Edward L Rubin

Surely you’ll find the exact edward l rubin you’re seeking on 1stDibs — we’ve got a vast assortment for sale. You can easily find an example made in the abstract style, while we also have 12 abstract versions to choose from as well. Making the right choice when shopping for a edward l rubin may mean carefully reviewing examples of this item dating from different eras — you can find an early iteration of this piece from the 20th Century and a newer version made as recently as the 21st Century. If you’re looking to add a edward l rubin to create new energy in an otherwise neutral space in your home, you can find a work on 1stDibs that features elements of beige, brown, black, blue and more. Creating a edward l rubin has been a part of the legacy of many artists, but those crafted by Menashe Kadishman are consistently popular. Frequently made by artists working in paper, photographic paper and lithograph, these artworks are unique and have attracted attention over the years.

The price for an artwork of this kind can differ depending upon size, time period and other attributes — a edward l rubin in our inventory may begin at $600 and can go as high as $12,500, while the average can fetch as much as $750.

Menashe Kadishman was born in Mandate Palestine. His father died when he was 15 years old. He left school to help his mother and provide for the family.[1] From 1947 to 1950, Kadishman studied with the Israeli sculptor Moshe Sternschuss at the Avni Institute of Art and Design in Tel Aviv, and in 1954 with the Israeli sculptor Rudi Lehmann in Jerusalem. In 1950–1953, Kadishman worked as a shepherd on Kibbutz Ma'ayan Baruch. This experience with nature, sheep and shepherding had a significant impact on his later artistic work and career. In 1959, Kadishman moved to London to study at Saint Martin's School of Art and the Slade School of Art.[2] In 1959-1960 he also studied with Anthony Caro and Reg Butler.[2] He had his first one-man show there in 1965 at the Grosvenor Gallery. In 1972, he returned to Israel. In the 1960s, Kadishman's sculptures were Minimalist in style, and so designed as to appear to defy gravity. This was achieved either through careful balance and construction, as in Suspense (1966), or by using glass and metal so that the metal appeared unsupported, as in Segments (1968). The glass allowed the environment to be part of the work. The first major appearance of sheep in his work was at the 1978 Venice Biennale, where Kadishman presented a flock of colored live sheep as living art.[4] In 1995, he began painting portraits of sheep by the hundreds, and even thousands, each one different from the next. These instantly-recognizable sheep portraits soon became his artistic "trademark"