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Composition on a yellow background
Composition on a yellow background

Composition on a yellow background

By Fernand Léger

Located in Paris, FR

Lithograph, 1954 Handsigned by the artist in pencil and numbered 59/75 Publisher : Galerie Louise Leiris (Paris) Printer : Mourlot (Paris) Catalog : Saphire 138 50.00 cm. x 65.00 cm....

Category

1950s Abstract Abstract Prints

Materials

Lithograph

Untitled, from 25 Cats Name[d] Sam and One Blue Pussy
Untitled, from 25 Cats Name[d] Sam and One Blue Pussy

Untitled, from 25 Cats Name[d] Sam and One Blue Pussy

By Andy Warhol

Located in London, GB

Offset lithograph, circa 1954, on wove paper, with the Estate of Andy Warhol and the Warhol Foundation ink stamps on the reverse, 49.1 x 34.2 cm. (19¼ x 13½ in.)

Category

1950s Pop Art Animal Prints

Materials

Lithograph, Offset

La Piscine
La Piscine

La Piscine

By Henri Matisse

Located in OPOLE, PL

Henri Matisse (1869-1954) - La Piscine Lithograph from 1958. Dimensions of work: 103 x 35.5 cm.

Category

1950s Surrealist More Prints

Materials

Lithograph

Femme Bleue
Femme Bleue

Femme Bleue

By Henri Matisse

Located in OPOLE, PL

Henri Matisse (1869-1954) - Femme Bleue Lithograph from 1958. Dimensions of work: 35.5 x 26.4 cm.

Category

1950s Surrealist More Prints

Materials

Lithograph

Femme Bleue
Femme Bleue

Femme Bleue

By Henri Matisse

Located in OPOLE, PL

Henri Matisse (1869-1954) - Femme Bleue Lithograph from 1958. Dimensions of work: 35.5 x 26.4 cm Publisher: Tériade, Paris.

Category

1950s Surrealist More Prints

Materials

Lithograph

Bateau

Bateau

By Henri Matisse

Located in Fort Lauderdale, FL

Henri Matisse (1869 - 1954) Bateau, 1952 Lithograph after a gouache decoupee from Verve 35/36 14 x 10.50 in

Category

1950s Modern Prints and Multiples

Materials

Lithograph

Moonbird
Moonbird

Moonbird

Located in Paris, FR

Lithograph, 1954 Handsigned by the artist in pencil and annotatd EA 7/7 Edition : 220 Publisher : Guilde de la Gravure (Paris et Genève) Printer : Mourlot (Paris) Catalog : Polieri 1...

Category

1950s Abstract Abstract Prints

Materials

Lithograph

St. Jean de Luz

St. Jean de Luz

By Reginald Marsh

Located in New York, NY

Reginald Marsh (1898-1954), St. Jean de Luz, lithograph, c. 1928, signed in pencil lower right and inscribed “40 proofs” lower left [also signed in the plate lower left], printed on ...

Category

1920s Expressionist Landscape Prints

Materials

Lithograph

Alfred Manessier - Maze - Original Lithograph
Alfred Manessier - Maze - Original Lithograph

Alfred Manessier - Maze - Original Lithograph

By Alfred Manessier

Located in Collonge Bellerive, Geneve, CH

Alfred Manessier - Maze - Lithograph Colorful Abstraction 1954 XXe Siecle (No. 4) Published in Paris by San Lazzaro Dimensions: 32 x 24 Edition: G. di San Lazzaro.

Category

1950s Modern Abstract Prints

Materials

Lithograph

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1954 Lithographs For Sale on 1stDibs

An assortment of 1954 lithographs is available on 1stDibs. A selection of these works in the Modern, Abstract and Post-War styles can be found today in our inventory. These items have been made for many years, with versions that date back to the 20th Century alongside those produced as recently as the 20th Century. You can search the 1954 lithographs that we have for sale on 1stDibs by color — popular works were created in bold and neutral palettes with elements of beige, brown, gray and black. These artworks have been a part of the life’s work for many artists, but the versions made by Henri Matisse, Andy Warhol, Wassily Kandinsky, (after) Pablo Picasso and Jean Darroux are consistently popular. The range of these distinct pieces — often created in lithograph, paper and pencil — can elevate any room of your home.

How Much are 1954 Lithographs?

The average selling price for 1954 lithographs we offer is $739, while they’re typically $80 on the low end and $75,000 for the highest priced.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.