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Piranesi Architectural Etchings

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Fabricius (Ponte Cestio) Bridge : Framed 18th C. Piranesi Architectural Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
the architecture of ancient Rome through his etchings. Piranesi's etchings were highly detailed and
Category

1750s Old Masters Landscape Prints

Materials

Etching

Church of St. Costanza, Rome: An 18th Century Piranesi Architectural Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
architecture. This 18th century Piranesi etching is presented on an antiqued silver-colored wood frame with a
Category

1770s Old Masters Interior Prints

Materials

Etching

Ancient Roman Architectural Frieze: An 18th C. Piranesi Etching
By Giovanni Battista Piranesi
Located in Alamo, CA
the Valley). The etching is by Giovanni Battista Piranesi, published in Rome in 1778. It is from
Category

Early 18th Century Old Masters Figurative Prints

Materials

Etching

Giovanni Piranesi Etching of Ancient Roman Architecture, 18th Century
By Giovanni Battista Piranesi
Located in Alamo, CA
Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi
Category

Early 18th Century Old Masters Figurative Prints

Materials

Etching, Engraving, Drypoint

Piranesi Etching of Ancient Roman Architectural Objects, "A sua Eccellenza"
By Giovanni Battista Piranesi
Located in Alamo, CA
, sarcophagi, tripods, lamps, and ancient ornaments) is an etching by Giovanni Battista Piranesi, published in
Category

1770s Old Masters Figurative Prints

Materials

Etching

Ancient Roman Temple Architecture: An 18th Century Framed Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This is an 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Tempio detto
Category

1760s Old Masters Figurative Prints

Materials

Etching

18th Century Etching of Ancient Roman Architectural Objects by Giovanni Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
ancient ornaments). This work by Giovanni Battista Piranesi, published in 1778, depicts a column, a frieze
Category

Mid-18th Century Old Masters Figurative Prints

Materials

Etching

18th C. Piranesi Fireplace Designs based on Ancient Architectural Styles
By Giovanni Battista Piranesi
Located in Alamo, CA
These two Giovanni Battista Piranesi 18th century etchings of fireplace designs on one sheet is
Category

Mid-18th Century Old Masters Figurative Prints

Materials

Etching

Neoclassical Etching A Roman Corinthian Capital by Francesco Piranesi
By Francesco Piranesi
Located in Stamford, CT
Neoclassical Etching of a architectural cornice and a Corithian capital by Francesco Piranesi
Category

Antique Late 18th Century Italian Neoclassical Prints

Materials

Paper

Pair of Framed Giovanni Battista Piranesi Architectural Vases Etchings C.1770
By Giovanni Battista Piranesi
Located in San Francisco, CA
Pair of Framed Giovanni Battista Piranesi Architectural Vases Etchings C.1770 Outstanding pair of
Category

Late 18th Century More Prints

Materials

Etching

"Tripode antico" 18th C. Piranesi Etching of Ancient Roman Architectural Objects
By Giovanni Battista Piranesi
Located in Alamo, CA
architectural elements. The etching is presented in a gold colored wood frame with double mats; an outer cream
Category

Early 18th Century Old Masters Figurative Prints

Materials

Etching

Giovanni Piranesi Etching of Ancient Roman Architecture
By Giovanni Battista Piranesi
Located in Alamo, CA
An etching with drypoint entitled "A Veduta del Sepolcro di Pisone Liciniano su l’antica via Appia
Category

Mid-18th Century Old Masters Landscape Prints

Materials

Etching, Drypoint

Ancient Roman Architecture: 18th Century Etching by Giovanni Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
This is an 18th century etching by Giovanni Battista Piranesi entitled "Veduta del Tempio di Cibele
Category

1750s Old Masters Figurative Prints

Materials

Etching

"Camera Sepolcrale" Piranesi 18th Century Etching of Ancient Roman Architecture
By Giovanni Battista Piranesi
Located in Alamo, CA
additional Piranesi etching of Roman architecture framed and matted in an identical fashion, which would make
Category

1750s Old Masters Figurative Prints

Materials

Etching

18th Century Etching of Ancient Roman Architecture by Giovanni Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
33.13" x 1". See item # LU117324344881 for an additional Piranesi etching of Roman architecture framed
Category

1750s Old Masters Figurative Prints

Materials

Etching

Roman Aqueducts: A Framed 18th Century Architectural Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
another Piranesi etching of the architecture of a Roman aqueduct listed on 1stdibs, the Aqueduct of
Category

1750s Old Masters Landscape Prints

Materials

Etching

Pair of Piranesi Etchings of Ancient Roman Architectural Objects, 18th Century
By Giovanni Battista Piranesi
Located in Alamo, CA
A pair of etchings created by Giovanni Piranesi depicting Roman architectural details from his "Le
Category

Mid-18th Century Old Masters Figurative Prints

Materials

Etching

"Avanzi di un Antico Sepulc'ro" Piranesi Etching of Ancient Roman Architecture
By Giovanni Battista Piranesi
Located in Alamo, CA
"Avanzi di un Antico Sepulc'ro Ogge Detto la Conocchia" is an etching by Giovanni Battista Piranesi
Category

Early 18th Century Old Masters Figurative Prints

Materials

Etching

Piranesi Architectural Views of Ancient Roman Architectural Objects , 18th C.
By Giovanni Battista Piranesi
Located in Alamo, CA
Giovanni Battista Piranesi's 18th century etching entitled: "Disegno di due antiche cornici
Category

Mid-18th Century Old Masters Figurative Prints

Materials

Etching

Piranesi Architectural View of the Roman Forum's Temple of Saturn, 18th Century
By Giovanni Battista Piranesi
Located in Alamo, CA
Giovanni Battista Piranesi's 18th century etching entitled "Veduta del Tempio detto della Concordia
Category

Early 18th Century Old Masters Figurative Prints

Materials

Etching

Piranesi Architectural View of the Tomb of St. Costanza in Rome, 18th Century
By Giovanni Battista Piranesi
Located in Alamo, CA
Giovanni Battista Piranesi's 18th century etching entitled: "Veduta interna del Sepocro di Santa
Category

Early 18th Century Old Masters Figurative Prints

Materials

Etching

The Aqueduct of Caracalla in Rome: A Framed 18th Century Etching by Piranesi
By Giovanni Battista Piranesi
Located in Alamo, CA
another Piranesi etching of the architecture of three Roman aqueducts listed on 1stdibs. It is framed in
Category

1750s Old Masters Landscape Prints

Materials

Etching

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Piranesi Architectural Etchings For Sale on 1stDibs

Find a variety of piranesi architectural etchings available on 1stDibs. Today, if you’re looking for modern editions of these works and are unable to find the perfect match for your home, our selection also includes modern. These items have been made for many years, with versions that date back to the 18th Century alongside those produced as recently as the 21st Century. Adding a colorful piece of art to a room that is mostly decorated in warm neutral tones can yield a welcome change — see the piranesi architectural etchings on 1stDibs that include elements of gray, beige, brown, white and more. There have been many well-done artworks of this subject over the years, but those made by Giuseppe Vasi, Giovanni Battista Piranesi, Luigi Rossini, Dana Melamed and Alfred Bentley are often thought to be among the most beautiful. The range of these distinct pieces — often created in etching, engraving and paper — can elevate any room of your home.

How Much are Piranesi Architectural Etchings?

The average selling price for piranesi architectural etchings we offer is $1,062, while they’re typically $59 on the low end and $38,000 for the highest priced.

Finding the Right Prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.