Furry Furniture

The foot bench is a natural partner to our popular foot stool. The soft curves of this bench are covered in luxurious natural shearling and mounted atop sol...

Aranda/Lasch continues to explore and test out various furniture forms from their latest Railing Series, a series of design pieces that utilize bent tubes and furnished with leather ...

The Woolly Bella was imagined as a descendent of a tryst between Carlo Mollino and Jean Royère, a secret love child of midcentury European design born int...

"Blocco" is a pouf, designed by Nanda Vigo and manufactured by Driade, with wooden frame and padding in polyurethane foam of varying density. Upholstery in black Mongolian fur or in Loira velvet. Indoor use only. DIMENSIONS: D. 19.2", W. 17.3", H. 22.8", Seat H. 14.1" The “Blocco” seat / pouf, designed with such purpose in 1970, has got now a fresh re-edition with the same function but with a more joyful spirit by offering colorful covers. Have a nice seat! Nanda Vigo said about "Blocco": "Many elements called “furniture” are needed that actually remain “fixed”, once set, to the well-being. I've always rejected the tendency to overload space; therefore I have always worked to the limit of need." NANDA VIGO, born in Milan in 1936, lives in East Africa and works in Milan. She showed an interest in art at a very early age, when she had the opportunity to spend time with Filippo de Pisis, a family friend, and to study the architecture of Giuseppe Terragni, in which she immediately noticed the subtle employment of natural light. She studied architecture at the Ecole Polytechnique in Lausanne, worked as an intern in San Francisco, then returned to Italy where she opened her own studio in Milan. The underlying characteristic of the work has always been the relationship between light and space, which she has developed in a series of “environments” that blend architecture and design. In 1959 she began to visit the studio of Lucio Fontana and got to know that artists who founded the Azimut Gallery in Milan: Piero Manzoni, Enrico Castellani and Vincenzo Agnetti. During that period, she developed relations with the artists of the Zero group in Germany, the Netherlands and France, as a result of which her work was shown in more than 400 solo and group exhibitions throughout Europe. Between 1964 and 1966 she participated in some thirteen Zero exhibitions, including “Nul 65” at the Stedelijk Museum in Amsterdam, and “Zero: An Exhibition of European Experimental Art” at the Modern Art Gallery in Washington D.C.. She was the curator of the legendary exhibition “Zero avantgarde” in 1965 in Fontana’s studio in Milan, at which some 28 artists were represented. In 1964 she created Utopie with Lucio Fontana for the Triennale. Again at the Triennale, in 1973 she organized a performance at which architects and artists freely intervened: it's considered to have been the first happening at the event. In 1974 she received the New York Award for the Industrial Design for the Golden Gate lamp...

Railing series is a new collection of furniture pieces designed by Aranda\Lasch. The first three elements of the collection includes R1, R2 & R3: two chairs and a stool. Railing is ...

Railing series is a new collection of furniture pieces designed by Aranda\Lasch. The first three elements of the collection includes R1, R2 & R3: two chairs and a stool. Railing is ...

Broached Monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenou...

Rare pair of cast aluminum Sable Horn Chairs by Arthur Court, 1950s. Created to mimic the horns of an African sable antelope these chairs have been newl...

Pair of handmade lampshades with goat fur. Typical light grey fur color with a black line. Inside with gold. Rimmed by hand with a beige grosgrain. Iron angels...

Custom genuine shearling ottoman.  

Custom 18" square genuine shearling pillow in white color. Custom orders are available for different sizes and colors.  

Custom 18" square genuine shearling pillow in dark navy color. Custom orders are available for different sizes and colors.

This sculptural hand-carved stool is part of a line of contemporary furniture designed by blending digital technology with fine traditional craftsmanship. Cast in bronze, the stool f...

The Willow club chair is a whimsical chair that can be used in any room - shown covered in shearling with button detail on inside back with a contrast...

COSETTE OTTOMAN - Modern Leather Ottoman with Tibetan Mongolian Lamb Fur Pelt The Cosette Ottoman is a one-of-a-kind piece that combines luxurious leather an...

Pair of Scandinavian sheepskin lounge chairs.

The Ovino features genuine Patagonian sheepskin and Argentine leather with a belt detail to create a smooth and soft combination for this customizable bench.

Broached monsters by Trent Jansen The vast majority of mainstream Australian mythology commonly used as a foundation for Australian identity is culturally exclusive. Both Indigenous myths, including post-colonial myths and precolonial dreaming stories, and non-indigenous Australian myths, including the bush legend, ANZAC tradition and convict legend, focus on the historical role that the race of authorship has played in building the nation. However, a contemporary understanding of Australian history acknowledges the contribution of both Indigenous and non-indigenous Australians in forging the nation, and the national identity which accompanies it. Instead of perpetuating the same exclusive national myths, perhaps Australians should adopt a national mythology that acknowledges this inclusive understanding of Australian history, a mythology that unites Australians of many backgrounds under a shared Australian identity. In his book on Australia’s Folklore of Fear, Robert Holden explores pre-colonial ideas of Australia as a Great Southern Land – an imaginary landmass conjured up to counterbalance the continents in the northern hemisphere, as far removed as possible from Britain, the center of the Christian world (Holden, 2001). Holden speaks of Australia as an imaginary world, occupied by unimaginable creatures and monsters. Holden is commenting in part on the mythical creatures that originated in both British and Aboriginal Australian folklore and were shared by the Aboriginal and non-Aboriginal inhabitants of Sydney during the early years of colonisation. Stories of the yahoo, a creature that resembled a slender man, with long white straight hair, extraordinarily long arms and great talons (Unknown 1842), captured the imaginations of the new British settlers, and soon a fear of the yahoo became a common ground between Aboriginal people and British settlers. is fear of a gruesome and vicious creature gained its potency from the folkloric tales that were used to substantiate its existence. These tales were suitably vague, their lack of detail attributed to the fierce nature of these creatures and the assumption that no one had survived an encounter (Holden, Thomas et al. 2001). The yahoo “became one of the very few Aboriginal legends to be embraced by the Europeans” (Holden, Thomas et al. 2001, p16), providing a catalyst for conversation between individuals from these two culturally disparate societies and forming some personal links between these communities. Could creature myths like the yahoo once again form the foundation of a united national...

Glass and steel chair is made of tempered glass, passivated steel and sheepskin. Fredrik Paulsen's work spans from furniture to interior and exhibition design. He is interested in creating a sense of Community and finding new ways to make the independent and small-scale design more accessible. Fredrik is a co-founder of Örnsbergsauktionen, a member of the Design Group LAST and a visiting tutor at Beckmans College of Design. In the spectra of Fredrik Paulsen’s work, notions of anti-consumerism, artificiality and counter culture...

Single Lucite barrel-back chair with shearling upholstery and brass detail.

Particular stool in sheepskin wood and brass design Italian, 1950.  

The classic Eames Rocker! A cult-favourite design gets an added oomph, restored in our cozy, soft, classicly-hued Gotland sheepskin. What a beautiful piece! Herman Miller USA, 19...

White armchair Petit Frank, in sheepskin, designed by Hervé Langlais for Galerie Negropontes, it is a tribute to the Jean-Michel Frank armchair in sheepski...

Hinterland's first lounge chair offering, the Shepherd's Chair is the culmination of years of design and prototyping. Inspired by the close relationship between a traditional herders...

Designed to pair with any of the seating options from Stephen Kenn's Inheritance Collection, the ottoman is a great addition to add a lounge element to your seating arrangement. This variation is upholstered in luxurious white Mongolian...

Stephen Kenn's Inheritance Collection brings together 3 elements: a steel welded frame, replica Swiss military belts and soft foam and down upholstered c...

The Inheritance Armchair is as refined as it is comfortable. Designed to pair with any of the Inheritance Seating options, the Ottoman is a great addition to add a lounge element to ...

Designed to pair with any of the seating options from Stephen Kenn's Inheritance Collection, the ottoman is a great addition to add a lounge element to your seating arrangement. This variation is upholstered in luxurious white Mongolian...

Featured in Tibetan Lamb Shearling, the Hudson Ottoman exudes luxury. These structured and supportive round ball ottomans are designed to function as a tr...

Inspired by the rib of a whale, our Rib Bench features curved lines that are graceful, solid and strong. The bench features solid brass rods and sabots, and is complemented by the ar...

This ultra luxurious version of The Inheritance collection armchair and ottoman has super soft white Mongolian sheepskin upholstery, black webbing and leather belts, and a polished n...

Featured in Tibetan Lamb Shearling, the Hudson Ottoman exudes luxury. These structured and supportive round ball ottomans are designed to function as a traditional leg rest, add a tw...