Baseball Art

Edition of 50 Ger Doornink's limited editions are based on a high resolution scan of the original artwork. They are printed on archival Hahnemühle German Etching paper. This techniq...

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

edition 2/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

edition 2/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

Painting of famed New York Yankees baseball player Mickey Mantle Medium: Painting Signature: Signed Lower Left Contact for dimensions. While growing up, Ron Lesser was recognized for his artistic potential. He was admitted into New York's High School of Music and Art and later the Pratt Institute of Art and the Art Students League, studying under the influential teacher, Frank J. Reilly. Drawing on his extensive fine art background, and inspired by the great classical painters such as N.C. Wyeth, Norman Rockwell, Tom Lovell and others, Ron focuses on historical paintings of high visual impact and strong characterizations. He creates paintings inspired by his fascination of the culture and environment of his subject matter. These paintings bring back the important and often exciting moments that existed in the 19th century. While giving attention to detail, a devotion to strong and dramatic compositions coupled with a unique creative vision sets a Ron Lesser painting apart. This overall impact transports the viewer to another time and place. "I'm trying to tell a story. I like people to look at one of my paintings and feel like they could step into the scene." Lesser created Western movie art for "High Plains Drifter," "Paint Your Wagon," "The Way West," and the story boards for the dream sequence in "A Man Called Horse." He has painted the covers of Western book...

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 25.75" x 23.50," Framed 33.00" x 30.50"

Painting of New York Yankees baseball player Derek Jeter Medium: Painting Signature: Signed Lower Right Contact for dimensions. While growing up, Ron Lesser was recognized for his artistic potential. He was admitted into New York's High School of Music and Art and later the Pratt Institute of Art and the Art Students League, studying under the influential teacher, Frank J. Reilly. Drawing on his extensive fine art background, and inspired by the great classical painters such as N.C. Wyeth, Norman Rockwell, Tom Lovell and others, Ron focuses on historical paintings of high visual impact and strong characterizations. He creates paintings inspired by his fascination of the culture and environment of his subject matter. These paintings bring back the important and often exciting moments that existed in the 19th century. While giving attention to detail, a devotion to strong and dramatic compositions coupled with a unique creative vision sets a Ron Lesser painting apart. This overall impact transports the viewer to another time and place. "I'm trying to tell a story. I like people to look at one of my paintings and feel like they could step into the scene." Lesser created Western movie art for "High Plains Drifter," "Paint Your Wagon," "The Way West," and the story boards for the dream sequence in "A Man Called Horse." He has painted the covers of Western book...

Limited edition 1 on 10 Mounted on DIASEC ( PLEXI MOUNTING ) About the artist : The multi-award winning artist, Gregoire A. Meyer creates digital illustrations that evoke emotional...

Chris Smith (b.1937) Sparring silver gelatin fibre based print 20 x 30 in. / 34.5 x 48 in. / 46 x 66 in. signed and numbered printed later This work is available in the following si...

Edition of 25 Signed and numbered. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of 25 36 x 54 in., Edition of 25

Signed by Neal Leifer Neil Leifer is an American photojournalist and filmmaker, mostly known for his sports photographs, especially the dramatic ph...

Marilyn gold wink roses Bern Stern Print on photo paper Inkjet Technique Paper size: 48 X 33 cms Dimension photo: 25.5 X 40.7 Picture from 1962 2012 print...

Original photograph by the Artist.

Original painting signed by the Artist on the lower left.

Original bronze sculpture by E.C. Wynne. Edition #46/125. Signed on bronze.

Katherine Simone Reynolds Ask Her How She's Doing: The Emotions of a Young Woman, 2015 Film photography 30 x 40 inches (76.2 x 101.6 cm) Edition 2/6

Contemporary figurative painting

Art Sz: 11"H x 9"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Art Sz: 11"H x 7 1/2"W Provenance: Gillian Dupont's The Old Habit Tack Shop Marshall, VA

Medium: Oil on Canvas Sight Size 29.00" x 20.00", Framed 36.00" x 27.00" Signature: Signed Lower Left

Screenprint in colours, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77cm.

Signed Silver gelatin print Available in two sizes: 11 x 14 inches 16 x 20 inches Also available as an editioned archival pigment print in two larger sizes, please enquire for deta...

Agent X 50 Cent (Black & White) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm Hahnemüh...

Agent X 50 Cent (Gold) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm Hahnemühle Paper ...

Fabrice Monteiro Pitit Noir, 2016 Digital art print 31 1/2 x 31 1/2 inches (80 x 80 cm) Edition of 5

Alex Katz was born in Brooklyn, New York in 1927. In 1928, at the outset of the Depression, his family moved to St. Albans, a diverse suburb of Queens that had sprung up between the two wars. Katz was raised in St. Albans by his Russian parents. His mother had been an actress and possessed a deep interest in poetry and his father, a businessman, also had an interest in the arts. Katz attended Woodrow Wilson High School for its unique program that allowed him to devote his mornings to academics and his afternoons to the arts. In 1946, Katz entered The Cooper Union Art School in Manhattan, a prestigious college of art, architecture, and engineering. At The Cooper Union, Katz studied painting under Morris Kantor and was trained in Modern art theories and techniques. Upon graduating in 1949, Katz was awarded a scholarship for summer study at the Skowhegan School for Painting and Sculpture in Maine, a grant that he would renew the following summer. During his years at Cooper Union, Katz had been exposed primarily to modern art and was taught to paint from drawings. Skowhegan exposed him to painting from life, which would prove pivotal in his development as a painter and remains a staple of his practices today. Katz explains that Skowhegan’s plein air painting gave him “a reason to devote my life to painting.” Katz’s first one-person show was held at the Roko Gallery in 1954. Katz had begun to develop greater acquaintances with the New York School and their allies in the other arts; he counted amongst his friends’ figurative painters Larry Rivers and Fairfield Porter, photographer Rudolph Burckhardt, and poets John Ashbery, Edwin Denby, Frank O’Hara, and James Schuyler. From 1955 to 1959, usually following a day of painting, Katz made small collages of figures in landscapes from hand-colored strips of delicately cut paper. In the late 1950s, he moved towards greater realism in his paintings. Katz became increasingly interested in portraiture, and painted his friends and his wife and muse, Ada. He embraced monochrome backgrounds, which would become a defining characteristic of his style, anticipating Pop Art and separating him from gestural figure painters and the New Perceptual Realism. In 1959, Katz made his first cutout, which would grow into a series of flat “sculptures;” freestanding or relief portraits that exist in actual space. In the early 1960s, influenced by films, television, and billboard advertising, Katz began painting large-scale paintings, often with dramatically cropped faces. In 1965, he also embarked on a prolific career in printmaking. Katz would go on to produce many editions in lithography, etching, silkscreen, woodcut and linoleum cut. After 1964, Katz increasingly portrayed groups of figures. He would continue painting these complex groups into the 1970s, portraying the social world of painters, poets, critics, and other colleagues that surrounded him. He began designing sets and costumes for choreographer Paul Taylor in the early 1960s, and he has painted many images of dancers throughout the years. In the 1980s, Katz took on a new subject in his work: fashion models in designer clothing. In the late 1980s and 1990s, Katz focused much of his attention on large landscape paintings, which he characterizes as “environmental.” Rather than observing a scene from afar, the viewer feels enveloped by nearby nature. Katz began each of these canvases with “an idea of the landscape, a conception,” trying to find the image in nature afterwards. In his landscape paintings, Katz loosened the edges of the forms, executing the works with greater painterliness than before in these allover canvases. In 1986, Katz began painting a series of night pictures—a sharp departure from the sunlit landscapes he had previously painted, forcing him to explore a new type of light. Variations on the theme of light falling through branches appear in Katz’s work throughout the 1990s and into the 21st century. At the beginning of the new millennium, Katz also began painting flowers in profusion, covering canvases in blossoms similar to those he had first explored in the late 1960s, when he painted large close-ups of flowers in solitude or in small clusters. More recently Katz began painting a series of dancers and one of nudes, which was the subject of a 2011 exhibition at the Kestnergesellschaft in Hanover. Katz’s work continues to grow and evolve today. Alex Katz's work has been the subject of more than 200 solo exhibitions and nearly 500 group exhibitions internationally since 1951. In 2010, Alex Katz Prints was on view at the Albertina Museum in Vienna, which showed a retrospective survey of over 150 graphic works from a recent donation to the museum by Katz of his complete graphic oeuvre. The National Portrait Gallery in London presented an exhibition titled Alex Katz Portraits. In June 2010, The Farnsworth Art Museum in Rockland, Maine opened Alex Katz: New Work, exhibiting recent large-scale paintings inspired by his summers spent in Maine. Katz was also represented in a show at the Metropolitan Museum of Art, New York, curated by Marla Prather, entitled Facing the Figure: Selections from the Permanent Collection, 2010. In 2009-2010, Alex Katz: An American Way Of Seeing was on view at the Sara Hildén Art Museum, Tampere, Finland; Musée Grenoble, Grenoble, France; and the Museum Kurhaus Kleve, Kleve, Germany. In 2007, Alex Katz: New York opened at the Irish Museum of Modern Art, Dublin, Ireland. The show, which included approximately 40 paintings and aquatints, was the first exhibition to concentrate primarily on Katz’s relationship with his native city. The Jewish Museum, New York, presented Alex Katz Paints Ada in 2006-2007, an exhibition of 40 paintings focused on Katz’s wife, Ada, dating from 1957 to 2005. It coincided with an exhibition devoted to Katz’s paintings of the 1960s at PaceWildenstein, Alex Katz: The Sixties, on view from April 27 through June 17, 2006 at 545 West 22nd Street. Alex Katz in Maine, an exhibition of landscapes and portraits made over six decades, opened at The Farnsworth Art Museum and Wyeth...

An oil painting by Hilo Chen from 1973. A photo-realistic scene of a park in midday overlooking a soccer field from a sidewalk vantage point. Signed and dated verso, framed in a natural wood frame. Artist: Hilo Chen Title: Soccer Players...

Signed by the photographer.

Elton John, Dodger Stadium, Los Angeles - Terry O'Neill (Black and White) Signed and numbered C-type print Lifetime Edition C-Type Print Photographing The Beatles and The Rolling Stones when they were still struggling young bands in 1963, Terry O’Neill (1938-2019) chronicled the emerging faces of film, fashion and music who would go on to define the Swinging Sixties.

Elton John in Full Swing, Dodger Stadium, Los Angeles, 1975 - Terry O'Neill Signed and numbered Silver gelatin print Available in the following sizes: 12 x 16 inches, edition of 50 ...

acrylic and oil paint on board

This work is available in three sizes: 11” x 14” (28 x 35.5 cm) Editions of 10 + 3 Artist's Proofs 16” x 20” (40.5 x 51 cm) Editions of 10 + 3 Artist's Proofs 20” x 24” (51 x 61 c...

Gelatin silver print Signed, dated, and inscribed in pencil, verso 10 x 8 inches, sheet size 7.375 x 7.375 inches, image size This artwork is offered by ClampArt, located in New Yo...

People playing instruments Edition of 15. Additional sizes available.

Chromogenic print Signed, verso 20 x 24 inches, sheet 15 x 22 inches, image This photograph is offered by ClampArt, located in New York City.

Leisure and Fashion, 1961: A woman watching a poolside fashion show at the Colony Hotel, Palm Beach Staley-Wise Gallery offers photographic prints fr...

Leonard Freed is considered one of the most prolific and timely photojournalists of his generation. Born in Brooklyn, he traveled to Europe for the first time in 1952, where he disc...

1 from a series of 8 color photographs with acrylic paint

Public Enemy, 1996 Archival pigment print image size: 48 x 48 inches Signed and numbered edition of 40 William Coupon is an American photographer, b...

Kal Daniels, Darryl Strawberry, and Gary Carter, Dodgers Stadium, Los Angeles, 1991

All editions signed by the photographer.