Ifpda International Fine Print Dealers Association
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Period: 20th Century
Silky Terrier Painting
Located in New York, NY
Original gouache, probably Belgian for matchbox covers. Mid-20th Century.
Category
Mid-20th Century Ifpda International Fine Print Dealers Association
Materials
Gouache, Board
Spanish Woman with Guitar
By Jan Matulka
Located in New York, NY
Jan Matulka (1890-1972), Spanish Woman with Guitar, lithograph, 1925, an unsigned proof impression. Reference: Flint 13, only a few impressions known...
Category
1920s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
Untitled (Heads)
By Louisa Chase
Located in New York, NY
Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracu...
Category
1980s Expressionist Ifpda International Fine Print Dealers Association
Materials
Etching
untitled (Reclining Female Nude)
By Charles Harris ( Beni Kosh )
Located in Fairlawn, OH
Aka Beni Kosh
Still Life with Flowers
Colored pencil on paper
Unsigned
Signed with the estate stamp on reverse (see photo)
Estate No. 716
Condition: Soft fold through image, wri...
Category
1960s Contemporary Ifpda International Fine Print Dealers Association
Materials
Gouache
Une Escale au Brasil (A Stopover in Brazil)
By Charles Dufresne
Located in New York, NY
Charles Dufresne (1876-1938), Une Escale au Brasil (A Stopover in Brazil), etching and drypoint, c. 1920, signed in pencil lower right margin and inscribed “epreuve de artist” lower ...
Category
1920s Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
TWO GIRLS
By Raphael Soyer
Located in Portland, ME
Soyer, Raphael. TWO GIRLS. Cole 33.
Lithograph, 1934. A proof aside from the edition of 25,
A trial, or working proof before the edition, inscribed in penc...
Category
1930s Ifpda International Fine Print Dealers Association
Conked
By Alison Saar
Located in New York, NY
Alison Saar was born in 1956 to Betye Saar, a well-known African American artist, and Richard Saar, an art conservationist. Her parents inspired her to be...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association
Materials
Woodcut
The Bean Eater
By Italo Scanga
Located in New York, NY
Italo Scanga was born in the Calabria region of Italy, and at 14 immigrated to the United States with his family after World War II. Living in Detroit, he worked on the General Motor...
Category
1980s Contemporary Ifpda International Fine Print Dealers Association
Materials
Woodcut
The Basque Suite: Untitled
By Robert Motherwell
Located in London, GB
Edition of 150
104.1 x 71.7 cms (41 x 28 1/4 ins)
Category
1970s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Screen
MORNING IN YOSEMITE
By Harold Lukens Doolittle
Located in Santa Monica, CA
HAROLD L. DOOLITTLE (1883 - 1974)
MORNING IN YOSEMITE c 1938
Aquatint, signed and titled in pencil by the artist. Plate size 13 3/8 x 9 3/4". Sheet 16 x 11 1/8" with deckle edges.
Doolittle was a renaissance man. His day job was as an engineer for the Edison Electric Co. But he produced an outstanding body of prints for 5 decades as well as photographs. His very rare arts and crafts furniture is highly sought after. He was a long time member and officer in the California Print...
Category
1930s American Realist Ifpda International Fine Print Dealers Association
Materials
Aquatint
BOUQUET
By Jacques Hnizdovsky
Located in Portland, ME
Hnizdovsky, Jacques. BOUQUET. Tahir 41. Woodcut, 1964. Edition of 150. Signed, titled, dated and numbered 92/150 in pencil. 15 x 18 inches on a sheet 20 x 23 1/2 inches (matted to c....
Category
1960s Ifpda International Fine Print Dealers Association
Materials
Woodcut
UNTITLED COMPOSITION
By De Hirsch Margules
Located in Portland, ME
Margules, De Hirsh. UNTITLED COMPOSITION, Ink on paper, 1962. Inscribed and signed in pencil within the image. 28 x 37 inches, 711 x 940 mm. In very good condition.
Margules (1899-1...
Category
1960s Abstract Ifpda International Fine Print Dealers Association
Materials
Ink
POSTER SIZE MEXICAN LINOCUT - DESPERTAR (Awakening)
By Adolfo Mexiac
Located in Santa Monica, CA
ADOLFO MEXIAC (Mexican b.1927 - )
DESPERTAR, (Awakening) 1960
Linoleum cut signed, titled and dated. image 19 1/4 x 27 1/2. Sheet 24 x 31 1/2
Generally very good condition save for a loss along the top sheet edge and creasing in the lower right part of the sheet. This print was most likely produced at the TGP (El Taller de Grafica Popular...
Category
1960s Modern Ifpda International Fine Print Dealers Association
Materials
Linocut
Western Pals
By Red Grooms
Located in Lyons, CO
Color lithograph, Edition 40.
Red Grooms is a painter, sculptor, printmaker, filmmaker, and showman par excellence. His major installations, “Ruckus Manhattan”, “The City of Chicago...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
untitled (Woman and Cat)
By Mary Spain
Located in Fairlawn, OH
Unsigned
Graphite on paper
Category
20th Century Surrealist Ifpda International Fine Print Dealers Association
Materials
Graphite
Paris Suite 1 (Spring)
By Robert Motherwell
Located in London, GB
Robert Motherwell
Paris Suite I (Spring)
1980
Lithograph on J.B. Green handmade paper, Edition of 60
48.9 x 48.9 cms (19 1/4 x 19 1/4 ins)
RM17031
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Lithograph
STELLA PEREGRINA
By Franz Marc
Located in Portland, ME
Marc, Franz (German, 1880-1916).
STELLA PEREGRINA.
FranzHanffstaengl, Munich, 1917. Only edition.
Number 25 of the limited edition of 110.
Folio (18 x 13 inches), parchment-bac...
Category
1910s Expressionist Ifpda International Fine Print Dealers Association
Materials
Color
Lotus
By Howard Hodgkin
Located in London, GB
Screenprint from 20 screens with embossing. On Velin Arches mould-made paper
Based on 'Lotus', textile dyes on hand-made Indian paper, 1978
Signed and dated in pencil, lower centre. ...
Category
1980s Abstract Ifpda International Fine Print Dealers Association
Materials
Color, Screen
Untitled
By Robert Motherwell
Located in London, GB
Brushed aquatint, lift-ground etching and aquatint on German Etching paper
71.8 x 56.5 cms (28 1/4 x 22 1/4 ins)
Edition of 32
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Etching, Aquatint
Untitled
By Sam Francis
Located in London, GB
Sam Francis
Untitled
1989
Aquatint, Edition of 20
44.5 x 32.4 cms (17 1/2 x 12 3/4 ins)
22.9 x 15.2 cms (9 x 6 ins)
SF15235
Category
1980s Abstract Ifpda International Fine Print Dealers Association
Materials
Aquatint
WASHINGTON SQUARE LOOKING NORTH
By Berenice Abbott, 1898-1991
Located in Portland, ME
Abbott, Berenice. WASHINGTON SQUARE LOOKING NORTH.
Vintage Gelatin Silver print, 1936.
Stamped verso "Federal Art Project/"Changing New York"/Photograp...
Category
1930s Ifpda International Fine Print Dealers Association
Materials
Silver Gelatin
THE NEW YORK SCHOOL: THE POEMS - SALUTE - ODES - PERMANENTLY
By Joan Mitchell
Located in Portland, ME
Tiber Press. THE NEW YORK SCHOOL. New York, 1960. Editions of 200. Four volumes, folios (17 1/2 x 14 inches), housed in a green linen slipcase, com...
Category
Mid-20th Century Ifpda International Fine Print Dealers Association
Materials
Screen
'Richard Wagner' — 1920s Portrait of the Composer
Located in Myrtle Beach, SC
Francis Coradal-Cugat, 'Richard Wagner', etching, c. 1928. Signed, titled, and numbered ‘2/50’ in pencil with the artist’s inked fingerprint beneath his signature. A fine, richly ink...
Category
1920s Romantic Ifpda International Fine Print Dealers Association
Materials
Etching
'Der Gartner' (The Gardener) — 1920s German Expressionism
By Karl Michel
Located in Myrtle Beach, SC
Karl Michel, 'Der Gartner' (The Gardener), woodcut, c. 1925. Signed, titled, and numbered '15/50' in pencil. Signed in the block, lower left and right. A fine, richly-inked impression on buff wove paper, with full margins (1 1/2 to 2 3/4 inches), in excellent condition. Matted to museum standards, unframed. Scarce.
Image size 5 1/4 x 3 7/8 inches (133 x 98 mm); sheet size 10 x 7 3/4 inches (254 x 198 mm).
ABOUT THE ARTIST
Karl Michel (1889-1984) was a noted graphic designer and expressionist printmaker during Germany's pre-Nazi Weimar Republic (1919 - 1933). Michel’s work was the subject of a feature article in the influential German graphic design magazine 'Das Plakat...
Category
1920s Expressionist Ifpda International Fine Print Dealers Association
Materials
Woodcut
Le Cheval (The Horse) — Mid-Century Cubism
By Léopold Survage
Located in Myrtle Beach, SC
Léopold Survage, 'Le Cheval' (The Horse), color etching, edition 60, 1953. Signed and numbered '46/60' in pencil. Initialed in the plate, lower right. A superb, richly-inked impressi...
Category
1950s Surrealist Ifpda International Fine Print Dealers Association
Materials
Etching
'Heart of San Francisco' — Vintage 1920s Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Heart of San Francisco', etching, c. 1927, edition not stated. Signed in pencil. A superb, richly-inked impression, on cream wove paper; the full sheet with margins (2...
Category
1920s American Realist Ifpda International Fine Print Dealers Association
Materials
Etching
'Skaters' — 1930s Woodstock, New York
By Emil Ganso
Located in Myrtle Beach, SC
Emil Ganso, 'Skaters', pochoir (color stencil) with hand painting, edition c. 50, 1938, Smith S-6. Signed in the image, lower right. A rich, painterly impression, with fresh colors, on buff wove paper; the full sheet with margins (7/8 to 1 7/8 inches), in excellent condition. Matted to museum standards, unframed.
Image size 11 3/4 x 15 1/4 inches; sheet size 18 3/4 x 13 3/4 inches.
An impression of this work is in the permanent collection of the Philadelphia Museum of Art.
ABOUT THE ARTIST
Born in Germany, Emil Ganso (1895-1941) came to the United States with his family in 1912. After settling in New York City, he found night work in a bakery and concentrated on his art in the daytime—mostly self-taught at this time, he studied only briefly at the National Academy of Design.
In 1924, Ganso showed his drawings to Carl Zigrosser, who organized the artist’s first solo exhibition, at the Weyhe Gallery. Soon afterward, Ganso enrolled in Eugene Fitsch’s printmaking class at the Art Students League.
Although he considered himself primarily a painter, Ganso made prints in all media, including relief and stencil prints and complex intaglios, and even experimented with color lithography in the late 1920s. He also developed, with an engineer, the design and fabrication of an innovative etching press.
In 1926, Ganso attended the Art Students League summer session in Woodstock, New York. There, he met Jules Pascin, and the two artists began a close friendship, briefly sharing a studio. Ganso followed Pascin to Europe in 1928.
In 1929, Ganso returned to New York and showed his work regularly in group exhibitions. He continued working in Woodstock in the summer months, often printing lithographs for other artists. The Cleveland Print Club...
Category
1930s American Impressionist Ifpda International Fine Print Dealers Association
Materials
Gouache, Stencil
LA PARADE
By Georges Rouault
Located in Santa Monica, CA
GEORGES ROUAULT (1871 – 1958)
La PARADE 1932 (CR.203, W.211) color etching and aquatint 1932.
Edition 270. Frontispiece from “Cirque”. ...
Category
1930s Modern Ifpda International Fine Print Dealers Association
Materials
Etching
'Cleveland Public Square' — 1920s Urban Realism
By Anton Schutz
Located in Myrtle Beach, SC
Anton Schutz, 'Cleveland Public Square', etching, edition not stated, 1927. Signed in pencil. Signed and dated in the plate, lower left. Annotated 'Cleveland Public Square S489', in another hand, in the bottom right margin. A fine, richly-inked impression, in brown/black ink, with skillfully-controlled plate tone, on cream wove Japan paper; the full sheet with margins (1 5/8 to 3 inches), in excellent condition. Archivally sleeved, unmatted.
Image size 11 7/8 x 8 7/8 inches; sheet size 17 1/4 x 12 1/8 inches.
ABOUT THIS IMAGE
'Public Square' is the two-block (formerly four-block) central plaza of downtown Cleveland, Ohio. Based on an 18th-century New England model, it was part of the original 1796 town plan overseen by Moses Cleveland and remains today as an integral part of the city's center. The 10-acre (4.0 ha) square is centered on the former intersection of Superior Avenue and Ontario Street.[2] Cleveland's three tallest buildings, Key Tower, 200 Public Square, and the Terminal Tower, face the square.
Public Square was part of the Connecticut Land Company's original plan for the city, overseen by Moses Cleveland in the 1790s. The square is signature of the layout for early New England towns, which Cleveland was modeled after. While it initially served as a common pasture for settlers' animals, less than a century later in 1879 Public Square became the first street in the world to be lit with electric street lights—arc lamps designed by Cleveland native Charles F. Brush. The square was added to the National Register of Historic Places on December 18, 1975.
Public Square is often the site of political rallies and civic functions, including a free annual Independence Day concert by the Cleveland Orchestra...
Category
1920s American Realist Ifpda International Fine Print Dealers Association
Materials
Etching
Circus Wagon
By Louise Nevelson
Located in New York, NY
Louise Nevelson created the etching and aquatint entitled “CIRCUS WAGON” in 1953. This scarce EARLY impression was printed in an edition of 20. The imag...
Category
1950s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Etching, Aquatint
Bleeding
By Howard Hodgkin
Located in London, GB
Lithograph from three aluminium plates using tusche washes, printed in transparent dark green, light green, and fire red, with hand colouring in gouache (an orange to red blend, pink, green, and deep red). On buff Velin Arches mould-made paper (300 gsm)
Signed with initials, numbered and dated 82 in pencil, lower centre
Published by Bernard Jacobson Ltd.
Exhibition History: 'Howard Hodgkin: Views. An Exhibition of Early Prints', Bernard Jacobson Gallery, London, 02 March - 02 April 2013 'London, Henri Matisse: The Goldfish Bowls and Other Prints (LOPF)', Bernard Jacobson Gallery, London, 1 - 28 May 2021 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022
Literature: Frances Spalding, 'Howard Hodgkin: Tate Gallery and Bernard Jacobson', Arts Review, vol. 34, no. 20, 24 September 1982, p. 484; Elizabeth...
Category
1980s Abstract Ifpda International Fine Print Dealers Association
Materials
Gouache, Lithograph
Galerie Maeght Murales et Peintures
By Joan Miró
Located in Fairlawn, OH
Galerie Maeght Murales et Peintures
Color lithograph poster, 1961
Unsigned as issued
Large edition
Published by Maeght Editeur Imprimeur
Reference #13 from J. Corredor-Matheos, "Miro's Posters', 1980
Condition: Framed
Colors fresh
Image/sheet size: 25 x 19 inches
Frame size: 34 x 27...
Category
1960s Abstract Ifpda International Fine Print Dealers Association
Materials
Lithograph
'Surveillance Is Your Busywork'
By Barbara Kruger
Located in London, GB
Original subway poster, c. 1980, on wove paper, unsigned as issued, 28 x 71.3 cm.
'Surveillance Is Your Busywork' is an unused subway lithograph placard, produced in the early 80s b...
Category
1980s Conceptual Ifpda International Fine Print Dealers Association
Materials
Lithograph
'La Pêche' (Fishing) — French Cubist Woodcut
By Raoul Dufy
Located in Myrtle Beach, SC
Raoul Dufy, 'La Pêche' (Fishing), woodcut, 1910, from the second edition of 220 printed in 1953. With the estate stamp 'ATELIER RAOUL DUFY' in the lower left margin. Numbered '106/220' in pencil, lower right. Titled in the block, lower right. A superb, richly-inked impression, on heavy, cream wove paper, the full sheet with wide margins (3 to 5 inches), slight toning at the sheet edges, well away from the image; otherwise in excellent condition. Archivally sleeved, unmatted.
Image size 12 1/2 x 15 13/16 inches (318 x 402 mm); sheet size 19 9/16 x 25 3/4 inches (497 x 654 mm).
From the suite of four woodcuts entitled 'Les Plaisirs de la Paix' (The Pleasures of Peace), originally published by Éditions de La Sirène, Paris in 1926. The other three works in the series are 'La Danse' (The Dance), 'La Chase' (The Hunt), and 'L'amore' (Love). See our other listings for 'La Danse' and 'L'amore'.
Collections: Cleveland Museum of Art, Minneapolis Art...
Category
1910s Cubist Ifpda International Fine Print Dealers Association
Materials
Woodcut
Expressionist Abstraction — Hawaiian Artist
By Tetsuo Ochikubo
Located in Myrtle Beach, SC
Tetsuo "Bob" Ochikubo, 'Untitled (Abstract Expressionist Composition)', color lithograph, 1963, edition 3. Signed, dated, and numbered '3-3' in pencil. A fine, richly-inked impression, with fresh colors, on cream wove paper; the full sheet with margins (5/8 to 2 inches), in excellent condition. Very scarce. Image size 17 1/2 x 12 1/4 inches; sheet size 19 7/8 x 14 7/8 inches. Matted to museum standards, unframed.
ABOUT THE ARTIST
Tetsuo Ochikubo (1923–1975), also known as Bob Ochikubo, was a Japanese-American painter and printmaker who was born in Waipahu, Hawaii. After service in the US Army as an infantryman in Europe during World War II, Ochikubo studied painting and design at the School of the Art Institute of Chicago and the Art Students League in New York. He worked at the renowned lithography workshop Tamarind Institute in the 1960s and is best known for his non-objective paintings and lithographs.
Ochikubo was a member of the Metcalf Chateau, a group of seven Asian-American artists with ties to Honolulu which included Satoru Abe...
Category
1960s Abstract Ifpda International Fine Print Dealers Association
Materials
Lithograph
Ciel Gris II (Grey Sky II)
By (after) Georges Braque
Located in Storrs, CT
Ciel Gris. 1959. Lithograph printed in colors. Vallier, Dora. Braque. The Complete Graphics, London 1988, page 294, No. 1033. 9 x 3 3/8 (sheet 15 x 10 3/4). One of about 3000 imp...
Category
Mid-20th Century Cubist Ifpda International Fine Print Dealers Association
Materials
Color, Lithograph
NIGHT NUDE
By Milton Avery
Located in Portland, ME
Avery, Milton. NIGHT NUDE. Woodcut, 1953. Edition of 25 in black and white (there were a further 25 printed in black and blue). Signed, dated and numbered "6/25" in pencil, and also ...
Category
1950s American Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
'Fantasia Americana - 1880' — Mid-Century American Surrealism
By Lawrence Kupferman
Located in Myrtle Beach, SC
Lawrence Kupferman, 'Fantasia Americana – 1880', drypoint etching with sandground, 1943. Signed, titled, and annotated 'Series A, 1971 2/6' in pencil. A superb, richly-inked impression, on heavy, cream wove paper, with full margins (2 1/2 to 3 1/2 inches); the paper slightly lightened within the original mat opening, otherwise in excellent condition. One of only 6 impressions printed in 1971, with the added sandground grey background tint. Image size 11 13/16 x 14 3/4 inches; sheet size 18 x 20 1/4 inches. Archivally matted to museum standards, unframed.
Collections: National Gallery of Art, Zimmerli Art Museum (Rutgers University).
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
'Sculpturegraph' — Modernist Abstraction, Contemporary African American Artist
Located in Myrtle Beach, SC
George Rogers, 'Sculpturegraph' (Black, Gray, and Silver), color sculpturegraph, edition 40, 1984. Signed, dated, titled, and numbered '25/40' in pencil. A superb, richly-inked, pain...
Category
1980s American Modern Ifpda International Fine Print Dealers Association
Materials
Monoprint
Baigneuse Debout, à Mi-Jambes — French Impressionism
By Pierre-Auguste Renoir
Located in Myrtle Beach, SC
Pierre Auguste Renoir, 'Baigneuse Debout, à Mi-Jambes (Woman Bathing, Standing Up to Her Knees in Water)', 1910, etching, edition not stated, Delteil 23. Unsigned as published. A fin...
Category
1910s Impressionist Ifpda International Fine Print Dealers Association
Materials
Etching
Figure Composition
By Martin Shortis
Located in Storrs, CT
Figures Composition. 1984. Etching and drypoint. 6 1/2 x 5. Three states, two artist's proofs. Each printed on cream wove paper. Each titled, dated, and signed 'Shortis N[ew] Y[ork]'...
Category
Late 20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Etching
'Scratchin' High' — early American rodeo
By Edward Borein
Located in Myrtle Beach, SC
'Scratchin' High', etching, edition not stated, c. 1919. Signed in pencil. A fine, rich impression, in warm black ink, on cream wove paper, with margins (11/16 to 2 1/8 inches). Two small spots of toning in the bottom right margin, away from the image; barely visible printing creases in the top left margin and the middle right background, otherwise in very good condition. Matted to museum standards, unframed.
ABOUT THIS WORK
The cowboy's work of breaking wild horses into riding horses evolved into the competitive sport of professional rodeo in the 1880s. In 1919 at the Calgary Stampede in Alberta, Canada, Borein sketched a rider on the famous bucking horse named 'I-See-U'. He later made this etching of the dramatic scene, entitling it 'Scratchin' High'. ''Scratching'' refers to the rider's technique of maintaining balance on a bucking horse by a continuous movement of the feet in a kicking motion.
Impressions of this work are in the permanent collections of the Buffalo Bill Center of the West (online), and the Whitney Western Art Museum.
ABOUT THE ARTIST
No other artist captured the "disappearing West" with the authenticity and spirit of John Edward Borein (1872-1945). A native of the San Francisco Bay Area, Borein rode south in 1893 at the age of twenty-one, and over the next few years, worked his way through California and the vast stretch of Mexico. While on the range, the young cowboy sketched...
Category
1910s American Realist Ifpda International Fine Print Dealers Association
Materials
Etching
JOSHUA TREE
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART (American, 1869-1958)
JOSHUA TREE c. 1925-30
Color block print. Signed in pencil. 6 1/2 x 4 1/2 inches. Edition unknown, bur likely ab...
Category
1920s Modern Ifpda International Fine Print Dealers Association
Materials
Linocut, Woodcut
D is for Dish (A fine whimsical work by a pioneer in the English Pop Art scene)
By Harvey Daniels
Located in New Orleans, LA
British Pop artist Harvey Daniels created this image in 1970 in a small edition of 20. This impression is #2 His work has described by art historian Norbert Lynton as a “visual carni...
Category
1970s Pop Art Ifpda International Fine Print Dealers Association
Materials
Lithograph
DER SCHATTEN II
By Hermann Max Pechstein
Located in Santa Monica, CA
MAX PECHSTEIN (1881 -1955)
DER SCHATTEN II 1918 (Knupp 79, Fecher 143 I/ii)
Rich drypoint, signed and annotated, FIRST STATE. Image: 8 1/4 x 6 inches on japan paper; 15 x 11 1/4 i...
Category
1910s Expressionist Ifpda International Fine Print Dealers Association
Materials
Drypoint
Patitcha
By Henri Matisse
Located in London, GB
Henri Matisse
Patitcha
1947
Aquatint on BFK Rives paper, Edition of 25
Paper size: 55.5 x 38 cms (22 x 15 ins)
Image size: 34.9 x 27.6 cm (13 3/4 x 10 7/8 ins)
HM15405
Selected Coll...
Category
1940s Modern Ifpda International Fine Print Dealers Association
Materials
Aquatint
Bamboo Print
By Mathurin Meheut
Located in New York, NY
Meheut, Mathurin.
La Plante Exotique.
Pl 1: Bamboo.
Paris, 1931.
Heliochrome print.
Category
1930s Ifpda International Fine Print Dealers Association
Materials
Paper
UNTITLED
By Maria Helena Vieira da Silva
Located in Santa Monica, CA
MARIA HELENA VIEIRA da SILVA (1908 - 1992)
UNTITLED, 1960-70
Intaglio, signed and numbered XVII/XXXXV. 9 1/4 x 6 inches.
Generally good condition, very slight light stain around mat opening, mat burn on verso.
From Wikipedia:
Vieira da Silva was born in Lisbon, Portugal. At the age of eleven she had begun seriously studying drawing and painting at that city's Academia de Belas-Artes. In her teen years she studied painting with Fernand Léger, sculpture with Antoine Bourdelle, and engraving with Stanley William Hayter, all masters in their respective fields. Vieira da Silva also worked with Fauve artist...
Category
1960s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Etching
'Peking - Paifang Gate' — Mid-Century Watanabe Color Woodcut
By Cyrus Le Roy Baldridge
Located in Myrtle Beach, SC
Cyrus Le Roy Baldridge, 'Peking '25', woodblock print, published 1926. Signed, titled, dated, and annotated 'No 124' in pencil. A fine impression, with fresh, undiminished colors; the full sheet, in excellent condition. Watanabe 6 mm seal, lower right, indicating an impression printed between 1945 and 1957. Archivally sleeved, unmatted.
Image size 9 5/8 x 14 5/16 inches; sheet size 10 7/16 x 15 3/8 inches.
ABOUT THE IMAGE
A 'paifang', also known as a 'pailou', is a traditional style of Chinese architectural arch or gateway structure. It has been theorized that the paifang gate architecture was influenced by Buddhist torana temple gates. Paifang are designed with traditional Chinese architectural motifs including multi-tiered roofs, prominent supporting posts, and gracefully arched openings.
This is an unusual ukiyo-e or 'floating world' woodcut published by Watanabe Shozaburo, Tokyo, in that the subject is of an early 20th-century scene in Peking, China.
ABOUT THE ARTIST
Cyrus Leroy Baldridge...
Category
1920s Showa Ifpda International Fine Print Dealers Association
Materials
Woodcut
Autumn Landscape — 1940s Post-Impressionism
Located in Myrtle Beach, SC
Henri Pierre Fortier, Untitled (Autumn Landscape), gouache, c. 1940s. Signed in ink. Inscribed 'To my Friend CLINTON R. MULFORD'. A fine, painterly watercolor, with rich, layered colors, on heavy dark brown drawing paper with approximately 1/4 inch margins; an unfinished figurative sketch...
Category
1940s Impressionist Ifpda International Fine Print Dealers Association
Materials
Gouache
York Factory II
By Frank Stella
Located in London, GB
Screenprint, 1974, on Arches Cover Black paper, signed, dated and numbered an AP aside from the edition of 100, published by Gemini G.E.L., Los Angeles., sheet: 46.9 x 112.8cm (18½ x...
Category
1970s Ifpda International Fine Print Dealers Association
Materials
Screen
Bottle Gourds and Maple Leaves on Vertical Panels
Located in Storrs, CT
Bottle Gourds and Maple Leaves on Vertical Panels. c.1900. White and dark ground Japanese paper stencil on mulberry paper treated with persimmon juice. Reinforced with thread insertion. 7 3/4 x 14. (sheet 14 1/2 x 17). Housed in a 16 x 20-inch archival mat, suitable for framing.
Katagami are Japanese stencil patterns that were used for printing kimono patterns...
Category
Early 20th Century Edo Ifpda International Fine Print Dealers Association
Materials
Stencil
Chiquita
By Gerald Leslie Brockhurst
Located in Storrs, CT
Chiquita. 1923-4. Etching. Fletcher 44. 6 3/8 x 5 5/16 (sheet 11 x 8 3/4). Edition 76 (total 81 impressions). A dramatic impression with subtle plate tone, printed on cream wove pape...
Category
Early 20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Etching
Composition au verre a pied (Composition with stemmed glass)
By Pablo Picasso
Located in Fairlawn, OH
Unsigned
Edition: a proof outside the edition of 50 printed on Japan Hodomura paper and the additional 50 impressions printed for the book Jaime Sabartes, "Dans l'atelier de Picasso...
Category
1940s Cubist Ifpda International Fine Print Dealers Association
Materials
Ink, Lithograph
Morning Walk. [Central Park.]
By Harold Altman
Located in New York, NY
Signed and titled in pencil. Inscribed "192/285." Edition 285.
Category
1980s Naturalistic Ifpda International Fine Print Dealers Association
Materials
Lithograph
![Morning Walk. [Central Park.]](https://a.1stdibscdn.com/harold-altman-prints-works-on-paper-morning-walk-central-park-for-sale/a_3312/1584647925659/97561_master.jpg?width=240 "harold altman central park lithograph")
PERSONNAGE VIRTUEL
By Stanley William Hayter
Located in Portland, ME
Hayter, Stanley William. PERSONNAGE VIRTUEL. BM182. Engraving,
soft-ground etching and scorper, 1947. Edition of 70, signed, dated,
and numbered 42/70, all in pencil. 11 3/4 x 8 7/8...
Category
1940s Ifpda International Fine Print Dealers Association
Materials
Engraving, Etching
Le Couple
By Pablo Picasso
Located in New York, NY
Pablo Picasso (1881-1973), Le Couple, 1951, drypoint on chine volant, signed lower right margin and numbered (5/XI) lower left margin. References: Bloch 690,...
Category
1950s Cubist Ifpda International Fine Print Dealers Association
Materials
Drypoint
'Soaring New York' — 1930s American Modernism, New York City
By Howard Norton Cook
Located in Myrtle Beach, SC
Howard Cook, 'Soaring New York', aquatint, soft-ground etching, roulette, 1931-32, edition 25, Duffy 165. Signed, dated, and annotated 'imp' in pencil. A superb, richly-inked, atmosp...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Etching, Aquatint
The Green Sugarbowl — Mid-Century Color Woodcut
Located in Myrtle Beach, SC
William Ross Abrams, 'The Green Sugarbowl', color woodcut, 1949, edition 24. Signed, titled, dated, and annotated 'Artist’s proof' in pencil. A fin...
Category
1940s Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
Arlecchino in blu e grigio (Harlequin in Blue and Gray)
By Duilio Barnabe
Located in Chicago, IL
This work is signed by Barnabè in the lower right. Harlequins were one of Barnabè's favorite subjects, reminders of the costumed revellers at the famous Carnival of Venice celebrated...
Category
Mid-20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Charcoal, Gouache
