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Art Subject: Geyser
Cloud - bright, calm, realist, landscape, oil and acrylic on canvas on panel
By James Lahey
Located in Bloomfield, ON
The airy, ethereal quality of a white cloud rising in a deep blue sky is beautifully rendered in this mixed media composition by James Lahey. Known for his realistic landscapes, Lahe...
Category
Early 2000s Contemporary Landscape Paintings
Materials
Canvas, Oil, Acrylic, Wood Panel
"Mud Volcano Town" (2023) By Linda Lillegraven, Oil Painting
Located in Denver, CO
Linda Lillegraven's beautiful original oil landscape "Mud Volcano Twon" (2024) depicts a serene moment of a western plain in the afternoon with active geysers spewing steam.
Linda L...
Category
2010s American Impressionist Landscape Paintings
Materials
Linen, Oil
Bring Us Together, Original Landscape Art, Turner Style Paintings, AffordableArt
Located in Deddington, GB
Sheryl Roberts
Bring Us Together
Original Seascape Painting
Oil and Acrylic Paint on Canvas
Canvas Size: H 100cm x W 100cm x D 2.5cm
Framed Size: H 106cm x W 106cm x D 3.5cm
Sold Fra...
Category
21st Century and Contemporary Landscape Paintings
Materials
Canvas, Oil, Acrylic, ABS
"Geysir" Oil Painting
Located in Denver, CO
Thorgrimur Einarsson's "Geysir" is an original, handmade oil painting that depicts an arctic geyser erupting into a bright blue sky.
About the Artist:
Thorgrimur is an Icelandic artist...
Category
2010s Contemporary Figurative Paintings
Materials
Oil, Panel
Ansel Adams and the West
By Ansel Adams
Located in New York, NY
Ansel Adams and the West, 1979
Offset Lithograph Poster
23 × 36 inches
Unframed
This offset lithograph poster was created on the occasion of the Ansel Adams exhibition, Ansel Adams and the West, at the Museum of Modern Art in New York from September 8 - October 28, 1979. The photograph featured in this poster is Old Faithful...
Category
1970s Realist Landscape Prints
Materials
Lithograph, Offset
Java, The Papundujyan crater - Original Vintage Photo - 1893
Located in Roma, IT
Java, The Papundujyan crater (Der Krater des Papundujyan) - April 13th 1893 - is an original vintage black and white photo realized during journey throughout the world performed by p...
Category
1890s Landscape Photography
Materials
Paper, Photographic Paper
Geyser #1, Nude photography in color
By David Jay
Located in Miami Beach, FL
David Jay's work gives a unique and intimate perspective on how we define beauty. A confrontation between the perception of beauty and the transitory nature of existence, Jay’s subje...
Category
2010s Contemporary Color Photography
Materials
Photographic Paper, Archival Pigment
"Waterfall and Spray #1" Small Landscape/Waterscape Dusk Clouds Sky Blue Pink
Located in Wellesley, MA
"Waterfall and Spray #1" Oil on Panel, 12 x 12 x 3/4 Inches, is a meticulously painted rendition of the spray from a waterfall at dusk against a brilliant blue sky with bursts of...
Category
2010s Realist Landscape Paintings
Materials
Oil
"Waterfall, Spray, Clouds" Small landscape/waterscape dusk clouds sky blue pink
Located in Wellesley, MA
"Waterfall and Spray #3" Oil on Panel, 12 x 12 x 3/4 Inches, is a meticulously painted rendition of the spray from a waterfall at dusk against a brilliant blue sky with bursts of...
Category
2010s Realist Landscape Paintings
Materials
Oil, Bromoil
"Waterfall, Spray, Clouds" Small Landscape/Waterscape Sky with Sun
Located in Wellesley, MA
"Waterfall, Spray, Clouds" Oil on Panel, 12 x 12 x 3/4 Inches, is a meticulously painted rendition of a waterfall seen from above with bursts of white light in blue sky appearing t...
Category
2010s Photorealist Landscape Paintings
Materials
Oil, Wood Panel
"Waterfall and Spray #2" Small landscape/waterscape dusk clouds sky blue pink
Located in Wellesley, MA
"Waterfall and Spray #2" Oil on Panel, 12 x 12 x 3/4 Inches, is a meticulously painted rendition of the spray from a waterfall at dusk against a brilliant blue sky with bursts of...
Category
2010s Realist Landscape Paintings
Materials
Oil
Lord Of The Rings
By David Yarrow
Located in Chicago, IL
Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper
Each is signed, dated and numbered on the front.
Edition Size: 12
Available sizes:
48 x 62 inches
67 x 87 inches
All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price.
David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer.
"There is something ethereal about this shot, as if it were of a different world. This is apt, as it was here – near Lake Mývatn in the north-east of Iceland – that Neil Armstrong practised his lunar landing. It is certainly the place I’ve been to that most resembles the Moon. It’s also where much of “Game of Thrones” was filmed.
I’ve been to Iceland many times. This picture was taken three years ago, in winter, at around 9.15 in the morning; the light was lovely but it was very cold. Visually, Iceland is far better in winter. The landscape is a gift for photographers and film-makers. But images usually involve waterfalls. I wanted to do something different, to make people do a double take.
The pony is important to this. While the scene is of the other side of Iceland – about as far from Reykjavik and as wild and strange as you can get – it’s still there for anyone who travels to photograph it. The pony turns the landscape into a canvas on which to do something a bit different. It’s the right size to be at the epicentre of the picture – and the flumes behind it add that bit of magic.
I don’t want to be disingenuous about how natural the picture is. We used a horse wrangler, who put up some barriers to ensure that the pony couldn’t roam out of shot. Then I waited for the composition to be just right.
I try to find names for the pictures I take. There’s something rather fantastical about this one, about the medley of whites. I called it “Lord of the Rings...
Category
21st Century and Contemporary Contemporary Black and White Photography
Materials
Archival Pigment
Spring Prairie Burning, Chase County, Kansas, April 1994
By Terry Evans
Located in New York, NY
Vintage silver gelatin print
Image size: 15 x 15 inches
Frame size: 23 3/4 x 23 1/4 inches
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1880s Figurative Sackett's Calvary Charge of the 9th New York Volunteers
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Late 19th century figurative painting of the battle of Trevilians Station and of the wounding of Colonel Sackett June 11, 1864. Oil on canvas in giltwood frame. Signed or notated indistinctly lower right. Image, 20.25"H x 36.25"W.
Military History Prior to 1865
The 9th New York Cavalry contained two companies from Cattaraugus County. It was mustered into the service October 1, 1861 and, until mustered out in July, 1865, lost 619 officers and men out of a total enlistment of a little less than two thousand. It participated in many battles and skirmishes and lost its colonel, William Sackett, who was killed at Trevilian Station, Virginia, on June 11, 1864.
From the Albany Evening Journal, July 20, 1864:
Another name is added to the list of hero martyrs who have fallen in the service of their country. Col. WILLIAM SACKETT, of the Ninth New-York Cavalry, (son of Hon. W.A. SACKETT,) was mortally wounded in the engagement, under Gen. SHERIDAN, at Pavillion Station, Va., and died on the 14th ult. As he was left behind, the sad intelligence of his decease has but just been received.
Col. SACKETT had seen much service. He entered the army on the 22d of April, 1861, was appointed Major of the Ninth New-York Cavalry in October of the same year, was promoted to Lieutenant-Colonelcy in August, 1862, and in March, 1863, became commander of the regiment. He was with Gen. MCCLEELAN in the Peninsula campaign, was in all the cavalry actions of the campaign which followed, was with the army in its advance after the battle of Antietam, and in almost constant conflict with the enemy until after the battle of Fredericksburgh. He participated in most of the cavalry engagements under Gen. HOOKER's command, was in all the principal cavalry actions during LEE's invasion of Maryland and Pennsylvania in 1863, and was among the first engaged in the terrible conflict at Gettysburgh, where he performed distinguished service in holding a rebel brigade in check a long time while our forces were getting into position on the crest of the hill. He was active in the cavalry skirmishes which ensued in the latter part of the Summer.
During the present campaign he was with Gen. SHERIDAN in all his brilliant expeditions up to the time when he fell. He died while leading a charge against the enemies of his country -- died, as he wished to die, doing his whole duty. He was brave, he was generous, he was unflinchingly faithful to the cause of the Union. He loved the old flag with a love that was stronger than life, and esteemed it glorious to fall in its defense. He was born in Seneca Falls, and was 25 years of age.
When the great civil war broke out [William Sackett] was practicing law at Albany, N. Y., having a short time previous been admitted to the bar. In December, 1861, he was commissioned Major of the 9th Regiment of New York Cavalry, and taking the field served with credit in several engagements in which that command participated. On June 27, 1862, his immediate superior, Lieutenant- Colonel Hyde, resigned and three days later Major Sackett was commissioned to fill the vacancy. On the 30th of the following May he was advanced to the Colonelcy of his regiment, with rank from March 15, 1863.
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City Point, Va., July 7, 1864.
General R. E. Lee, Commanding Confederate Army,
Mrs. Sackett, the wife of Colonel William Sackett, who was wounded on the 11th of June, near Trevilians Station, Va., is here in deep distress and feeling great anxiety to learn the fate of her husband. Colonel Sackett was left at a house some two miles and a half from the station, in charge of...
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Frankenthaler, Mary Mary 1991, New York City, Lincoln Center
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Image Size: 11.5 x 33.5 inches ( 29.21 x 85.09 cm )
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Condition: B: Very Good Condition, with signs of handling or age
Additi...
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