American Impressionist Art

Vibrant and charming still-life of a bouquet of yellow tulips in a glass vase with purple background by Nancy Martin (English-American, 1906-2000). Signed...

Coastal Landscape in Watercolor on Paper Serene watercolor of a coastal scene by an unknown artist named Stow. Signed "Stow" in the lower right corner. Presented in a rose mat. No f...

Still life with vase and watermelon by Les (Leslie Luverne) Anderson (American, 1928-2009). From the estate of Les Anderson in Monterey, California. Signed "Les Anderson" lower right...

Eve Nethercott Title: Cape Elizabeth, Portland (P6.5) Date: 1951 Medium: Watercolor on paper Paper Size: 18 x 24 inches

Lumen Martin Winter, American (1908 - 1982) - Daybreak, Year: Circa 1980, Medium: Lithograph on Somerset, signed, titled and numbered in pencil, Edition: 300, AP, Image Size: 18 ...

Lumen Martin Winter, American (1908 - 1982) - Eclypse, Year: Circa 1980, Medium: Lithograph on Somerset, signed, titled and numbered in pencil, Edition: 300, AP 40, Image Size: 1...

Harvest Time The Hills of Mt Tamalpais near Lake Bon Tempe 1890s The Hills around San Rafael in the 19th century were a time of work and play as seen in this watercolor near Lake Bon...

This artwork "Landscape with House" is a watercolor by noted California artist Earl Thollander, 1923-2001. It is signed at the lower right corner by th...

Contemporary still life of an interior with various geometric objects and a flashlight by Jim Pollock (American, 20th Century). Signed "Jim Pollock" on verso. Unframed. Image size: 1...

Grazing cows on the California Big Sur coast, a farm landscape by J.W Ford (American, 20th Century). Signed "J.W Ford" lower right. Unframed. Image size, 16"H x...

Gorgeous oil painting of a blue vase filled with vibrant yellow daisies next to a small bowl and pears by Roslyn B Silva (American,1911-2005). Signed "Roslyn Silva" lower right and titled on verso. Presented in a rustic wood frame. Image, 14"H x 18"L. An early Sacramento River Delta artist and a founding member of the River Road Art Gallery in Walnut Grove...

David Shingler's (NC based) "Logan and Colfax" is an oil painting that depicts the view of Colfax Avenue and Logan Street in Denver, Colorado. This busy intersection is lined with bu...

This artwork titled "Place de la Madeleine, Paris" is an oil on canvas by noted American artist Gregory Sievers, b.1951. It is signed and dated at the ...

Cityscape of romantic city

"Lazy Day in the Country" - Mid Century Pastoral Farm Landscape with Barn Pastoral mid-century landscape of a farm with an old barn by Shirley Gilman (American, 1924-2008), circa 19...

George Gách (American, 1909-1996) The Old Tree in Glenwood Landing, 1957 Oil on canvas 23 x 27 in. Framed: 26 x 29 1/2 in. Singed lower right: Gách 1957 Provenance: Garden City Galleries, Garden City, NY Includes brochure. Born in Hungary, George Gách, the son of sculptor Stephen Gách (1880-1962), was noted for sculpture, impressionist painting and teaching. His subjects included animals, people, florals, nudes, cowboys, sports and scenes of Long Island, Bermuda, Mexico, Florida and upstate New York. Among his sculpture subjects are portrait busts of prime ministers, governors, corporate presidents and soccer stars. He served as a commercial pilot from 1939 to 1952. and in 1944, was shot down and given up as dead. He was also in prisoner of war camps twice during World War II and then in 1947, was almost imprisoned by the communists in Hungary. Gách graduated form the Academy of Fine Arts in Budapest in 1939, and then immigrated to the United States. He located his studio in Roslyn Heights Long Island, and at one point set a goal...

Calvin Lai's (US based) "Remover of Obstacles" is an original, handmade oil painting that depicts a still life of a black elephant statue and a metal Lord Ganesha statue...

Girl with text

Beautiful mid century floral watercolor still-life of magnolia blossoms on budding branches by Ann Hobbs (American, 20th Century). Signed "Ann Hobbs" lower right. Titled "Tulip Tree...

Vivid watercolor of a country house and grove of trees in a rural landscape of rolling green hills, with farm animals in the distance, by California artist Rene Weaver (American, 189...

Nude reclining figure in candlelight

Genre: Judaica Subject: Religious Medium: Oil Surface: Canvas Country: United States Dimensions: 24" x 18" x 3/4" Dimensions w/Frame: 29" x 23" Cahan uses vibrant oil paint to draw...

Elegant mid century landscape by Sidney Williams (American, 20th century). Signed "Sidney Williams" and dated '62 in the bottom left corner. Image size, 16"H x 23"L. A Carmel area wa...

This artwork "Landscape #I' c.2000 is an original color monotype by American artist Thomas (Tom) Monaghan, b. 1961. It is hand signed and numbered 1/1 in pencil by the artist. The im...

Portrait in water with air bubbles

David Shingler's (NC based) "Fishing Reel" is an oil painting that depicts a fishing reel with a freshly caught fish. Bio/artist statement: David Shin...

Figure reclining in interior

Open field with tree and building

Portrait in profile

Complements," 2023 is a mixed media painting by Ryan Morse. The artwork features a close-up female portrait, depicted in profile, occupying the central space of the composition. The ...

Crow Skull with bright colors

Storm over mountains

Blending colors of an impressionist palette evokes a lyrical New York street scene. Signed and dated on lower right, numbered on verso, 2/15 Printed later, other size available, unfr...

Washington's Courtship - 1932 Etching on Paper 1932 black and white etching depicting George and Martha Washington by William Auerbach-Levy (Russian, 1889-1964). Titled "Washington'...

Gouache on watercolor paper page size: 13.5 x 19 in. frame size 18.5 x 24 in. Signed and dated, bottom left: "Everett 8 - 23 - 25" In this evocative painting by Raymond Everett capt...

Mid-Century Modern portrait of a man by California artist Genevieve Rogers (American, 1904-1984). The abstracted background has texture created with d...

Herman Palmer (American, 1894-1946) Two Animals, 20th century Mixed media on board Sight size: 11 1/2 x 14 3/4 in. Framed: 18 1/4 x 21 in. Signed lower right: Herman Palmer Herman...

Christopher Clark’s oil on panel painting “Denver - Under the 8th Street Bridge” depicts the splendor of contrast one immerses themself in throug...

This artwork titled "Saint Isaac's Cathedral, Leningrad" c.1960 is a watercolor on paper by noted California artist William Jack Laycox, 1921-1984. It is signed at he lower right cor...

Beautiful mid-1930's watercolor landscape of a vast valley with a rainstorm far in the distance by California artist Leslie Bruner Wulff (American, 1890-1968). The atmosphere and fee...

Carle John Blenner (1862 - 1952) Pont Neuf, Seine, Paris, France, 1887 Oil on canvas 15 x 22 inches Signed and dated lower right; titled lower left ...

Trees at the Top of the Hill - California Coastal Landscape in oil on Artists Canvas Board Dramatic Big Sur Bixby Bridge and coastal landscape by California artist Ken Lucas (American, 20th Century). Towering Big Sur Hills with the Bixby Bridge and the ocean framed behind. Well executed with dramatic brush strokes in greens and red muted tones. the bridge appears suspended in the sky above the gorge and the sea. "Ken Lucas" verso From a collection of the artist's works purchased from the artists estate. Canvas size: 24"H x 30"W In a gold toned frame with white linen liner Frame size, 28.5"H x 34.5"W x 1"D Ken Lucas was a school teacher and amateur painter from Monterey, California. He was primarily self-taught but became proficient as an artist and left a legacy of excellent paintings. He was a friend of and painted with Richard Lofton, Carmel Artist.

Dennis Sheehan Evening on the Marsh, circa 2025 Signed lower left Oil on canvas 22 x 34 inches Dennis Sheehan was born in Boston in 1950. His work is based upon the Barbizon School...

Snowy landscape by Maine artist Fannie Mae Cunningham (American, 20th Century). Tags on verso from previous backing have been preserved. Presented in a new grey-blue mat...

Dennis Sheehan Approaching Storm, circa 2025 Signed lower right Oil on canvas laid to foam 7 x 12 inches Dennis Sheehan was born in Boston in 1950. His work is based upon the Barbi...

Seated nude figure study by Joseph Yeager (American, 20th Century). This piece is unsigned, but was acquired with a collection of Yeager work directly from the estate. This piece is on heavy bond paper with ragged edges and is unfinished. No frame. Joseph "Joe" Yeager (American, 20th Century) was raised in Cleveland Ohio, where he went to art school at night and started his art career at 19. He was a commercial artist for the Cleveland Press...

This artwork "Balanced Rock" in the Garden of the Gods, Colorado Springs, CO" c.1950 is a watercolor on paper by noted California artist Ted Lewy, 1912-1963. It is hand signed at the...

Still life of an interior with lemons and draped cloth by James Pollock (American, 20th Century). Signed and dated "Jim Pollock 7/87" on verso. Unframed. Image size: 18"H x 24"W.

Vintage Floral study etching titled "Weeds" by Marina Payot (American, 20th century), 1983. Titled, signed, and dated lower edge. Artists Proof designation. Unframed. Image: 11.75"H ...

Valerio D'Ospina's "Estate Europa" a beautiful abstracted European cityscape painting, done in a realistic style. This piece is unframed yet ready to hang. Valerio D’Ospina was born...

Artist: Allen Tucker, American (1866 - 1939) Title: Western Landscape Year: 1931 Medium: Watercolor on paper, signed and dated Size: 14 in. x 20 in. (35.56 cm x 50.8 cm)

Mid Century portrait of a woman wearing red by Jon Blanchette (American, 1908-1987). Signed by the artist in the lower right corner. Canvas has been mounted on fiberboard. Unframed. ...

Painting is 13x16 inches w/o frame. Oil on board - drawing on graphite verso. Signed lower right. "Mending Nets" is a Rockport, Massachusetts marine seascape of fishermen working on Bearskin Neck from approx. 1930s. Wonderfully rendered figures working are the main subject - the town of Rockport's church steeples stand in the background. Also, as an added bonus, the artist sketched...

This artwork titled "Seaview, Fire Island, New York, Sand Dunes, Ocean Side" 1956, is an oil painting on canvas board by Italian/American artist Xavier Barile, 1891-1981. It is signed at the lower right corner by the artist. Also signed, dated, and titled on the back. The canvas board size is 12 x 16 inches, framed size is 22 x 26 inches. Framed in an ornate wooden gold frame, with black velvet liner. It is in generally excellent condition, the frame have some minor restorations, barely visible and 2 small area where the velvet is scratched. About the artist: Xavier J Barile was a Social Realist painter, teacher, lecturer, graphic artist, and writer. He was born March 18, 1891, in Tufo, Italy. His love of beauty manifested itself at a very early age. During his early teens, he used to design monograms for the young girls of his home town, Tufo, Italy, to embroider on their most precious possession, their hope chest and trousseau. In 1907, his mother brought him, his two younger brothers and two sisters to New York, to join their father who had been in New York for several years, preparing the way. He quickly learned English and spent some time helping his father, who was earning a living for the family as a tailor. Having learned English well, Barile then enrolled in the Evening Art Classes at Cooper Union Institute in New York. In due course he enrolled in the Art Students League, New York City. Here he came under the influence of John Sloan, Reginald Marsh and Victor Perard as teachers and George Luks, Robert Henri and Everett Shinn of "the Eight" as friends and colleagues. In 1939 John Sloan dedicated his book, Gist of Art as follows, "To my old friend, first monitor of my first class at the Art Students League 1914." This friendship and mutual regard lasted until Sloan's death in 1951. Of course, it was only natural that Barile should be a part of the "Ashcan School," painting the New York Scene. During this time that he was on his own he worked with all mediums - oil, watercolor, pastel, casein, charcoal, etc. - and he did some fine work with monotypes. It was during these years, the 20's and 30's, that he began to exhibit in such places as the Whitney Studio Club (forerunner of the Whitney Museum of American Art), The Kit Kat Club, The Anderson Gallery, The Cincinnati Museum, The New Mexico Museum, National Society of Painters in Casein, The Salmagundi Club and many other exhibits throughout the United States. He is currently represented in The National Collection of Fine Arts (NCFA) Smithsonian Institution, Washington, D.C. In the mid 30's, like many another struggling artist, XJB worked on the WPA Art Project. One of the murals he worked on is in the U.S. Customs House, Bowling Green, N.Y.C. In this project he collaborated with Reginald Marsh who was the supervisor of this phase of the work. The years until 1939 were spent working in all parts of the United States and in conducting his own classes for aspiring artists. In 1939, on the recommendation of John Sloan, he became the founder, first teacher and Chairman of The Department of Fine Arts, Pueblo Junior College, Pueblo Colorado...

"The Red Cliffs" by Ander Kase (American, 20th Century). Presented in a wooden frame. Titled "The Red Cliffs" lower left and signed lower right in pencil "An...

This artwork Titled "Mission San Carlos Borromeo de Carmelo, Carmel, California" c.1970, is a large watercolor on heavy Arches watercolor paper by Carmel impressionist artist Edward ...

This artwork "California Coastal Scene with Figures" c.1970 in a watercolor on paper by noted American artist Wayne Carl Lacom, born 1922. It is signed at he lower right corner by the artist. The artwork size is 14.25 x 21.5 inches, framed is 20.35 x 28.75 inches. It is custom framed in original wooden silver brown frame. It is in very good condition. About the artist: Wayne La Com...

Charming mid century folk art painting of an autumn valley by Farris (American, 20th Century)Signed "Farris" lower left. Tag on verso from Ohio frame shop ...

Stately portrait of George Arliss by Ivan Opffer (Danish, 1897-1980). Mr. Arliss is depicted wearing his signature monocle, looking directly at the viewer. Although this piece appears to be done rapidly, there is a clear confidence in Opffer's work - he was an accomplished portrait artist - and the resemblance to the subject is unmistakable. George Arliss (born Augustus George Andrews; 10 April 1868 – 5 February 1946) was an English actor, author, playwright, and filmmaker who found success in the United States. He was the first British actor to win an Academy Award – which he won for his performance as Victorian-era British prime minister Benjamin Disraeli in Disraeli (1929) – as well as the earliest-born actor to win the honour. He specialized in successful biopics, such as Disraeli, Voltaire (1933), and Cardinal Richelieu (1935), as well as light comedies, which included The Millionaire (1931) and A Successful Calamity (1932). Signed and dated "Ivan Opffer 1934" in the lower right. Titled "Mr. Arliss" in the lower left. Presented in a new off-white mat with foamcore backing. Mat size: 22"H x 16"W Art size: 17.5"H x 12"W Ivan Opffer (Danish, 1897-1980) was born in Nyborg, Denmark, on June 4, 1897, to a family of Danish scholars and journalists. His brother was Emil Opffer, a Danish merchant seaman and journalist who was known for his relationship with American writer Hart Crane. Ivan was raised in Mexico City and New York, where his anarchist father was the editor of a radical Danish-language newspaper. His involvement in painting and drawing began at an early age. At a summer workshop, he met and studied drawing with Winslow Homer, then went on to study at the National Academy of Design and the Art Students League of New York. When the US entered World War I, Opffer was one of the members of the American Army Camouflage Corps, headed by Homer Saint-Gaudens (whose mother was a relative of Winslow Homer), the son of Augustus Saint-Gaudens. As a camoufleur, Opffer served with other artists and architects, some of whom became well-known, including Barry Faulkner, Sherry Edmundson Fry, Kimon Nicolaides, Robert Lawson, Abraham Rattner, Kerr Eby, and others. It was this same unit, while still in training in at Camp American University in Washington DC, that launched a camp newspaper called The Camoufleur. Only three issues were published before the unit’s deployment to France in late 1917. In the October 31 issue, a satirical portrait by Opffer of Homer Saint-Gaudens (titled “Our Boss”) was published on page 5. After the war, Opffer returned to New York, where he became known for his caricatures of leading Modern writers, among them James Joyce, Edgar Lee Masters, Siegfried Sassoon, George Bernard Shaw, Carl Sandburg, G.K. Chesterton, and Thomas Mann. In the years between the wars, Opffer married Betty à Beckett Chomley, and settled in Paris, where he was a student at the Academie Julliard. He also lived in London and Copenhagen, where his drawings were frequently published in newspapers and magazines. With the outbreak of World War II, he and his family returned to New York and lived in Greenwich Village. Among his friends in that era were William Butler Yeats, F. Scott and Zelda Fitzgerald...

This intimate 9x12 oil painting titled "Harbor Scene, Rockport" is by American Artist Claire Shuttleworth (1867–1930), an early contributor to the Rockport and Cape Ann art colonies. The composition depicts small boats resting quietly in the harbor, reflected in calm water and framed by weathered waterfront buildings and lush shoreline greenery. Shuttleworth’s sensitive handling of light and color brings warmth and immediacy to the scene. Her expressive brushwork and harmonious palette capture the character of Rockport as a working harbor, balancing maritime activity with a sense of quiet daily life. The close viewpoint and painterly surface are hallmarks of early 20th-century American Impressionism as practiced on Cape Ann. A fine and authentic example of Rockport harbor imagery, this work will appeal to collectors of Cape Ann School paintings, American Impressionism, and historic New England coastal art...