Arte Povera Art

Medium: Wood, steel, pigment As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual la...

The Messenger by Craig Campbell Expressionistic Raven Sculpture 18 x 5 x 10" Bronze 1/1 ABOUT THE ARTIST: Craig Campbell began sculpting more than 25 years ago and received his BFA ...

Hand Forged Iron Stone Mosaic Hanukah Menorah Candelabra David Palombo was an Israeli sculptor and painter. He was born in Turkey to a traditional family and immigrated to the Lan...

Bronze sculpture by Latin American sculptor Raúl Valdivieso (Chilean, 1931-1993). Valdivieso is known for his reinterpretation of the classic organic forms and human figures. Raúl Valdiveso was born September 9, 1931 in Santiago, Chile. In 1952 he began his studies at the School of Fine Arts at the University of Chile. There he took to sculpture and studied under professors like Marta Colvin...

Made in Ukraine, 2020. Meet this big interior golden flowers sculpture. Location and Delivery from: Ukraine Authors: Created by Rostyslav Kozhman a...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Benedict Tatti (1917-1993) worked in New York city as a sculptor, painter, educator, and video artist. He studied stone and wood carving under Louis Slobodkin at the Roerich Museum. He later attended the Leonardo da Vinci School of Art studying under Attilio Piccirelli. In l939 he taught adult classes with the Teachers Project of the WPA and attended the Art Students League for three and a half years on full scholarship. He studied under William Zorach and Ossip Zadkine and later became Zorach’s assistant. Later in his career, he attended the Hans Hofmann School of Fine Arts. During World War II, Tatti served in the United States Army Air Force, where he spent three years assigned to variety of projects. In 1948, Benedict Tatti married Adele Rosenberg in New York City. Throughout his career, Tatti continuously experimented with various media. From 1952-1963, Tatti executed sculptural models of architectural and consumer products for the industrial designers, Raymond Loewy Associates; later he became a color consultant for the firm. In the 1960s, influenced by the Abstract Expressionists, Tatti turned from carving directly in wood and stone to creating assemblage architecture sculptures, using bronze metal and other industrial materials. He was included in the important show "Aspects de la Sculpture Americaine", at Galerie Claude Bernard Paris, France, in October 1960 along with Ibram Lassaw, Theodore Roszak, David Smith, Louise Bourgeois, Danese Corey, Dorothy Dehner, Lin Emery...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

Medium: Wood, steel, pigment (Wall hung) As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as ...

'Clancy and Bertha Belle' by Craig Campbell Expressionistic Figurative Sculpture 18" x 30” x 15” Bronze edition of 10, number 2 is currently available - pictured on wood base. The f...

With its meticulous attention to detail, Karine Payette’s work opens up numerous reflections on the different ways we perceive reality. Payette achieves this by adroitly evoking the notion of doubt. Both playful and offbeat, her universe is built up from stripped-down stagings that conjure up private, domestic stories, and scenes from everyday life. Carefully arranging objects in space, she creates “zones of anxiety” where different elements overlap: loss of control, domination, and forms that might themselves take over. The artworks brought together in L’ombre d’un doute highlight the various touchstones of the multidisciplinary practice Karine Payette has been developing since 2010. The exhibition borrows its title from the Alfred Hitchcock film of the same name (Shadow of a Doubt), where a young girl discovers the dark side of the world. This shadowy reference evokes the fragrance of mystery that wafts among Payette’s works, and the need to decipher, like a riddle, that which takes place before our eyes. As soon as he/she enters the exhibition, the viewer is confronted with a puddle of milk covering the floor, in which he/she finds several kernels of floating Rice Krispies...