Fall 2020
Make Yourself At Home
Imagine a deeply personal space infused with your passions, quirks and memories — and bewitched by extraordinary design.
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P13
By Julian Teran
Located in New York, NY
Julián Terán fuses Argentine folk rhythms with electronic music through his free-hand drawings. He produces a musicality in his delicate and meticulous tracing that echoes throughou...
Category
Early 2000s Abstract Fall 2020
Materials
Ink, Archival Paper
Here's Flowers
By Gary Hume
Located in New York, NY
Gary Hume
Here's Flowers
2006
Eight color linocuts with hand additions in graphite
Portfolio of prints presented in a special wooden buckram-covered box designed by the artist
Each...
Category
Early 2000s Contemporary Fall 2020
Materials
Linocut, Graphite
Untitled
Located in Palm Desert, CA
A painting by Suh Se Ok (서세옥). An Untitled, abstract ink wash on paper painting by South Korean artist Suh Se Ok (서세옥), executed in a palette of pink and bla...
Category
1960s Abstract Fall 2020
Materials
Paper, Ink
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+ Title: ...
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Eight of Hearts, mixed media silkscreen with hand applied acrylic, signed unique
Located in New York, NY
Robert Petersen
Eight of Hearts, 1989
Mixed media silkscreen with hand applied acrylic on paper with deckled edges
Hand signed, numbered 6/21, dated, and inscribed on the front
Unique variant - each example from the edition unique
Frame Included: floated and framed with a beveled edge in original wood frame
Robert Petersen was Rauschenberg's longtime friend and collaborator. This mixed media silkcreen with hand coloring was published by Castelli graphics.
Inscription reads as follows:
For Joe & Mary
6/21 R.P. 89
Measurements:
(frame) 16 5/8 x 14 5/8 x 1 1/2 inches
(sheet) 6 5/8 x 5 inches
Retired oncologist Dr. Joseph Bottini and his wife Mary were friends of the artist, and this work was acquired from their collection.
Hand signed, numbered, dated, and inscribed on the front. (unique variant - with hand coloring). Robert Petersen was Rauschenberg's longtime friend and collaborator. This mixed media silkcreen with hand coloring was published by Castelli graphics.
Inscription reads as follows:
For Joe & Mary
6/21 R.P. 89
Measurements:
(frame) 16 5/8 x 14 5/8 x 1 1/2 inches
(sheet) 6 5/8 x 5 inches
Retired oncologist Dr. Joseph Bottini and his wife Mary were friends of the artist, and this work was acquired from their collection.
More about Robert Petersen:
Robert Petersen was born in 1945 in the small farm town of Le Mars, Iowa and was raised there until 1952 when he moved with his family to Whittier, California. His education as an artist began in 1963 at Fullerton Community College where his interest in architectural drafting led him to develop a passion for drawing, painting, and printmaking. In 1966, he pursued his love for printmaking further at California State University, Long Beach under the former Tamarind Lithography Workshop printer, Robert Evermon.
In 1969, Petersen went on to work as an assistant printer at Gemini G.E.L. where he printed editions for Frank Stella, Roy Lichtenstein, and Robert Rauschenberg. Most notably, Petersen served as one of the head printers for Rauschenberg's Stoned Moon series, during which the two formed a close friendship. In late 1970, Rauschenberg invited Petersen to live and work with him on Captiva Island, Florida, which had recently become the artist's permanent residence and studio. In 1971, Rauschenberg and Petersen...
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Located in New York, NY
Hans Hofmann
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Hand signed and numbered 76/120 on the front in ink
(each example is a unique variant with hand painting)
Published by Esther Gentle and 167 Gallery, New York
Frame included
Dazzling mid century modern (1952) mixed media silkscreen and gouache by Hans Hofmann - one of the most influential artists of the 20th Century. The gouache additions are done by hand, making each work in this series absolutely unique. A superb impression of this extremely scarce, early print with strong colors.
According to Reba and Dave Williams (Reba and Dave Williams, American Screenprints, New York, 1987, page 32), Hofmann was persuaded to make this print by Esther Gentle (who later married Abraham Rattner), his student at the time, who was starting to publish screenprints reproducing well-known artists' paintings. Unlike other screenprints by Abstract Expressionist artists, Hofmann's is an original work which does not reproduce a painting.
An unusual feature of Composition in Blue is that the blue background varies; the artist authorized different color mixtures and strengths for each example in the printing of this particular silkscreen (Williams, page 32).
Measurements:
Work: 16⅞ by 15 inches
Framed: 24⅝ by 21¼ inches
HANS HOFMANN
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Between 1900 and 1930, Hofmann’s early studies, decades of painting, and schools of art took him to Munich, to Paris, then back to Munich. By 1933, and for the next four decades, he lived in New York and in Provincetown. Hofmann’s evolution from foremost modern art teacher to pivotal modern artist brought him into contact with many of the foremost artists, critics, and dealers of the twentieth century: Henri Matisse, Pablo Picasso, Georges Braque, Wassily Kandinsky, Sonia and Robert Delaunay, Betty Parsons, Peggy Guggenheim, Lee Krasner, Jackson Pollock, and many others. His successful career was shepherded by the postwar modern...
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