Cesar Moreau
Fine Bronze Figure of a Roman Orator Probably Julius Cesar by Mathurin Moreau.
By Mathurin Moreau
Located in Benington, Herts
An Elegant Patinated Bronze Figure of a Roman Orator probably Julius Cesar by Mathurin Moreau 1822
Category
Antique 1870s French Figurative Sculptures
Materials
Bronze
H 22 in W 10.25 in D 6 in
Arman - Rare Signed Violin Bronze Sculpture
By Arman
Located in Collonge Bellerive, Geneve, CH
founded the Nouveau réalisme group. Joined later by Cesar, Mimmo Rotella, Niki de Saint Phalle, and
Category
1990s Modern Figurative Sculptures
Materials
Bronze
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Arman
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Recent Sales
Arman - Rare Signed Violin Sculpture
By Arman
Located in Collonge Bellerive, Geneve, CH
group. Joined later by Cesar, Mimmo Rotella, Niki de Saint Phalle, and Christo, the group of young
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1990s Modern Figurative Sculptures
Materials
Bronze
Arman, Cellos Bronze Coffee Table, Signed and Numbered
By Arman
Located in Geneve, CH
founded the Nouveau re´alisme group. Joined later by Cesar, Mimmo Rotella, Niki de Saint Phalle, and
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Early 2000s French Modern Coffee and Cocktail Tables
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Arman - Bronze Sculpture - Pizzaiola Violin
By Arman
Located in Collonge Bellerive, Geneve, CH
Nouveau réalisme group. Joined later by Cesar, Mimmo Rotella, Niki de Saint Phalle, and Christo, the
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Arman - Accumulation, Tee - Original Signed Sculpture
By Arman
Located in Collonge Bellerive, Geneve, CH
founded the Nouveau réalisme group. Joined later by Cesar, Mimmo Rotella, Niki de Saint Phalle, and
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Arman - Bronze Sculpture - Portuguese Guitar
By Arman
Located in Collonge Bellerive, Geneve, CH
Nouveau réalisme group. Joined later by Cesar, Mimmo Rotella, Niki de Saint Phalle, and Christo, the
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Bronze
Arman, Keruan Original Table, Signed and Numbered
By Arman
Located in Geneve, CH
group. Joined later by Cesar, Mimmo Rotella, Niki de Saint Phalle, and Christo, the group of young
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Early 2000s French Modern Coffee and Cocktail Tables
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Arman for sale on 1stDibs
Arman was born in Nice, France, in 1928, and showed a talent for painting and drawing as a child. He studied at the the Ecole Nationale des Art Décoratifs in Nice followed by studies at the École du Louvre in Paris.
In his early years he focused on abstract paintings. Then, in 1957, he became interested in common objects as works of art. He first did what came to be called his "allures d"objet" (object impressions), where he would dip an object into paint and press it on canvas thus leaving the object's shadow or impression. Then he decided the object itself was worth paying attention to and started to treat them in his own way. His intention was to remove the material purpose of an object so that its only remaining function was to "feed the mind" as a work of art. What better way to achieve that result than by breaking, slicing or even burning objects such as violins, telephones, typewriters or even whole cars? He also made objects useless by accumulating them, such as 2,000 wristwatches in a Plexiglass box that all kept different time.
Once emotionally detached from the circumstances associated with a broken object, the viewer could grow to appreciate its abstract beauty; so, in a sense, Arman was literally teaching that things one never thought could be regarded as attractive could indeed turn out to be so. Through this achievement, Arman gained worldwide recognition and is regarded as one of the most prolific and inventive creators of the late 20th century.
His work can be found in the collections of numerous museums including the Metropolitan Museum of Art in New York, the Tate Gallery in London and the Centre Pompidou in Paris.
Arman’s work has also been exhibited in galleries, museums and public spaces worldwide including the Musée D’Art Contemporain in Tehran, Iran; the Museum of Art in Tel Aviv, Israel; the Musée Des Arts Decoratifs and Opéra De Paris in France; the La Jolla Museum of Contemporary Art in California; and the Museum of Arts and Design and the Guggenheim in New York
He died in 2005 in New York.