Ifpda International Fine Print Dealers Association
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Period: 20th Century
Bailey's Beach, Newport, Rhode Island.
By Clifford Isaac Addams
Located in Storrs, CT
Bailey's Beach (Newport, Rhode Island). c. 1931-1933. Etching and drypoint. Hausberg catalog 126 state vi. Edition 75. 6 x 7 7/8 (sheet 9 9/16 x 12 1/2). Printed on cream wove paper ...
Category
Mid-20th Century American Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
Note B
By Grisha Bruskin
Located in New York, NY
Image: 28 1/2 x 22 in. (72.4 x 55.9 cm)
Sheet: 34 x 27 in. (86.4 x 68.6 cm)
From set of four colour silkscreens (Note A, B, C, and D) on Somerset paper, with full margins
Edition of 75
Category
1990s Ifpda International Fine Print Dealers Association
Materials
Screen
MACHINES
By Jose Clemente Orozco
Located in Santa Monica, CA
JOSE CLEMENTE OROZCO (Mexican, 1883-1949)
MACHINES, (aka Dos cabezas y Maquinas, Dos Cabezas, Maquinas) 1935 (Orozco 26)
Lithograph. Image 12 x 17 inches. Full margins, sheet 16 x 2...
Category
1930s Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
PRAYER
By Jacques Hnizdovsky
Located in Portland, ME
Hnizdovsky, Jacques. PRAYER. Tahir 7. Woodcut, 1944. Artist's proof
before the edition of 100. Inscribed in pencil in Ukranian and with
the date 1944. 5 1/2 x 4 inches, plus margins...
Category
1940s Ifpda International Fine Print Dealers Association
Materials
Woodcut
Les Penitentes #3
By Ralston Crawford
Located in Myrtle Beach, SC
Ralston Crawford, 'Los Penitentes #3', etching, 1976, edition 20. Signed and numbered '6/20' in pencil; titled and annotated 'specially selected for Marcelle and Dan' in the bottom s...
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Etching
'Child Reaching' — 1940s American Modernism
By Will Barnet
Located in Myrtle Beach, SC
Will barnet, 'Child Reaching', woodcut, 1940, edition 25, Cole 82. Signed and titled in pencil. A fine, black impression, on fibrous Japan paper, with full margins (5/8 to 1 3/4 inch...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
EARLY GUNNER
By Levon West
Located in Santa Monica, CA
LEVON WEST (1900 – 1968)
EARLY GUNNER, c. 1930
Etching and drypoint signed and numbered in pencil,17. Image, 9 ½ x 15 inches. Full sheet 11 3/8 x 18 1/4 inches. With deckle ed...
Category
1930s Abstract Impressionist Ifpda International Fine Print Dealers Association
Materials
Drypoint
Institut for Cosmetic Surgery
By Joseph Beuys
Located in London, GB
Baked enamel on convex metal sheet, 1974, signed in black ball-point pen on the Edition Staeck label on the revers, from the numbered edition of 80, published by Edition Staeck, Heid...
Category
1970s Conceptual Ifpda International Fine Print Dealers Association
Materials
Metal, Enamel
untitled (Maine Autumn Landscape across the narrows from Mt. Desert)
By Greta Allen
Located in Fairlawn, OH
untitled (Maine Autumn Landscape across the narrows from Mt. Desert)
Watercolor, 1945-1955
Signed by the artist lower left in pencil (see photo)
Provenance: Estate of the artist
Condition: Excellent
Image/Sheet size: 14 1/4 x 19 5/8 inches
Regarding the Maine subject matter of her watercolors, we know that Allen...
Category
1940s American Impressionist Ifpda International Fine Print Dealers Association
Materials
Watercolor
Dorette (Kathleen Nancy Woodward).
By Gerald Leslie Brockhurst
Located in Storrs, CT
Dorette (Kathleen Nancy Woodward). .v/vii. 9 1/8 x 7 1/4 (sheet 14 3/8 x 10 1/8). Trial proof 5, prior to the published edition of 100 (111 proofs in all). Illustrated: Fine Prints o...
Category
1940s Modern Ifpda International Fine Print Dealers Association
Materials
Etching, Drypoint
En bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, ...
By Georges Rouault
Located in Fairlawn, OH
En bouche qui fut fraîche, goût de fiel (In the mouth that was once fresh, the taste of bitterness)
Aquatint, drypoint, roulette and burnishing over heliogravure, 1922
Unsigned as issued
From: Miserere (Have Mercy), 58 plates
Plate 15
Aquatint, drypoint, roulette and burnishing over heliogravure
1922-1927
Edition: 425 on Arches vellum with the Ambrose Vollard watermark
25 Hors commerce portfolios
All published impression are unsigned, as issued
Signed and numbered only on the colophon
Published by Societe d’Editions l’Etoile Filante, Paris, 1948
Printer: Jacquemin, Paris, 1922-1927
Condition: Excellent
Image/Plate size: 19 7/8 x 13 7/8 inches
Reference: Chapon & Rouault 68 d/d
Flora and Kang cite Lamentations 3:18-23 as a possible verbal equivalent: "my soul is bereft of peace; I have forgotten what happiness is; so I say, ‘Gone is my glory, and all that I had hoped for from the Lord.’ The thought of my affliction and my homelessness is wormwood and gall! My soul continually thinks of it and is bowed down within me."
Rouault’s Miserere...
Category
1920s French School Ifpda International Fine Print Dealers Association
Materials
Aquatint
AMERICA'S CUP - 1967. BEAT TO THE FINISH - INTREPID (USA) VS. DAME PATTIE (AUS)
By Joseph Webster Golinkin
Located in New York, NY
AMERICA'S CUP - 1967. BEAT TO THE FINISH - INTREPID (USA) VS. DAME PATTIE (AUS).
“Beat to the Finish” is a 1967 watercolor by Joseph Webster ...
Category
1960s Naturalistic Ifpda International Fine Print Dealers Association
Materials
Watercolor
Lotus
By Maki Hino
Located in New Orleans, LA
Hino creates a still life of a lotus from an edition of 65. A prominent figure in Buddhist and Egyptian culture, and native flower for both India and Vietnam, the lotus holds enormous symbolic weight. It spans various thousand-year-old Eastern cultures and yet, is still considered one of the most sacred flowers today. So what is it about this mysterious blossom that people find so enrapturing? Its colorful bloom is an obvious suspect, but the lotus also has a life cycle unlike any other. With its roots based in mud, it submerges every night into murky river water, and—undeterred by its dirty environment—it miraculously re-blooms the next morning without residue on its petals.
Although cultures have their own interpretations of this daily process, there is a general consensus among ancient texts...
Category
1990s American Modern Ifpda International Fine Print Dealers Association
Materials
Mezzotint
From the Ponte Vecchio
By John Taylor Arms
Located in Storrs, CT
From the Ponte Vecchio, Florence. 1925. Etching and aquatint. Fletcher catalog 159. state ii. Image: 11 1/8 x 15 1/4 (sheet 13 3/8 x 18 1/4). Edition 160 in this state (total edition...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Etching, Aquatint
Statue of Young Boy in Fountain on the Plaza
By Jackson Lee Nesbitt
Located in New Orleans, LA
This very early original red conte drawing is signed "Jack L. Nesbitt, 4/21/34". On the back of the drawing, Nesbitt has written "Quick sketch from fountain on Plaza". Jack was a student of Thomas Hart Benton at the Kansas City Art Institute during this period. The figure on the drawing is of a nude young boy with both arms in the air. A very rare early work by this fine artist.
Jackson Lee Nesbitt, a noted printmaker and painter of the American Scene, dedicated his artistic career to the portrayal of ordinary people going about the business of their lives. A native of Oklahoma, Nesbitt created scenes from the Midwest during the 1930s and 1940s, but in the 1950s, when interest in his work diminished, he moved to Atlanta and established a second career in advertising. Thirty years later, Nesbitt sold his business and resumed his artistic career from Atlanta.
He was born in McAlester, Oklahoma, on June 16, 1913, the only child of LuCena Grant and Howard Nesbitt. The family resided in Muskogee, Oklahoma, where his father owned a commercial printing business. Jack, as Nesbitt was known, helped out in the family business until 1931, when he enrolled at the University of Oklahoma in Norman.
Two years later Nesbitt enrolled at the Kansas City Art Institute in Missouri. As a first-year student, he learned etching from John deMartelly, attended Ross Braught's painting class, and met his future wife, Elaine Thompson, who was a costume design student. Thomas Hart Benton, who joined the faculty in the fall of 1935, quickly became a close friend and mentor to the younger artist.
In 1937 the management of the Sheffield Steel Corporation contacted deMartelly concerning an etching commission. Because Nesbitt was an outstanding student, his teacher suggested him for the job. When Nesbitt arrived at the plant one afternoon, he was taken to the open-hearth furnace area, where he diligently sketched anonymous workers in that dramatic setting until five o'clock the following morning. On the strength of his sketches, he was commissioned to create a series of etchings illustrating different phases of the steel industry. The commission launched Nesbitt's career as a professional artist.
The commission with Sheffield Steel Corporation provided the financial security that enabled Jack and Elaine Nesbitt to marry on June 1, 1938. He graduated from the Kansas City Art Institute about the same time. Working as a freelance artist, Nesbitt augmented his commissioned work with genre scenes of the Midwest, and he routinely went with Benton on sketching trips to rural Arkansas.
Beginning in 1939 Nesbitt's work gained widespread recognition. Open Hearth Door, a Sheffield Steel Corporation painting, was chosen to represent Missouri in the American Art Today exhibition at the New York World's Fair. Associated American Artists selected one of his etchings, Watering Place, for an edition of 250 prints that were sold through subscription. Having a print published by the association ensured national distribution, and four more of Nesbitt's works, all of rural southern genre scenes, were later selected by the print publisher.
Over the next decade Nesbitt's work was exhibited in California, Colorado, Illinois, Missouri, New York, and Oklahoma. He was awarded the Eames Prize by the Society of American Etchers in 1946, and his work was included in the book American Prize Prints of the Twentieth Century, by Albert Reese. Major corporations with operations in the Midwest, including Brown and Bigelow, Butler Manufacturing Company, Humble Oil and Refining Company, Omaha Steel Works, Pratt and Whitney...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Conté
ISATSORATU II
By Eduardo Chillida
Located in Portland, ME
Chillida, Eduardo (Spanish, 1924-2002). ISATSORATU II. Etching and embossing on heavy paper, 1998. Edition of 50, Numbered 19/50 and signed in pencil. 3 7/8 x 8 inches, 98 x 203 mm. ...
Category
1990s Ifpda International Fine Print Dealers Association
Materials
Etching
THE MODERN POSTER.
By April Greiman
Located in New York, NY
THE MODERN POSTER. 1988.
38 3/4x24 1/2 inches, 98 1/2x62 1/4 cm.
Condition A. Paper.
Greiman, an early proponent of computer imagery and digital design, became a prominent role model for a new generation of American graphic designers in the digital age. She was able to incorporate her knowledge of European Modernism into Californian ;New Wave style. As Steven Heller explained in Eye Magazine...
Category
1980s 85 New Wave Ifpda International Fine Print Dealers Association
Materials
Offset
The Basque Boy also called Boy with Beret and Fabian.
By Gerald Leslie Brockhurst
Located in Storrs, CT
The Basque Boy also called Boy with Beret and Fabian. 1944. Lithograph. Fletcher Lithographs 3.ii. zinc plate. 13 x 10 1/4 (sheet 7 1/8 x 13 7/8). Edition 10. Printed on countermarke...
Category
Mid-20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
Untitled (Portrait of a young woman - wife of the artist)
By Francisco Souto
Located in New Orleans, LA
This is a self portrait of a young woman who is the wife of the artist.
Francisco Souto was born in Venezuela, and received a BFA from Herron School of Art and a MFA from The Ohio ...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association
Materials
Mezzotint
untitled (Maine Landscape near Mt. Desert Island)
By Greta Allen
Located in Fairlawn, OH
untitled (Maine Landscape near Mt. Desert Island)
Watercolor on paper, c. 1945-1955
Signed by the artist lower left (see photo)
Provenance: Estate of the artist
Condition: Excellent
Image/Sheet size: 12 3/4 x 17 3/4 inches
Regarding the Maine subject matter of her watercolors, we know that Allen taught art in West Gouldsboro, ME, located near Arcadia National Forest. This watercolor was most probably done in that vicinity.
A local Maine newsletter mentions “the artist Greta Allen’s house...
Category
1940s American Impressionist Ifpda International Fine Print Dealers Association
Materials
Watercolor
Urania
By Gregory Amenoff
Located in New York, NY
Gregory Amenoff is a painter who lives in New York City and Ulster County, New York. He is the recipient of numerous awards from organizations including the American Academy of Arts ...
Category
1980s Contemporary Ifpda International Fine Print Dealers Association
Materials
Woodcut
Landscape with buildings and trees
By Leon Kelly
Located in Fairlawn, OH
Landscape with buildings and trees
Watercolor on paper, c. 1930's
Signed in pencil lower right (see photo)
Provenance: Estate of the artist
Condition: Excellent
Sheet size: 9 3/8 x 1...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Watercolor
MOTHER AND CHILD
By Jean Jansem
Located in Portland, ME
Jansem, Jean. MOTHER AND CHILD. Lithograph, not dated. Artist's proof aside from an edition of likely 75 or 100. Inscibed "E.A." (Epreuve d'Artiste) and signed in pencil. In very goo...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association
Materials
Lithograph
LARGE RARE OTTO MUELLER WOODCUT POSTER
By Otto Mueller
Located in Santa Monica, CA
OTTO MUELLER (German 1874 – 1930)
POTSDAMER KUNSTSOMMER, 1921 (1968) (Karsch 6)
Woodcut. Edition of 25 and numbered 11. There are no known
impressio...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association
Materials
Woodcut
The Beatles, Paul McCartney, George Harrison and Norman Rossington on a platform
Located in London, GB
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s ...
Category
1960s Ifpda International Fine Print Dealers Association
Materials
Silver Gelatin
Mazzo di fiori (Bouquet)
By Duilio Barnabe
Located in Chicago, IL
This charcoal and gouache still-life is signed by Barnabè in the lower right.
In 1959, French art critic Michel Concil-Lacoste, in the newspaper Le Monde, expressed his views on Bar...
Category
1950s Modern Ifpda International Fine Print Dealers Association
Materials
Charcoal, Gouache
Ars Anatomica. A Medical Fantasia.
By Leonard Baskin
Located in New York, NY
Illustrated with 13 drawings by Leonard Baskin. Large Folio in cloth-backed portfolio in cardboard slipcase. New York: Medicina Rara, 1972.
One of 2500 copies (there were 300 copi...
Category
1970s Ifpda International Fine Print Dealers Association
Materials
Paper
Still Life — Mid-century Modern
By Charles Quest
Located in Myrtle Beach, SC
Charles Quest, 'Still Life', 1947, wood engraving, edition 8. Signed, dated, and numbered '3/8' in pencil. Titled and annotated 'wood engraving' in the bottom left margin. A fine impression, on off-white wove paper, with full margins (1 to 2 inches), in excellent condition. Scarce. Matted to museum standards, unframed.
ABOUT THE ARTIST
Charles Quest, painter, printmaker, and fine art instructor, worked in various mediums, including mosaic, stained glass, mural painting, and sculpture. Quest grew up in St. Louis, his talent evident as a teenager when he began copying the works of masters such as Michelangelo on his bedroom walls. He studied at the Washington University School of Fine Arts, where he later taught from 1944 to 1971. He traveled to Europe after his graduation in 1929 and studied at La Grande Chaumière and Academie Colarossi, Paris, continuing to draw inspiration from the works of the Old Masters.
After returning to St. Louis, Quest received several commissions to paint murals in public buildings, schools, and churches, including one from Joseph Cardinal Ritter, to paint a replica of Velasquez's Crucifixion over the main altar of the Old Cathedral in St. Louis. Quest soon became interested in the woodcut medium, which he learned through his study of J. J. Lankes' A Woodcut Manual (1932) and Paul Landacre's articles in American Artist magazine ‘since no artists in St. Louis were working in wood’ at that time. Quest also revealed that for him, wood cutting and engraving were ‘more enjoyable than any other means of expression.’
In the late 1940s, his graphic works began attracting critical attention—several of his woodcuts won prizes and were acquired by major American and European museums. His wood engraving entitled ‘Lovers’ was included in the American Federation of Art's traveling print exhibition in 1947. Two years later, Quest's two prize-winning prints, ‘Still Life with Grindstone’ and ‘Break Forth into Singing’, were exhibited in major American museums in a traveling show organized by the Philadelphia Print Club. His work was included in the Chicago Art Institute's exhibition, ‘Woodcut Through Six Centuries’, and the print ‘Still Life with Vise’ was purchased by the Museum of Modern Art in New York.
In 1951 he was invited by artist-Curator Jacob Kainen to exhibit thirty wood engravings and color woodcuts in a one-person show at the Smithsonian's National Museum (now known as the American History Museum). Kainen's press release praised the ‘technical refinement’ of Quest's work: ‘He obtains a great variety of textural effects through the use of the graver, and these dense or transparent grays are set off against whites or blacks to achieve sparkling results. His work has the handsome qualities characteristic of the craftsman and designer.’
At the time of the Smithsonian exhibition, Quest's work was represented by three New York galleries in addition to one in his home town. He had won 38 prizes, and his prints were in the collections of the Library of Congress, the Chicago Art Institute, the Metropolitan Museum, and the Philadelphia Museum of Art. In cooperation with the Art in Embassies program, his color woodcuts were displayed at the American Embassy in Paris in 1951.
Recognition at home came in 1955 with his first solo exhibition in St. Louis. Press coverage of the show heralded the ‘growth of graphic arts toward rivaling painting and sculpture as a major independent medium’.
An exhibition of his prints at the Bethesda Art Gallery in 1983 attracted Curator Emeritus Joseph A. Haller, S.J., who began purchasing his work for Georgetown University's collection. In 1990 Georgetown University Library's Special Collections Division was the recipient of a large body of Quest's work, including prints, drawings, paintings, sculpture, stained glass, and his archive of correspondence and professional memorabilia. These extensive holdings, including some 260 of his fine prints, provide a rich opportunity for further study and appreciation of this versatile and not-to-be-forgotten mid-Western American artist...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
CHANGING FLIES
By Levon West
Located in Santa Monica, CA
LEVON WEST (1900 – 1968)
CHANGING FLIES c. 1930
Etching and drypoint, signed in pencil and no. 28. Image, 13 1/8 x 8 3/8 inches, sheet 17 1/4 x 11 5/8 full margins with deckle edge...
Category
1930s Impressionist Ifpda International Fine Print Dealers Association
Materials
Etching
FISHERMAN - FROM ESTAMPAS DE YUCATAN.
By Alfredo Zalce
Located in Portland, ME
Zalce, Alfredo (Mexican 1908-2003). FISHERMAN - FROM ESTAMPAS DE
YUCATAN. Lithograph, 1945. Edition of 100. From the portfolio of eight
lithographs. Printed in brown on cream colored wove paper by Jose
Sanchez at Taller de Grafica Popular...
Category
1940s Ifpda International Fine Print Dealers Association
Materials
Lithograph
Autumn Harvest Gouache
Located in New York, NY
Gouache on cardstock intended for a greeting card design, painted in the 1970s. Signed "Lucille H." at the lower right corner.
Category
1970s Ifpda International Fine Print Dealers Association
Materials
Gouache, Board
Rivals
By Edward Julius Detmold
Located in Storrs, CT
Rivals. c. 1925. Etching. Subsequent to Dodgson. 11 7/8 x 10 3/8 (sheet 18 5/8 x 12 1/2). Edition 75, #8. A fine, richly inked impression with plate tone, printed on tan-colored simi...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Etching
2 STUDIES FOR REVOLUTION II (Grosvenor School Color Linocut)
By Cyril Power
Located in Santa Monica, CA
CYRIL POWER (British 1872-1951)
STUDIES FOR THE COLOR LINOCUT REVOLUTION II, 1931
Pencil on thin wove paper. Unsigned. Consists of two 3 inch square pencil drawings on one sheet of thin wove paper 10 x 7 3/8 inches. Preliminary studies for Power's Grosvenor School...
Category
1930s Futurist Ifpda International Fine Print Dealers Association
Materials
Pencil
Singer Needle
By Carol Wax
Located in New Orleans, LA
Carol Wax's "Singer Needle" is a mezzotint issued in an edition of 100. It was originally designed to illustrate the step by step mezzotint process in the Abrams publication: "The Me...
Category
1980s American Modern Ifpda International Fine Print Dealers Association
Materials
Mezzotint
Fat Stock Market
By Clare Leighton
Located in Myrtle Beach, SC
Clare Leighton, 'Fat Stock Market', 1933, wood engraving, edition 100, Boston Public Library 217. Signed, titled, and numbered '11/100' in pencil. A super...
Category
1930s Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
THE NEW FRENCH TOOLS 5 - BOULEVARD VICTOR DOUBLE SKY.
By Jim Dine
Located in Portland, ME
Dine, Jim. THE NEW FRENCH TOOLS 5 - BOULEVARD VICTOR DOUBLE SKY. D;Oench and Feinberg 175. Etching and aquatint and electric tools on two plates, with hand ...
Category
1980s Ifpda International Fine Print Dealers Association
Materials
Etching, Aquatint
The Black Silk Dress (Anaïs).
By Gerald Leslie Brockhurst
Located in Storrs, CT
The Black Silk Dress. 1927. Etching. Fletcher catalog 58 state .ix (published state). 8 3/4 x 6 1/4 (sheet 14 1/2 x 9 1/8). Edition 76 in this state; total 111 proofs). Exhibited at...
Category
1920s Renaissance Ifpda International Fine Print Dealers Association
Materials
Etching
LA PECHE (FISHING)
By Raoul Dufy
Located in Portland, ME
Dufy, Raoul. LA PECHE (FISHING). Woodcut, c. 1925. From "The
Pleasures of Peace." Edition of 220 stamped with the estate stamp
"Atelier Raoul Dufy." 12 1/2 x 15 1/2 inches (image) 1...
Category
1920s Ifpda International Fine Print Dealers Association
Materials
Woodcut
Dark House
By Earl Horter
Located in New Orleans, LA
Dark House is a soft-ground etching with aquatint signed in pencil by the artist. This image is in the collection of the Detroit Institute of the Arts
Printmaker Earl Horter, born in 1881 in Germantown, Pennsylvania, was known for his realistic etchings and aquatints of urban scenes, though he was also an illustrator and painter. As a teenager, he engraved stock certificates. He was essentially self-taught, though he did take an etching class when he moved to New York City in 1903 to work for an advertising agency. Horter had a one-man show in 1916 in New York City at the Frederick Keppel and Company gallery. He was given the exhibition by Carl Zigrosser, later the first Curator of Prints and Drawings at the Museum of Modern Art. Horter was back in Philadelphia in 1917, where he would remain until his death in 1940. He worked there as art director for the N. W. Ayer advertising firm from 1917-1923.
Horter was a member of the Society of Illustrators. He exhibited at the Pan American Exposition in 1915 in San Francisco, California; the Art Institute of Chicago, Illinois; and the Philadelphia Print Club's National Exhibition of Prints; as well as Corcoran Gallery biennials from 1935 to 1939, in Washington, D.C. Horter is listed in "Mantle Fielding's Dictionary of American Artists"; "Who Was Who in American Art"; and Mallett's "Index of Artists".
Though not a man of extraordinary means, Horter was a lover of modernist art, which he gradually purchased, creating an important collection, well ahead of its time in America, of Cubist and Precisionist works, as well as African sculpture and Native American artifacts. Artists Horter collected include Europeans Picasso, Braque, Duchamp and Brancusi, and Americans Charles Sheeler and Arthur B. Carles. He was a friend of Carles, as well as other artists and collectors such as Leopold Stokowski, conductor of the Philadelphia Orchestra; Franklin Watkins; S. S. White; and Carroll Tyson...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Etching
Floral Still Life
Located in Storrs, CT
Oil painting measures 12 x 9; frame dimensions measure 19 3/8 x 16 3/8 x 3. Housed in an elegant gold-tone frame with decorative edges. Illegible signature, lower right.
Category
20th Century Realist Ifpda International Fine Print Dealers Association
Materials
Oil
UNTITLED
By George Hoehn
Located in Portland, ME
Hoehn, George (American, 1935 - ?) UNTITLED ABSTRACTION. Gouache on heavy wove paper, 1969. Signed and dated, lower right. Tondo, 3 1/4 inches diameter, (image), 15 x 11 inches (shee...
Category
1960s Ifpda International Fine Print Dealers Association
Materials
Gouache
The Beatles, Paul McCartney and George Harrison at Marylebone Station
Located in London, GB
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s ...
Category
1960s Ifpda International Fine Print Dealers Association
Materials
Silver Gelatin
Curve from Two Progressions
By Herbert Bayer
Located in New York, NY
Herbert Bayer
Curve from Two Progressions, 1974
screenprint, edition of 50
32 x 32 in. / 81.3 x 81.3 cm
Category
1970s Abstract Geometric Ifpda International Fine Print Dealers Association
Materials
Screen
Blue and White Embroidery Design
By Felix Fuzier
Located in New York, NY
Original color Jugendstil design lithograph from "Dessins et Broderies Pour Costum et Ameublement." Paris, 1900.
Category
Early 1900s Jugendstil Ifpda International Fine Print Dealers Association
Materials
Paper
Amphitrite Nude Etching
By Raoul Dufy
Located in New York, NY
Original etching. This is the frontispiece etching published in Paris in 1930 by Floury for Marcelle Berr de Turique's monograph on the artist Dufy. Signed by Raoul Dufy within the p...
Category
1930s Ifpda International Fine Print Dealers Association
Materials
Paper
The Beatles, George Harrison signing a book in the walled garden
Located in London, GB
Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s ...
Category
1960s Ifpda International Fine Print Dealers Association
Materials
Silver Gelatin
UNTITLED
By George Hoehn
Located in Portland, ME
Hoehn, George (American, 1935 - ?) UNTITLED ABSTRACTION. Gouache on heavy wove paper, 1969. Signed and dated, lower right. Tondo, 3 1/4 inches diameter, (image), 15 x 11 inches (shee...
Category
1960s Ifpda International Fine Print Dealers Association
Materials
Gouache
Y is for Yacht, from Alphabet Series
By Peter Blake
Located in London, GB
Screenprint in colours, 1991, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77 cm. (40.4...
Category
1990s Pop Art Ifpda International Fine Print Dealers Association
Materials
Screen
Untitled (Small orange photo on peach and blue background)
By Joe Goode
Located in London, GB
46 x 74 cms (18.11 x 29.13 ins)
Edition of 50
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Color, Screen
IT ALWAYS TURNS OUT FOR THE BEST.
By Johnnie Winona Ross
Located in Portland, ME
Ross, Johnnie Winona (American 1949 - ). IT ALWAYS TURNS OUT FOR THE BEST. Acrylics on paper, 1981. 29 3/4" x 29 3/8 inches, framed to 31 9/ 16" x 31 9/16 inches. Signed and titled. Provenance: Private collection, Sherborne, MA.
In excellent condition: the browned edges and the foxing mark are qualities of the old papers...
Category
1980s Ifpda International Fine Print Dealers Association
Materials
Acrylic
La Gaité Montparnasse.
By Walter Sickert
Located in Storrs, CT
La Gaité Montparnasse.. c. 1919. Etching. Bromberg catalog 186 state iii. Image: 3/4 x 4 1/4 (sheet 9 3/16 x6 3/4). No stated lifetime edition. 19 posthumous impressions were printed for the Sickert Trust (1945-47). This is proof #7. Illustrated English Prints for the Collector, p. 163. A rich impression printed on cream laid paper. An extremely scarce etching in Sickert's oeuvre. The image is of a music-hall interior. Signed in the plate. Housed in an elegant French mat and a stunning 14 1/2 x 11 1/2 x 2-inch silver wood frame.
Walter Richard Sickert...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Etching
Forms in a Flurry
By Barbara Hepworth
Located in London, GB
Screenprint in colours, 1969-70, signed in pencil and numbered from the edition of 60 (total edition includes ten artist's proofs) published by Marlborough AG Schellenberg, FL, 77.7 ...
Category
1960s Abstract Ifpda International Fine Print Dealers Association
Materials
Screen
Souper a New York
By Jean-Emile Laboureur
Located in New York, NY
Jean-Emile Laboureur (1877-, Souper a New York, etching on zinc, 1907, signed in pencil bottom left margin; also annotated “No 11/20 imp” bottom margin. Reference: Sylvain Laboureur ...
Category
Early 1900s French School Ifpda International Fine Print Dealers Association
Materials
Etching
Catchin' a Mount on a Frosty Morn –
By Gordon Phillips
Located in Myrtle Beach, SC
Gordon Phillips, 'Catchin' a Mount on a Frosty Morn', graphite, c. 1980. Signed and titled in pencil. A fine, spontaneous rendering, on white, wove bri...
Category
20th Century Realist Ifpda International Fine Print Dealers Association
Materials
Graphite
Martha Washington Silhouette
Located in New York, NY
Lithograph displayed in a vintage giltwood frame with red accent. Unsigned. Light wear to frame.
Category
Early 20th Century Ifpda International Fine Print Dealers Association
Materials
Paper
The Wright Brothers at Kitty Hawk
By Frank Lemon
Located in New York, NY
Lemon, Frank.
Flights: Unforgettable Exploits of the Air.
This plate: With one beat of his wing, Charles Lindbergh goes to Paris! 1927.
Wright Aeronautical Corporation, 1928.
Origi...
Category
1920s Ifpda International Fine Print Dealers Association
Materials
Paper
Color Aquatint
By Victor Mignot
Located in New York, NY
Ca. 1900. Original color aquatint. Very fine impression on cream laid Arches paper, signed in pencil lower right and numbered. No. 16 of 30 impressions. Full Margins. 17 1/2 x 12" Im...
Category
Early 1900s Art Nouveau Ifpda International Fine Print Dealers Association
Materials
Aquatint
Stad Antwerpen
Located in New York, NY
Robert Hens .Stad Antwerpen/Syndikaat/Vlaamsche. 1924
Lithograph. on Linen. 43 x 28 1/2".
Image Size:39 1/2 x 24 1/2"
2 very light middle folds otherwise in good condition
The po...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association
Materials
Lithograph
Homage to Morandi
By Phyllis Sloane
Located in Fairlawn, OH
Homage to Morandi
Watercolor, c. 1990
Signed lower right: Sloane
An important exhibition size watercolor by the artist.
Acquired by the Cleveland Clinic, de-accessed in 2021
Conditio...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association
Materials
Watercolor
Hot and Sour Soup.
Located in New York, NY
TING, Walasse. Hot and Sour Soup. 22 lithograhed plates by Ting, accompanying his poems.
Folio, original pictorial wrappers; printed board slipcase. Numbered 266 and signed by
Ting...
Category
1960s Pop Art Ifpda International Fine Print Dealers Association
Materials
Lithograph
