trees occupy the left side of the frame, lining a simple fence. There are some rolling hills in the background, with smaller trees on the horizon. Initialed "M.J.K." in lower right corner. Presented in a new off-white mat...

This artwork "Mermaid" c.1980 is a watercolor on heavy watercolor paper by California artist Charlotte Huntley. It is signed at the lower left corner...

A beautiful 8"x11" does not include frame, oil on board by American portraiture, figurative, landscape painter, Tom Hughes.

As one of the first, and most important, American Impressionists, Theodore Robinson helped to introduce the French style to American artists and audiences.

A serene mid-century California landscape by Jon Blanchette titled Barns in Soquel, depicting a quiet rural farm scene in Soquel, California with clustered barns, open fields, and so...

Riverside trail fading into the distance

Bull and Cow was done on one of Marty Rick's trips to Idaho and Montana. It is oil on canvas and is 16 x 20. Marty Ricks is known for his Tonalism paintings that have been done in th...

"The Beach at Stoupa" is a plein air painting depicting a popular beach in Stoupa, Greece. Stoupa (Greek: Στούπα) is a village on the coast of the southern Peloponnese peninsula in G...

Tony Bennett Title: San Francisco Golden Pavilion Lithograph Signed and Marked PP  2/10 ( Printers Proof ) Paper Size: 30" x 24" inches Image Size : 25" x 20" inches Published By : Atelier E. Ettinger Gallery Anthony Dominick Benedetto, known professionally as Tony Bennett, is an American singer of traditional pop standards, big band, show tunes, and jazz. He is also a painter, having created works under his birth name that are on permanent public display in several institutions. Whether he is performing as Tony Bennett or painting as Anthony Benedetto...

An oil painting, painted en plein air in Soho, NYC. The painting depicts a street lined with cars. The Freedom Tower can be seen in the distance. The painting is framed in a handmade...

An oil painting by Marc Dalessio. Painted en plein air in Tuscany, a grassy foreground moves within wild brushstrokes. Looking ahead, Castelmuzio, an ancient Etruscan village. Classi...

Jim’s of Lambertville is proud to offer this artwork by: Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a youn...

Look for Free Shipping at Checkout The Evening Gown is an American Impressionistic painting by Stuart Fullerton. The artist is know ...

C.S. Steve Talley Fredericksburg Texas & Taos New Mexico Artist Image Size: 8 x 10 Frame Size: 16 x 18 Medium: Oil on board "Drifting By" (signed) C. S. “Steve” Talley developed ...

Scott Conary's "Cloth" is an original, handmade oil painting that depicts blue and white fabric draped with light hitting every fold. About the Artist: R...

Framed Dimensions: 15 x 22 inches Painted en plein-air in Black Point, Connecticut, Nelson H. White creates a whimsical, romantic landscape. Thickly applied paint in hues of green, ...

Pink Roses by Lu Haskew Oil 15x12" image size Still Life Painting This painting is unframed, canvas on gator board, the price reflects that it is unframed. Shipping price includes ...

Yellow Rose by Lu Haskew Oil 12x8" image size Still Life Painting of Yellow Roses in a Silver Vase This painting is unframed, canvas on gator...

Hollis Dunlap's (US based) "Susan in red, white and blue" is an original, handmade oil painting that depicts a woman in a white dress reclining, with her hand softly placed behind he...

Colorful still life with flowers and a mandolin by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Signed "Les Anderson"...

Augustus William Dunbier (American, 1888-1977) Signed: Augustus W. Dunbier (Lower, Left) " Nature Morte Chinoise " circa 1950s Oil on Canvas 20" x 16" Housed in a 2 1/2" Gold Frame Overall Size: 24 1/2" x 20 1/2" Biography: Born on a farm in Polk County, Nebraska, during the famous blizzard of 1888, Augustus Dunbier became Nebraska's most prominent and widely traveled artist in the early to mid 20th century. Working until the year before his death at age 89, he painted landscapes, still life, and portraits in a style that others, but not he, labelled Impressionist. At age 10, he saw his first professional art work at the Trans-Mississippi Exposition in Omaha, and this exposure set the direction of his life. A year later, he returned with his parents to Germany from where his family had emigrated, and in 1907, he enrolled for seven years of study at the Dusseldorf Academy, known for its instruction in genre and history painting. However, Impressionist Adolf Munzer...

This artwork titled "Red Forest" c.1960 is an oil painting on canvas by noted California artist Clifford Holmes 1876-1963. It is signed at the lower left co...

This artwork titled "Skull" c.1990 is an original color etching and aquatint by noted California artist Arnold A. Grossman, 1923-2016. It is hand signed in pencil by the artist. The ...

Edition of 31 American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture. Taking his advice, DeDecker went on to study at Gobelins School of Tapestry in Paris, and in returning to Colorado, spent five years as master craftsman to the notable bronze sculptor George Lundeen. DeDecker is a Fellow of the National Sculpture Society and has gone on to receive copious awards, such as the Critics Choice Award from the Kimball Art Museum, Fort Worth, TX. Major installations of DeDecker’s sculptures are located at the Presidential Library in Washington, DC; the Mayo Clinic...

"View from South Ferry" depicts the astonishing view from Sag Harbor's South Ferry that looks directly at Shelter Island. Painted from life by American Impressionist, Nelson Holbrook White, an atmosphere of purple hues meets a sea of blue, where a single white sailboat is swiftly grabbing wind, intersecting with the dark, distant trees along the horizon. Signed by the artist, on both recto and verso. Framed in a custom Italian gold-leaf frame, as pictured. Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from his grandfather, Henry Cooke White (1861-1952) and his father Nelson Cooke White (1900-1989), both important American artists. The family lived in Waterford, Connecticut and the elder White had been an early member of the art colony in Old Lyme, Connecticut. Known for his paintings of the Connecticut landscape and shoreline, Henry Cooke White became a teacher to his son, Nelson Cooke White. Living with his parents at the Florence Griswold house in Old Lyme, he met some of the most important and influential artists of the day, Childe Hassam, Will Howe Foote and Harry Hoffman. Later, Nelson White's father began to take his family to summer on Shelter Island and became friendly with many of the artists of the Peconic colony such as Irving Wiles, an important American impressionist. After graduating from the Tabor Academy in Marion, Massachusetts in 1951, Nelson H. White began to study at Mitchell College in Connecticut but left to pursue studies in the violin, musical theory and composition. At this time, he began to spend more time studying art with his father and grandfather. By 1955, Nelson H. White had decided to devote himself to a career as a painter and traveled to Florence, Italy to become an apprentice to Pietro Annigoni, the world-renowned Florentine master. Within two years, the young White had won two awards for his work. While in Florence he also studied with the great Italian teacher, Nerina Simi. Today, White divides his time between the United States and Florence. Although he has received instruction from some very important artists, White's work is highly individual. He paints with great spirit. Upon seeing his work one quickly senses White’s great love for nature and the outdoors. Through his eyes we are able to view and interpret nature in an intimate manner. Whether Nelson H. White is painting the Connecticut shore...

Mt. Lassen Lake - Plein Aire Landscape in Acrylic on Canvas Vibrant mountain landscape by California Plein Aire artist Nick White (American, 1943-2009). The viewer stands at the edg...

Classic Impressionist still-life oil painting by American artist George Oberteuffer. Tabletop Arrangement (c.1925) Oil on canvas 30" x 36" 39 ½" x 45 ¼" x 2 ½" framed Signed "Ober...

"And wasn't it good for a boy to be Out to old Aunt Mary's" Charcoal and watercolor on artist illustration board, 1900 Initialed and dated lower right: H.C.C. 1900 by the artist (see...

Evening out is an oil painting done in the American Expressionism style . The list price of $2600 hs been reduced from $3000. The artist said : Painting l...

Painted from life, a plate of peaches. Marc Dalessio was born in 1972 in Los Angeles, California. Even in his earliest years, it was evident that his passion was art. In 1989 he sta...

Venetian Canal was painted in 2023 for an exhibition at Jack Meier Gallery in Houston, TX by William Kalwick. The artist did a study on one of the canals in Venice and William Kalwic...

Collotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

Shad Fisherman Oil on canvas 16 x 20 inches (40.6 x 50.8 cm) Framed dimensions: 22 3/8 x 26 1/4 inches Signed lower left: John F. Folinsbee. Inscribed on verso on stretcher: Shad Fis...

Rose Trio by Lu Haskew Oil 6x12" image size Still Life Painting of red roses next to a silver vase This painting is unframed, canvas on gator board, the price reflects that it is un...

A native of Philadelphia, John Pierce Barnes began his artistic training at the Philadelphia School of Industrial Design. He then attended the Pennsylvania Academy of the Fine Arts, ...

Herman Hyneman (1849-1907) Untitled, 1885 Oil on wood panel 13 1/2 x 10 1/4 in. Framed: 23 x 20 x 2 in. Signed lower left: H.N. Hyneman 85 The following is from Peter Jung who credits "a friend named Jeff Gold on Long Island." Herman N. Hyneman (1849 - 1907) was born in 1849 to one of the most prominent Jewish families in Philadelphia. Unlike most Jewish families of the time, his embraced and encouraged his artistic talent. In 1874, Hyneman followed his first cousin Moses Ezekiel, National Academy member, to Europe to study. They first went to Germany and then to France where Hyneman began eight years of study with Leon Bonnat, the French Master. In Paris, the twenty-five year old Hyneman resided in a studio building at 75 Boulevard Clichy, with expatriates Frederic Arthur Bridgeman, Charles Sprague Pearce, Milne Ramsey, and Edwin Blashfield. Hyneman was clearly exposed to the works of these more experienced artists, as well as that of Walter Gay. In 1879, one of Hyneman's genre paintings, entitled "Desdemona", was accepted into the Paris Salon. That painting received favorable reviews both in Europe, and later in Philadlephia where it was exhibited alongside the works of other Philadelphia Artists exhibiting at the Salon that included Thomas Eakins, Pearce, Edward May...

Original Vintage Spain Travel Poster – The Aqueduct of Segovia by Delpy, linen-backed. This is a stunning original vintage travel poster showcasing the ancient Roman Aqueduct of Seg...

Don't miss this opportunity to own a piece of history! Ex Nihilo Figure 2, a full-scale plaster from the final stone sculpture of Ex Nihilo, commissioned as part of the Creation Scul...

"Pony and Groom" is an unframed, oil on wood panel, contemporary impressionist painting. Painted during the 2014 Wellington Winter Equestrian Festival. Center stage, stands a fit, br...

Winter Retreat was done on one of Marty Rick's many trips to Idaho and Montana. It is oil on canvas and is 24x 24 Marty Ricks is known for his Tonalism paintings that have been done...