Feminist Art
41
to
244
3,860
1,461
596
1,579
2,177
2,146
1,111
1,499
1,318
882
764
994
Overall Height
to
Overall Width
to
3,607
492
166
136
81
44
41
12
9
5
4
3
1
1
1,482
1,376
1,068
550
421
419
410
354
292
262
254
248
237
229
228
201
183
169
167
163
1
10
604
4,870
1
1
8
15
14
27
23
46
152
174
244
149
110
106
99
2,812
2,544
2,165
1,585
991
Adam + Eve by JJK, Photography, Limited Edition, Coco de Mer, Seychelles
Located in Munich, DE
This Diptych consists of 2 images, each 75 x 100 cm.
Edition of 25
signed and numbered by the artist
The Seychelles palm, also known as the Seychelles nut, is an endemic palm speci...
Category
Early 2000s Contemporary Feminist Art
Materials
Archival Pigment
Black Azzedine Alaia Dress
By Peter Sorel
Located in Chicago, IL
Taken at the Galleria Borghese, Rome
Archival chromogenic print on Hahnemüle Photo Rag Paper. Edition of 12.
Category
21st Century and Contemporary Contemporary Feminist Art
Materials
Archival Paper, Archival Ink, Inkjet
"Leaf in Dewy Grass" Contemporary Nature Color Photograph
By Nick Zungoli
Located in Houston, TX
Contemporary nature photograph by New York artist, Nick Zungoli. Photograph features a dried leaf on a bed of dewy grass. Edition 1/300. Signed in the bottom right corner. Framed and matted in a chrome frame.
Dimensions Without Frame: H 10.75 in. x W 8.25 in.
Artist Biography: Internationally recognized and the Hudson Valley’s pre-eminent landscape photographer, Nick Zungoli’s work has been widely collected since he opened Exposures Gallery in the Hudson Valley’s Art...
Category
Early 2000s Contemporary Feminist Art
Materials
Photographic Paper
Two of Us / Print / Signed /Limited
By Sandra Salamonová
Located in Slovak Republic, SK
Photography /print, An evening reflection, signed, with certificate, limited ed. of 50.
Category
21st Century and Contemporary Modern Feminist Art
Materials
Archival Pigment, Photographic Paper
Black and White Photograph of a Found Crucifix Sculpture on the Ground
Located in Houston, TX
Black and white silver gelatin photograph by Houston, TX artist Jim Reitz. The work features a broken crucifix sculpture found on the ground. Signed by artis...
Category
Early 2000s Contemporary Feminist Art
Materials
Silver Gelatin, Photographic Paper
"Recto Verso Leaf" Contemporary Nature Color Photography
By Nick Zungoli
Located in Houston, TX
Contemporary nature photograph by New York artist, Nick Zungoli. Photograph features two dried maple leaf on a bed of green moss. Edition 1/300. Signed in the bottom right corner. Framed and matted in a chrome frame.
Dimensions Without Frame: H 10.75 in. x W 8.25 in.
Artist Biography: Internationally recognized and the Hudson Valley’s pre-eminent landscape photographer, Nick Zungoli’s work has been widely collected since he opened Exposures Gallery in the Hudson Valley’s Art...
Category
1990s Contemporary Feminist Art
Materials
Photographic Paper
"Ferns and Leaf" Contemporary Nature Color Photography
By Nick Zungoli
Located in Houston, TX
Contemporary nature photograph by New York artist, Nick Zungoli. Photograph features a dried red oak leaf on a bed of green moss. Edition 1/300. Signed in the bottom right corner. Framed and matted in a chrome frame.
Dimensions Without Frame: H 10.75 in. x W 8.25 in.
Artist Biography: Internationally recognized and the Hudson Valley’s pre-eminent landscape photographer, Nick Zungoli’s work has been widely collected since he opened Exposures Gallery in the Hudson Valley’s Art...
Category
1980s Contemporary Feminist Art
Materials
Photographic Paper
Havana, Cuba Daily Life Color Photograph of a Classic Car Bird Hood Ornament
By Rick Hunter
Located in Houston, TX
Photograph documenting daily life in Havana, Cuba by renowned photojournalist Rick Hunter. This work features a closeup of a classic car hood ornament in t...
Category
1990s Realist Feminist Art
Materials
Photographic Paper
"Turkey Fungus and Leaf" Contemporary Nature Color Photography
By Nick Zungoli
Located in Houston, TX
Contemporary nature photograph by New York artist, Nick Zungoli. The photograph features a bunch of turkey fungus and a leaf. Edition 1/300. Signed in the bottom right corner. Framed and matted in a chrome frame.
Dimensions Without Frame: H 10.75 in. x W 8.25 in.
Artist Biography: Internationally recognized and the Hudson Valley’s pre-eminent landscape photographer, Nick Zungoli’s work has been widely collected since he opened Exposures Gallery in the Hudson Valley’s Art...
Category
1990s Contemporary Feminist Art
Materials
Photographic Paper
Close Up Flower Sabattier Photograph
By Pat Truax
Located in Houston, TX
Black and white close up photograph of a flower. This photograph showcases the Sabbttier process or the results of solarization. The photograph is not framed.
Artist Biography: Pat ...
Category
1960s Abstract Feminist Art
Materials
Photographic Paper
Leaf on Asphalt
By Brett Weston
Located in Buffalo, NY
"Leaf on Asphalt is signed and dated on the front of the mount. Limited Edition work from the Hawaii Portfolio.
Category
1970s Realist Feminist Art
Materials
Silver Gelatin
Gold Azzedine Alaia Dress
By Peter Sorel
Located in Chicago, IL
Taken at the Galleria Borghese, Rome.
Archival chromogenic print on Hahnemüle Photo Rag Paper. Edition of 12.
Category
21st Century and Contemporary Contemporary Feminist Art
Materials
Archival Paper, Archival Ink, Inkjet
Eggs and Slicer
By Edward Weston
Located in Buffalo, NY
Edward Weston (American, 1886-1958)
Eggs and Slicer, 1930
Gelatin silver print, printed later by Cole Weston; signed, titled, dated and numbered '3E' by Cole Weston in pencil and 'Ed...
Category
1950s Realist Feminist Art
Materials
Silver Gelatin
Black and White Japanese Porsche and Lantern Photograph
Located in Houston, TX
Stunning 1960's black and white photograph still-life of a Porsche behind a large traditional Japanese lantern with trees in the background.
Category
1960s Realist Feminist Art
Materials
Photographic Paper
Orange Flower Petal Detail, Color Nature Photography by Geoffrey Baris, Close-up
By Geoffrey Baris
Located in New York, NY
Orange Flower Petals, Color Nature Photography by Geoffrey Baris
Archival pigment print on museum fine art paper
Edition of 7
Includes certificate of authenticity. Signed and number...
Category
2010s Contemporary Feminist Art
Materials
Archival Pigment, Color
Contemporary Black and White Still Life Photograph of a Wig Shop
Located in Houston, TX
Black and white contemporary photograph by Houston, TX artist, Jim Reitz. This photograph depicts a wig shop that is stocked to the brim with inventory. Curr...
Category
Early 2000s Contemporary Feminist Art
Materials
Silver Gelatin
Iron Lung Machine Black and White Photograph
By Ed Cooper
Located in Houston, TX
Black and white photograph of a machine used in the early to the late 20th century to assist people who suffered from diseases like polio and certain poisons.
The photograph is frame...
Category
20th Century Naturalistic Feminist Art
Materials
Photographic Paper
Tropical Plant Leaf Detail, Color Nature Photography by Geoffrey Baris, Botany
By Geoffrey Baris
Located in New York, NY
Tropical Plant Leaf Detail, Color Nature Photography by Geoffrey Baris
Archival pigment print on museum fine art paper
Edition of 7
Includes certificate of authenticity. Signed and numbered by artist.
Custom sized print available upon request.
Framing...
Category
2010s Contemporary Feminist Art
Materials
Archival Pigment, Color
Pink Lily Detail, Color Nature Photography by Geoffrey Baris, Flower, Botany
By Geoffrey Baris
Located in New York, NY
Pink Lily Detail, Color Nature Photography by Geoffrey Baris
Archival pigment print on museum fine art paper
Edition of 7
Includes certificate of authenticity. Signed and numbered b...
Category
2010s Contemporary Feminist Art
Materials
Archival Pigment, Color
Tropical Plant Leaf Detail, Color Nature Photography by Geoffrey Baris, Magenta
By Geoffrey Baris
Located in New York, NY
Tropical Plant Leaf Detail, Color Nature Photography by Geoffrey Baris
Archival pigment print on museum fine art paper
Edition of 7
Includes certificate of authenticity. Signed and ...
Category
2010s Contemporary Feminist Art
Materials
Archival Pigment, Color
Tropical Plant Leaf Detail, Color Nature Photography by Geoffrey Baris
By Geoffrey Baris
Located in New York, NY
Tropical Plant Leaf Detail, Color Nature Photography by Geoffrey Baris
Archival pigment print on museum fine art paper
Edition of 7
Includes certifica...
Category
2010s Contemporary Feminist Art
Materials
Archival Pigment, Color
"Drift 02" Photography 30" x 20" Edition 8/10 by Rowan Daly
By Rowan Daly
Located in Culver City, CA
"Drift 02" Photography 30" x 20" Edition 8/10 by Rowan Daly
Digital print on Ultra Smooth Fine Art Paper
Unframed - ships rolled in a tube
DRIFT
Behind the scenes of the natio...
Category
21st Century and Contemporary Contemporary Feminist Art
Materials
Archival Pigment, Digital
"MC3" Photography 24" x 36" inch Edition 2/24 by Popovy Sisters
By Popovy Sisters
Located in Culver City, CA
"MC3" Photography 24" x 36" inch Edition 2/24 by Popovy Sisters
Photo Rag Metallic Paper / Metallic finishing
Digital print on fine art paper.
2019
* * * Item is not framed and shipped rolled in a tube * * *
Popovy Sisters Holiday Editions with Michael Costello
Fashion and art come together like never before as celebrity fashion designer Michael Costello and award-winning doll makers the Popovy Sisters launch their limited edition photographs of one-of-a-kind dolls with Costello-designed doll- sized gowns.
Art-world darlings, twins Elena and Ekaterina Popovy, have been called the new wave of Russian art-doll designers. Born in Perm and currently living in St. Petersburg, Ekaterina and Elena have been crafting dolls since 2004. Their early works were formed with the faces of popular idols of the time, including Marilyn Manson, Dita von Teese, Madonna, and John Galliano. Their unique ball-joint dolls...
Category
21st Century and Contemporary Modern Feminist Art
Materials
Digital, Archival Paper
Orange Flower Detail, Color Nature Photography by Geoffrey Baris, Close-up
By Geoffrey Baris
Located in New York, NY
Orange Flower Petals Detail, Color Nature Photography by Geoffrey Baris
Archival pigment print on museum fine art paper
Edition of 7
Includes certificate of authenticity. Signed and...
Category
2010s Contemporary Feminist Art
Materials
Archival Pigment, Color
"Speed Lever", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Feminist Art
Materials
Archival Paper, Pigment
"Ideal", 2007
By Ian Gittler
Located in Hudson, NY
“IDEAL" features a 1.5 horsepower lawnmower engine manufactured in 1924 that still works. And the brand name-Ideal-speaks to an attitude about fabrication and manufacture linking pri...
Category
21st Century and Contemporary Contemporary Feminist Art
Materials
Archival Paper, Pigment
"Knotted Wire Brush", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Feminist Art
Materials
Archival Paper, Pigment
"Cutting Dies", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Feminist Art
Materials
Archival Paper, Pigment
Chad Kleitsch - Untitled Flower # 156, Photography 2002, Printed After
By Chad Kleitsch
Located in Greenwich, CT
Untitled Flower # 156
Hahnemuhle Photo Rag Matte Paper with Epson archival quality ink
Edition of 25
Available sizes:
11" x 14”
20" x 24”
30" x 30”
30" x 40”
40" x 40"
48" x 48”
48" ...
Category
Early 2000s Contemporary Feminist Art
Materials
Archival Ink, Archival Paper, Photographic Paper, Digital, Archival Pigm...
"Solex Carburetor 1928", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Feminist Art
Materials
Archival Paper, Pigment
"Oil Distribution Manifold", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary Feminist Art
Materials
Archival Paper, Pigment
"Marston Excelsior", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary Feminist Art
Materials
Archival Paper, Pigment
"Pressure Gauge", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life.
There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Feminist Art
Materials
Archival Paper, Pigment
The Puppet Master by JJK, Photography, Limited Edition, Berlin
Located in Munich, DE
Edition of 25
signed and numbered by the artist
This photo was shot in Berlin. The cranes make the statue looks like a marionette.
JJK is a pseudonym for one of the world's most su...
Category
Early 2000s Contemporary Feminist Art
Materials
Archival Pigment
The Puppet Master by JJK, Photography, Limited Edition, Berlin
Located in Munich, DE
Edition of 25
signed and numbered by the artist
This photo was shot in Berlin. The cranes make the statue looks like a marionette.
JJK is a pseudonym for one of the world's most su...
Category
Early 2000s Contemporary Feminist Art
Materials
Archival Pigment
The Puppet Master by JJK, Photography, Limited Edition, Berlin
Located in Munich, DE
Edition of 25
signed and numbered by the artist
This photo was shot in Berlin. The cranes make the statue looks like a marionette.
JJK is a pseudonym for one of the world's most su...
Category
Early 2000s Contemporary Feminist Art
Materials
Archival Pigment
Fougère-Signed limited edition still life print, Black white, Contemporary
By Ian Sanderson
Located in Barcelona, Barcelona
Fougère - Signed limited edition archival pigment print, 2004 - Edition of 5
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Aci...
Category
Early 2000s Contemporary Feminist Art
Materials
Archival Paper, Archival Pigment, Black and White, Giclée, Pigment, Phot...
Café- Signed limited edition architecture print, Black white photo, Contemporary
By Ian Sanderson
Located in Barcelona, Barcelona
Café - Signed limited edition archival pigment print, 2003 - Edition of 5
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-fr...
Category
Early 2000s Contemporary Feminist Art
Materials
Archival Paper, Black and White, Archival Pigment, Giclée, Pigment, Phot...
Train-Signed limited edition fine art print, Color photo, Oversize, Contemporary
By Ian Sanderson
Located in Barcelona, Barcelona
' Train ' by Ian Sanderson - Talgo, Spain
Signed limited edition archival pigment print, 2013 - Edition 1/5
This is an Archival Pigment print on fiber based paper ( Hahnemühle Ph...
Category
2010s Contemporary Feminist Art
Materials
Archival Paper, Pigment, Archival Pigment, Color, Giclée, Photographic P...
Lovers - Signed limited edition fine art print, Color, Plant, Analog, Nature
By Ian Sanderson
Located in Barcelona, Barcelona
Lovers - Signed limited edition archival pigment print, 1993 - Edition of 5
This image was captured on film.
The negative was scanned creating a digital file which was then pr...
Category
1990s Contemporary Feminist Art
Materials
Photographic Film, Archival Paper, Pigment, Archival Pigment, Color, Pho...
Signed limited edition still life print, Black white photo, Contemporary- Diver
By Ian Sanderson
Located in Barcelona, Barcelona
Diver - Signed limited edition archival pigment print, 2002 - Edition of 5
Provenance : Ian Sanderson’s Estate
Powerful photo of a man diving, in profile.
This is an Archival ...
Category
Early 2000s Contemporary Feminist Art
Materials
Archival Ink, Archival Paper, Black and White, Archival Pigment, Giclée,...
Macaw #1 -Animal signed limited edition bird contemporary fine art print, Blue
By Tim Platt
Located in Barcelona, Barcelona
" Macaw #1 ” - Signed limited edition archival pigment print - Edition of 10
This sequence of a Green Winged Macaw in flight is captured in a sin...
Category
2010s Contemporary Feminist Art
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment
Flower -Signed limited edition art print, Black white nature photo, Contemporary
By Ian Sanderson
Located in Barcelona, Barcelona
Flower - Signed limited edition archival pigment print, 1989 - Edition of 5
This image was captured on film.
The negative was scanned creating a digital file which was then pri...
Category
1980s Contemporary Feminist Art
Materials
Photographic Paper, Photographic Film, Archival Paper, Black and White, ...
Arum Lilies - Signed limited edition still life print, Black white photo, Nature
By Ian Sanderson
Located in Barcelona, Barcelona
Arum Lilies - Signed limited edition archival pigment print, 1993 - Edition of 5
This image was captured on film.
The negative was scanned creating a ...
Category
1980s Contemporary Feminist Art
Materials
Photographic Film, Archival Paper, Black and White, Pigment, Archival Pi...
" Macaw #7 ”-Animal signed limited edition bird contemporary fine art print, Red
By Tim Platt
Located in Barcelona, Barcelona
" Macaw #7 ” - Signed limited edition archival pigment print - Edition of 10
Green-Winged Macaw in flight. These large parrots can be mistaken for a Scarlet Macaw as their plumage is mainly red from the front. They are the second largest parrots next to the Hyacinth Macaw...
Category
2010s Contemporary Feminist Art
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment
Orchids - Signed limited edition fine art print, nature photo, Oversize
By Ian Sanderson
Located in Barcelona, Barcelona
Orchids - Signed limited edition archival pigment print, 1985 - Edition of 5
This image was captured on film. The negative was scanned creating a digital file which was then pr...
Category
1980s Contemporary Feminist Art
Materials
Photographic Film, Archival Paper, Black and White, Pigment, Archival Pi...
" Macaw #7 ”- Animal signed limited edition bird contemporary fine art print
By Tim Platt
Located in Barcelona, Barcelona
" Macaw #7 ” - Signed limited edition archival pigment print - Edition of 3
Green-Winged Macaw in flight. These large parrots can be mistaken for a Scarlet Macaw as their plumage is mainly red from the front. They are the second largest parrots next to the Hyacinth Macaw...
Category
2010s Contemporary Feminist Art
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment
Macaw #2 - Animal signed limited edition bird contemporary fine art print, Green
By Tim Platt
Located in Barcelona, Barcelona
Macaw #2 - Signed limited edition archival pigment print - Edition of 3
Oversize print
Green Winged Macaws are monogamous and pair for life. They become inseparable, so wherever...
Category
2010s Contemporary Feminist Art
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment, Photographic P...
Swallow -Signed limited edition fine art print, Contemporary photo, Square, Bird
By Ian Sanderson
Located in Barcelona, Barcelona
Swallow - Signed limited edition archival pigment print, Edition of 5
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and l...
Category
2010s Contemporary Feminist Art
Materials
Archival Paper, Black and White, Archival Pigment, Giclée, Pigment
Sardines- Signed limited edition still life print, Black white photo, Nature, Fish
By Ian Sanderson
Located in Barcelona, Barcelona
Sardines - Limited edition archival pigment print , 1993 - Edition of 5
This image was captured on film.
The negative was scanned creating a digital file which was then printed ...
Category
1990s Contemporary Feminist Art
Materials
Archival Paper, Black and White, Archival Pigment, Photographic Film, Pi...
Sabre - Signed limited edition still life print, Black white photo, Animal, Fish
By Ian Sanderson
Located in Barcelona, Barcelona
' Sabre ' - Signed limited edition archival pigment print, 1984 - Edition of 5
This image was captured on film.
The negative was scanned creating a digital file which was then...
Category
1980s Contemporary Feminist Art
Materials
Photographic Film, Archival Paper, Black and White, Pigment, Archival Pi...
Life and death- Free delivery- Signed limited still life art print, Contemporary
By Peter Ridge
Located in Barcelona, Barcelona
Life and Death Still Life - Strelitzia reginae - Birds of Paradise
Posed in a Moroccan hand made vase
Signed limited edition archival pigment print, Edition of 5
This is an Arc...
Category
2010s Contemporary Feminist Art
Materials
Archival Paper, Giclée, Pigment, Archival Pigment, Color
Put Your Feet Up - Signed limited edition still life fine art print, Sexy Model
By Geoff Halpin
Located in Barcelona, Barcelona
Put Your Feet Up - Signed limited edition archival pigment print - Edition of 5
Brighton, UK
year : 2000
This image was captured on film.
The negative was scanned creating a ...
Category
Early 2000s Contemporary Feminist Art
Materials
Photographic Film, Archival Paper, Black and White, Giclée, Pigment, Arc...
Dutch dog #3 King Charles Spaniels - Animal signed limited edition contemporary
By Tim Platt
Located in Barcelona, Barcelona
Dutch dog #3 King Charles Spaniels - Signed limited edition archival pigment print - Edition of 3
A series of four images inspired by the 17th century go...
Category
2010s Contemporary Feminist Art
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment, Photographic P...
Dutch dog #1 White Chihuahua, Animal signed limited edition contemporary, Dog
By Tim Platt
Located in Barcelona, Barcelona
Dutch dog #1 White Chihuahua - Signed limited edition archival pigment print - Edition of 10
A series of four images inspired by the 17th century golden ...
Category
2010s Contemporary Feminist Art
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment
Dutch dog #2 Pug - Animal signed limited edition print, Contemporary, Still life
By Tim Platt
Located in Barcelona, Barcelona
Dutch dog #2 Pug - Signed limited edition archival pigment print - Edition of 3
A series of four images inspired by the 17th century golden age of Dutch...
Category
2010s Contemporary Feminist Art
Materials
Archival Paper, Photographic Paper, Archival Pigment, Pigment, Giclée, C...
Dives Blue Whale - Signed limited nature fine art print, Color underwater photo
Located in Barcelona, Barcelona
Dives Blue Whale - Signed limited edition archival pigment print, 2018 - Edition of 5
Sri Lanka - One second in the blue….
This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity.
Signed + numbered by artist with certificate of authenticity.
Archival pigment print available sizes ( Image size , the white margin is not counted) :
50 x 75 cm / 19,68 x 29,52 in. - Edition of 5
70 x 105 cm / 27,55 x 41,33 in - Edition of 5
Olivier Borde...
Category
2010s Contemporary Feminist Art
Materials
Photographic Paper, Color, Giclée, Pigment, Archival Pigment
Life and death - Signed limited edition still life fine art print, contemporary
By Peter Ridge
Located in Barcelona, Barcelona
Life and Death Still Life - Strelitzia reginae - Birds of Paradise
Posed in a Moroccan hand made vase
Signed limited edition archival pigment print, Edition of 5
This is an Arch...
Category
2010s Contemporary Feminist Art
Materials
Archival Paper, Color, Giclée, Pigment, Archival Pigment
