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English Landscape Etching

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Serpia English Landscape: Contemporary Limited Edition Etching
By Ian Laurie
Located in Brecon, Powys
Signed and numbered (6of 25) etching from this much collected Scottish Artist. Image 8; x 8
Category

2010s Impressionist Landscape Prints

Materials

Etching

The Old Road: Elegy for the English Elm I, Robin Tanner signed artist etching
By Robin Tanner
Located in Melbourne, Victoria
The Old Road: Elegy for the English Elm I Etching by Robin Tanner (1904-1988), signed by the
Category

1970s English School Landscape Prints

Materials

Etching

Antique British Steamship Signed Etching
Located in Soquel, CA
Antique British Steamship Etching This moody etching by Joseph Kirkpatrick (British, b. 1874 d
Category

1910s English School Landscape Prints

Materials

Paper, Ink, Etching

Full Moon, Robin Tanner signed artist etching
By Robin Tanner
Located in Melbourne, Victoria
Full Moon Etching by Robin Tanner (1904-1988), signed by the artist in pencil. Very good, strong
Category

1970s English School Landscape Prints

Materials

Etching

Benevolent Cottagers /// English Landscape Figurative Village Scene Engraving
Located in Saint Augustine, FL
) was an English landscape painter. Callcott was born at Kensington Gravel Pits, a village on the
Category

1810s Old Masters Landscape Prints

Materials

Engraving, Etching, Laid Paper, Intaglio

Set of Three Etchings by Bertram Buchanan /// English Modern Land City Sky Scape
Located in Saint Augustine, FL
Artist: Bertram George Buchanan (English, 1873-1962) Titles: "The Seven Sisters", "Rye from the
Category

1920s Modern Landscape Prints

Materials

Laid Paper, Mezzotint, Etching, Aquatint, Intaglio

Westminster Abbey, London. Rowland Langmaid signed artist etching print
By Rowland Langmaid
Located in Melbourne, Victoria
Westminster Abbey. Signed in pencil by the artist below the image. Rowland Langmaid was a marine painter and etcher who studied under William Lionel Wylie. Langmaid joined the Roy...
Category

1930s English School Landscape Prints

Materials

Etching

19th century landscape of rome daily life by fine print master Sir Muirhead Bone
By Sir Muirhead Bone
Located in Milan, IT
Original etching and drypoint, signed in the plate and in pencil in the lower right corner; Dodgson
Category

1810s English School Landscape Prints

Materials

Etching

Durham Cathedral - English School
Located in Middletown, NY
Etching with aquatint on cream laid paper with a partial Arches watermark, 5 3/8 x 4 inches (135 x
Category

Early 20th Century Landscape Prints

Materials

Etching, Laid Paper, Aquatint

Killerton, Devon, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
John Veitch, one of the leading landscape designers of the time. Killerton was given to the National
Category

Early 19th Century Victorian Landscape Prints

Materials

Engraving, Etching, Aquatint

Michel Grove, Sussex English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
Repton was commissioned to landscape. Published by Rudolf Ackermann in his 'Repository of the Arts
Category

Early 19th Century Victorian Landscape Prints

Materials

Engraving, Etching, Aquatint

New Staines Bridge, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'New Staines Bridge' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aquat...
Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

St Margarets, Isleworth, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'St Margarets (Entrance Front) Seat of the Earl of Cassillis'. St Margarets was a Regency house in Isleworth, Middlesex. Published by Rudolf Ackermann in his 'Repository of the A...
Category

Early 19th Century Victorian Landscape Prints

Materials

Engraving, Etching, Aquatint

Rockbear House, Devon, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Rockbear House, Seat of Thos Porter Esq'. Rockbear House was originally built c. 1760-70 and owned by Sir John Duntze, the wealthy Exeter woollen merchant and banker. About 1820 t...
Category

Early 19th Century Victorian Landscape Prints

Materials

Engraving, Etching, Aquatint

Cliveden spring, Bucks, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Cliveden Spring, Bucks' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of a...
Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Hermes Oak, Windsor Park, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Hermes Oak, Windsor Park' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of...
Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Chertsey Bridge, Surrey, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Chertsey Bridge, Surrey' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of ...
Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Henley-bridge, Oxon, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Henley-bridge, Oxon' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...
Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'View at Ifley, near Oxford' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...
Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...
Category

Late 18th Century Naturalistic Landscape Prints

Materials

Engraving, Etching, Aquatint

A LANCASHIRE RIVER,
By Sir Francis Seymour Haden, R.A.
Located in Santa Monica, CA
; Harrington 215 ii/ii) Original etching with drypoint. Signed in pencil., image 11 x 16. A large sheet, 18 x
Category

1880s English School Landscape Prints

Materials

Etching

The Queen's Entrance into Edinburgh
By William Ewart Lockhart
Located in Middletown, NY
Etching by Brunet-Debaines, Alfred (after William Ewart Lockhart) Paris: A. Durand, 1878. Etching
Category

Mid-19th Century English School Landscape Prints

Materials

Laid Paper, Etching

Italian Boat at Sunrise
By Sidney Mackenzie Litten
Located in Middletown, NY
A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era. Etching
Category

Early 20th Century English School Landscape Prints

Materials

Handmade Paper, Etching, Drypoint

John Knox House in Edinburgh
Located in Middletown, NY
London: Fine Art Trade Guild, c1900. Etching with drypoint on cream laid paper with a deckle edge
Category

Early 20th Century English School Landscape Prints

Materials

Laid Paper, Drypoint, Etching

Chepstow Castle ( on a limestone cliff above the River Wye in Wales)
By Percival Gaskell
Located in New Orleans, LA
The magnificent printed works of the Yorkshire artist, Percival Gaskell have only been fully rediscovered in recent years. Percival Gaskell rose to prominence whilst working together...
Category

1940s English School Landscape Prints

Materials

Mezzotint, Etching

Hillside Town
Located in Middletown, NY
Drypoint etching in brownish black ink on J. Whatman watermarked cream laid paper. 7x12 1/4 inches
Category

Early 20th Century English School Landscape Prints

Materials

Laid Paper, Etching, Drypoint

Hillside Town
$250
H 6.97 in W 12.29 in
The Way Home. A Winter Evening
Located in Middletown, NY
A beautiful, dark impression of a bucolic cow path. Etching with drypoint on heavy cream wove paper
Category

Late 19th Century English School Landscape Prints

Materials

Drypoint, Handmade Paper, Etching

Gresham College
By George Vertue
Located in Middletown, NY
Etching with engraving on cream laid paper with a Garden of Holland or Maid of Dort Pro Patria
Category

Early 18th Century English School Landscape Prints

Materials

Handmade Paper, Engraving, Etching

Meaux Cathedral II
By John Marin
Located in Middletown, NY
Paris: Gazette de Beaux Arts, 1907. Etching with aquatint on cream wove paper, 8 7/8 x 11 1/2
Category

Early 20th Century English School Landscape Prints

Materials

Handmade Paper, Etching, Aquatint

Meaux Cathedral II
Meaux Cathedral II
$400
H 11.5 in W 8.88 in
Harwich
Located in Middletown, NY
Essex: c1899. Etching with aquatint on cream wove paper, 7 1/2 x 12 1/4 inches (190 x 310 mm), full
Category

Late 19th Century English School Landscape Prints

Materials

Handmade Paper, Etching, Aquatint

The Ferry Inn, Bodinick, Fowey
By Theodore Roussel
Located in Middletown, NY
Etching in black ink on cream laid Japon paper, 9 1/16 × 7 1/16 inches (229 x 178 mm), full margins
Category

Early 20th Century English School Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

Temple of Fortuna Virilis
By Matthew Dubourg
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge
Category

Early 19th Century English School Landscape Prints

Materials

Engraving, Handmade Paper, Etching, Aquatint

Temple of the Dea Tussis
By Matthew Dubourg
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge
Category

Early 19th Century English School Landscape Prints

Materials

Engraving, Handmade Paper, Etching, Aquatint

Daniel Graves "English Village" Framed Etching 20/100, 1976
Located in Clifton Springs, NY
The original etching on paper depicts old stone bridge leading to the traditional old English
Category

20th Century American Neoclassical Prints

Materials

Paper

Stephen Whittle Etching "Wisteria Arch " Limited Edition Vintage Gold Framed
Located in Moreno Valley, CA
artistic traditions: the “English Landscape” and the craft of etching. Largely self-taught, Stephen
Category

Late 20th Century British Victorian Decorative Art

Materials

Paper

Blades of Grass II: Dry-Point Etching by Ann-Helen English
By Ann Helen English
Located in London, Hertfordshire
and delicate drypoint etchings. She does not edition her prints because each one is hand-pulled and
Category

2010s Contemporary Landscape Prints

Materials

Archival Paper, Ink, Drypoint, Etching

Blades of Grass I: Dry-Point Etching by Ann-Helen English
By Ann Helen English
Located in London, Hertfordshire
and delicate drypoint etchings. She does not edition her prints because each one is hand-pulled and
Category

2010s Contemporary Landscape Prints

Materials

Ink, Archival Paper, Drypoint, Etching

English Landscape
By Ian Laurie
Located in Brecon, Powys
Signed Limited Edition Etching , 3 /25 , etching by this collected Scottish artist. One of his
Category

21st Century and Contemporary Impressionist Landscape Prints

Materials

Etching

English Landscape
$250
H 8 in W 8.5 in
The Rising Moon' or 'An English Pastoral'
By Samuel Palmer (b.1805)
Located in London, GB
Samuel Palmer The Rising Moon' or 'An English Pastoral' 1857 Etching 26.8 x 36.5 cms (10.6 x 14.8
Category

1850s Landscape Prints

Materials

Etching

"Conversation Outside the English Country Cottage, " Etching by John Thomas Smith
By John Thomas Smith
Located in Milwaukee, WI
"Conversation Outside the English Country Cottage" is an original etching by John Thomas Smith. The
Category

1790s Old Masters Landscape Prints

Materials

Paper, Etching

A Span of Old Battersea Bridge (an English landmark and a favorite of Whistler)
By Sir Frank Short
Located in New Orleans, LA
– possibly two or three. The distance was done last by ordinary stopping-out”. ("The Art of Etching", E.S
Category

Late 19th Century American Realist Landscape Prints

Materials

Etching, Aquatint

Barge Builders, Limehouse
By Hedley Fitton
Located in Middletown, NY
Etching with drypoint on watermarked laid paper, 9 3/4 x 13 3/8 inches (246 x 338 mm), full margins
Category

Early 20th Century English School Landscape Prints

Materials

Handmade Paper, Drypoint, Etching

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English Landscape Etching For Sale on 1stDibs

Surely you’ll find the exact english landscape etching you’re seeking on 1stDibs — we’ve got a vast assortment for sale. Find Impressionist versions now, or shop for Impressionist creations for a more modern example of these cherished works. You’re likely to find the perfect english landscape etching among the distinctive items we have available, which includes versions made as long ago as the 18th Century as well as those made as recently as the 21st Century. When looking for the right english landscape etching for your space, you can search on 1stDibs by color — popular works were created in bold and neutral palettes with elements of gray, beige, brown and blue. There have been many interesting english landscape etching examples over the years, but those made by (after) Henri Matisse, Henri Matisse, Dora Szampanier, Henry George Moon and David Loggan are often thought to be among the most thought-provoking. Artworks like these of any era or style can make for thoughtful decor in any space, but a selection from our variety of those made in etching, paint and engraving can add an especially memorable touch.

How Much is an English Landscape Etching?

The price for a english landscape etching in our collection starts at $60 and tops out at $243,750 with the average selling for $901.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.