With a vast inventory of beautiful furniture at 1stDibs, we’ve got just the poltrona frau dilly dally you’re looking for. Each poltrona frau dilly dally for sale was constructed with extraordinary care, often using
metal,
glass and
mirror. Whether you’re looking for an older or newer poltrona frau dilly dally, there are earlier versions available from the 20th Century and newer variations made as recently as the 20th Century. A poltrona frau dilly dally is a generally popular piece of furniture, but those created in
Mid-Century Modern styles are sought with frequency.
A poltrona frau dilly dally can differ in price owing to various characteristics — the average selling price 1stDibs is $4,225, while the lowest priced sells for $1,364 and the highest can go for as much as $11,248.
Luigi Massoni was one of Italy’s most prolific designers and instrumental in the growth of the country’s design industry in the postwar years through his products, advertising campaigns and journalistic work at Italian magazines.
Born in Milan, Massoni trained at the Collettivo di Architettura in Milan and worked as an architect and designer as well as a freelance journalist and consultant. He was involved with many of Italy’s most influential brands, such as Poltrona Frau, the Guzzini group and Alessi. Massoni was hired by Alessi, the legendary housewares and kitchen utensils manufacturer, which had been around since 1921, in the mid-1950s. In 1957, he collaborated with like-minded product designer Carlo Mazzeri on the universally renowned stainless-steel cocktail shaker 870, which, followed by other kitchen containers for the brand, was one of the first objects from Alessi that hadn’t been created in-house.
Together with architect Carlo De Carli, Massoni founded a magazine called Il Mobile Italiano and later Mobilia, an association of Italian furniture makers and one of the first organizations that focused on the promotion of Italian design. In the 1960s, Massoni began to design lamps and serveware for Guzzini, where he also consulted on design and company communications. He designed revolutionary furnishings for the kitchen at Boffi Cucine, producing modular kitchens, cabinets without traditional handles and more.
On 1stDibs, browse a collection of vintage Luigi Massoni vanity tables, sideboards, table lamps and more.
Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.
ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN
CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN
MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW
ICONIC MID-CENTURY MODERN FURNITURE DESIGNS
VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS
The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.
Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively.
Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer.
Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.
The Risom lounge chair was among the first pieces of furniture commissioned and produced by celebrated manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.
As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.
Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.
Generations turn over, and mid-century modern remains arguably the most popular style going. As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.