Etching Press Used

The Rustling I is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. These small, one of a kind prints make perfect...

Behind Bars No. 3 is a monotype with mixed media on white BFK Rives printmaking paper and hand pulled by the Artist on the etching press. These small, one of a kind prints make perf...

Natural elements such as plants, branches, and grasses are pressed onto heavy etching paper using a large etching press. She works in multiple layers with etching ink, allowing the v...

Artist proof, printed on contemporary filigree paper, large margins, representing an antique marble vase , whose details are described in the ending note . The piece is dedicated to ...

Then the drawing is pressed by hand onto a sheet of absorbent paper or is printed on an etching press. Monotypes are one-of-a kind works of art.

Then the drawing is pressed by hand onto a sheet of absorbent paper or is printed on an etching press. Monotypes are one-of-a kind works of art.

Then the drawing is pressed by hand onto a sheet of absorbent paper or is printed on an etching press. Monotypes are one-of-a kind works of art.

The plates are then sealed and then inked up and printed in intaglio on damp paper using an etching press. The embossed textural quality of the print is unique to this method.

He owned two etching presses and pulled his own prints. Publishers include Associated American Artists, New York Graphic Society, Original Print Collectors Group Ltd., Pierre Chave, ...

Then the drawing is pressed by hand onto a sheet of absorbent paper or is printed on an etching press. Monotypes are one-of-a kind works of art.

He authored the definitive guide to building an etching press which is referenced by printmakers world wide.

They are marks on paper, made directly or through the intermediation of etching plate and printing press. In both his drawings and his etchings, Ziemann works immediately in the land...

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

Printed in black on sheet of 52.0 x 39.4 cm / 20 1⁄2 ×15 1⁄2 inch) Buff Japanese Etching paper. Edition 25 with 7 Artist's Proofs Published by Petersburg Press, New York; proofed by...

Oil Monotype Chine Collé on white BFK Rives Printmaking Paper Hand pulled By Artist on Etching Press Hand finished with Metal Leaf 23.5 x 44 inches framed This piece is featured in ...

Oil Monotype Chine Collé on white BFK Rives Printmaking Paper Hand pulled by Artist on Etching Press Hand finished with Paper cuts, folds and Metal Leaf 29 x 29 inches framed This p...

Oil Monotype Chine Collé on white BFK Rives Printmaking Paper Hand pulled By Artist on Etching Press 13 x 25 inches framed This piece is featured in Bruckner’s 2024 solo exhibition ...

Oil Monotype and Chine Collé on white BFK Rives Printmaking Paper Hand pulled by Artist on Etching Press 23.5 x 33 inches framed This piece is featured in Bruckner’s 2024 solo exhib...

Oil Monotype Chine Collé on white BFK Rives Printmaking Paper Hand pulled By Artist on Etching Press 13 x 25 inches framed This piece is featured in Bruckner’s 2024 solo exhibition ...

Oil Monotype Chine Collé on white BFK Rives Printmaking Paper Hand pulled By Artist on Etching Press 13 x 25 inches framed This piece is featured in Bruckner’s 2024 solo exhibition ...

Oil Monotype Chine Collé on white BFK Rives Printmaking Paper Hand pulled By Artist on Etching Press Hand finished with Metal Leaf 15 x 25 inches framed This piece is featured in Br...

Oil Monotype Chine Collé on white BFK Rives Printmaking Paper Hand pulled By Artist on Etching Press 13.5 x 21 inches framed This piece is featured in Bruckner’s 2024 solo exhibiti...

He used the printing press and materials to interrogate the creative process rather than just as tools to achieve an edition of identical prints: for example, overprinting or under-i...

Paper: 30 x 40 in. / 82.5 x 104.1 cm. Etching with hand coloring in watercolor (a yellow wash) and gouache (in green), on Stoneridge mould-made etching paper.

Printed by Karl Schulz, Braunschweig, and published by Petersburg Press, London. Dieter Roth’s interest in geometry, transformation, and iteration is on display in this portfolio of...

Edition of 100 with 15 artist’s proofs. Published by Parasol Press.

Jim Dine Self Portraits (1971) Portfolio of nine drypoints, each from one 20.3 x 15.2 cm (8 x 6 inch) copper plate Printed in brown-black on sheet of 45.7 x 35.6 cm (18 x 14 inch) Ho...

This humorous black and white Jim Dine etching features what is ostensibly the imprint of an inked stomach.

Howard Hodgkin was introduced to the etching technique used in Artist and Model (in green and yellow) at Petersburg Press, where this print was produced and where he would become a l...

As recorded in the artist’s unpublished notes: “In 1974 an ambitious project for a suite of large-scale etchings was hatched with Paul Cornwall-Jones, for production by Maurice Payne...

This humorous black and white Jim Dine etching features what is ostensibly the imprint of an inked stomach.

As recorded in the artist’s unpublished notes: “In 1974 an ambitious project for a suite of large-scale etchings was hatched with Paul Cornwall-Jones, for production by Maurice Payne...

The images and collé papers are then laid onto the plate and adhere to the printmaking paper as the plate and paper run through the etching press. Other monoprint series have been d...

By this time an avid printmaker, Bacher had his etching press sent from Muni ch, and it was in his Venice studio that he taught Duveneck the rudiments of etching.

The images and collé papers are then laid onto the plate and adhere to the printmaking paper as the plate and paper run through the etching press. Other monoprint series have been ...

The images and collé papers are then laid onto the plate and adhere to the printmaking paper as the plate and paper run through the etching press. Other monoprint series have been ...

The images and collé papers are then laid onto the plate and adhere to the printmaking paper as the plate and paper run through the etching press. Other monoprint series have been ...

The images and collé papers are then laid onto the plate and adhere to the printmaking paper as the plate and paper run through the etching press. Other monoprint series have been ...

The images and collé papers are then laid onto the plate and adhere to the printmaking paper as the plate and paper run through the etching press. Other monoprint series have been ...

The images and collé papers are then laid onto the plate and adhere to the printmaking paper as the plate and paper run through the etching press. Other monoprint series have been ...

Chamberlain has developed a way to create original oil paintings using methods adapted from monotype processes incorporating a light table and mirrors, an etching press, and a variet...

Chamberlain has developed a way to create original oil paintings using methods adapted from monotype processes incorporating a light table and mirrors, an etching press, and a variet...

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

In order to be able to work with full freedom and concentration, Picasso had his printers, the brothers Crommelynck, bring the etching plates and hand press to his farmhouse near Can...

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

Catalogue reference: Jane Kinsman The Prints of R.B. Kitaj, Scolar Press in association with the National Gallery of Australia 1994, no. 93, illustrated p. 119.

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

This etching is #2 out of an edition of 10

He is a painter who started etching with his own press in 1966. The etching has always paralleled the various phases of his painting development.

(image) Handsigned by the artist in pencil BFK Rives paper The folding visible on the work was created during the printing of the lithograph due to a handling error in the press. E...

This surreal etching portrait of Dorian Gray by Jim Dine in blue ink features the literary protagonist dressed in a white suit.

Howard Hodgkin was introduced to the etching technique used in 'All Alone in the Museum of Modern Art' at Petersburg Press, where this print was produced and where he would become a ...

Dine then drew 12 lithographs illustrating his costume and set designs which are included in the book and an additional 4 etchings, separate from the book, which are included loose i...

It was the founder of Petersburg Press, Paul Cornwall-Jones, who suggested this technique to Dine, advising that he work back into etching plates, effacing some areas, adding marks i...