Timbre Bleu
Trois bleus
By James Coignard
Located in Malmo, SE
boundaries between concrete and abstract. He knows how to create chromatic melodies that shift in timbre from
Category
Early 2000s Abstract Prints and Multiples
Materials
Engraving
Composition bleu.
By James Coignard
Located in Malmo, SE
chromatic melodies that shift in timbre from cobalt blue to blood red. His pictures are an artistic
Category
1990s Abstract Abstract Paintings
Materials
Paper, Oil
Paysage bleu #1230
By James Coignard
Located in Malmo, SE
that shift in timbre from cobalt blue to blood red. His pictures are an artistic epicentre where lines
Category
Early 2000s Contemporary Abstract Prints
Materials
Engraving
Bleu vertical #1194.
By James Coignard
Located in Malmo, SE
chromatic melodies that shift in timbre from cobalt blue to blood red. His pictures are an artistic
Category
Early 2000s Contemporary Abstract Prints
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Engraving
Deux bleus III
By James Coignard
Located in Malmo, SE
and abstract. He knows how to create chromatic melodies that shift in timbre from cobalt blue to blood
Category
Early 2000s Contemporary Paintings
Materials
Canvas, Oil
Manquin bleu #1195.
By James Coignard
Located in Malmo, SE
how to create chromatic melodies that shift in timbre from cobalt blue to blood red. His pictures are
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Early 2000s Contemporary Abstract Prints
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Arlequin bleu à droite
By James Coignard
Located in Malmo, SE
abstract. He knows how to create chromatic melodies that shift in timbre from cobalt blue to blood red. His
Category
Early 2000s Contemporary Figurative Sculptures
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Trois bleus en diagonale.
By James Coignard
Located in Malmo, SE
and abstract. He knows how to create chromatic melodies that shift in timbre from cobalt blue to blood
Category
Early 2000s Abstract Mixed Media
Materials
Mixed Media
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Recent Sales
Deux Bleu.
By James Coignard
Located in Malmo, SE
to create chromatic melodies that shift in timbre from cobalt blue to blood red. His pictures are an
Category
1990s Abstract Abstract Paintings
Materials
Cardboard, Oil
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James Coignard for sale on 1stDibs
James Coignard, painter, ceramist, sculptor and etcher, was born in Tours in 1925. At the age of 23 and after a brief career in the French administration, he discovers the landscapes of the French Riviera and decides to study at Arts décoratifs in Nice. Four years later, he quits his job at the administration to commit himself entirely to his artistic career. The encounter with Paul Hervieu in 1950 is decisive. His collaboration with gallery Hervieu made him known in artistic circles, nationally and internationally and then particularly in Scandinavia. At the beginning of his career, art critics label James Coignard as a member of Ecole de Paris. Soon, his painting and ceramic distances themselves from those of his colleagues and he goes it alone. At the beginning of the sixties, he starts to work with glass but the technical turning point occurs in 1968 when his friend Henri Goetz discovers a new etching technique, using carborundum. Etching then becomes central in his work. At the same time, his career takes off internationally. He travels a lot, especially to Sweden and USA where he lives during a few years. 1978, James Coignard participates in the creation of the etching studio Pasnic, with which he starts a long collaboration. During the eighties, he shares his time between Paris and the French Riviera and takes an interest in artist’s books and publishing issues. He exhibits now all over the world, and is acknowledged as one of the greatest painter-etchers of his time. Until his decease in 2008, James Coignard was a prolific painter, sculptor and etcher and leaves behind an immense work.
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