Pulcino Bird

With a vast inventory of beautiful furniture at 1stDibs, we’ve got just the pulcino bird you’re looking for. Frequently made of glass, art glass and blown glass, every pulcino bird was constructed with great care. Your living room may not be complete without a pulcino bird — find older editions for sale from the 20th Century and newer versions made as recently as the 20th Century. A pulcino bird is a generally popular piece of furniture, but those created in Mid-Century Modern and Art Deco styles are sought with frequency.

The average selling price for a pulcino bird at 1stDibs is $9,500, while they’re typically $3,495 on the low end and $74,333 for the highest priced.

Venice has long been a manufacturing center for exquisite art glass, and since as early as the 8th century, legions of expert glassmakers have been honing their skills there. The glass components of eminently collectible chandeliers, sconces, and table lamps and other objects and fixtures are hand-blown in the region by a master of Murano glass, named for the Italian island of Murano, where glassmaking has been practiced for hundreds of years, using a variety of artisanal processes. Renowned glass artist Alessandro Pianon was a product of the region’s rich glassmaking tradition.

Born in Venice, Pianon studied at the Architecture School in Venice to become an architect and designer. Prolific glass manufacturer Vetreria Vistosi hired Pianon in 1956 to design the company logo. The history of Vistosi and its extraordinary lighting and decorative objects reaches as far back as 1640, when the Gazzabin family of Murano opened a furnace for producing Murano glass art. "Vistoso," which was originally a nickname, became part of the family's surname, and eventually the name “Vistosi” was used to refer to the family’s glass creations.

Pleased with his work, the manufacturer retained Pianon as a designer. At Vistosi, Pianon developed his glass-blowing techniques and designed a series of collections of pieces for the company (the maker’s “Pulcini” bird sculptures are particularly well-known). Over this time he perfected his unique style, producing pendant lamps and chandeliers of all different kinds, whimsical bird sculptures in vibrant colors that feature richly textured surfaces, and other objects and furnishings. He started his own design studio in 1962.

Pianon’s work is highly collectible — his lighthearted “Pulcini” birds, with their bulbous forms and lanky legs of patinated copper, are very popular with lovers of art glass, and these works introduce cheeriness and pops of color into any interior. 

On 1stDibs, find vintage Alessandro Pianon lighting and decorative objects.

Organically shaped, clean-lined and elegantly simple are three terms that well describe vintage mid-century modern furniture. The style, which emerged primarily in the years following World War II, is characterized by pieces that were conceived and made in an energetic, optimistic spirit by creators who believed that good design was an essential part of good living.

ORIGINS OF MID-CENTURY MODERN FURNITURE DESIGN

• Emerged during the mid-20th century 
• Informed by European modernism, Bauhaus, International style, Scandinavian modernism and Frank Lloyd Wright’s architecture
• A heyday of innovation in postwar America 
• Experimentation with new ideas, new materials and new forms flourished in Scandinavia, Italy, the former Czechoslovakia and elsewhere in Europe

CHARACTERISTICS OF MID-CENTURY MODERN FURNITURE DESIGN

• Simplicity, organic forms, clean lines  
• A blend of neutral and bold Pop art colors 
• Use of natural and man-made materials — alluring woods such as teak, rosewood and oak; steel, fiberglass and molded plywood 
• Light-filled spaces with colorful upholstery 
• Glass walls and an emphasis on the outdoors 
• Promotion of functionality

MID-CENTURY MODERN FURNITURE DESIGNERS TO KNOW

• Charles and Ray Eames
• Eero Saarinen
• Milo Baughman
• Florence Knoll
• Harry Bertoia 
• Isamu Noguchi 
• George Nelson 
• Danish modernists Hans Wegner and Arne Jacobsen, whose emphasis on natural materials and craftsmanship influenced American designers and vice versa

ICONIC MID-CENTURY MODERN FURNITURE DESIGNS

• Eames lounge chair
• Nelson daybed
• Florence Knoll sofa
• Egg chair
• Womb chair
• Noguchi coffee table
• Barcelona chair

VINTAGE MID-CENTURY MODERN FURNITURE ON 1STDIBS

The mid-century modern era saw leagues of postwar American architects and designers animated by new ideas and new technology. The lean, functionalist International-style architecture of Le Corbusier and Bauhaus eminences Ludwig Mies van der Rohe and Walter Gropius had been promoted in the United States during the 1930s by Philip Johnson and others. New building techniques, such as “post-and-beam” construction, allowed the International-style schemes to be realized on a small scale in open-plan houses with long walls of glass.

Materials developed for wartime use became available for domestic goods and were incorporated into mid-century modern furniture designs. Charles and Ray Eames and Eero Saarinen, who had experimented extensively with molded plywood, eagerly embraced fiberglass for pieces such as the La Chaise and the Womb chair, respectively. 

Architect, writer and designer George Nelson created with his team shades for the Bubble lamp using a new translucent polymer skin and, as design director at Herman Miller, recruited the Eameses, Alexander Girard and others for projects at the legendary Michigan furniture manufacturer. 

Harry Bertoia and Isamu Noguchi devised chairs and tables built of wire mesh and wire struts. Materials were repurposed too: The Danish-born designer Jens Risom created a line of chairs using surplus parachute straps for webbed seats and backrests.

The Risom lounge chair was among the first pieces of furniture commissioned and produced by legendary manufacturer Knoll, a chief influencer in the rise of modern design in the United States, thanks to the work of Florence Knoll, the pioneering architect and designer who made the firm a leader in its field. The seating that Knoll created for office spaces — as well as pieces designed by Florence initially for commercial clients — soon became desirable for the home.

As the demand for casual, uncluttered furnishings grew, more mid-century furniture designers caught the spirit.

Classically oriented creators such as Edward Wormley, house designer for Dunbar Inc., offered such pieces as the sinuous Listen to Me chaise; the British expatriate T.H. Robsjohn-Gibbings switched gears, creating items such as the tiered, biomorphic Mesa table. There were Young Turks such as Paul McCobb, who designed holistic groups of sleek, blond wood furniture, and Milo Baughman, who espoused a West Coast aesthetic in minimalist teak dining tables and lushly upholstered chairs and sofas with angular steel frames.

As the collection of vintage mid-century modern chairs, dressers, coffee tables and other furniture for the living room, dining room, bedroom and elsewhere on 1stDibs demonstrates, this period saw one of the most delightful and dramatic flowerings of creativity in design history.