Maximalism

One of the most acclaimed design pieces in the world, the Proust armchair by Alessandro Mendini was launched in 1978, when it was used to furnish the Palazzo dei Diamanti, in Ferrara during an exhibition entitled “Incontriravvicinati di architettura” (Close encounters of architecture). Shortly thereafter, the piece’s postmodern appeal captured...

A sculptural presence makes the Wanders' Tulip armchair, by Marcel Wanders, an exceptional protagonist in any setting: ideal in spacious areas, both contract and private, thanks to t...

A year-long story. That spans a lifetime. Johan Lindstén captures the beauty of the seasons in autumn, winter, spring, and summer sceneries depicted across the backrest of the poetic Embroidery Chair; cross-stitched, the sublime synthesis between traditional embroidery techniques that have been passed down for generations and state-of-the-art industrial technology. The quiet attentiveness of deer in the wild, the playfulness of polar bears, the ephemeral flight of butterflies, the elegant grace of flamingos: stitched with electronic machinery that effectively reproduces the manual cross-stitching technique using wool thread. “Scandinavian personality, Italian quality”: these are the words of designer Johan Lindstén to explain the secret behind the success of the Embroidery Chair, a comfortable ergonomic seat that is an enchanting accent to enliven a room. Structure: Solid ash and back in poplar plywood, back padding: Polyurethane foam Available finishes: EMB1 - Winter 112 black-stained ash and Winter embroidery theme, EMB2 - Spring 113 bleached ash and Spring embroidery theme, EMB3 - Summer A10 cherry-red anyline stained ash and Summer embroidery...

A further evolution of the icon created by Alessandro Mendini in 1978 for the Palazzo dei Diamanti in Ferrara, the Proust Geometrica armchair incorpo...