Old Masters Art

Work on canvas Golden wooden frame 64 x 82.5 x 7 cm

Female Nudes is a fine original drawing (China ink and watercolor on paper). Unsigned. This artwork could be attributed to Thomas Stothard. Although th...

Self-Portrait, stuurs kijkend is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late e...

Gouache Nealopitane Marine, Italy, 2011, cm.22x33. Lacquered wooden frame. Delicious gouache made in 2011 by an unknown artist, using the method of the ancient masters of the landscape. Gouache paint is a non-permanent, water-based, opaque and opaque paint made opaque with the addition of a chalky white pigment. Invented in Europe in 500, it was initially used to carry out preliminary sketches of large oil works. It is characterized by a great ease of drafting and a lively color rendering, but it requires great skill, certainty in drawing and an extreme speed of execution, as it dries quickly and cannot be retouched. Precisely these characteristics give a particular liveliness and freshness to the works, characterized by light and opaque tones, very different from the glossy compactness of egg tempera and the transparency of the oil. Widely used in canvas paintings and miniatures. The technique was often used by landscape painters, such as Xavier Della Gatta, Pietro Fabris, Alessandro d'Anna...

Les Chevaliers is an original print, realized in the second half of 17th Century by the French artist Sébastien Leclerc (1637-1714). Etching on pap...

Stunning large scale and vivid painting of Native American weaver by Northern California artist Helene Minelli (American, 1918-2010), circa 1980s. Signe...

Minerva Repressing The Fury of Achilles from "Antiquities of Herculaneum" is an etching on paper realized by Giuseppe Aloja in the 18th Century. Signed on the plate. Good condition...

Avanzi delle Rovine della casa del console Ventidio Basso, non molto lungi da Quintigliolo nella Valle verso Tramontana in Tivoli. Image dimensions: 36x46 cm. From the collection “L...

Esta no lo es menos is an original artwork realized by the great Spanish artist Francisco Goya in 1810. Original Etching on paper. The artwork belongs to the famous series "Los D...

A wonderful Oval oil on canvas portrait of a little girl. Very much in the style of Jean-Baptiste Greuze.

Ancient Roman Busts from the Series "Antiquities of Herculaneum Exposed", original etching from the end of the 18th century, made by Various Old Masters. In very good condition, exc...

Chateau fort is an original pencil drawing on paper by Horace Vernet realized in XIX century. Certified by Paul Proutè. Very good conditions, except for a very little rip on the lef...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - l'Homme montrant une hache a une femme, Year: 1875, Medium: Heliogravure on Laid Paper, Size: 8 x 5.25 in. (20....

François Vivares was known to have produced several copies of images after older masters, such as, in this case, Rembrandt van Rijn. In this set, Vivares reproduces "The Quacksalver" (1635, Bartsch 129), "Beggar man and beggar woman conversing" (1630, Bartsch 164), and "Beggar Seated Warming...

Letter of the Alphabet Q, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions with some folding. ...

Letter of the Alphabet Q, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belon...

Lunar Costumes is an original lithograph by Gaetano Dura. Titled on the lower center. Signed printed on lower left. Published by Lithography Gatti e Dura, Naples (printed on lower r...

This is an original 18th century hand-colored map entitled "A New & Accurate Map of China, Drawn from Surveys made by the Jesuit Missionaries, by order of the Emperor. The whole bein...

Artist: Saverio Manetti (Italian, 1723-1785) Title: "Eagle" (Plate V - 5) Portfolio: Storia Naturale Degli Uccelli (The Natural History of Birds) Year: 1767-1776 Medium: Original Hand-Colored Engraving on watermarked laid paper Limited edition: Unknown Printer: Unknown Publisher: heirs of Francesco Mouck (Vols. I-III), Gaetano Cambiagi (Vol. IV), Giuseppe Vanni (Vol. V), Florence, Italy Reference: Ayer/Zimmer page 241; Fine Bird Books page 120; McGill/Wood, page 450; Nissen IVB No. 588 Sheet size: 16.75" x 14.5" Platemark size: 13.63" x 10.88" Condition: Some minor surface marks mainly in margins. In excellent condition with strong colors Rare Notes: Provenance: private collection - Haarlem, Netherlands. Engraved and hand-colored by Italian artists Lorenzo Lorenzi (Active: 1750-1780) and Violante Vanni (1732-1776). Latin and Italian texts by Saverio Manetti. Comes from Manetti's monumental five volume "Storia Naturale Degli Uccelli (The Natural History of Birds)", (1767-1776), which consists of 600 hand-colored engravings. Unidentified watermark in very center of sheet. Comes with its accompanying information sheet. Eagle is the common name for many large birds of prey of the family Accipitridae. Eagles belong to several groups of genera, some of which are closely related. Most of the 60 species of eagle are from Eurasia and Africa. Manetti's extraordinary "Storia Naturale Degli Uccelli (The Natural History of Birds)", 1767-1776 was commissioned by Maria Luisa, the Grand Duchess of Tuscany. It is a massive 5 book volume set...

This is a framed Giovanni Battista Piranesi (1720-1778) etching entitled "Orthographia utriusque lateris arcuum ductus Aquae Virginis a specu principe ad Hadriani thermas, effossorum...

Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Nolli in the 18th century. Signed on plate on the lower right. ...

Signed, Stamped & Numbered Edition of 25 Plus 3 Artist's Proofs From installment of 4 lavish tableaux vivants for Agent Provocateur campaigns The Season of the Witch was shot for Agent Provocateur in May 2009 at Dorney court. It was commissioned by Joe Corre and Serena Rees the original owners. Joe and I had been looking at Hogarth's etchings for A Rakes Progress, which later became an opera by Stravinski depicting the decline of Tom Rakewell, “For idle hearts and hands and minds the Devil finds work to do.” We decided we would create our own version of Bedlam but with Agent Provocateurs seductive point of view. The challenge was to shoot their whole collection, over thirty-five pieces of lingerie and put them into one image. Despite the misconception that it is a huge multi composition in photoshop, the truth is, it isn’t. Camera position locked off and working to a very specific layout conceived with all the girls from the shop, the picture is assembled in three parts. The right-hand side of the image using our ten models and extras was shot first, then as individual scenarios. Then came the balcony shot as they changed costumes to shoot the left-hand side. Fenton Bailey son of David played Tom, and Chloe Hayward his prospective wife who stumble into the witches coven, a twisted version of The Rocky Horror show. The witches included Alice de Lal, Daisy Lowe, Peaches Geldof, Marina Jameson, Raquel Nave, Awoui, Alex Jenny and Paz de la Huerta from Broadwalk Empire. Charlie Anderson brought a rack of costumes which everyone was persuaded to dress up in, whether it was the snake wrangler, who at one point “mislaid” a nine-foot boa constrictor, photo assistants, strip club doormen, some random punks we found roaming the streets of Windsor and the entire hair and makeup team. Joe Corre, son of Malcolm McClaren and Vivienne Westwood made a cameo performance in all four tableaus and can be seen behind the chandelier with all the girls from their offices all suitably attired. We actually flew the owl across the set but the wolf that belonged to the owner of the house was brought in and shot separately. On my first presentation of the artwork there was a degree of disapproval, perhaps cutting the brides throat was a tad over the top but Joes only reaction was “ couldn’t we have a bloody great big pentagram painted on the floor?” I returned to my office that afternoon and duly painted the floorboards with the devil's insignia which was then comped onto the shot. With productions like this, so many people go unmentioned such as my producer Jenny, Jess Morris, Sarah Shotton, Kirstin Piggott and Eamonn Hughes on hair and make up my dear friend Peter Smith who styled all the food, and most importantly my partners in crime Lee Stuart who assembled everything without any hesitation and a huge degree of inspiration, and Mark Townsend who balanced the light and made the 5x4 plate camera...

This splendid lithograph, realized in 1880s, is part of the series of prints dedicated to views of the Landscape, engraved by the Italian artist Antonio Fontanesi. The state of preservation of the artwork is very good. The signature is engraved on the plate the lower right. Antonio Fontanesi (Reggio Emilia, 1818 - Turin, 1882) was an Italian painter, engraver, teacher, and soldier. He was one of the most important 19th-century Italian painters, though somewhat unknown. After fighting in the I Independence War...

This figuration of a theater actor in a black coat on stage is the work of the Japanese artist Utagawa Kuniyoshi /1798-1861). The brilliance of the colors, the graphic precision as ...

Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Francesco Cepparuli in the 18th century. Signed on the plate on the l...

This 18th century etching is entitled "Chiesa di S. Lucia alle Botteghe Oscure" by Giuseppe Vasi was published in Rome in 1747 in Vasi's 'Magnificenze di Roma Antica e Moderna', whic...

Ancient Roman Statues from the series "Antiquities of Herculaneum", is an original etching on paper realized by Casanova in the 18th Century. Signed on the plate. Good condit...

Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century. Good conditions. The etching belon...

Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by G. Morghen in the 18th Century. Signed on the plate, on the lower lef...

Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Segoni in the 18th century.Signed on the plate on the lower r...

The Arrival of the Angel is an old master artwork realized by Simone Cantarini in 17th Century. Black and white etching. Image dimensions: 21x17 Mo...

Animal Figures from Ancient Rome, from the Series "The Antiquities of Herculaneum Exposed", is an original etching from the end of the 18th century, made by Various Old Masters...

Capital letter C for the Antiquities of Herculaneum Exposed, original etching from the end of the 18th century, made by Various Old Masters. In very good condition, except for some ...

This is a very rare early 18th century old master religious themed engraving entitled "Les Mages...Trouverent l'Enfant avec Marie sa Mere, et se prosternant entere ils l'adorent Puis ouvrant leurs tresors ils tuy offrirent pour present de lor de l'encens et de la myrrhe" by S. Vale after Calmaret, published in Paris by Pierre Drevet (1663-1738). The scene depicts the Magi bowing before Jesus, who is held by his mother Mary, and bringing him gifts of gold, frankincense and myrrh to demonstrate their adoration and respect. Winged cherubs fly overhead and a ray of light is focused on the spiritual couple. A cattle stall and buildings are in the background and a crown and scepter are dropped in the foreground, symbolically demonstrating that these nobles place Jesus above their titles and rank. Little is known about the artist Calmarat or the engraver S...

CHILD -Watercolorl on paper cm.51x41 signed lower left by Alfonso Grassi, Italy. Wooden frame with passeportout cm.94x73

Artist: Treadway Russell Nash (English, 1724-1811) Title: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." and "Ombersley Court, the Seat of Lord Sandys" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Two Original Engravings and Etching with Aquatint on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.13" x 16.88" Image size (each): approx. 8.13" x 12.63" Condition: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." has scattered light foxmarks in margins. The top edge is unevenly trimmed and a small taped tear to lower right corner. "Ombersley Court, the Seat of Lord Sandys" has light toning to sheet and some faint discoloration in right margin. A small light water stain to lower left corner. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition Notes: Provenance: private collection - Aspen, CO. "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." was likely engraved by English artist James Ross (1745-1821) after a drawing by himself. "Ombersley Court, the Seat of Lord Sandys" was engraved by English artist Valentine Green (1739-1813) and English artist Francis Jukes (1745-1812) after a drawing by an unknown, likely English artist. The first work is an engraving; the second work is an etching with aquatint. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from copper plates in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "Ombersley Court, the Seat of Lord Sandys" has an unidentified watermark in the center of its sheet. "Henbury Hall" is actually incorrectly misnamed; its correct name is "Hanbury Hall". "PLATES, Drawn and engraved by J. Ross, unless otherwise expressed." - "A Bibliographical Account of the Principal Works Relating to English Topography", (1818) - William Upcott. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Artist: (after) Hans Holbein (the Younger) (German-Swiss, c. 1497-1543) Title: "Catherine Howard Queen", "Jane Seymour Queen", "Anna Bollein Queen", a...

"Cherubs" (A) Pen and Ink drawing of Putto Italian School Late 17th early 18th century. Pen and ink on paper 6 ½ x 17 ½ (22 ½ x 11 ½) inches Antique scenes of putto and a faun cele...

Portrait is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Lov...

18th Century french School, Courtyard of a ruined palazzo, An Architectural Capriccio, Pen and black ink and black ink wash on paper 17 x 12 cm In good condition Framed : 32 x 26 c...

Self-Portrait is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late edition...

Antiquities of Herculaneum  - Letter of the Alphabet A,  from the series "Antiquities of Herculaneum", is an original etching on paper realized by Giovanni Mignani in the 18th centur...

The Physiognomy - The anger is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the L...

Offering a Flower is a beautiful black and white lithograph by the French artist Jean Bactiste Victor Loutrel (1821-1908). Signed on plate on lower right margin "V. Loutrel", and pr...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - La piece dite des cinq Saints, Year: 1875, Medium: Heliogravure, Size: 17.5 x 11.75 in. (44.45 x 29.85 cm), Pr...

Giovanni Francesco Barbieri, the Guercino (Cento 1591 - Bologna 1666), workshop Attributable to, Benedetto Gennari (Cento, 1633 - Bologna, 1715) Venus disarming Love oil on canvas ...

Rome is a beautiful artwork realized by Jan Peter Verdussen in 1742. In good condition except for some pencil marks and traces of sealing wax on the back and some diffused foxings. ...

Portrait of Lebec is an original artwork realized by Thomas Holloway (1748 - 1827). Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge an...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - L'homme et la femme aux boules, Year: 1875, Medium: Heliogravure, Size: 6 x 4 in. (15.24 x 10.16 cm), Printer:...

Rembrandt van Rijn, After by Bredius, Dutch (1606 - 1669) - Woman Taken in Adultery, Year: 1906 Date of Original 1644, Medium: Photogravure, Size: 14 x 10 in. (35.56 x 25.4 cm),...

Beggar and Peasants is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late e...

Black and white etching on wire rod paper, representing the Greek myth of Encelade, burried under the Mount Ethna. Beautiful plate with fresh impression, from the volume “Le Temple ...

Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774) Title: "Moor Tower" (Plate 173) and "Kirkham Priory" (Plate 328) Portfolio: Buck's Antiquities or Venerable R...

Four engravings from 'Emblemi di Achille Bocchi', realized in 1555, are original Engravings. Dimension: 17 x 12,5 cm each. Four sheets from Achillis Bo...

Principi Etruriae Duci is an original artwork realized by the French artist Charles Simonneau in the second half of the XVII Century. Original Etching on paper. D'aprés Charles Le B...

Artist: Adriaen Van Ostade (Dutch, 1610-1685) Title: The Organ Grinder Year: 1647 Medium: Etching Paper: Laid paper Image (plate mark) size: 4.35 x 3.5 i...

Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Adam et Eve, Year: 1875, Medium: Heliogravure on laid paper, Size: 10 x 7 in. (25.4 x 17.78 cm), Printer: Aman...

Saint Francis with the Christ Child is an etching print on paper realized by Pietro Faccini (1562-1602) Beautiful proof. Provenance: Collection G.S.S. Laub (Lugt 1221). Ref. Cat. P...

Etching 195 x 295 mm.; 7 3/4 x 11 3/4 inches Exhibited: Old Master Prints & Drawings: 1450 - 1850, R. S. Johnson Fine Art, December 1999: no. 21. Reference: Hollstein 68 I/II No...

Ancient Roman Scene from the series "Antiquities of Herculaneum", is an etching on paper realized by Various Authors in the 18th Century. Monogrammed on t...