American Impressionist Art

This vintage 1940s original oil painting beautifully captures the essence of Boulder Canyon, showcasing the stunning Colorado landscape with majestic mountains and vibrant Aspen trees in their autumnal glory. The piece highlights the rich fall colors of gold, orange, and red as the Aspen leaves turn, reflecting the serene beauty of Colorado's mountainous terrain. Presented in a custom gold frame, the outer dimensions are 25 ¼ x 21 ¼ x 1 ½ inches, while the image size itself measures 22 ¼ x 18 ¼ inches. About the Artist: Irene Fowler (1884-1969) was an influential figure in the development of Denver's art scene. Born in Illinois, she moved to Denver where she became a public school teacher and a founding member of the Denver Artist’s Guild (now the Colorado Artist’s Guild). Throughout her career, Fowler painted stunning landscapes in oil and watercolor, most often working en plein air to capture the natural beauty of Colorado's diverse scenery. Known for her landscapes of Colorado, Fowler expertly depicted the unique features of the region: towering mountains, quaking Aspen trees, and rustic mining towns. Her work is marked by an exceptional understanding of the thin mountain air and luminous sunshine that make Colorado’s landscape so striking. Fowler was a prominent figure in the Denver art community, exhibiting her works at major venues such as the Schlier Gallery, Chappell House, the University Club...

A beautiful impressionist watercolor painting of vibrant Lewisian flowers along the waterline with mountains in the distant background. Signed and dated "H.P.C. 1/17/81" lower left. ...

Alan Bray’s landscape paintings of his native, central Maine explore the ever-ebbing dynamic between nature and humanity. His paintings capture an asymmetrical pas de deux. Painted with uncompromising precision by his quick-drying casein tempera paint, Bray’s trailheads, shorelines, and vast horizons show evidence of previous human presence as it succumbs to natural growth. Bray’s stylized scenes center on these afterimages of human interference as well as other natural phenomena. Inundated with detail, nature reclaims swaths of scarred land, fallen trees, and dilapidated structures, returning them to their wild form. Natural phenomena such as wild overgrowth, animal tracks, mysterious forms, bogs, and mist are resplendently captured as homage to the rugged and uninhabited corners of secluded Maine. Alan Bray builds his landscapes with numerous layers of quick-drying casein tempera. Often used in Italian Renaissance painting...

Painted en plein air, in Cape Code, Massachusetts. Clouds float in layers above a foreground of shoreline, where a cove of sea meets sand. Marc Dalessio was born in 1972 in Los Ange...

Roses for Vishnu is a 20" x 24" oil painting completed in December 2024. . Raj Chaudhuri describes himself as one of the New Orientalists a traveling painter in the modern world. ...

Midcentury impasto landscape of Sierra Mountains with stream in foregrounds snow-covered mountains in background. Signed "Lorie '65". Clown is painted on verso. Presented in carved a...

Sweeping mid century landscape of a lone house in an expansive desert scene with colossal mountains in the distance by Alice M. Fink (American, 1880-1968). Signed "Alice M. Fink" low...

Serene, beautifully executed watercolor, using a wide spectrum of color with a delicate and subtle hand, by Don Kitz (American, 1939-2019), c.1970. Feel the peace and serenity of thi...

Here I’m selling a very interesting work by an Important female American impressionist painter Lee Lufkin Kaula (1865-1957). Painting has Four Different EXHIBITION Labels: 1. Boston Art Club Exhibition 2. Pennsylvania Academy Fine Arts 1907 Exhibition 3. Poland Spring Gallery Exhibition 1908 4. The Arts Student League Of New York I Purchased this painting a few weeks ago as an unsigned impressionist...

This artwork "Nude" 1947 is a watercolor on paper by noted California (German/American) artist Ernst Stolz, 1901-1989. It is signed and dated at the lower right corner by the artist....

Beautiful example housed in new floater frame. Charles Movalli (1945–2016) had a BA from Clark University and a PhD from the University of Connecticut. He painted and wrote about a...

Lively and vibrant landscape by an unknown artist. The fields are depicted in a multitude of colors and textures, indicating a variety of wildlife. In the lower right corner, a singl...

Idyllic farm landscape with a palm tree by an unknown artist (Amercan, 20th Century). There is a tower that is the main focus of the piece, with a palm tree next to it. Behind the pa...

Chuck Mauldin Born 1949 Fredericksburg Artist Size: 24 x 36 Frame: 32 x 44 Medium: Oil "Heavy Grazer" Cattle, Texas Hill Country A native of Texas, Chuck Mauldin has been painting in oil since the age of twelve. His interest in watercolor and pencil drawing grew during his years spent in Louisiana. With his move back to Texas, he has renewed his focus on oil painting, using this medium in a realistic yet painterly style. Striving to quickly capture color and mood with a direct "alla prima" technique is one of his main objectives in painting outdoors on-location. Cows, cowboys and Native Americans often enrich the landscape in his studio work, while anything can inspire his plein air paintings. Workshops with Charles Sovek...

In the Garden by Lu Haskew Oil Painting of woman with an umbrella in a backyard garden 10x8" image size 14x12" framed Shipping price includes the custom packing necessary for safe t...

Majestic Morning is a beautiful oil painting on canvas panel by award winning contemporary artist Michael Budden that showcases a kaleidoscope of colors that depict the morning su...

Charles Merrill Mount was born Sherman Merrill Suchow in Brooklyn, New York in 1928. Mount attended Columbia University, leaving to study at the Art Students League of New York. In a...

Beautiful 1903 impressionist fragment of a California landscape by Karl Yens (1868-1945, German). Watercolor on paper, created in 1903. Presented in...

Monotype on paper Dramatic disrupted realism imagery from Tom Bennett’s series of monochromatic monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...

untitled (Maine Autumn Landscape across the narrows from Mt. Desert) Watercolor, 1945-1955 Signed by the artist lower left in pencil (see photo) Provenance: Estate of the artist Cond...

Scott Conary's "Egg's on Purple" is an original, handmade oil painting that depicts a cracked egg on a purple napkin. About the Artist: Raised where the East Coast suburbs filtered ...

View Of The Mediterranean Seacoast Large Oil Painting Artist signed lower left corner. John Zaccheo, known for his exquisite portraits and vibrant paintings of Mediterranean seascapes as well as alluring flowering gardens and country settings is a master with the brush and at one time, a palette knife; creating color and form with each stroke that captivates the viewer. Born in Kingston, New York, John earned degrees from Dutchess College and Syracuse University and won a gold medal for outstanding achievements in fine arts. After finishing college, John enlisted in the US Navy and completed two world tours, as well as tour duty in Vietnam. After an honorable discharge John continued his studies at the Art Student League in New York, before traveling to Europe and Japan to further his studies with renowned artists and sculptors – Arthur Lidov, John Pike, Robert Benny, David Lax, Joseph Hirsch, Leslie Ross and Lewis Krevolin. Early in his career, John Zaccheo was the art director of Seidman & Lane Inc.., and then American Management Association (NYC). He later became head creative director of the Music Agency, Inc and Warner Brothers Music and Publications where he designed album covers for famous musicians. (The Partridge Family, Seals and Crofts, The Fifth Dimension, Neil Young, The Doors, Gordon...

Chuck Mauldin Born 1949 Fredericksburg Artist Size: 14 x 18 Frame: 19 x 23 Medium: Oil "Tractor Tire" Texas Hill Country Barn & Bluebonnets A native of Texas, Chuck Mauldin has been painting in oil since the age of twelve. His interest in watercolor and pencil drawing grew during his years spent in Louisiana. With his move back to Texas, he has renewed his focus on oil painting, using this medium in a realistic yet painterly style. Striving to quickly capture color and mood with a direct "alla prima" technique is one of his main objectives in painting outdoors on-location. Cows, cowboys and Native Americans often enrich the landscape in his studio work, while anything can inspire his plein air paintings. Workshops with Charles Sovek...

A unique four panel still-life depicting a snap-shot of the artist's 1970's studio by Noel Howard (American, 20th Century). A drawing within the drawing with colored pencils, some cl...

"Fog Rising, " is an original, handmade ink painting, by Sara Melzer that depicts an abstracted black and white scene of fog rising.

Artist: LeRoy Neiman, American (1921 - 2012) Title: Dick Tiger Year: 1967 Medium: Acrylic on Paper, signed and dated l.r. Size: 26 in. x 44 in. (66.04 cm x 111.76 cm) Frame Size...

Impressionist landscape of cabins on a lake by N.C McNickle (American, 20th Century). Unframed. Signed "N.C. MC N." lower right. Unframed. Image size, 16"H x 20"L.

A flight of fancy, this work is a bit of a surprise for a 20th-century California painter. With its colorful dhows topped by lateen sails and attended by turbaned sailors, the artist Anthony Muscat...

Charming pastoral landscape of a farm with grain silos by unknown artist Kris (American, 20th Century). Signed "Kris" lower right. Displayed in a gilt-tone...

Still life with succulent on a royal blue tile floor, with a section of an oriental rug, pillows, and a mug of tea visible in the periphery by Noel Howard (American, 20th Century). S...

Lithograph of a figure of a woman by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "3/12", "Study 8", "Smyth 74” along the bottom edge. Unframed. Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian...

The Draped Figure, Seated Lithograph on fine japanese paper, 1893 Signed in pencil with the butterfly (see photo) Signed in the stone with the butterfly on the sofa (see photo) Numbered: "No. 20" in pencil Printed by Thomas Way, London A beautiful impression with tonal variations in the stump work (shading) As published in: L'Estampe Originale, Paris, 1893, Album IV Edition: 107 impressions, this No. 20 There were an additonal 24 impressions printed by Way for Whistler and 20 impressions printed for the Fine Art Society, London Lacking the huge support sheet and embossed series stamp by Charpentier With the letterpress lower left: "T. Way. Imp London" The stone erased in 1904 The majority of the lifetime impressions are in public collections Condition: Excellent condition Hinges from original issuance of L'Estampe Originale verso at top as described in Spink Three hinges residue along right edge of the sheet from a later matting of the print Image size: 8 1/4 x 6 3/8 inches Sheet size: 11 3/8 x 9 1/16 inches Reference: Spink/Tadeschi 72, published edition Levy 74 Way 46 A superb Neoclassical lithograph...

A 1960's Frida Kahlo study oil painting on laid paper by California artist Genevieve Rogers (American, 1904-1984). Unsigned, but acquired with a collection of her work. Unframed. Ima...

Lone figure with red

Gorgeous California seascape in uncommonly bright colors, depth and textures. Unsigned. Displayed in rustic wood frame. Image, 20"H x 24"L,. Framed size: 23"H x 28"W.

This splendid coastal marine landscape painting was done by American artist Reynolds Beal (1866-1951). Beal was born in New York City, studied painting at Merritt Chase’s Shinnecock Summer School, and went on to become a prominent East Coast marine and landscape painter, eventually settling in Rockport, MA. Oil on canvas, signed lower left, titled “Low Tide” on front plaque, as well as on verso Clark Point Gallery, Southwest Harbor...

Artist: Margaretha E. Albers, American (1881 - 1977) Title: South Street, New York Year: circa 1940 Medium: Oil on Canvas, signed l.r. Size: 20 in. x 16 in. (50.8 cm x 40.64 cm)

Vivid mid-century landscape of South Coyote Buttes Zion National Park by Bob Custis a New Mexico artist (American, 20th Century), 1955. Signed and dated lower right corner B. Custis....

Mid-century oval floral still-life by M. Allen (American, 20th Century). Signed "M. Allen" lower right. Presented with a period oval shaped rust orange ve...

Beautiful tonalist landscape of California foothills and country road. Signed and dated "CKP" and "'69" lower right corner. Presented in rustic wood frame with eggshell mat under nonglare glass. Image size: 18.25"H x 13.25"W. Framed size: 23.5"H x 18"W. California Tonalism was art movement that existed in California from circa 1890 to 1920. Tonalist are usually intimate works, painted with a limited palette. Tonalist paintings are softly expressive, suggestive rather than detailed, often depicting the landscape at twilight or evening, when there is an absence of contrast. Tonalist paintings could also be figurative, but in them, the figure was usually out of doors or in an interior in a low-key setting with little detail. Tonalism had its origins in the works of the French Barbizon school and in the works of American painters who were influenced by them. California Tonalism was born when the emphasis in California landscape painting passed from the grand landscapes of works like those of Thomas Hill and William Keith's early career, to more intimate views of a domesticated landscape. At the same time, the parallel Pictorialist Photography...

Portrait of an elderly man in a baseball hat by an unknown artist (20th Century). Signed and dated ("VHGE '85") in the lower right corner. No frame.

LOOK FOR FREE SHIPPING AT CHECKOUT. IF NOT AVAILABLE GALLERY OFFERS FREE SHIPPING. The Homestead, Barns and Reflections paintings were painted in 2022 . They were painted in Texas and have custom made frames. All painted plein air in oil. All are Texas scenes, "Texas Hill Country" All are custom framed ready to hang. Joan Breckwoldt...

Wonderful color botanical lithograph of tulips by Sam (Calman) Maitin (American, 1920-2004). Signed "S Maitin" on the original over-mat preserved on the back paper cover. "T.P" to in...

Fun and vibrant still-life of a watermelon and blue vase by Sally Minton (American, 20th Century). Unsigned. Gallery tag accredits artist Sally Minton. Presented in a carved giltwood...

Charming painting of colorful Gallic "Le Coq Gaulois" roosters by listed California artist Helen Enoch Gleiforst (American,1903-1997), circa 1950. Born in...

Joyful figurative scene with two smiling cyclists, connected with a series of colorful, swirling dots, by P. Gren Hayes (American, b. 1932). Signed and dated "© Gren Hayes 1980" at the right edge. Presented in a simple wood frame. Image size: 19.5"H x 23.5"W Patricia Gren Hayes (American, b. 1932) is a Bay Area Figurative / Bay Area Feminist Art Movement artist who studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkeley where she studied under Elmer Bischoff, David Simpson, Joan Brown, Felix Ruvolo, Yolanda Lopez and Vincent Perez...

By the Baker House 10.0 x 8.0 x 0.1, 0.2 lbs Oil paint on panel Hand signed by the artist Artist's Commentary: "A plein air painting, I got out of the house late one afternoon and...

An oil painting, painted from a sketch done en plein air, a field half shaded by a large tree on the right side of the canvas. Framed Dimensions: 33 .5 x 41.25 inches Signed by t...

Beautiful mid-century landscape of sycamore trees along a stream in front of a distant mountain range by Alice Egge (American, 1931 - 2000), c.1960s. A t...

San Francisco moorings, a late 19th century double-sided pencil sketch by Raymond Dabb Yelland (American, 1848 - 1900), 1987. Signed "R.D. Yelland" lower right. Dated "87" lower left. Drawing on both sides of paper. Wood frame. Image size, 8.5"H x 12"L. A master marine painter, Yelland painted in Gloucester Harbor. He sailed to San Francisco in 1874 to take a teaching position in art at Mills College in Oakland. From 1877 to 1894, he taught at the California School of Design. He was a decisive influence on a younger generation of California artists. Full Bio: Raymond Dabb Yelland was born in London, England on February 2, 1848. At the age of three, he immigrated with his family to New York City where he was raised and attended public schools. By the age of twelve, he had settled on art as a career. He was born as Raymond Dabb, but due to the negative connotation of his name, his mother's maiden name, Yelland, was added. After serving under Sheridan in the Federal Army during the Civil War, Yelland attended Pennington Seminary in New Jersey. He studied art at the National Academy of Design from 1869 to 1871 with Page and Brevoort, and then taught at the Academy for one year. With his new bride, he sailed around the Horn in 1874 to San Francisco where he would assume the position of an art instructor at Mills College in Oakland. In 1877, he traveled to England, and later continued his studies in Paris with Luc Oliver Merson. Upon his return to California, Yelland became assistant director of the San Francisco School of Design, and in 1888, assumed its directorship. While at that school, he also taught at the University of California, Berkeley, for many years. His many pupils included Homer Davenport, Alexander Harrison...

Colorful still life with calla lilies and a potted plant against a dynamic background of swirling colors by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Le...

This artwork titled "The Marina Sausalito" c.1950 is an oil painting on canvas by noted California artist Clifford Holmes 1876-1963. It is signed at the lower left corner by the arti...

In the artists studio in Bonny Doon, California, a watercolor painting by listed artist Doris Warner (American, 1925-2010). Signed "Warner" lower right. Image size, 22.75"H x 15"L. U...

Serene figurative landscape of a sculpture garden full of plants and architectural elements by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in...

Compelling figurative nude with a surrealist feel by Ken Bower (American, 20th-C) a San Francisco Bay area artist. Pastel chalk color on paper created in 1980. Signed “Ken Bower 80' ...

Artist: Itzchak Tarkay (1935-2012) Title: Sisters Year: Circa 2000 Medium: Silkscreen on wove paper Size: 11.25 x 11.75 inches Edition: 219/750, plus 100 Remarques Condition: Excelle...

A beautiful watercolor painting of a blue house surrounded by pine trees by Lillie Esther (Hillman) Heebner, a Watsonville, Monterey Bay area, California watercolor artist. Unsigned, but acquired with a collection of her work. Please note the Needle Thread work to the paper. Lillie (Lil) E. Heebner was guided through life by her creativity. Even at 92, she never felt old, and often said so. She met every situation in life—including death—with ingenuity. Although born in Richmond, Lillie lived in Watsonville all her life. Her father, Frederick H. Hillman, grew up on a strawberry ranch in Pajaro, graduated from Watsonville High School in 1916, and served in France during World War I. He later worked for Martinelli's Apple Cider plant and became foreman. Lillie's mother, Esther C. Hobson, moved as an infant from Bakersfield to Santa Cruz...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Walter Emerson Baum (1884 - 1956) Born in Sellersville, Pe...

Kevin Weckbach's (US based) "La Tierra Nieve" is an original, hand-made watercolor painting that depicts a secluded evergreen forest in the calm of freshly laid snow. Artist Statem...

Delos Palmer Jr. Tree in Winter Signed lower left Oil on Masonite 10 x 8 inches Delos Palmer, Jr. was born January 26, 1890 in New York City. His father was Dr. Delos Palmer, a socially prominent Park Avenue dentist. His mother was Jennifer Emma Banta. His parents were both born in NYC, where they married in 1880 and had five children. There had three sons and two daughters. He was the fourth born. They lived in a private townhouse at 48 West 50th Street, with a cook, a waitress, and a nurse to assist in his father's dental practice on the ground floor. They lived a privileged life and the children all went to the best private schools. He graduated high school in June of 1908. He studied at The Art Students League from 1911 to 1915 with the renowned American Impressionist, George Bellows. According to the artist, "Bellows was a good influence on me. He taught me how to paint what I see and what I feel!" In 1916 Palmer moved to the historic Holbein Studios at 139 West 55th Street. He worked there until 1920, when he moved to the more fashionable Greenwich Village, where he became a successful society portraitist. He was 27 years old during the Great War, so he was not selected for military service. In 1923 Palmer began to sell interior story illustrations to Metropolitan Magazine, The Saturday Evening Post, and Liberty. In 1924 he married Helen Smith Romme and moved to Stamford, CT, where they raised a daughter and two step-sons. The fateful market crash of 1929 ended Palmer's high society portrait business, but he soon found work through his contacts at Liberty magazine's MacFadden Publishing, which also produced several crime and detective magazines such as Master Detective and True Detective. He then began to paint pulp covers for Dime Mystery, Clues, Frontier Stories, Action Stories, Western Trails, All Star Adventure, Complete Western Book...