Mendini Berito

Alessandro Mendini was born in Milan in 1931. Through his work as an architect, designer, journalist, theorist and publisher, Mendini helped establish the Italian design sensibility on a global scale with a particular focus on neo-modern, avant-garde design as well as the crossover between art, design and architecture.

Mendini’s influential work spanned the arenas of graphics, furniture, interiors, architecture, stage design, writing and painting. He graduated from the Polytechnic University of Milan in 1959, and he began his career at the studio of artist-designer Marcello Nizzoli. He went on to become the publisher of the popular magazines Casabella (1970–76), Modo and Domus (each 1979–85).

In 1979, Mendini joined Ettore Sottsass and Michele de Lucchi as a partner at Studio Alchimia, a harbinger of the Memphis Group before he cofounded Domus Academy in 1982. In 1989, he and his brother Francesco established their architectural practice, Atelier Mendini, in Milan, where he worked until his death in February 2019. In recognition of his outstanding body of work, Mendini was awarded the Compasso d’Oro twice, in 1979 and 1981. He was also honored by the Architectural League of New York, made Chevalier des Arts et Lettres in France, and, in 2014, he was awarded the European Prize for Architecture.

Mendini’s work is included in the permanent collections of the Metropolitan Museum and the Museum of Modern Art in New York and the Centre Pompidou in Paris, among others.

Find vintage Alessandro Mendini chairs, vases, table lamps and other furniture and decorative objects on 1stDibs.

(Biography provided by STUDIO CADMIUM)

The late 19th and early 20th centuries saw sweeping social change and major scientific advances — both of which contributed to a new aesthetic: modernism. Rejecting the rigidity of Victorian artistic conventions, modernists sought a new means of expression. References to the natural world and ornate classical embellishments gave way to the sleek simplicity of the Machine Age. Architect Philip Johnson characterized the hallmarks of modernism as “machine-like simplicity, smoothness or surface [and] avoidance of ornament.”

Early practitioners of modernist design include the De Stijl (“The Style”) group, founded in the Netherlands in 1917, and the Bauhaus School, founded two years later in Germany.

Followers of both groups produced sleek, spare designs — many of which became icons of daily life in the 20th century. The modernists rejected both natural and historical references and relied primarily on industrial materials such as metal, glass, plywood, and, later, plastics. While Bauhaus principals Marcel Breuer and Ludwig Mies van der Rohe created furniture from mass-produced, chrome-plated steel, American visionaries like Charles and Ray Eames worked in materials as novel as molded plywood and fiberglass. Today, Breuer’s Wassily chair, Mies van der Rohe’s Barcelona chair — crafted with his romantic partner, designer Lilly Reich — and the Eames lounge chair are emblems of progressive design and vintage originals are prized cornerstones of collections.

It’s difficult to overstate the influence that modernism continues to wield over designers and architects — and equally difficult to overstate how revolutionary it was when it first appeared a century ago. But because modernist furniture designs are so simple, they can blend in seamlessly with just about any type of décor. Don’t overlook them.

Whether it’s a Chinese Han dynasty glazed ceramic wine vessel, a work of Murano glass or a hand-painted Scandinavian modern stoneware piece, a fine vase brings a piece of history into your space as much as it adds a sophisticated dynamic. 

Like sculptures or paintings, antique and vintage vases are considered works of fine art. Once offered as tributes to ancient rulers, vases continue to be gifted to heads of state today. Over time, decorative porcelain vases have become family heirlooms to be displayed prominently in our homes — loved pieces treasured from generation to generation.

The functional value of vases is well known. They were traditionally utilized as vessels for carrying dry goods or liquids, so some have handles and feature an opening at the top (where they flare back out). While artists have explored wildly sculptural alternatives over time, the most conventional vase shape is characterized by a bulbous base and a body with shoulders where the form curves inward.

Owing to their intrinsic functionality, vases are quite possibly versatile in ways few other art forms can match. They’re typically taller than they are wide. Some have a neck that offers height and is ideal for the stems of cut flowers. To pair with your mid-century modern decor, the right vase will be an elegant receptacle for leafy snake plants on your teak dining table, or, in the case of welcoming guests on your doorstep, a large ceramic floor vase for long tree branches or sticks — perhaps one crafted in the Art Nouveau style — works wonders.

Interior designers include vases of every type, size and style in their projects — be the canvas indoors or outdoors — often introducing a splash of color and a range of textures to an entryway or merely calling attention to nature’s asymmetries by bringing more organically shaped decorative objects into a home.

On 1stDibs, you can browse our collection of vases by material, including ceramic, glass, porcelain and more. Sizes range from tiny bud vases to massive statement pieces and every size in between.