Uplight by Stefan Scholten
Located in Geneve, CH
set up Copray & Scholten together with Bob Copray. In 2000 he co-founded the internationally acclaimed
Category
2010s Dutch Modern Floor Lamps
Materials
Marble
Copray Scholten
Dining Table by Stefan Scholten
Located in Geneve, CH
Copray & Scholten together with Bob Copray. In 2000 he co-founded the internationally acclaimed design
Category
2010s Dutch Modern Dining Room Tables
Materials
Marble
Terrazzo Carpet by Stefan Scholten
Located in Geneve, CH
Academy Eindhoven he set up Copray & Scholten together with Bob Copray. In 2000 he co-founded the
Category
2010s Dutch Modern Western European Rugs
Materials
Marble
Terrazzo Carpet by Stefan Scholten
Located in Geneve, CH
Eindhoven he set up Copray & Scholten together with Bob Copray. In 2000 he co-founded the internationally
Category
2010s Dutch Modern Western European Rugs
Materials
Marble
Facet Side Table by Stefan Scholten
Located in Geneve, CH
Eindhoven he set up Copray & Scholten together with Bob Copray. In 2000 he co-founded the internationally
Category
2010s Dutch Modern Coffee and Cocktail Tables
Materials
Marble
Terrazzo Dining Table by Stefan Scholten
Located in Geneve, CH
Academy Eindhoven he set up Copray & Scholten together with Bob Copray. In 2000 he co-founded the
Category
2010s Dutch Modern Dining Room Tables
Materials
Marble
Terrazzo Chair by Stefan Scholten
Located in Geneve, CH
graduating from the Design Academy Eindhoven he set up Copray & Scholten together with Bob Copray. In 2000 he
Category
2010s Dutch Modern Chairs
Materials
Marble
Recent Sales
“Nr. 1” Chair by Copray & Scholten from the Netherlands, 1990
By Copray & Scholten
Located in Wilnis, UT
A rare “Nr. 1” chair, designed and manufactured by Copray & Scholten in the Netherlands around 1990
Category
1990s Dutch Mid-Century Modern Lounge Chairs
Materials
Aluminum
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'Plissé White Edition' Pleated Textile Table Lamp by Folkform for Örsjö
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H 16.1 in Dm 11.5 in
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A Close Look at Modern Furniture
The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”
Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.
Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.
It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.
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