Picasso Aquatint

Hand Signed. Edition of 50 copies plus 15 artist's proofs. Aquatint and drypoint. Image dimensions

PABLO PICASSO 1881-1973 Málaga 1881- 1973 Mougins (Spanish) Title: The Workshop L’atelier, 1927

Pablo Picasso’s 1968 etching and aquatint Théâtre ou télévision: cape et épée belongs to the

Pablo Picasso Malaga 1881 - Mougins 1973 Le Faune, 1958 Etching and aquatint on Japon nacré paper

Pablo Picasso Untitled from Le Cocu Magnifique, 1966 Etching with aquatint Hand signed lower right

Etching with aquatint, roulette, and drypoint, 1973. Signed in pencil and numbered from the

Artist: Enrico Baj, Italian (1924 - 2003) Title: Baj Chez Picasso 2 Year: 1969 Medium: Aquatint

Pablo Picasso Peintre peignant la nuque de son jeune modele, 1968 From La Serie 347 Aquatint with

Etching, aquatint and drypoint. Not Signed and not Numbered as issued. Edition of 226 pieces

vélin in full margins, numbered lower left and signed lower right in pencil. Realized by Picasso in 1963

Etching and aquatint on wove paper, full margins. Hand Signed and numbered. Edition of 70/75

This piece is an original dry point etching with aquatint and scraper, created by Pablo Picasso in

A fabulous impression of this scarce Picasso etching from the Vollard Suite published in 1939. In

Etching and Aquatint on Montval paper. Hand Signed. Edition of 260 prints (not numbered and

and acquatint) by Pablo Picasso. Signed in pencil by Picasso and Crommelynck on the justification

Pablo Picasso 1881–1973 "Peintre et modèle avec un noeud dans les cheveux" 1964 etching and

Hand signed. Edition 35 of 50. From the Serie “Les 347”, table no. 110. Perfect impression on vélin blanc, very fresh and with sheet in full margins and perfect conditions, numbered ...

L’Etreinte is an artwork realized by Pablo Picasso in 1963. Etching and Aquatint on BFK Rives

Pablo Picasso (1881-1973) - Dans l'Atelier Etching and aquatint from 1965. The edition of 33/50

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century

PABLO PICASSO (1881-1973) Chez la pythie - harpye. Homme au masque de minotaure et femme au masque

Pablo Picasso (1881-1973) - Peintre et modèle au fume-cigarette Etching and aquatint from 1968

This drypoint, aquatint with scraper is hand signed in pencil by the artist “Picasso” at the lower

This original etching and aquatint is hand signed in pencil by the artist "David Hockney" at the

Signed and numbered Picasso 15/50. Aquatint and etching printed on Auvergne

Pablo Picasso (1881-1973) - Peintre et sa toile avec modèle assis Etching and aquatint from 1965

Pablo Picasso Painter in a Hat, Bearded Model and Naked Woman Spectator, 1963 Etching 18 x 14 ½ in

» Aquatint on paper. Hand signed and numbered by the artist. Bloch 1715. Edition 32/50. Custom framed as

Between 1964 and 1965, Picasso created 10 aquatint etchings that were published as a supplement to

Artist: Pablo Picasso Title: Le Grenouille (The Frog), from Buffon's l'Histoire Naturelle Medium

also a signed edition of 30 impressions The set of 12 etching & aquatints is signed by Picasso on the

Peintre et Modele Etching and aquatint on Rives wove paper, 1966 Signature stamp lower right (see

The Vulture is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso

Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these

The Donkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso

set of 12 etching & aquatints is signed by Picasso on the justification page. (see photo) A photocopy

"The Embrace" is an aquatint on paper, image size 13.75 x 16.75 inches, signed 'Picasso' lower

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century

A prolific and tireless innovator of art forms, Pablo Picasso impacted the course of 20th-century

original etching and Aquatint is hand signed by the artist "Picasso" at the lower right. It was printed in

-point and aquatint) by Pablo Picasso. Signed in pencil by Picasso and Crommelynck on the justification

& aquatints is signed by Picasso on the justification page. A photocopy will be provided to the purchaser for

Etching and aquatint, 1965 Handsigned by the artist in pencil and numbered 23/50 Publisher

different paper The set of 12 etching & aquatints is signed by Picasso on the justification page. (see

Signed in pencil lower right 'Picasso'. Plate 27 of the 'Suite Vollard'. One of 250 impressions

Plate 26 from La Suite Vollard. Bloch 226. Baer 440. Etching, engraving and aquatint, on Montval

- handsigned on the lower right - dated and unreadable inscripted in the plate - from the Suite Vollard - plate size: 19,5 x 27,6 cm; sheetsize: 34 x 44,5 cm - edition of 260, unnumb...

This is one of the most important motifs in the graphic oeuvre of Chillida. The Spanish artist is very well known for his large-scale sculptures which can be found in public as well ...

notably with the inclusion of the sugar-lift aquatint technique which Picasso learned from Lacouriere, and

Artist: Enrico Baj, Italian (1924 - 2003) Title: Baj Chez Picasso 3 Year: 1969 Medium: Aquatint

Artist: Enrico Baj, Italian (1924 - 2003) Title: Baj Chez Picasso 6 Year: 1969 Medium: Aquatint

Artist: Enrico Baj, Italian (1924 - 2003) Title: Baj Chez Picasso 7 Year: 1969 Medium: Aquatint

Artist: Enrico Baj, Italian (1924 - 2003) Title: Baj Chez Picasso 1 Year: 1969 Medium: Aquatint

Marina Picasso. Aquatint and drypoint, 1936 from ‘Picasso Eaux-fortes originales pour les textes de

Aquatint, drypoint, and scraper printed on Arches wove paper with Arches watermark From the edition

Medium: Original Sugar Aquatint, Paris, (Between 19th November & 7th December 1934) , 6th