Chinese Reed Trunk
Antique Mid-19th Century Chinese Qing Trunks and Luggage
Reed, Elm
Antique Early 19th Century Chinese Qing Furniture
Reed, Elm, Lacquer
Antique Early 19th Century Chinese Qing Trunks and Luggage
Brass
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Early 20th Century Decorative Dishes and Vide-Poche
Ceramic
Early 20th Century Chinese Qing Cabinets
Pine
Antique 1890s Chinese Cabinets
Elm
Early 20th Century Indian Kashan Decorative Boxes
Paper
Antique Early 19th Century Chinese Qing Commodes and Chests of Drawers
Elm
Late 20th Century Chinese Chinese Export Furniture
Wood
Antique Late 19th Century Chinese Rustic Planters, Cachepots and Jardini...
Elm
Early 20th Century Chinese Qing Antiquities
Wood
Antique Late 19th Century Japanese Meiji Lacquer
Lacquer
Antique Late 19th Century British Decorative Boxes
Wood, Lacquer
Antique Mid-19th Century Chinese Chinese Export Blanket Chests
Brass
Antique 19th Century Chinese Country Planters, Cachepots and Jardinières
Wood
Antique Late 19th Century Chinese Late Victorian Scholar's Objects
Stone
Antique 1870s Chinese Chinese Export Blanket Chests
Brass
Early 20th Century Chinese Chinese Export Trunks and Luggage
Wood
Vintage 1920s Chinese and East Asian Rugs
Wool
Recent Sales
Antique Early 19th Century Chinese Qing Trunks and Luggage
Reed
Antique Early 19th Century Chinese Qing Trunks and Luggage
Reed, Cedar, Lacquer
Antique 18th Century Chinese Qing Decorative Boxes
Brass
20th Century Chinese Arts and Crafts Decorative Boxes
A Close Look at qing Furniture
The last imperial dynasty from 1644 to 1912 was a time of change in China, beginning with the invasion by Manchurian forces that ended the Ming dynasty and established the Shunzhi Emperor. The expansion of exportation and trade that had bolstered the arts during the Ming era continued, as Qing dynasty furniture involved the same attention to craftsmanship with expert construction techniques in hardwood pieces that were assembled with mortise and tenon joints rather than nails or glue. Together, these eras comprise a golden age of Chinese furniture design.
Ming-style furniture is simple and elegant with clean lines. Chairs of the period and other Ming furniture made an impression on Scandinavian modernist Hans Wegner and his streamlined seating, for example. Whereas Qing-style furniture is elaborate, with an increasing influence from the West leading to lavish carving inspired by the European Baroque and Rococo styles. And while many of the forms that define examples of the latter are common within classical Chinese furniture, such as curving and folding chairs as well as large screens, Qing designs are laden with ornamentation. Frequently, the carved motifs and inlaid designs in mother-of-pearl were auspicious, such as peonies for wealth or dragons for luck. Bats were symbols of happiness in the design of Qing furniture, with one of the characters in the word for bat, bianfu, being a homophone for fu, or “fortune.”
While several types of wood were used in the construction of Qing beds, tables, storage pieces and seating, today’s collectors know that the most prized were the rare rosewoods zitan and huanghuali. They were both sourced from Hainan, China’s largest island, and are marked by a rich luster that occurs naturally, without the application of lacquer or other decorative materials. Many of the most popular woods were imported from southeast Asia, adding to their value. Red sandalwood was also sought after for its durability and connection with Chinese medicine, with some chairs being made for health benefits.
Find a collection of antique Qing tea tables, stools, benches, decorative objects and more furniture on 1stDibs.