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Ottokar Mascha Folio, plate 18: "Shaw Oder Die Ironie Poster" by Egon Schiele
By Egon Schiele
Located in Chicago, IL
after EGON SCHIELE (1890-1918) SHAW ODER DIE IRONIE POSTER, C. 1912, (In Mascha, no. 18) Schiele
Category

1910s Vienna Secession Figurative Prints

Materials

Lithograph

E. Strache, Handzeichnungen folio, "Crouching Female Nude" Collotype plate V
By (after) Egon Schiele
Located in Chicago, IL
responsibility to create an exhibition poster and art for the main gallery fell on Schiele’s shoulders. Critical
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Nursing Mother with Child" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Portrait Study (Head of a Girl)" Collotype
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Portrait Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Female Model, Seated" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
After Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Female Nude, Back View" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Kneeling Female, Semi-Nude" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Self-Portrait" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Portrait Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Reclining Girl, Half-Figure" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Reclining Female Nude Glancing Up" Collotype
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Standing Female Nude" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Kneeling Female Nude" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Artist's Sister-in-Law" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
After Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen folio, "Female Nude, Walking" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

E. Strache, Handzeichnungen, "Seated Female Nude w/Orange Drapery" Collotype
By (after) Egon Schiele
Located in Chicago, IL
“ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and
Category

1920s Vienna Secession Figurative Prints

Materials

Paper

R. Layni, Zeichnungen folio, "The Artist's Wife, Seated" Collotype plate VI
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Category

1910s Vienna Secession Portrait Prints

Materials

Paper

R. Layni, Zeichnungen folio, "One-Year-Volunteer Private" Collotype plate V
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Category

1910s Vienna Secession Portrait Prints

Materials

Paper

R. Layni, Zeichnungen folio, "Portrait of a Child" Collotype plate X
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Category

1910s Vienna Secession Figurative Prints

Materials

Paper

R. Layni, Zeichnungen folio, "Russian Soldier" Collotype plate VII
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Category

1910s Vienna Secession Figurative Prints

Materials

Paper

R. Layni, Zeichnungen folio, "Kneeling Female Semi-Nude" Collotype plate XII
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Category

1910s Vienna Secession Figurative Prints

Materials

Paper

R. Layni, Zeichnungen folio, "Torso" Collotype plate IV
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Category

1910s Vienna Secession Figurative Prints

Materials

Paper

R. Layni, Zeichnungen folio, "Male Nude in Red Loincloth" Collotype plate II
Located in Chicago, IL
After Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1910s Vienna Secession Figurative Prints

Materials

Paper

R. Layni, Zeichnungen folio, "Reclining Nude w/Green Stockings" Collotype PL XI
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Category

1910s Vienna Secession Nude Prints

Materials

Paper

R. Layni, Zeichnungen folio, "Woman with Greyhound" Collotype plate III
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Category

1910s Vienna Secession Portrait Prints

Materials

Paper

R. Layni, Zeichnungen folio, "Seated Woman with Bent Knee" Collotype plate I
Located in Chicago, IL
After Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL
Category

1910s Vienna Secession Figurative Prints

Materials

Paper

R. Layni, Zeichnungen folio, "Two Girls, Lying Entwined" Collotype plate VIII
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Category

1910s Vienna Secession Nude Prints

Materials

Paper

R. Layni, Zeichnungen folio, "Nude With Raised Arm" Collotype plate IX
Located in Chicago, IL
Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Category

1910s Vienna Secession Nude Prints

Materials

Paper

Vintage Europalia 87 Osterreich Metal Foil Print Offset Lithograph Poster
By Friedensreich Hundertwasser
Located in Surfside, FL
Europalia 87 Oesterreich (Austria) by Friedrich Hundertwasser – original vintage poster – offset
Category

1980s Neo-Expressionist Figurative Prints

Materials

Offset

Olympia
By Friedensreich Hundertwasser
Located in Ljubljana, SI
Original signed color poster lithograph, 1983. Edition of 150 signed and numbered impressions on
Category

1980s Post-Modern Abstract Prints

Materials

Lithograph

Klimt: the Collection of the Wein Museum by Ursula Storch (Book)
Located in North Yorkshire, GB
, there posters and prints that Klimt designed for the Viennese Secession, including a number of original
Category

20th Century Books

Materials

Paper

Klimt: the Collection of the Wein Museum by Ursula Storch (Book)
Klimt: the Collection of the Wein Museum by Ursula Storch (Book)
Free Shipping
H 11.19 in W 9.88 in D 1.25 in
Sometimes the Dress is Worth More Money than the Money (1 of 50 Hand Signed)
By Tracey Emin
Located in New York, NY
23.5 inches Unframed Rare and desirable vintage limited edition 2001 offset lithograph poster
Category

Early 2000s Contemporary Portrait Prints

Materials

Permanent Marker, Lithograph, Offset

"The Holy Hour with Four Figures" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"Portrait of Herrn Willy Russ-Young" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"William Tell" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"Portrait of Prof. Dr. Hermann Sahli" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"Exuberant Woman" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"Love" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"Departure of Jena Volunteers in 1813" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"Dying Woman" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"Girl in the Garden" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"Three Mountaintops Emerging From Fog" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"Portrait of Swiss Political Attachee, Carlin" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"Chestnut Tree" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"The Reformation, Hannover" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"Woman Turning Around" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

"Young Peasant Girl" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"Portrait of Sculptor James Vibert" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"Portrait of Mrs. Gertrude Miller" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"The Holy Hour with Six Figures" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"Evening Peace" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"Head of an Italian Woman" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"What the Flowers Say" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"Cherry Tree in Bloom" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"Retreat from Marignano" set of 3 Copper Plate Prints
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
is the same copper print paper used in the General edition and then mounted on poster board. The
Category

1910s Symbolist Figurative Prints

Materials

Paper

"Battle at Nafels" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"Eurhythmie" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"Stockhorn Mountain Range at Thuner Lake" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"Woman at the River's Edge" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"Praying Warrior" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

"The Disappointed" Copper Plate Heliogravure
By Ferdinand Hodler & R. Piper & Co.
Located in Chicago, IL
edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer
Category

1910s Symbolist Figurative Prints

Materials

Paper

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Schiele Poster For Sale on 1stDibs

Find the exact schiele poster you’re shopping for in the variety available on 1stDibs. You can easily find an example made in the Surrealist style, while we also have 2 Surrealist versions to choose from as well. You’re likely to find the perfect schiele poster among the distinctive items we have available, which includes versions made as long ago as the 20th Century as well as those made as recently as the 21st Century. When looking for the right schiele poster for your space, you can search on 1stDibs by color — popular works were created in bold and neutral palettes with elements of beige, gray, white and brown. A schiele poster from Ferdinand Hodler & R. Piper & Co., (after) Egon Schiele, Egon Schiele and Max Jaffé, Friedensreich Hundertwasser and Egon Schiele — each of whom created distinctive versions of this kind of work — is worth considering. Artworks like these — often created in paper, offset print and lithograph — can elevate any room of your home.

How Much is a Schiele Poster?

A schiele poster can differ in price owing to various characteristics — the average selling price for items in our inventory is $3,200, while the lowest priced sells for $125 and the highest can go for as much as $81,127.

Finding the Right prints-works-on-paper for You

Decorating with fine art prints — whether they’re figurative prints, abstract prints or another variety — has always been a practical way of bringing a space to life as well as bringing works by an artist you love into your home.

Pursued in the 1960s and ’70s, largely by Pop artists drawn to its associations with mass production, advertising, packaging and seriality, as well as those challenging the primacy of the Abstract Expressionist brushstroke, printmaking was embraced in the 1980s by painters and conceptual artists ranging from David Salle and Elizabeth Murray to Adrian Piper and Sherrie Levine.

Printmaking is the transfer of an image from one surface to another. An artist takes a material like stone, metal, wood or wax, carves, incises, draws or otherwise marks it with an image, inks or paints it and then transfers the image to a piece of paper or other material.

Fine art prints are frequently confused with their more commercial counterparts. After all, our closest connection to the printed image is through mass-produced newspapers, magazines and books, and many people don’t realize that even though prints are editions, they start with an original image created by an artist with the intent of reproducing it in a small batch. Fine art prints are created in strictly limited editions — 20 or 30 or maybe 50 — and are always based on an image created specifically to be made into an edition.

Many people think of revered Dutch artist Rembrandt as a painter but may not know that he was a printmaker as well. His prints have been preserved in time along with the work of other celebrated printmakers such as Pablo Picasso, Salvador Dalí and Andy Warhol. These fine art prints are still highly sought after by collectors.

“It’s another tool in the artist’s toolbox, just like painting or sculpture or anything else that an artist uses in the service of mark making or expressing him- or herself,” says International Fine Print Dealers Association (IFPDA) vice president Betsy Senior, of New York’s Betsy Senior Fine Art, Inc.

Because artist’s editions tend to be more affordable and available than his or her unique works, they’re more accessible and can be a great opportunity to bring a variety of colors, textures and shapes into a space.

For tight corners, select small fine art prints as opposed to the oversized bold piece you’ll hang as a focal point in the dining area. But be careful not to choose something that is too big for your space. And feel free to lean into it if need be — not every work needs picture-hanging hooks. Leaning a larger fine art print against the wall behind a bookcase can add a stylish installation-type dynamic to your living room. (Read more about how to arrange wall art here.)

Find fine art prints for sale on 1stDibs today.

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