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Ex Libris - Istvan Traurig - Etching by Michel Fingesten - 1930s

Ex Libris - Istvan Traurig - Etching by Michel Fingesten - 1930s

By Michel Fingesten

Located in Roma, IT

Ex Libris - Istvan Traurig is a Woodcut print created by Michel Fingesten. Signed on plate on back. The work is glued on cardboard. Total dimensions: cm 32x24 Good conditions. ...

Category

1930s Symbolist Figurative Prints

Materials

Etching

Ex Libris - H. Malz - Etching by Michel Fingesten - 1930s
Ex Libris - H. Malz - Etching by Michel Fingesten - 1930s

Ex Libris - H. Malz - Etching by Michel Fingesten - 1930s

By Michel Fingesten

Located in Roma, IT

Ex Libris - H. Malz is a colored Woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. The artwork is glued on cardboard. Total dimensions: 29 x 22.5...

Category

1930s Symbolist Figurative Prints

Materials

Etching

Copper etching - Natura morta di vasi su un tavolo - Year 1931
Copper etching - Natura morta di vasi su un tavolo - Year 1931

Copper etching - Natura morta di vasi su un tavolo - Year 1931

Located in Sant Celoni, ES

Está firmado a plancha en la parte inferior y fechado del año 1931 El estado del grabado es bueno Se presenta bien enmarcado Medidas del grabado: 12 cm. x 12,5 cm. Medidas del ma...

Category

1930s Still-life Prints

Materials

Etching

"The Retreat From Long Island" - 1932 Etching On Paper
"The Retreat From Long Island" - 1932 Etching On Paper

"The Retreat From Long Island" - 1932 Etching On Paper

By Levon West

Located in Soquel, CA

"The Retreat From Long Island" - 1932 Etching On Paper Black and white etching titled "The Retreat

Category

1930s American Impressionist Figurative Prints

Materials

Laid Paper, Etching

Ex Libris P. De Sanctis - Etching by Michel Fingesten - 1930s
Ex Libris P. De Sanctis - Etching by Michel Fingesten - 1930s

Ex Libris P. De Sanctis - Etching by Michel Fingesten - 1930s

By Michel Fingesten

Located in Roma, IT

"Ex Libris P. De Sanctis"  is a woodcut on ivory-colorated paper by Michel Fingesten,  Early 20th Century. Hand signed in pencil. In excellent conditions: As good as new. Michel Fin...

Category

1930s Symbolist Figurative Prints

Materials

Etching

Ex Libris - H. Malz Wünscht - Etching by Michel Fingesten - 1936

Ex Libris - H. Malz Wünscht - Etching by Michel Fingesten - 1936

By Michel Fingesten

Located in Roma, IT

Ex Libris - H. Malz Wünscht is a Woodcut print created by Michel Fingesten in 1936. Hand signed on the lower margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech pa...

Category

1930s Symbolist Figurative Prints

Materials

Etching

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1939 Etching For Sale on 1stDibs

Find the exact 1939 etching you’re shopping for in the variety available on 1stDibs. In our selection of items, you can find Modern examples as well as a Impressionist version. On 1stDibs, the right 1939 etching is waiting for you and the choices span a range of colors that includes gray, beige, black and white. Finding an appealing 1939 etching — no matter the origin — is easy, but Pablo Picasso, (after) Edgar Degas, Reginald Marsh, Luigi Bartolini and André Derain each produced popular versions that are worth a look. Artworks like these of any era or style can make for thoughtful decor in any space, but a selection from our variety of those made in etching, aquatint and engraving can add an especially memorable touch. If space is limited, you can find a small 1939 etching measuring 3 high and 0.1 wide, while our inventory also includes works up to 31.63 across to better suit those in the market for a large 1939 etching.

How Much is a 1939 Etching?

A 1939 etching can differ in price owing to various characteristics — the average selling price for items in our inventory is $1,298, while the lowest priced sells for $95 and the highest can go for as much as $78,000.

Finding the Right Prints And Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.