Skip to main content

Paris Landscape Etchings

to
42
69
19
8
1
Overall Width
to
Overall Height
to
6
86
7
2
4
9
29
23
1
7
2
1
59
7
7
6
5
2
1
1
56
41
59
50
26
17
15
14
13
12
12
7
6
5
5
5
4
4
3
3
3
2
98
9
8
6
5
5
4
4
2
2
6
8
66
32
Sort By
Paris : Louvre Museum with Blue Scratch - Original etching
Paris : Louvre Museum with Blue Scratch - Original etching

Paris : Louvre Museum with Blue Scratch - Original etching

By Arnulf Rainer

Located in Paris, IDF

Arnulf Rainer (1929) Paris : Louvre Museum with Blue Scratch Original etching On vellum 40 x 50 cm

Category

21st Century and Contemporary Expressionist Landscape Prints

Materials

Etching

“Paris-London”
“Paris-London”

“Paris-London”

Located in Southampton, NY

Very nice original hand colored copper plate etching (aquatint) by the Hungarian born artist

Category

1980s Academic Landscape Prints

Materials

Archival Paper, Etching

L’Hiver a Paris ou La Neige a Paris

L’Hiver a Paris ou La Neige a Paris

By Félix Hilaire Buhot

Located in New York, NY

Felix Buhot (1847-1898), L’Hiver a Paris ou La Neige a Paris, 1879, etching, aquatint, drypoint

Category

1870s Realist Landscape Prints

Materials

Drypoint, Etching, Aquatint

Cafè de Paris
Cafè de Paris

Cafè de Paris

By Maurice de Vlaminck

Located in Roma, IT

Original drypoint and etching. Hand signed. From the suite: "Visage de Maisons". Image Dimensions

Category

1920s Post-Impressionist Landscape Prints

Materials

Etching

La Rue Sauton Paris
La Rue Sauton Paris

La Rue Sauton Paris

By John Taylor Arms

Located in Middletown, NY

Etching on laid paper, 13 1/2 x 7 1/2 (343 x 191); sheet 16 1/2 x 11 inches (420 x 280 mm), full

Category

Early 20th Century American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

St. Germain-Des-Pres, Paris

St. Germain-Des-Pres, Paris

By John Marin

Located in New York, NY

John Marin (1870-1953), St. Germain-Des-Pres, Paris, etching, 1906. Signed in pencil lower right

Category

Early 1900s American Impressionist Landscape Prints

Materials

Etching

Notre Dame de Paris
Notre Dame de Paris

Notre Dame de Paris

By John Taylor Arms

Located in Middletown, NY

A superb, dark impression of a well known scene by Arms. Etching with aquatint on watermarked

Category

1920s American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching, Aquatint

Arch of the Pont Neuf, Paris
Arch of the Pont Neuf, Paris

Arch of the Pont Neuf, Paris

By Sir Frank Brangwyn

Located in Fairlawn, OH

Arch of the Pont Neuf, Paris Etching on heavy wove paper, 1923 Signed in pencil lower right (see

Category

1920s Post-Impressionist Landscape Prints

Materials

Etching

The Pump House, Notre Dame, Paris
The Pump House, Notre Dame, Paris

The Pump House, Notre Dame, Paris

By Charles Meryon

Located in Plano, TX

La Pompe Notre Dame. (The Pumphouse, Notre Dame). Schneiderman catalog 26.x. 1861. Etching

Category

Mid-19th Century Old Masters Landscape Prints

Materials

Etching

Montmartre, A La gloire à Paris, Charles Camoin
Montmartre, A La gloire à Paris, Charles Camoin

Montmartre, A La gloire à Paris, Charles Camoin

By Charles Camoin

Located in Southampton, NY

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition

Category

1930s Modern Landscape Prints

Materials

Etching

Les Musées, A La gloire à Paris, Gabriel Belot
Les Musées, A La gloire à Paris, Gabriel Belot

Les Musées, A La gloire à Paris, Gabriel Belot

By Gabriel Belot

Located in Southampton, NY

predilection for the many great views of Paris. However, he did not shy away from figures and landscapes. An

Category

1930s Modern Landscape Prints

Materials

Etching

Le Pont Neuf, A La gloire à Paris, André Derain
Le Pont Neuf, A La gloire à Paris, André Derain

Le Pont Neuf, A La gloire à Paris, André Derain

By André Derain

Located in Southampton, NY

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition

Category

1930s Modern Landscape Prints

Materials

Etching

La Tour de L’Horloge (The Clock Tower, Paris)

La Tour de L’Horloge (The Clock Tower, Paris)

By Charles Meryon

Located in New York, NY

Charles Meryon (1821-1868), La Tour de L’Horloge (The Clock Tower, Paris), 1852, etching with

Category

1850s Realist Landscape Prints

Materials

Engraving, Etching

  • 1
Get Updated with New Arrivals
Save "Paris Landscape Etchings", and we’ll notify you when there are new listings in this category.

Paris Landscape Etchings For Sale on 1stDibs

There is a broad range of paris landscape etchings for sale on 1stDibs. Today, if you’re looking for Expressionist editions of these works and are unable to find the perfect match for your home, our selection also includes Post-Impressionist. These items have been produced for many years, with earlier versions available from the 19th Century and newer variations made as recently as the 21st Century. Paris landscape etchings available on 1stDibs span a range of colors that includes beige, gray, black, brown and more. Many versions of these artworks are appealing in their rich colors and composition, but Charles Meryon, Luigi Kasimir, John Marin, Caroline Armington and Eugene Bejot produced especially popular works that are worth a look. The range of these distinct pieces — often created in etching, engraving and drypoint — can elevate any room of your home. Some paris landscape etchings are too large for some spaces — a variety of smaller iterations, measuring # 5.25 inches across, are available.

How Much are Paris Landscape Etchings?

Prices for art of this kind can differ depending upon size, time period and other attributes — paris landscape etchings in our inventory begin at $175 and can go as high as $9,000, while the average can fetch as much as $1,163.

Finding the Right Prints And Multiples for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.