Ifpda International Fine Print Dealers Association
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Color: White
The Circular House - The Rotaflex Lamp
By William Tillyer
Located in London, GB
William Tillyer
The Circular House
"D'Aigurande proceeded to buy rounded pieces of furniture" - The Rotaflex Lamp
1974/2018
Deep etching and intaglio printing on Arches paper, Editi...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association
Materials
Etching
Interior at Fontenay aux Rose with Large Tortoise
By William Tillyer
Located in London, GB
William Tillyer
Interior at Fontenay aux Rose with Large Tortoise
"Skylight screen and vase of articial looking flowers"
1974/2018
Intaglio and relief printing on Arches paper, Editi...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association
Materials
Etching
Balsam of Mecca
By William Tillyer
Located in London, GB
William Tillyer
Balsam of Mecca
1974/2018
Soft ground etching with aquatint on zinc plate and collage on Arches paper, Edition of 25
Paper size: 66 x 50.7 cms (26 x 20 ins)
Plate siz...
Category
2010s Ifpda International Fine Print Dealers Association
Materials
Etching
Bedroom
By Howard Hodgkin
Located in London, GB
Lithograph from five zinc plates, using tusche and crayon with splatter, printed in red, orange, green, black, and pink. On J Green paper (250 gsm)
Signed, numbered and dated '68 in ...
Category
Mid-20th Century Abstract Ifpda International Fine Print Dealers Association
Materials
Color, Lithograph
Man's Ruin
By Don Ed Hardy
Located in Lyons, CO
Color lithograph, Edition 25.
In Man’s Ruin, a wolf is portrayed as a nurse, two iconic images often seen in tattoo flash. Below the wolf are two brigh...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
Octavio Paz Suite: Nocturne VI
By Robert Motherwell
Located in London, GB
Lithograph and chine appliqué
64.5 x 54 cms (25 3/8 x 21 1/4 ins)
Edition 50
Paper: Arches paper; Japanese Gampi handmade paper
Other Collaborators: Image transferred from Mylar to...
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Handmade Paper, Color, Lithograph
Untitled (Diptych)
By Fred Sandback
Located in New York, NY
Fred Sandback was a minimalist conceptual-based sculptor known for his yarn sculptures, drawings, and prints. He majored in philosophy at Yale Universit...
Category
1990s Minimalist Ifpda International Fine Print Dealers Association
Materials
Lithograph
Wagon Crossing a Bridge (Wagen auf einer Brucke)
By Lyonel Feininger
Located in New York, NY
Lyonel Feininger (1871-1956), Wagon Crossing a Bridge (Wagen auf einer Brucke), woodcut, c. 1941, signed in pencil lower left, with the artist’s work number lower center (1867). Reference: Prasser W 82, only state. In very good condition, with margins, 3 1/2 x 4 3/4, the sheet 4 7/8 x 6 7/8 inches.
A fine fresh proof impression of this intricate cubist composition, printed in black ink on a thin Japan wove paper.
Prasser notes a few proofs, on various papers, some unsigned. This print was included as No. 5 of the portfolio Ten Woodcuts by Lyonel Feininger, 1941, edition of 30; as with many of his small woodcuts...
Category
1940s Cubist Ifpda International Fine Print Dealers Association
Materials
Woodcut
Pineapple Engraving
By Johann Wilhelm Weinmann
Located in New York, NY
Original engraving by Johann Wilhelm Weinmann from "Phytanthosa Iconographia." Ratisbon, 1737-1745.
This plate: No. 113 Ananas Folio Latiore.
Mezzotint engraving printed in color and...
Category
Early 18th Century Ifpda International Fine Print Dealers Association
Materials
Laid Paper
Aloe Plant Engraving
By Johann Wilhelm Weinmann
Located in New York, NY
Original engraving by Johann Wilhelm Weinmann from "Phytanthosa Iconographia." Ratisbon, 1737-1745.
This plate: N. 304 Caranna.[Palm Tree].
Mezzotint engraving printed in color and f...
Category
Early 18th Century Ifpda International Fine Print Dealers Association
Materials
Laid Paper
Split Ring Image C
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category
21st Century and Contemporary Ifpda International Fine Print Dealers Association
Materials
Woodcut
Still Life
By Alex Katz
Located in New York, NY
Still life woodcut and lithograph on Rives Creme paper.
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Woodcut, Lithograph
'Three Masted Ship, 2' – Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Three Masted Ship, 2 (Dreimastiges Schiff, 2)', woodcut, 1937, one of a small but unknown number of letterhead proofs; Prasse W296. Feininger estate stamp and inventory no. 'W 865' in pencil, bottom left sheet corner. Annotated 'W 296' and 'on block : 3702a' in pencil, bottom right sheet corner.
A fine impression, on cream, laid, letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce.
Image size 2 1/4 x 2 11/16 inches; sheet size 10 x 6 3/4 inches. Archivally sleeved, unmatted.
Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY.
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Ifpda International Fine Print Dealers Association
Materials
Woodcut
Le Couple
By Pablo Picasso
Located in New York, NY
Pablo Picasso (1881-1973), Le Couple, 1951, drypoint on chine volant, signed lower right margin and numbered (5/XI) lower left margin. References: Bloch 690,...
Category
1950s Cubist Ifpda International Fine Print Dealers Association
Materials
Drypoint
'Little Locomotive' – Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Little Locomotive (Kleine Lokomotive)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W158. Annotated 'W 158' (Feininger catalogue number) and '1936' in pencil, in the bottom right sheet corner.
A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce.
Image size 2 1/4 x 3 5/16 inches; sheet size 10 x 7 inches. Archivally sleeved, unmatted.
Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY.
Collections: Cleveland Museum of Art, Museum of Modern Art, Staatliche Museen zu Berlin (East Berlin KK).
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Ifpda International Fine Print Dealers Association
Materials
Woodcut
Elegy Fragment II
By Robert Motherwell
Located in London, GB
Aquatint, lift-ground etching and aquatint on Georges Duchene Hawthorne of Larroque handmade paper
87.6 x 61 cm (34 1/2 x 24 inches)
Edition of 52
Category
1980s Abstract Ifpda International Fine Print Dealers Association
Materials
Etching, Aquatint
'Church with Star' – Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with Star (Kirche mit Stern)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W265. Annotated 'W 265' (Feininger catalogue number) and inventory no. '2808' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce.
Image size 2 3/8 x 2 3/8 inches; sheet size 10 1/16 x 7 1/16 inches. Archivally sleeved, unmatted.
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Ifpda International Fine Print Dealers Association
Materials
Woodcut
'Feast of Passover' — American Expressionism
By Max Weber
Located in Myrtle Beach, SC
Max Weber, Untitled 'Feast of Passover', woodcut, 1920, edition proofs—this impression from the edition of 25 printed in 1956, Rubenstein 30. Signed in pencil...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association
Materials
Woodcut
'Church with Houses' — Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with Houses' also 'Tree and Star' ('Kirche mit Hausern', 'Baum und Stern'), woodcut, 1933, one of a small but unknown number of letterhead proofs; Prasse W275. Annotated 'W 275' (Feininger catalogue number) and inventory number '3033' in pencil, in the bottom right sheet corner. A fine, richly-inked impression, on cream, laid letterhead paper, in excellent condition. Very scarce.
Image size 2 7/16 x 2 5/8 inches; sheet size 10 x 6 7/8 inches. Archivally sleeved, unmatted.
Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY.
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Ifpda International Fine Print Dealers Association
Materials
Woodcut
Study of an Italian Town with Women in a Doorway
By Jared French
Located in Fairlawn, OH
Study of an Italian Town with Women in a Doorway
Graphite on cream wove paper, c. 1960
Signed by the artist in pencil lower right (see photo)
A master of ...
Category
1960s American Realist Ifpda International Fine Print Dealers Association
Materials
Graphite
Codex YTREBIL
By Enrique Chagoya
Located in Lyons, CO
Color lithograph, Edition 25.
The artist describes this project:
Codex YTREBIL, (liberty backwards), is based on a series of small books by anonymous Ind...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
Proscenium IV (grid with lines and white patches)
By Richard Smith
Located in London, GB
Edition of 40
77.5 x 58.5 cms (30.5 x 23 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Etching
Fillette
By Henri Matisse
Located in London, GB
Lithograph on vellum paper, Edition of 25
Paper size: 33 x 26.5 cms (13 x 10 1/2 ins)
Image size: 31.5 x 21.2 cms (12 3/8 x 8 3/8 ins)
Category
1940s Impressionist Ifpda International Fine Print Dealers Association
Materials
Lithograph
'Church with House and Tree' – Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with House and Tree (Kirche mit Haus und Baum)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W290 V. Inscribed 'J. F. note paper', in pencil, in the artist’s hand; with the Feininger estate stamp and catalog no. 'W 859' in pencil. Annotated 'W.290 V state 3609' in pencil, in the bottom right sheet corner.
A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce.
Image size 2 3/8 x 2 3/4 inches; sheet size 10 x 7 5/16 inches. Archivally sleeved, unmatted.
Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; NY, NY.
ABOUT THE ARTIST
Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public. Still, he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892.
After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin.
One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category
1930s Bauhaus Ifpda International Fine Print Dealers Association
Materials
Woodcut
Untitled
By Louisa Chase
Located in New York, NY
Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Yal...
Category
Late 20th Century Abstract Ifpda International Fine Print Dealers Association
Materials
Lithograph
Ski Fashion Watercolor
Located in New York, NY
Original watercolor on paper, signed in pencil.
Category
1940s Ifpda International Fine Print Dealers Association
Materials
Watercolor, Paper
PENNY ARCADE - MISERIA
Located in Portland, ME
Penny Arcade (American, born 1950).
LA MISERIA POSTER.
Photo offset poster, circa 1991.
22 1/2 x 17 3/4 inches, mounted to paper and backed with cloth ...
Category
1990s Ifpda International Fine Print Dealers Association
Materials
Offset
'Forms in White' – Mid-Century Abstraction
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon, 'Forms in White', color serigraph, 1950, edition 30, Ryan 85. Signed in pencil. Dated, titled, annotated 'ED. 30' and '5 COLORS' in the screen, bottom center sheet edg...
Category
Mid-20th Century Abstract Ifpda International Fine Print Dealers Association
Materials
Screen
Tanks & Trees — Mid-century American Surrealism
Located in Myrtle Beach, SC
Karl Eugene Fortess, 'Tanks & Trees', lithograph, c. 1940, edition 100. Signed, titled, and numbered '100/P' in pencil. Inscribed 'For Usui - K.' in the bottom left margin. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/2 to 2 1/2 inches); a slight crease across the top right sheet corner, well away from the image; otherwise in excellent condition. Image size 13 1/8 x 10 inches; sheet size 17 3/8 x 13 3/16 inches. Matted to museum standards, unframed.
Provenance: Estate of Francis Pratt.
Francis and her husband Bumpei Usui...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association
Materials
Lithograph
Pear Engraving
By Pierre-Joseph Redouté
Located in New York, NY
Redouté, Pierre Joseph.
Poire Tarquin. Le Choix des Plus Belles Fleurs.
Paris, 1827.
Original engraving hand colored at the time of publication.
Category
Early 1800s Ifpda International Fine Print Dealers Association
Materials
Paper
Victorian Butterfly Watercolor
Located in New York, NY
Original watercolor from a Victorian album by an unknown artist. English, circa 1860.
Category
Late 19th Century Victorian Ifpda International Fine Print Dealers Association
Materials
Paper
Culture
By Ben Shahn
Located in New York, NY
Ben Shahn created this 1968 serigraph entitled “CULTURE” in black ink with red calligraphy. This is an UNSIGNED impression. Provenance; Shahn estate, private collector, The Old Print Shop...
Category
1960s Modern Ifpda International Fine Print Dealers Association
Materials
Screen
Octavio Paz Suite: Nocturne VII
By Robert Motherwell
Located in London, GB
Lithograph and chine appliqué
64.5 x 54 cms (25 3/8 x 21 1/4 ins)
Edition of 50
Paper: Arches paper; Japanese Gampi handmade paper
Other Collaborators: Image transferred from Mylar ...
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Handmade Paper, Color, Lithograph
Chair & rooftoop
By Robert Kipniss
Located in New York, NY
“Chair & rooftop” is a mezzotint engraving created by Robert Kipniss in 2015. Printed in an edition of 30 this impression is signed in pencil and inscribed "27/30." The paper size i...
Category
21st Century and Contemporary Modern Ifpda International Fine Print Dealers Association
Materials
Mezzotint
'Commuters' — Early 20th-Century Modernism
By George Josimovich
Located in Myrtle Beach, SC
George Josimovich, 'Commuters', linocut, 1922-23, edition 20. Signed, dated '22, titled, and annotated '9/20' in pencil. Initialed in the block 'G.J....
Category
1920s American Modern Ifpda International Fine Print Dealers Association
Materials
Linocut
Fish and Coral Gouache by Ena Rottenberg
By Ena Rottenberg
Located in New York, NY
Original gouache of a fish and coral by Wiener Werkstatte artist, Ena Rottenberg. Signed with her initials on the lower right edge of the image. Likely a design for a porcelain plate...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association
Materials
Parchment Paper, Gouache
Ifafa I
By Frank Stella
Located in London, GB
Lithograph with varnish, 1968, with LC Varnish on Lowell paper, signed, dated and numbered from the edition of 100, published by Gemini G.E.L., Los Angeles., sheet: 41.3 x 56.8 cm. (...
Category
1960s Ifpda International Fine Print Dealers Association
Materials
Screen
Grande masque
By Henri Matisse
Located in London, GB
Henri Matisse
Grande Masque
1948
Aquatint on Marais paper, signed in pencil and numbered 11/25, there were also 5 artist’s proofs.
Signed, dedicated "à Nadia Sednaoui" and inscribed ...
Category
1940s Modern Ifpda International Fine Print Dealers Association
Materials
Aquatint
Pair of Lily Watercolors
Located in New York, NY
Pair of watercolors on translucent laid paper. Likely English, circa 1920. Displayed in cream archival mats. The sheet size of each watercolor is 14 1/2 x 11 inches.
Category
1920s Ifpda International Fine Print Dealers Association
Materials
Gouache, Laid Paper, Watercolor
Africa Suite: Africa 9
By Robert Motherwell
Located in London, GB
The original studies from the 'Africa Suite' were a group of ten works selected from a series of ink-on-paper drawings from the same year. The large autom...
Category
1970s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Screen
A small copse in a field.
By Robert Kipniss
Located in New York, NY
The drypoint engraving entitled "A small copse in a field" was created by Robert Kipniss in 2016. Printed in an edition of 16 - this impression is signed in pencil and inscribed “12...
Category
21st Century and Contemporary Modern Ifpda International Fine Print Dealers Association
Materials
Engraving, Drypoint
Hyacinthine Macaw
By William Thomas Greene
Located in New York, NY
Original chromoxylograph (color wood-engraving) after-drawing by A.F. Lydon. London, George Bell & Sons, 1884.
Category
1880s Ifpda International Fine Print Dealers Association
Materials
Paper
Aylesbury Estate
By Keith Coventry
Located in London, GB
Screenprint in colours, 2014, signed, edition of 50, 54 x 42 cm. (21¼ x 16½ in.)
Keith Coventry was born in Burnley in 1958 and lives and works in London. He attended Brighton Polytechnic 1978– 81 and Chelsea School of Art London 1981– 82. He was featured in the seminal exhibition Sensation at the Royal Academy of Arts, London, in 1997 and in 2006, he received a mid-career retrospective at Glasgow's Tramway (Art Centre). He was also a co-founder and curator of City Racing, an influential not-for-profit gallery in Kennington, South London from 1988-98.
His work has been exhibited widely in the UK and Europe and is included in collections worldwide, including the British Council; Tate Modern; Arts Council of England; Walker Art Center, Minneapolis;, and The Museum of Modern Art, New York. In 2010 Coventry was awarded the John Moores Painting...
Category
21st Century and Contemporary Abstract Geometric Ifpda International Fine Print Dealers Association
Materials
Screen
Cucumber Watercolor
Located in New York, NY
Original watercolor by Nan Dedrick. Signed in pencil along the lower right edge of the main cucumber. Dedrick is a botanical artist who was a founding member of Art Botanica. This g...
Category
Early 2000s Ifpda International Fine Print Dealers Association
Materials
Watercolor, Paper
Beginners and Others
By Ross Bleckner
Located in Houston, TX
Ross Bleckner
Beginners and Others, 2007
Color aquatint etching
29 x 28 inches
Edition of 35
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Etching, Aquatint
MOBY DICK
By Rockwell Kent
Located in Portland, ME
Kent, Rockwell, illustrator. MOBY DICK by Herman Melville. .Lakeside Press, 1930. The Artist and the Book, 140. Edition of 1000 copies. First edition thus. Three volumes, quarto, 279, 284, and 282pp. 280 illustrations by Kent after his ink and wash drawings, except that the title pages of each volume are prints made from copper-plate engravings by Kent. In the original aluminum slipcase. In excellent condition.
Jo Mielziner...
Category
1930s Ifpda International Fine Print Dealers Association
Materials
Black and White
Visage de jeune femme
By Henri Matisse
Located in London, GB
Henri Matisse
Visage de jeune femme
1948
Aquatint on BFK Rives paper, signed in pencil and numbered 4/25.
Paper size: 55.5 x 38 cms (21 7/8 x 15 ins)
Image si...
Category
1940s Modern Ifpda International Fine Print Dealers Association
Materials
Aquatint
Man with Outstretched Arms
By Maurice Pasternak
Located in New Orleans, LA
Maurice Pasternak has created a portrait of his signature figure with outstretched arms. He moves images around on the paper to create a sense of mystery and drama. This impression ...
Category
Late 20th Century Surrealist Ifpda International Fine Print Dealers Association
Materials
Mezzotint
The Chase Is On
By Gordon Phillips
Located in Myrtle Beach, SC
Gordon Phillips, 'The Chase Is On', graphite, c. 1980. Signed and titled in pencil. A fine, spontaneous rendering, on white, wove bristol, the full she...
Category
20th Century Realist Ifpda International Fine Print Dealers Association
Materials
Graphite
Nu renversé près d'une table Louis XV
By Henri Matisse
Located in London, GB
Henri Matisse
Nu renversé près d'une table Louis XV
1929
Lithograph on Arches Velin paper, Edition of 50
Paper size: 66 x 50 cms (26 x 19 7/8 ins)
Image size: 55.9 x 46 cms (22 x 18...
Category
1920s Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
Chinese Wall
By Sam Francis
Located in London, GB
Sam Francis
Chinese Wall
1969
Lithograph, Edition of 20
76.5 x 57.2 cms (30 1/8 x 22 1/2 ins)
SF15156
Category
1960s Abstract Ifpda International Fine Print Dealers Association
Materials
Lithograph
'Mondo Negro III' — African American artist
By Camille Billops
Located in Myrtle Beach, SC
Camille Billops, 'Mondo Negro III', color etching, 2000, edition 20. Signed, dated, titled, and numbered '7/20' in pencil. A superb, richly-inked impre...
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association
Materials
Etching
Pinto
By Peter Doig
Located in London, GB
Etching in colours, 2000-2001, on Hahnemühle etching paper, signed and numbered from the edition of 46 (there were also 6 artist’s proofs), published by Paragon Press, London, sheet:...
Category
Early 2000s Photorealist Ifpda International Fine Print Dealers Association
Materials
Etching
#45
By Alexandre Hogue
Located in Fairlawn, OH
#45
Ink on paper, 1970
Signed, titled, and dated in pencil by the artist
One of a series of drawings, all made in 1970, which stemmed from Hogue's interest in Persian calligraphy. H...
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
India Ink
Levana
By Ben Shahn
Located in New York, NY
This elegant Ben Shahn lithograph entitled “Levana” was created in 1966. It was printed by Gemini G. E. L., Los Angeles, California, in an editi...
Category
1960s Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
MOTO
By Joseph Hirsch
Located in Portland, ME
Hirsch, Joseph. MOTO. Cole 20. Lithograph, 1950. 18 1/2 x 16 1/4 inches; 470 x 413 mm. Edition of 75, signed in pencil. Printed on Arches paper by Gaston Dorfinant, Paris. A fine imp...
Category
1950s Ifpda International Fine Print Dealers Association
Materials
Lithograph
"Condottiere: Gold Fashion Illustration
By Edouard Garcia Benito
Located in New York, NY
Benito, Eduardo Garcia.
La Derniere Lettre Persane.
This plate: Condottiere.
Paris, Librairie Centrale des Beaux-Arts, 1920.
Original pochoir print.
Category
1920s Ifpda International Fine Print Dealers Association
Materials
Paper
La Place de la Concorde
By Robert Delaunay
Located in Fairlawn, OH
From Joseph Delteil's "Allo, Paris," published by Quatre Chemins, Paris, 1926
Altlier blindstamp l.l.
Rare proof on chine
Category
1920s Orphist Ifpda International Fine Print Dealers Association
Materials
Lithograph
Pop Art Redefined
By Eduardo Paolozzi
Located in London, GB
Screenprint and collage
Edition of 100
Category
1970s Pop Art Ifpda International Fine Print Dealers Association
Materials
Screen
Africa Suite: Africa 7
By Robert Motherwell
Located in London, GB
The original studies from the 'Africa Suite' were a group of ten works selected from a series of ink-on-paper drawings from the same year. The large autom...
Category
1970s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Screen
