Jacques Guillon On Sale

Postmodern design was a short-lived movement that manifested itself chiefly in Italy and the United States in the early 1980s. The characteristics of vintage postmodern furniture and other postmodern objects and decor for the home included loud-patterned, usually plastic surfaces; strange proportions, vibrant colors and weird angles; and a vague-at-best relationship between form and function.

ORIGINS OF POSTMODERN FURNITURE DESIGN

• Emerges during the 1960s; popularity explodes during the ’80s
• A reaction to prevailing conventions of modernism by mainly American architects
• Architect Robert Venturi critiques modern architecture in his Complexity and Contradiction in Architecture (1966)
• Theorist Charles Jencks, who championed architecture filled with allusions and cultural references, writes The Language of Post-Modern Architecture (1977)
• Italian design collective the Memphis Group, also known as Memphis Milano, meets for the first time (1980) 
• Memphis collective debuts more than 50 objects and furnishings at Salone del Milano (1981)
• Interest in style declines, minimalism gains steam

CHARACTERISTICS OF POSTMODERN FURNITURE DESIGN

• Dizzying graphic patterns and an emphasis on loud, off-the-wall colors
• Use of plastic and laminates, glass, metal and marble; lacquered and painted wood 
• Unconventional proportions and abundant ornamentation
• Playful nods to Art Deco and Pop art

POSTMODERN FURNITURE DESIGNERS TO KNOW

• Ettore Sottsass
• Robert Venturi
• Alessandro Mendini
• Michele de Lucchi
• Michael Graves
• Nathalie du Pasquier

VINTAGE POSTMODERN FURNITURE ON 1STDIBS

Critics derided postmodern design as a grandstanding bid for attention and nothing of consequence. Decades later, the fact that postmodernism still has the power to provoke thoughts, along with other reactions, proves they were not entirely correct.

Postmodern design began as an architectural critique. Starting in the 1960s, a small cadre of mainly American architects began to argue that modernism, once high-minded and even noble in its goals, had become stale, stagnant and blandly corporate. Later, in Milan, a cohort of creators led by Ettore Sottsass and Alessandro Mendini — a onetime mentor to Sottsass and a key figure in the Italian Radical movement — brought the discussion to bear on design.

Sottsass, an industrial designer, philosopher and provocateur, gathered a core group of young designers into a collective in 1980 they called Memphis. Members of the Memphis Group,  which would come to include Martine Bedin, Michael Graves, Marco Zanini, Shiro Kuramata, Michele de Lucchi and Matteo Thun, saw design as a means of communication, and they wanted it to shout. That it did: The first Memphis collection appeared in 1981 in Milan and broke all the modernist taboos, embracing irony, kitsch, wild ornamentation and bad taste.

Memphis works remain icons of postmodernism: the Sottsass Casablanca bookcase, with its leopard-print plastic veneer; de Lucchi’s First chair, which has been described as having the look of an electronics component; Martine Bedin’s Super lamp: a pull-toy puppy on a power-cord leash. Even though it preceded the Memphis Group’s formal launch, Sottsass’s iconic Ultrafragola mirror — in its conspicuously curved plastic shell with radical pops of pink neon — proves striking in any space and embodies many of the collective’s postmodern ideals. 

After the initial Memphis show caused an uproar, the postmodern movement within furniture and interior design quickly took off in America. (Memphis fell out of fashion when the Reagan era gave way to cool 1990’s minimalism.) The architect Robert Venturi had by then already begun a series of plywood chairs for Knoll Inc., with beefy, exaggerated silhouettes of traditional styles such as Queen Anne and Chippendale. In 1982, the new firm Swid Powell enlisted a group of top American architects, including Frank Gehry, Richard Meier, Stanley Tigerman and Venturi to create postmodern tableware in silver, ceramic and glass.

On 1stDibs, the vintage postmodern furniture collection includes chairs, coffee tables, sofas, decorative objects, table lamps and more.

Antique and vintage side chairs are space savers by design and wonderfully versatile pieces of seating for your dining room or wherever guests may gather.

Chairs have been indispensable pieces of furniture for a long time. We sit, therefore we deserve good seating. In Ancient Egypt, chairs were utilized in homes regardless of class, and most furniture was made of wood. Comfortable folding chairs, for example, were found in King Tutankhamun’s tomb.

Chairs evolved to be more commonplace in the 1830s, and by the Industrial Revolution, they could be found in most homes. The traditional wooden side chair might feature an upholstered back and seat and was typically used for gathering around a big dining room table. Because the side chair does not feature armrests, it could easily be tucked under the table when not in use or delicately placed in a corner for decorative purposes. Today, the side chair’s slim silhouette and armless design still offer the same level of versatility as it did in its early days. It’s supportive of a large gathering for a meal in the dining room or kitchen and serves as an accent piece (or extra seating) resting against the wall in a living room or inviting foyer.

When shopping for side chairs, think about the colors and furniture style you’ve already introduced to your living room or dining room. Keep the height of your sofa in mind, for example. If you intend to pair your sofa with your side chair when it’s not perched near the dining table, it wouldn’t hurt if the height of your side chair matches the height of your sofa. Even if your side chair will largely be used in the kitchen or dining room, it will likely be used in the living room or home entertainment area as well. When you’re thinking about the seating where meals are served in your home, benches, stools and armchairs make suitable alternatives too. And if you’re feeling adventurous, combining a variety of dining room seating options can be both aesthetically pleasing and downright practical.

Side chairs are available in a number of styles today, and this convenient seating is one of the types of chairs you should know when furnishing your new home. Explore antique and vintage side chairs on 1stDibs. Find Art Deco side chairs and mid-century modern side chairs, or search by creator to find side chairs crafted by legendary designers like Charles and Ray Eames and others.