Art Deco
35
to
218
1,059
870
416
124
1,155
433
56
720
309
314
282
434
Overall Height
to
Overall Width
to
103,007
61,879
44,980
21,026
12,084
7,604
4,705
4,499
3,881
2,535
2,152
2,122
2,063
559
953
609
322
285
210
184
178
170
152
105
105
104
98
83
81
66
66
62
51
47
2
16
1,617
428
6
32
378
467
78
51
15
45
160
65
189
142
42
37
37
551
523
443
381
270
Style: Art Deco
Returnable Items Only
Chanson d'Amour
Located in Boston, MA
Donald De Lue, American (1897-1988). Chanson d'Amour, 1986. Bronze, 15 1/2 inch height.
Bronze with Renaissance Brown patina, as well as Pewter patina on instrument. Number 1 in an...
Category
20th Century Art Deco
Materials
Bronze
CAMPESINO / MINISTERIO DE AGRICULTURA. 1936.
Located in New York, NY
JOSEP RENAU MONTORO (1907-1982) CAMPESINO / MINISTERIO DE AGRICULTURA. 1936.
60x41 3/4 inches, 152 1/2x104 cm. Graficas Valencia, Valencia.
Ref: Guerra Civil en 2000 Carteles. Vol I,...
Category
1930s Art Deco
Materials
Lithograph
Vintage French Elegant Art Deco Signed Bronze Figural Sculpture La Coquette Rare
Located in Buffalo, NY
Vintage art deco bronze sculpture by Erte. Bronze. Signed.
Category
1980s Art Deco
Materials
Bronze
"Water Nymph" Black Basalt Sculpture 8" x 6" x 4" inch by Alfons Louis
By Alfons Louis
Located in Culver City, CA
"Water Nymph" Black Basalt Sculpture 8" x 6" x 4" inch by Alfons Louis
Medium: black basalt
ABOUT THE ARTIST
Born in Cairo 1959- Graduated from faculty of fine art (painting) Alexa...
Category
21st Century and Contemporary Art Deco
Materials
Stone
Bela De Kristo Art Deco Cubist Oil on Canvas Man Playing Guitar
Located in Oakland, CA
Art Deco cubist painting of a guitar player by Bela De Kristo. Strong cubist style and colors, original and of the period. The image representing a solo guitarist with dancers in the...
Category
1930s Art Deco
Materials
Canvas
Jozef Popczyk Cubist Art Deco Painting Female Forms of Geometric Shapes
Located in Oakland, CA
Jozef Popczyk, Cubist Art Deco Painting Female Forms of Geometric Shapes. Joseph Popczyk is a Polish artist known for his vivid palette and love of Cubism. In this case, the chevrons...
Category
1930s Art Deco
Materials
Canvas, Paint
Art Deco Greyhound Dogs Bronze Sculpture Statue by S. Bizard
Located in Oakland, CA
Two Greyhound Dogs is a nickeled bronze sculpture by French artist Suzanne Bizard. It is a stylized figural and accurate rendering of a pair ...
Category
1930s Art Deco
Materials
Bronze
"The Hare" Black Basalt Sculpture 8" x 6" x 4" inch by Alfons Louis
By Alfons Louis
Located in Culver City, CA
"The Hare" Black Basalt Sculpture 8" x 6" x 4" inch by Alfons Louis
Medium: black basalt
ABOUT THE ARTIST
Born in Cairo 1959- Graduated from faculty of fine art (painting) Alexandr...
Category
21st Century and Contemporary Art Deco
Materials
Stone
Antique Art Deco Bronze Sculpture Statue Female Nude Dancer Josef Lorenzl 1925
Located in Portland, OR
A very elegant antique Art Deco bronze sculpture, statue by Josef Lorenzl, Austria, 1925.
This beautiful bronze sculpture portrays a beautiful young woman, she is modeled as a nude t...
Category
1920s Art Deco
Materials
Bronze
"Mercury" NYC 1931 Bronze 5th Ave Traffic Light Sculpture American Art Deco WPA
Located in New York, NY
"Mercury" NYC 1931 Bronze 5th Ave Traffic Light Sculpture American Art Deco WPA
In the late 1920s, Joseph Freedlander was asked by the City of New York ...
Category
1930s Art Deco
Materials
Bronze
Tender is the Night - Photographic Print on Glass with 23.4 carat Gold leaf
Located in London, GB
"Taken on Hikkaduwa Beach, Sri Lanka as the sun was setting; casting its golden rays along the beach...
The image endeavours to celebrate the noble presence and elegant sway of the ubiquitous palm tree. The palm tree has many symbolic meanings and in this image I have tried to highlight its association with immortality and regeneration with the addition of gold leaf." - Valda Bailey...
Category
2010s Art Deco
Materials
Gold Leaf, Gold
Still Life painter (British school) - 20th century painting - Interior flower
Located in Varmo, IT
English painter (20th century) - Vase of flowers.
61 x 48 cm without frame, 76.5 x 66.5 cm with frame.
Ancient oil painting on hardboard, in carved and lacquered wooden frame.
- W...
Category
Early 20th Century Art Deco
Materials
Oil, Canvas
Art Deco Style Portrait of Lady Bobbed Hair Red Jacket Signed Oil Painting
Located in Cirencester, Gloucestershire
The Lady in Red
British School, 20th century
signed oil on board, framed in heavy thick wooden frame
framed: 30 x 23 inches
board: 23 x 16 inches
provenance: private collection, UK
c...
Category
20th Century Art Deco
Materials
Oil
Art Deco Etching and Aquatint "Jeunesse" Original Signed by Louis Icart
By Louis Icart
Located in Soquel, CA
Art Deco Etching and Aquatint "Jeunesse" (Youth) Signed by Louis Icart
Iconic figurative of woman and horse titled "Jeunesse" (Youth) by famous Art Deco artist Louis Icart (French, ...
Category
1930s Art Deco
Materials
Paper, Pencil, Aquatint
Art Deco Portrait of a Young Blonde
By Franc Root McCreery
Located in Buffalo, NY
A beautiful pastel portrait by American female modern artist Franc Root McCreery
Franc Root McCreery
(1888-1957)
Born: Dodge City, Kansas, US
Franc Root M...
Category
1920s Art Deco
Materials
Pastel, Paper
Bric-A Brac - Scottish 1933 Art Deco exhibited interior portrait oil painting
Located in London, GB
This fantastic Scottish Art Deco exhibited interior portrait oil painting is by Glasgow artist John Dobbie. It was painted in 1933 and exhibited that year at the Glasgow Institue of ...
Category
1930s Art Deco
Materials
Oil
Original Proigal Son Le Fils Prodigue French vintage movie poster
By Roger Soubie
Located in Spokane, WA
Original vintage French movie poster: THE PRODIGAL SON; Le Fils Prodigue. Rare linen-backed poster
Stars: Lana Turner and Edmund Purdom, Louis Calhern, Audrey Dalton, Neville Bran...
Category
1950s Art Deco
Materials
Lithograph
TARKAY, ITZCHAK "LAKE CAFE" 2000, ORIGINAL ACRYLIC ON CANVAS 36X48
Located in Pembroke Pines, FL
Artist: TARKAY, ITZCHAK
Title: LAKE CAFE
Year: 2000-2010
Size: 36 X 48 INCHES
Medium: ORIGINAL ACRYLIC ON CANVAS
Edition: ORIGINAL 1/1
Description: Hand signed by the artist.
The art...
Category
Early 2000s Art Deco
Materials
Canvas, Acrylic
Male Nude
Located in London, GB
Fresson print, inscribed ‘LAG 17033’ (verso), 29cm x 23cm (on view), 37cm x 30.5cm (sheet size), (48cm x 41cm framed). The photograph is framed to the line and crop indicated by the photographer on the print, behind museum quality UV non-reflective glass. (A Fresson print is a type of photographic printing, created in 1899, that has been passed down in the family for four generations. Still to this day, the Fresson family keeps some elements of the process a secret but make sure it stays alive. Located in the outskirts of Paris, their workshop is the only one in the world to produce such prints.)
Albin-Guillot studied drawing and painting before becoming interested in photography. In 1925, she went on to have the first one-person exhibition at the Paris Autumn Salon. She also served as president of the French Societe des Artistes Photographes and in June 1928, was included in the first independent Salon of Photography in Paris. Published in 1932, she took a series of male nudes taken for Henry de Motherlant’s La Deesse Cypris. The strongly cropped images in which the male nudes fill the entire frame accompany the author’s text about sensuality. In 1933, she collaborated with the poet Paul Valery...
Category
1930s Art Deco
Materials
Black and White
1928 original poster for Citroën la conduite intérieure Demi-Luxe - N. 10
Located in PARIS, FR
The 1928 original poster for Citroën, showcasing the "la conduite intérieure" or "Demi-Luxe" model and featuring photographs of Citroën stands in various cities such as Bordeaux, Lon...
Category
1920s Art Deco
Materials
Paper, Lithograph
1928 original poster for Citroën promoting "les cabriolets" N. 12
Located in PARIS, FR
The 1928 original poster for Citroën, promoting "les cabriolets" and inviting viewers to visit the Citroën factories, is a captivating piece of automotive advertising from the interw...
Category
1920s Art Deco
Materials
Paper, Lithograph
Onyx Coiffure
Located in Greenwich, CT
Onyx Coiffure is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 27 x 22 inches. From the edition of 650, the art is numbered 214/300 and est...
Category
20th Century Art Deco
Materials
Paper, Screen
Original Art Deco Portrait by Wladyslaw Roguski Poland 1937
Located in Oakland, CA
Wladyslaw Roguski (1890-1940) was a Polish artist known for his contributions to the Art Deco movement, particularly in the realm of portraiture. His works are highly regarded for th...
Category
1930s Art Deco
Materials
Wood, Paint
Charming French Art Deco Bronze Nude by F. Trinque, 1930
Located in Dallas, TX
French Art Deco bronze sitting nude by F. Trinque, 1930. A gorgeous Art Deco woman stretching her arms and drying her back with a towel possibly after a swim or bath with a rich gold...
Category
1930s Art Deco
Materials
Bronze
Georges Braque Nude 1957 Collotype “Nu Aux Feulles”
Located in Dallas, TX
Collotype after a 1928 drawing by Georges Braque (French, 1882-1963), "Nu Aux Feuilles"
Art Deco, Art Nouveau nude of a woman.
From the “Braque Espace” portfolio by Daniel Jacomet 19...
Category
1950s Art Deco
Materials
Paper
Charles Paillet "Medaille D'or" Bronze of Two Playful Goats
By Charles Paillet
Located in Dallas, TX
A large Charles Paillet French (1871-1937) bronze of two playful goats "Medaille D'or"
Here we have a fun and whimsical statue sculpture of two young goats playing in the grass. One...
Category
1920s Art Deco
Materials
Bronze
Anton Faistauer Nude, 1913
By Anton
Located in Dallas, TX
Anton Faistauer ( 1887-1930) Female Nude standing 1913
Black chalk on paper
Signed upper right and dated 1913,
Sheet: 18.9 X 13 Inches (48x33cm)
framed: 26.5 X 20.75
Provenance: Re...
Category
1910s Art Deco
Materials
Paper
Maximilien Louis Fiot 'Fr 1886 - 1953' Combat Des Aigles
Located in Dallas, TX
Maximilien Louis Fiot (French, 1886 - 1953)
A very large bronze animalier sculpture of combatant eagles in flight above an outcropping or rocks. The Eagles are fighting for their li...
Category
1920s Art Deco
Materials
Bronze
Jacques Martin Ferrieres 'French 1893-1972' Landscape
Located in Dallas, TX
Jacques Martin Ferrieres (French, 1893-1972)
A delightful landscape of mountains with agricultural fields with a river and colorful trees. The pallet and texture make this a special art piece as it is probably done with knives and tools other than brushes. Probably vineyards in the countryside of France. Executed in 1926
Oil on canvas
Dimensions: 81 x 65 cm (32 x 25 in.)
Framed: 37.5 x 31.25 Inches
signed lower right “Jac Martin Ferrieres...
Category
1920s Art Deco
Materials
Paint
Harriet Frishmuth 1923 Bronze Of The Vine
Located in Dallas, TX
Harriet Whitney Frishmuth (American, 1880-1980)
The Vine, 1921
Bronze with brown and green patina
Height: 11.5 inches (29.2 cm) high on a 3/4 inches (1.9 cm) high marble base
Inscrib...
Category
1920s Art Deco
Materials
Bronze
Louis Icart, French, 1888-1950 Ladies in a Carriage Pastel on Paper
By Louis Icart
Located in Dallas, TX
Louis Icart (French, 1888-1950). Ladies in a carriage. Pastel on Paper.
20-5/8 x 18-1/2 inches (52.3 x 47.0 cm).
Louis Icart (French, 1888-1950).
Ladies in a carriage.
Pastel on ...
Category
1930s Art Deco
Materials
Paper
Raoul Dufy Fauvist Art Deco Nude Painting
By Raoul Dufy
Located in Dallas, TX
Raoul Dufy (French, 1877-1953)
Nu allongé sur canapé, circa 1939
China ink, gouache, and watercolor on paper laid on board
Sight: 16 x 19.75 inches (40.6 x 50.2 cm)
Signed lower righ...
Category
1930s Art Deco
Materials
Paper
Still Life - Art Deco Flowers Pineapple & Greyhound Cup Antique Oil Painting
Located in Sevenoaks, GB
A beautiful signed and dated 1936 oil on canvas still life with flowers, pineapple, fruit and ceramic mug decorated with a pack of hounds, by Arthur Sleight. A striking and unusual A...
Category
1930s Art Deco
Materials
Oil, Canvas
Hua Lian Still Life Original Oil Painting "Everything Goes Well"
Located in New York, NY
Title: Everything Goes Well
Medium: Oil on canvas
Size: 16 x 18 inches
Frame: Framing options available!
Condition: The painting appears to be in excellent condition.
Note: Thi...
Category
21st Century and Contemporary Art Deco
Materials
Canvas, Oil
Bronze Eve - Contemporary Bronze Portrait sculpture, 2015
Located in PARIS, FR
Sculpture en bronze sur socle par l'artiste Pascale Hamelin.
Pascale Hamelin est une sculptrice française.
Ses visages et ses formes racontent le souv...
Category
21st Century and Contemporary Art Deco
Materials
Bronze
Woman with Art Deco Dress - Lithograph (Artcurial edition)
Located in Paris, FR
Sonia DELAUNAY
Woman with Art Deco Dress
Lithograph after a painting
Printed signature in the plate
Numbered /600
On Arches vellum 40 x 30 cm (c. 15.7 x 11.8 in)
ArtCurial edition,...
Category
Late 20th Century Art Deco
Materials
Lithograph
Popeye Sailor European Sculpture Ebony and Metal Art Deco Hagenauer
Located in Oakland, CA
Popeye the Sailor is a European sculpture in the Hagenauer style made of Ebony wood and metal in the Art Deco style. We have had a few pieces in this treatment, including style and materials. They are scarce to find. This one is exciting since it is an homage to the character of Popeye. This sculpture has a slightly cubist feeling with black ebony and silver treatment, including the navy anchor on its arm, obviously inspired by the original Popeye.
It’s not a widely known fact that a natural person inspired E.C. Segar, the creator of Popeye. We have discovered that it was fashioned to resemble this man, Frank “Rocky” Fiegel, whose parents immigrated from Poland to the United States. Rocky was born in 1868-1947, and as an adult, he joined the Navy. He was considered very strong and smoked a pipe, one of the characteristics of the cartoon Popeye, which became such an essential icon of protection, not allowing bullying or being bullied.
This Popeye Sailor sculpture...
Category
1930s Art Deco
Materials
Metal
Art Deco Panther Painting, French, 1920s
Located in Oakland, CA
Art Deco painting depicting a panther in the wild. Unusual dimensional treatment with all the paint. Could you look closely at the texture of this piece? It is in an original frame t...
Category
1920s Art Deco
Materials
Wood, Paint
Boudoir lamp with roses
Located in Miami, FL
Muller Frères
Boudoir Lamp with Roses, 1910
Acid-etched cameo glass, wrought metal
20h x 8d in
Signed at the arm and the shade cover.
Provenance:
Private Collection, Midwest
Litera...
Category
Early 20th Century Art Deco
Materials
Glass
Alexandre Kéléty Art Deco Bronze Scarf Dancer 1925 French
By Alexandre Kéléty
Located in Oakland, CA
An Art Deco Bronze Scarf Dancer by Alexandre Kéléty, created in France in 1925, depicts a dancer holding a stylized silver-plated and gilded scarf mounted on a silvered bronze base. ...
Category
1920s Art Deco
Materials
Bronze
Oh la la, Mixed Media on Wood Panel
By Julia Hacker
Located in Yardley, PA
Oh-la-la is an original mixed media artwork on a wood panel. Julia Hacker used elements of fashion and uplifting colors of gold, pink, pale blue. A beautiful female face on the flora...
Category
2010s Art Deco
Materials
Mixed Media
Hagenauer Bookends Pair Leaping Gazelles Wien Made in Austria
Located in Oakland, CA
Hagenauer bookends pair leaping gazelles. The original had rubbed brass patina finish—stylized Haenauer animals, four intertwined and perfectly proportioned. The size is enough to su...
Category
1930s Art Deco
Materials
Metal, Brass
Bronze Art Deco Lion Sculpture
Located in Oakland, CA
This is an Art Deco bronze statue of a lion with a great marble base of three tones inlaid in geometric shapes. The lion is powerfully rendered, and its expression and musculature ar...
Category
1930s Art Deco
Materials
Marble, Bronze
Guirand de Scevola (1871-1950) A Bouquet of anemones, signed pastel
Located in Paris, FR
Lucien-Victor Guirand de Scevola (1871-1950)
A Bouquet of anemones
Pastel on paper
Signed upper left
44.5 x 36.5 cm
Framed : 53.5 x 45.5 cm
Lucien Victor Guirand de Scévola was ...
Category
1930s Art Deco
Materials
Pastel
Art Deco ca. 1920. Portrait Of Lady With Bob Cut, Purple Dress And Fur Collar
Located in Firenze, IT
Portrait Of A Young Lady From The 1920s With Bob Cut And Fur Collar
Oil on canvas.
Early 20th frame in wood.
This portrait reveals very stylish image of a young woman from the 1920s...
Category
1920s Art Deco
Materials
Canvas, Oil
1937 original poster 16th Salon des Arts Ménagers at the Grand Palais - Paris
By Paul Colin
Located in PARIS, FR
In 1937, Paul Colin created an original poster for the 16th Salon des Arts Ménagers at the Grand Palais, Paris. This iconic artwork captures the essence of the event, which showcased...
Category
1930s Art Deco
Materials
Paper, Lithograph
1945 Brazilian Master, Art Deco Nudes Serigraph Woodcut Carnaval Bahia
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco
Materials
Woodcut
untitled
Located in MADRID, ES
We consider this artwork one of the best available, if not the best, from Michèle Demedts. The unusual combination of strong greens and earth tones and...
Category
1990s Art Deco
Materials
Oil
Original Vintage Travel Poster Winter In Majorca Spain Carlos Puntis Art Deco
By Carlos Puntis Nebot
Located in London, GB
Original vintage travel advertising poster - Winter in Majorca Spain - featuring an Art Deco illustration of a lady in a red swimsuit sunbathing with a thermometer showing a warm tem...
Category
1930s Art Deco
Materials
Paper
1945 Brazilian Master, Art Deco Serigraph Woodcut Colonial Architecture Mission
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco
Materials
Woodcut
"Gondolier" figurative drawing, watercolors ink on paper
Located in Roscoff, FR
Gondolier in the canals of Venice
Category
2010s Art Deco
Materials
Ink, Watercolor
1945 Brazilian Master, Art Deco Clown Serigraph Woodcut
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: harlequin clown
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco
Materials
Woodcut
EARLY / MID 20TH CENTURY ENGLISH SCHOOL Oil Painting - Portrait Of Seated Lady
Located in Cirencester, GB
ARTIST: Early / Mid 20th Century English School
TITLE: "Portrait Of A Lady"
SIGNED: appears unsigned
MEDIUM: oil on canvas
SIZE: 77cm x 67cm inc frame
CONDITION: very good - ne...
Category
Early 20th Century Art Deco
Materials
Oil
1945 Brazilian Master, Art Deco Nudes Serigraph Woodcut Carnaval Bahia
Located in Surfside, FL
Genre: Brazilian Art Deco, African Diaspora
Bahian Carnival
Subject: Abstract
Medium: Print
Surface: Paper
Country: Brazil
Dimensions of overall paper are listed.
This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music.
Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after.
In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994.
Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows.
CHRONOLOGY
Individual exhibitions
1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery
1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery
1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts
1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery
1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal
1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP
1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery
1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art
1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention
1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award
1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná
1963 - Rio de Janeiro RJ - Individual, no MAM / RJ
1968 - Bradford England - First International Print Biennale
1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery
1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award
1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize
1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum
1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...
Category
1940s Art Deco
Materials
Woodcut
Geo Dorival 'Venise, Train Rapide Quotidien' Lithograph
By Geo Dorival
Located in Brooklyn, NY
Paper Size: 39 x 27 inches ( 99.06 x 68.58 cm )
Image Size: 39 x 27 inches ( 99.06 x 68.58 cm )
Framed: No
Condition: C: Several Signs of use and handling, some visible marks
A...
Category
1980s Art Deco
Materials
Lithograph
Nude, arms raised
Located in Fairlawn, OH
Nude
Matchstick and ink drawing heightened with conte crayon
c. 1925
Signed with the Estate Stamp "B"
Provenance: Joseph A. Erdelac (1914 -2005), Cleveland
Acqu...
Category
1920s Art Deco
Materials
Ink
Original Vintage Travel Poster Bulgaria Balkans Angel Tilov Art Deco Bulgariya
Located in London, GB
Original vintage travel poster for Bulgaria featuring a scenic view of a steam train travelling through a tunnel on a rocky cliff above a river with a bridge linking a riverside town to the railway and trees and mountains in the distance. Artwork by the award winning Bulgarian watercolour...
Category
1930s Art Deco
Materials
Paper
"Women on scooter" figurative drawing, watercolors ink on paper
Located in Roscoff, FR
A woman with her scooter on the french riviera
Category
2010s Art Deco
Materials
Ink, Watercolor
Art Deco art for sale on 1stDibs.
Find a wide variety of authentic art Deco available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, red and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Stefan Traloc, Erté, Gilbert Pauli, and Robin Morris. Frequently made by artists working with Paint, and Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Art Deco, so small editions measuring 0.25 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $425,000, while the average work sells for $1,655.
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