Emerging Artists

Stéphane COUTURIER (*1957, France) E1027+ 123 – Villa Eileen Gray – Photo #8, 2021-2022 C-Print Sheet 100 x 135 cm (39 3/8 x 53 1/8 in.) Edition of ...

This piece titled "Short Shrift" is an original artwork made from oil on panel by Lauren Rinaldi. This piece measures 7”h x 5”w. Lauren Rinaldi (b. 1983, Brooklyn, NY) is an America...

Carmine is one of a new series of stunning acrylic abstract paintings by Vancouver-based artist Fiona Ackerman. Inspired by 17th century botanical illustrations by women naturalists,...

"Pygmalion and Galatea" Photography 24" x 24" in Edition of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube....

Nobuyoshi ARAKI (*1940, Japan) Love-Dream, Love-Nothing #011, 2018 gelatin silver print 50.8 x 60 cm (20 x 23 5/8 in.) Print only – Nobuyoshi Araki Nobuyoshi Araki (Tokyo, 1940) is ...

Mixed media - acrylic and charcoal on raw un-stretched canvas - Unframed. This work will be shipped rolled in a tube. This method is especially safe for large works, and provides lo...

Douglas Safranek's Touch of Green calls back to 17th century Dutch still lifes. Filled with humor and complexity, Safranek's rather const...

"Uscita" takes Inspiration from ancient Italian frescos originally found at the Villa di Livia outside of Rome. The trompe l'oeil frescos were from a subterranean room used for dining. The lush gardens gave the dinner guests the illusion of dining alfresco. Here Pylant took particular notice of the flora and fauna painted over 2000 years ago only to discover they were species that were also present at her then North Carolina studio. The artist adds an architectural element to the gardenscape to suggest a portal from the past into the present. This exploration of the ancient world and its connection to the present is a central theme running through Pylant's work. Carol S. Pylant Uscita oil and acrylic on canvas 40h x 62w in 101.60h x 157.48w cm CSP035 CAROL PYLANT Resume Title Artist / Emeritus Professor, University of Wisconsin-Madison Education 1979 M.F.A. Painting, Wayne State University, Detroit, MI 1977 B.F.A. Painting, Wayne State University, Detroit, MI Academic Appointments 1996 - 2011 Professor, University of Wisconsin-Madison 1991-96 Associate Professor, University of Wisconsin-Madison 1987-91 Assistant Professor, University of Wisconsin-Madison 1985 Instructor, Simmons College, Boston, MA 1984 Instructor, Art Institute of Boston, Boston, MA 1984 Instructor, DeCordova Museum and School, Lincoln, MA 1984 Instructor, Brookline Arts Center, Brookline, MA 1982-84 Assistant Professor, California State University, Long Beach, CA 1978-82 Instructor, Wayne State University, Detroit, MI International Teaching 2011 Professor, UW- Madison, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2006,7 Visiting Affiliate Professor, Santa Reparata International School of Art, Florence, Italy International Artist Residencies 2017 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2015 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2002 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 1990 The Tyrone Guthrie Center, Co. Monaghan, Ireland 1990 Oberpfalzer Kunstlerhaus,Schwandorf/Fromberg, West Germany 1987 Rockefeller Foundation Residency Fellowship, Bellagio, Italy 1987 The Karolyi Foundation, Vence, France International Research Awards 2010 Faculty Research Fellowship, UW-Madison, "Villa di Livia Frescos, Museo Nazionale, Rome, Italy" 2005 Faculty Research Fellowship, UW-Madison, "Romanesque Art in France" 2004 Faculty Research Fellowship, UW-Madison, "Paintings Inspired by Romanesque Art in France" 2002 Faculty Research Fellowship, UW-Madison, "Pagan or Christian, Romanesque Art in Spain" 1998 Faculty Research Fellowship, UW-Madison, "Paintings of Neolithic Monuments in Brittany" 1996-7 Vilas Associate Award, University of Wisconsin System, "Paintings of Prehistoric Stone Circles, Ireland and the British Isles 1995 Faculty Research Fellowship, UW-Madison, "Paintings of Celtic Ceremonial Sites in Ireland and the British Isles" 1993 Faculty Research Fellowship, UW-Madison, "Egg Tempera Paintings in Florence, Italy" 1992 Faculty Research Fellowship, UW-Madison, "Paintings of Ireland" 1990 Faculty Research Fellowship, UW-Madison, "Figure and Environment: Ireland" 1989 Faculty Research Fellowship, UW-Madison, "Figure and Environment Painting: Germany" 1988 Faculty Research Fellowship, UW-Madison, "Figure and Landscape Painting: Umbria, Italy" Other Awards 2008 Faculty Research Fellowship, UW-Madison 2007 Sabbatical, University of Wisconsin-Madison 2006 Faculty Research Fellowship, UW-Madison 2002-3 Emily Mead Baldwin-Bascom Named Professorship, University of Wisconsin 2000 Alumni Arts Achievement Award, Wayne State University Dept. of Art & Art History, Detroit, MI 2000 Faculty Research Fellowship, UW-Madison 1999 Faculty Research Fellowship, UW-Madison, "Past /Present: Paintings based on Celtic Imagery" 1999 Sabbatical, University of Wisconsin 1998 Wisconsin Arts Board Visual Arts Fellowship 1993 Faculty Development Grant, "Figurative Sculpture" University of Wisconsin System 1991,93 Visual Arts Development Grant, The Wisconsin Arts Board 1989 Visual Arts Fellowship for Painting, The Wisconsin Arts Board, Madison, WI 1988 National Endowment for the Arts Regional Visual Arts Fellowship, Arts Midwest 1986 Residency, Yaddo Corporation, Saratoga Springs, NY 1985 Residency, The Millay Colony for the Arts, Austerlitz, NY 1985 Residency, The Virginia Center for the Creative Arts, Sweet Briar, VA 1985 Milton and Sally Avery Award for Painting, The MacDowell Colony, Peterborough, NH 1984,5,6 Residency, The MacDowell Colony, Peterborough, NH International Exhibitions 2010 Handmade Artist's Journals, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2008 Oberpfalzer Kunstlerhaus, Schwandorf, Germany 1995-99 Jorgensen Fine Art, Dublin, Ireland 1994 "Exquisite Corpse" Transmission Gallery, Glasgow, Scotland 1992 "Faces and Places of Ireland" Ulster Bank, Ardara, Co. Donegal, Ireland 199l "Ardara Annual Show" Ardara, Co. Donegal, Ireland 1988 Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, West Germany 1988 "Art .... Made in USA" Stadische Galerie, Deutsch-Amerikanisches Institut, Regensberg, West Germany 1987 Rockefeller Foundation Bellagio Study and Conference Center, Bellagio, Italy One and Two Person Exhibitions 2005 Peltz Gallery, Milwaukee, WI 2001 Peltz Gallery, Milwaukee, WI 2000 Grace Chosy Gallery, Madison, WI 1999 Peltz Gallery, Milwaukee, WI (with John Sayers) 1998 Grace Chosy Gallery, Madison, WI 1997 Barbara Bunting Gallery, Royal Oak, MI 1993 Peltz Gallery, Milwaukee, WI 1993 Carey Gallery, Rochester, MI (with Jo Powers) 1993 J. Cacciola Galleries, New York, N.Y. 1990 Pennsylvania School of Art and Design Art Gallery, Lancaster, PA (with Dan Gihooley) 1990 Hobe Sound Gallery, Brunswick, ME 1990 Levinson Kane Gallery, Boston, MA 1989 Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME 1985 Trustman Gallery, Simmons College, Boston, MA 1982 Willis Gallery, Detroit, MI Selected Group Exhibitions 2015 "Exquisite Corpse" Printworks Gallery, Chicago, IL 2014 "Non-Stop" Invitational, Train Depot, Madison, WI 1989-2014 Peltz Gallery, Milwaukee, WI 2012 "Invitational Alumni Exhibition", Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2002-10 Grace Chosy Gallery, Madison, WI 2008 Chazen Museum of Art, University of Wisconsin-Madison 2008 Chapman Museum of Art, Myrtle Beach, NC 2007 Carthage College, Kenosha, WI 2007 Spartanburg Art Museum, Spartanburg, SC 2007 "Real and Imagined" Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2003-7 Ann Nathan Gallery, Chicago, IL 2003 "The Exquisite Snake" Printworks Gallery, Chicago, IL 2003 Robert Kidd Gallery, Birmingham, MI 2002 Sonyia Zaks Gallery, Chicago, IL 1995 Butler Institute of American Art, Youngstown, OH 1994 Milwaukee Institute of Art & Design, Milwaukee, WI 1993 Madison Art Center, Madison, WI 1993 New York Arts Club, New York, N.Y. 1993 "Previews of l993" J. Cacciola Galleries, NY 1992 "Small Painting Exhibition" J. Cacciola Galleries, NY 1992 "Women in the Bowdoin Collection" Bowdoin College Museum of Art, Brunswick, MA 1992 Steibel Modern, New York, NY 1984-91 Levinson Kane Gallery, Boston, MA 1986-7 Portraits Inc., New York, NY 1985-6 Kathryn Markel Gallery, New York, NY 1981-4 Frumkin and Struve Gallery, Chicago, IL 1984 "All California '84" Laguna Beach Museum of Art, Laguna Beach, CA 1983 "Western States Figurative Realism" Cypress College Art Gallery, Cypress, CA 1982 "Atlas Building Artists" Detroit Artists Market, Detroit, MI 1981 "Michigan Artists 80-81" Flint Institute of Art, Flint, MI 1981 Detroit Focus Gallery, Detroit, MI 1970 Detroit Art Institute, Detroit, MI Public Collections Heidelberg University, Tiffin, Ohio Fundacio J. Llorens Artigas, Gallifa/Barcelona, Spain American Express Corporation, New York, New York Ulster Bank, Ardara, Co. Donegal, Ireland Chazen Museum of Art, Madison, Wisconsin The Block Museum of Northwestern University Malden Public Library, Malden, Massachusetts Bowdoin College Museum of Art, Brunswick, Maine Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, Germany Beach Museum of Art, Manhattan, Kansas Virginia Center for the Creative Arts, Sweet Briar, Virginia University of Wisconsin, The Graduate School, Madison, Wisconsin Carol Pylant Bibliography 2017 M is for Math, Museum and Manhattan Kansas, by Natasha Rozhkovskaya, Publisher: Tamara Rozhkovskaya Novosibrisk 2015 Exquisite Corpse, Printworks Gallery, Chicago, IL. (Exhibition catalogue) 2013 "Remarkable Women Exhibit" by Mary Louise Schumacher, Journal Sentinel, online, Milwaukee, WI, June 25 2012 "Peltz Gallery Celebrates Remarkable Women" by Peggy Sue Dunigan, The Sheperd Express, Milwaukee, WI, July 7 2008 "Teachers Who Can, UW Faculty..." by Jacob Stockinger, The Capital Times, Madison, WI, February 2007 "Art in Nature" by Bill Robbins, Kenosha News, Kenosha, WI, September 14 2004 "Ambition clothes 'Remarkable Women'" by James Auer, The Milwaukee Journal Sentinel, April 7 2004 "Waxing enthusiastic over 'Colors'" by James Auer, The Milwaukee Journal Sentinel, February 18 2003 "Remarkable Women Celebrated" by James Auer, The Milwaukee Journal Sentinel, March 2003 "Art Lesson" by Jennifer Smith, Isthmus, Madison, WI, February 21 2003 "Installation Appreciation" by Kevin Lynch, The Capital Times, February 7 2001 "Pylant unites sketches with classical style" by James Auer, The Milwaukee Journal Sentinel, September 12 2001 "WSU Exhibit shows figurative painting" by Keri Guten Cohen, The Detroit Free Press, February 18 1999 "On Art" by James Auer, The Milwaukee Journal/Sentinel October 12 1999 "School of Art quadrennial exhibition" by John Aehl, The Wisconsin State Journal, January 24 1999 "Something old, something new" by C.R. Gabriel, Isthmus, February 5 1999 "Honoring our Own" Madison Magazine, January 1998 "The Madison Fifty" Madison Magazine, November 1997 "Back in the Game" by James Auer, The Milwaukee Journal/Sentinel, Nov. 26 1997 "Three artists will charm at local shows" by Joy Hakanson Colby, The Detroit News, May 8 1997 "At the Galleries" by Keri Guten Cohen, The Detroit Free Press, April 27 1997 "Talent not gender, is focus at show", by James Auer, Milwaukee Journal/Sentinel, December 11 1996 "Remarkable Women Exhibition" by James Auer, The Milwaukee Journal/Sentinel, Jan 14 1994 "In Art, these 20 made an impression in '93" by James Auer, The Milwaukee Journal, Jan 9 1994 "Window to the World" by Michelle Grabner, Milwaukee Magazine, Guide to the Arts, February 1994 "Art of Love: ..." by Elby Frieda Abbe, Milwaukee Sentinel, Let's Go. February issue 1993 "Variations on a theme", by Paul Pace, Rochester Clarion, Rochester, Mi, December 9 1993 "Work of women holds surprises in summer show", by Janice T. Paine, Milwaukee Sentinel, June 4 1993 "Remarkable Women has merit with or without it's gender theme", by James Auer, The Milwaukee Journal, June 13 1993 "Irish Landscape" Cross Country, Country Living Magazine, March (feature article) 1993 "Ireland's Wild West" On the Road, Country Living Magazine, March 1993 "Short List SoHo Gallery Exhibitions, The New Yorker, February 14 & 22 1993 "SoHo Exhibitions", Gallery Listings, New York Magazine, February 7 1993 Gallery Listings, The New York Times, January 31 1993 Tandem Press: Five years of Collaboration by Drew Stevens, University of Wisconsin Press 1992 "From the World's Hot Spots to Ardara", by Michael McHugh, The Donegal Democrat, Co. Donegal, Ireland, August 6 1992 "Exhibits spotlight women", by Janice T. Paine, Milwaukee Sentinel, June 5 1992 " Women's show proves a strong one", by James Auer, The Milwaukee Journal, May 24 199l "Tandem Press foster diverse printmaking styles", by John Carlos Cantu, Ann Arbor News, December 1 1991 "Quadrennially yours...U W art faculty exhibit show vital, vibrant", by Katherine Rogers, Wisconsin State Journal, January 6 1991 Who's Who in the Midwest 23rd Edition, A.N. Marquis, MacMillian Directory Division, Wilmette, Illinois 1990 "Impressive Art on a Small Scale", by Nancy Stapen, The Boston Globe, December 20 1990 "View from the Tower", by James Rhem, The Isthmus, December 21 1990 "NEA Survives but Artists Shiver", by Bill Moore...

"Shadows - San Marcos" is a large watercolor by award-winning L.A. artist and architect Thomas W. Schaller. The watercolor painting depicts the bustling Piazza San Marco with the Basilica front and center. The tower is casting a shadow on the Basilica which further enhances its exquisite facade. The crowd's silhouettes can be seen in the puddles at their feet. For more works by Thomas Schaller...

Maria Rivans is a contemporary British artist, known for her scrapbook-style collage aesthetic. A mash-up of Surrealism meets Pop-Art, Rivans’s work re-ap...

Sandy Litchfield brings her magical abstracted landscapes to a new medium in her recent colored pencil drawings. Loose, delicate lines scramble over one another, bringing a diffuse, ...

Painting on paper is 9 x 12 inches. Professionally hinged into an 8ply museum mat with an outer dimension of 17 3/4 x 20 1/2 inches, with an archival crystal clear case. Frohsin...

This is beautiful white painting is by Maura Segal. Her Mid Century Modern inspired work is abstract and multi-layered. It is made with papers and acrylic paint. She is deeply inspi...

LOTUS (No 30) Photography Ed. of 25 32x32 inch by Yevgeniy Repiashenko Year photo was taken: 2019 This picture is a part of Spirit series. The picture shows the frozen movement of the dancer...

NICHOLAS WILTON’s paintings are visual poems, informed by Nature and his personal experience of life. Color, texture, and organic forms are layered into a complex visual weave that h...

About the "Somewhere to Swim" project: By eliminating people from her photographs, her unnerving images tell the story of a life once lived, quick forgotten. She points her lens at ...

Somewhere to Swim Panel by Anna Dobrovolskaya-Mints. About the "Somewhere to Swim" project: By eliminating people from her photographs, her unnerving images tell the story of a lif...

"Coming from Stars" Mixed media Painting 59" x 43" inch by Emanuele Tozzoli Mixed media on canvas 59" x 43" inch 150 x 110 cm ABOUT THE ARTIST Born in Italy in 1989, Emanuele discovered painting in the very first years of his life together with his father, Dario, who is also an artist and has been painting and creating sculptures with all types of material for over 40 years. At the age of 7, Tozzoli created his first small sculpture by assembling objects, and painted his first informal abstracts, discovering a side of creative and fascinating art. Deeply attracted by the most intimate nature of artistic research, in the following years, he extended his studies to the field of music, forming adolescence as a sound engineer. From 2007 he began composing electronic music, carrying out his research in the field of sound. In the following years, he studied musical composition and played his productions in clubs in Italy and Europe, also published on various underground record labels. He learned the restoration of antique woodworking...

An Acrylic abstract geometric study, Square, gray and brown in black frame.

This piece titled "Weed Wreath (edition 2/6)" is an original artwork made from hand colored cut-plate intaglio on Somerset by Katie VanVliet. This piece is the second in an edition o...

This piece titled "Weed Wreath (edition 4/6)" is an original artwork made from hand colored cut-plate intaglio on Somerset by Katie VanVliet. This piece is the fourth in an edition o...

Mixed media, collage. This piece titled "Forager" is an original artwork made from mixed media: cut prints, maquettes and single day sculptures, found objects in vintage frame by Katie VanVliet. This piece measures 24"h x 60"w x 4"d. This piece was debuted during the artist's solo exhibition, "Forager" displayed at Awbury Arboretum. Katie VanVliet (she/her) is a sculptor and printmaker practicing from her home studio in Elkins Park...

This piece titled "Weed Wreath (edition 5/6)" is an original artwork made from hand colored cut-plate intaglio on Somerset by Katie VanVliet. This piece is the fifth in an edition of...

This piece titled "Diptych: Egg Bag & Insect Net" is an original artwork made from beeswax, quail eggs, mica, plastic, copper, linen, and silverpoint, mounted ...

This piece titled "High Fidelity" is original artwork made from hand-woven archival pigment print by Jason Chen. This piece measures 41"h x 31"w.

This piece is an original artwork by Jason Chen titled "Seconds Later". It is made of archival pigment prints from the artist's photography that he cuts and weaves together by hand. The piece measures 34”h x 22”w and ships framed in the pictured 37”h x 25”w frame. In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his 2015 solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time. Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia-based photographer specializing in Fashion, Editorial, and Alternative Process Photography...

This piece is an original artwork by Jason Chen titled "Disguised Confidence". It is made of archival pigment prints from the artist's photography that he cuts and weaves together by hand. The piece measures 22”h x 34”w and ships framed in the pictured 25”h x 37”w frame. In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his 2015 solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time. Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia-based photographer specializing in Fashion, Editorial, and Alternative Process Photography...

This piece is an original artwork by Jason Chen titled "Wayward". It is made of archival pigment prints from the artist's photography that he then cuts into strips and weaves togethe...

Dina Brodsky is a contemporary realist miniaturist, painter and curator. She was educated at University of Massachusetts, Amherst and the New York Academy of Art, where she received her MFA. She lives and works in New York City. She has taught privately, and in several institutions including the Castle...

Dina Brodsky has begun another chapter in her visual journal, documenting her newfound home on the New England coast. Her pinhole representations of the Massachusetts Cape pack virtu...

Dina Brodsky has begun another chapter in her visual journal, documenting her newfound home on the New England coast. Her pinhole representations of the Massachusetts Cape pack virtu...

The flatness of egg tempera lends itself readily to the uncanny tone of Doug Safranek's still life painting. Safranek diligently layers small, precise ma...

Lori Larusso explores humans' paradoxical relationships with the animals that exist closest to us. From pets to synanthropes (non-domesticated animals that thrive alongside humans an...

Both spare and dynamic, Karl Hartman’s hyper-saturated countrysides and surreal depictions of Americana perfectly match the vividness of our late-summer heatwave. Hartman’s tightly c...

The latest watercolors from Ray Kass strike a balance between audacity and contemplation. Drawing from the Tibetan Buddhist tradition of the Tsakli - sets of miniature...

Dina Brodsky is a contemporary realist miniaturist painter and curator known for her detailed drawings of architecture, trees, and wildlife. Her miniatures carry with them the tradit...

Alan Bray’s landscape paintings of his native, central Maine explore the ever-ebbing dynamic between nature and humanity. His paintings capture an asymmetrical pas de deux. Painted with uncompromising precision by his quick-drying casein tempera paint, Bray’s trailheads, shorelines, and vast horizons show evidence of previous human presence as it succumbs to natural growth. Bray’s stylized scenes center on these afterimages of human interference as well as other natural phenomena. Inundated with detail, nature reclaims swaths of scarred land, fallen trees, and dilapidated structures, returning them to their wild form. Natural phenomena such as wild overgrowth, animal tracks, mysterious forms, bogs, and mist are resplendently captured as homage to the rugged and uninhabited corners of secluded Maine. Alan Bray builds his landscapes with numerous layers of quick-drying casein tempera. Often used in Italian Renaissance painting...

Karl Hartman gives primacy to the sparsity of form in his Mid-Western prairie landscapes. Simple and earnest, saturated primary hues and decisive lines ad...

The latest drawings from David Morrison are master classes in translucence and negative space. Magnified to larger-than-life proportions, Morrison’s networks of delicate membranes an...

Sandy Litchfield found peace and inspiration in regular solitary walks through nature throughout the pandemic. Her most recent body of work diaristically documents her constitutional...

Douglas Safranek's Touch of Red calls back to 17th century Dutch still lifes. Filled with humor and complexity, Safranek's rather constra...

Douglas Safranek's Hovering captures the tension of liminal space. Bees and dragonflies appear pinned, and specimen-like, yet achieve loftiness with their wings. Their hyperbolized d...

Jenifer Kent’s abstract ink drawings are as simple as they are labyrinthine. Kent uses a fairly constrained language of mark-making to create her...

Jenifer Kent’s abstract ink drawings are as simple as they are labyrinthine. Kent uses a fairly constrained language of mark-making to create her...

Gwyneth Leech documents the evolution of the midtown Manhattan landscape with the same sense of care and attention to ephemerality as an en plein air pai...

Anne Finkelstein’s hard-edged architectural paintings are built upon a foundation of poetry and history. Inspired by a lifetime of walking through New...

Mary Reilly’s laborious method of toning her paper serves as the starting point for her intricate compositions. She begins by covering the entire sheet with up to eight smooth, unmod...

Dozier Bell’s paintings and intimate, diminutive charcoal drawings (some of which measure as small as 2 x 4 inches) bring to mind 19th-century American painters Albert Pinkham Ryder, R. A. Blakelock, Frederick Church...

The drawings and paintings of Dozier Bell are at once deep evocations of natural environments culled from memory and experience past, and reflections of a life of philosophical inqui...

Enlarged, abstracted, and decontextualized, Weber transforms a delicate seashell into a sublime icon. The black silhouette of the shell is a callback to her Pop period, though softened by her use of pastel. This is the first piece from a major body of work inspired by shore walks in South Melbourne, Australia. ''Murex,'' a spiny menace with a long rat's tail, gets its devilish due in black silhouette lightly touched with white. - Grace Glueck, The New York Times, 1996 Idelle Weber...

Dina Brodsky uses gouache and watercolor on paper in "Brown-Hooded Parrot," to depict the multi-hued bird hanging precariously from a thin branch. The li...

Dina Brodsky is a contemporary realist miniaturist painter and curator known for her detailed drawings of animals, architecture, and trees. Her miniatures carry with them the traditi...

Dina Brodsky's realist gouache on paper animal miniature, "Parrots," 2018, depicts a pair of multi-hued Parrots perched on a small branch. The bird's brilliantly saturated yellow, li...

Mary Reilly’s laborious method of toning her paper serves as the starting point for her intricate compositions. She begins by covering the entire sheet with up to eight smooth, unmod...

Dina Brodsky's realist animal miniature, Peacock, is an updated, humorous take on Renaissance portraiture. The peacock's gleaming jade, aqua, and royal blue plumage sweeps around him...

Dina Brodsky is a contemporary realist miniaturist painter and curator known for her detailed drawings of animals, architecture, and trees. Her miniatures carry with them the traditi...

Roses and Tangerine is from a series of smaller canvases painted for Janet Fish’s 2002 exhibition in New York. The focus of this painting is not so much the objects named by the titl...

Framed: 10.5 x 10.5 in. In her drawing, Tree No, 103, June 15, 2016, Dina Brodsky uses ink to emphasize the textures of the tree bark and the surrounding grass. By working strictly ...

Timothy Hurlsey's c-print photograph, "Alabama Silo, Hale County, Alabama," celebrates a pariah of the American landscape. Collapsed and decaying, Hurlsey almost personifies the aban...

The realist acrylic on board miniature painting, "Decatur County Monochrome," 2018, is an intimate travelogue panel by midwestern artist, Steven Paddack. Anyone who has been on a roa...