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Item Ships From: Florida
Abstract Expressionist Hyman Bloom Judaica Hand Signed Poster Rabbi with Torah
By Hyman Bloom
Located in Surfside, FL
This is not editioned. According to his wife this was done privately for his 80th birthday and just given to friends and family. they were not sold. This is from a group of very few ...
Category
20th Century Modern Modern Times
Materials
Offset
Ruz Black and Red original abstract
By Rafael Ruz
Located in CORAL GABLES - MIAMI, FL
Ruz. black and red, original abstract original abstract acrylic painting
Original artwork by Spanish artist Rafael Ruz.
Acrylic on canvas in perfect condition.
While contemplatin...
Category
21st Century and Contemporary Abstract Modern Times
Materials
Acrylic
Modernist Vintage Rosenthal Netter Abstract Porcelain Object And Sculpture
By Rosenthal Netter
Located in North Miami, FL
This tall vintage modernist sculpture and or object of an abstract couple; man/woman in repose is white to off-white porcelain by Rosenthal Netter who ...
Category
1960s American Mid-Century Modern Vintage Modern Times
Materials
Porcelain
Amancio Character Man Auriga 1 original Wood sculpture
By Amancio González Andrés
Located in CORAL GABLES - MIAMI, FL
Sculpture by the Spanish artist AMANCIO GONZALEZ
wood
Fantastic piece of art representing Spanish sculpture
Amancio González is a sculptor from Leon and an internationally celebrated...
Category
21st Century and Contemporary Contemporary Modern Times
Materials
Iron
Vintage Italian Signed Ceramic Cascading Nude Bodies Candlestick Sculpture
Located in North Miami, FL
This beyond amazing and fabulous off white to cream Italian vintage ceramic candlestick sculpture has crawling ,sprawling nude bodies casc...
Category
1970s Italian Organic Modern Vintage Modern Times
Materials
Ceramic
Le Jeune Upholstery Melina Bench Showroom Model in Velvet and Walnut
By Iconic Design Gallery
Located in Miami, FL
Le Jeune Upholstery Melina Bench Showroom Model in Velvet and Walnut
Offered for sale is a MELINA B3.923 Bench showroom model. The bench is inspired by the designs of the mid-centur...
Category
21st Century and Contemporary American Mid-Century Modern Modern Times
Materials
Velvet, Walnut
Mid-century American of Martinsville Dining Set of 6
By American of Martinsville
Located in Miami, FL
Mid-century American of Martinsville Dining Set of 6
Offered for sale is a s set of 6 dining chairs with 2 arms and 4 sides. The chairs retain the original tags that say American Fu...
Category
Mid-20th Century American Mid-Century Modern Modern Times
Materials
Fabric, Wood
French Louis XV Bombay Chest Marble
Located in Lake Worth, FL
For FULL item description click on CONTINUE READING at the bottom of this page.
Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of A
French Louis XV Style M...
Category
Mid-20th Century Louis XV Modern Times
Materials
Marble, Bronze
Chippendale Wingback Armchair with Ottoman Fabulous Fabric!
Located in Lake Worth, FL
For FULL item description click on CONTINUE READING at the bottom of this page.
Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of A
Chippendale Wingbac...
Category
1990s Chippendale Modern Times
Materials
Cotton
19th Century Austrian Biedermeier Pair of Antique Polished Cherrywood Columns
Located in West Palm Beach, FL
An antique Austrian Biedermeier pair of columns made of hand crafted polished Cherrywood, in good condition. The tall to décor pieces are enhanced by gilded circles around the top. T...
Category
Early 19th Century Austrian Biedermeier Antique Modern Times
Materials
Cherry
19th Century Italian Socrates Mask, Carrara, Rosso Verona Marble Sculpture
Located in West Palm Beach, FL
An antique Italian mask of Socrates, the Classical Greek philosopher 470-399 BC. Hand carved in white Carrara marble and mounted on a Rosso Verona marble base, in good condition. Wea...
Category
Late 19th Century Italian Late Victorian Antique Modern Times
Materials
Marble, Carrara Marble
Young Italian Woman Spinning Thread /// Antique Watercolor Rome Lady Landscape
By Luigi Olivetti
Located in Saint Augustine, FL
Artist: Luigi Olivetti (Italian, 1856-1941)
Title: "Young Italian Woman Spinning Thread"
*Signed and dated by Olivetti lower center right
Year: 1904
Medium: Original Watercolor Painting on paper
Framing: Framed in a gold gilt wood frame
Framed size: 30" x 23"
Image size: 21" x 14"
Condition: Minor wear to frame. In excellent condition
Notes:
Provenance: private collection - Cleveland, Ohio. The work is dated in Roman Numerals. Brass plate with artist's name attached lower center.
Biography:
Luigi Olivetti (Revere, Lombardy, November 11...
Category
Early 1900s Romantic Modern Times
Materials
Watercolor
1970s Vintage 'De Velasco Boutique, Tanger’ Black Silk Pink Embroidered Caftan
Located in Boca Raton, FL
This luxurious caftan was made in Morocco during the1970s, but is origins date back thousands of years and span the globe. The history of the caftan is a bit uncertain. It is believed to have originated from Turkish culture but appears in many others. In Morocco, it was first worn by men but was eventually adopted by women, as well. The loose tunics are historically adorned with ornate trims, like the pink passementerie on this black silk caftan. The narrow silken braid is twisted into the intricate flowing design that borders every edge of this caftan and down its front. The traditional garment was adopted by several countries in Europe and then eventually made its way to the United States - where it was especially popular during the 1970s. The caftan served as inspiration for some of the eras most iconic designers, like the innovative Rudi Gernreich. His avant-garde, unisex caftans debuted at the 1970 World Fair Expo in Osaka, Japan. Garments like the caftan and its intricate embellishments were also reimagined by Yves Saint Laurent in his multicultural designs. As seen in this Moroccan version, the caftan manages to seamlessly integrate stunning details like embroidery into a garment that is still very comfortable to wear. The caftan’s simple but chic silhouette can be worn while lounging at home or dressed up with dramatic accessories for a night on the town. With such versatility, it’s easy to see why the caftan’s appeal has endured for so long.
Size estimate: S/M
Measurements:
Shoulders: 17 inches
Sleeves: 18 inches
Bust: 38 inches
Waist: 36 inches
Hips: 40 inches
Length: 56 inches
This 1970s Moroccan black silk caftan has pink passementerie embroidery. The label reads, 'De Velasco...
Category
1970s Modern Times
Large Alvino Bagni for Raymor Jug Vessel
By Alvino Bagni
Located in St.Petersburg, FL
A large ceramic vessel by Alvino Bagni for Raymor, Italy circa 1960s. Jug form with beautiful stylized decoration in shades of brown.
Category
1960s Italian Mid-Century Modern Vintage Modern Times
Materials
Ceramic
Monument
Located in Wilton Manors, FL
Antony Zega (1962-2019). Monument, ca. 1985. Photographic print, 10 x 10 inches. Mounted to acid free matting board measuring 16 x 20 inches. Unsigned. Estate stamp on verso.
Category
1980s Modern Times
Materials
Photographic Paper
Russian Landscape (abstract painting)
Located in Wilton Manors, FL
Yuri Larin (1936-2014). Landscape, 1982. Watercolor on paper, 16.5 x 18.5 inches. Mounted on cardboard sheet measuring 24 x 28 inches. Signed and dated lower left. Excellent condition. Image is painted on verso side of block print wallpaper sheet of Russian manufacture. Sheet is carefully hinged at corners and can be removed from cardboard backing with relative ease.
Estate of Giovanni and Dagmar Migliuolo, NYC. Giovanni Migliuolo is the former Italian Ambassador to the United Nations, USSR and Egypt.
Yuri Larin, also Yuriy Larin (1936–2014) is a Russian painter and graphic artist, a member of the Union of Artists of the USSR since 1977. Larin was born in Moscow to the family of a key Soviet political leader, Nikolay Bukharin, and Anna Larina. Following the arrests of his parents in 1938 and until 1946, he lived with his relatives, and following the arrest of his step-father, he was taken to an orphanage near Stalingrad. A hydraulic engineer by training, he worked at the construction of the Saratov Hydro-Electric Plant and at design institutions. In 1960, he began his studies at the department of drawing and painting of the Krupskaya People’s University of Arts, and then, from 1965 until 1970, he studied at the department of art design at the Moscow State Higher School of Arts and Industry (the former Stroganov Institution). His career as a professional artist began in the early 1970s. From 1970 until 1986, he taught at the Moscow 1905 Memorial Arts School. His letter to prof. Vittorio Strada sent in 1980 contained the first statement of his artistic method he would later dub the “concept of the limit state”. He quit teaching after a serious illness, when he lost the ability to use his right hand. He only worked with his left hand since 1986. He died and was buried in Moscow.
Exhibitions:
1981
The sixth All-Union watercolor exhibition. Moscow
1982
Personal exhibition in Moscow Drama Theater after M.N.Ermolova (together with Ye.Kravchenko). Moscow.
1985
The eighth All-Union watercolor exhibition. Moscow
1987
The ninth All-Union watercolor exhibition. Moscow.
1989
Personal watercolor exhibition. Gallery “Books&Company Art”, NY, USA
Personal exhibition. The Central House of the Artist on Krymskiy Val, Moscow.
13 Biennale of the countries of the Baltic Region in Rostock, Germany.
1992
Personal exhibition of Russian and German landscapes. Duren, Germany.
The exhibition of the Russian graphics. Gallery «Raissa». Erfurt, Germany.
1993
Personal exhibition in exhibition hall of magazine “Nashe Nasledie” (Russian Cultural Foundation), Moscow
1994
Personal watercolor exhibition. Gallery “The Art of the XX century”.
Bonn, Germany
1996
Personal exhibition of portraits and landscapes. World Bank Moscow Office
1997
Personal exhibition “From Italian cycle”. The State Institute of Art Studies. Moscow
Exhibition “THe Russian Art of the second half of the XX century. Harmony of Contrasts”. The Academy of Arts of the Russian Federation. Moscow.
1998
Personal exhibition “The seasons of Yuriy Larin. From the Russian cycle”. Moscow State Museum of Vadim Sidur.
Exhibition of new collections and gifts. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region.
2000
Exhibition “Image and transformation in art”. The Ministry of Cultural Affairs of the Russian Federation, Russian Cultural Foundation. Moscow
Personal exhibition “German landscapes in the eyes of the Russian artist”. Gallery “Yunge”, Dortmund, Germany.
2001
Exhibition “East and West”. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region.
Exhibition devoted to nudes. Gallery on Peschanaya. Moscow.
2002
Personal exhibition “Yuriy Larin. The works of different years”.
Bulgarian Cultural Center, Art-studio “TAGRY”. Moscow.
2004
Personal exhibition “YURIY LARIN. Harmony and plasticity”.
Radischev Saratov State Art Museum.
2006
Personal exhibition “Saint-Pol-de-Mar”. Exhibition hall of Magazine “Nashe Nasledie”. Moscow.
2011
Personal exhibition “Harmony and plasticity. The artist Yuriy Larin’s works”. Museum-reserve Tsaritsyno. Moscow.
2013
Personal exhibition and album presentation. Yuriy Larin “Selected”. Gallery “Kino”. 9-18 October, 2013
Personal exhibition “Yuriy Larin’s space”. State Literature Museum. January, 29 - February, 23
2015
Personal exhibition “The reality of the space lighting” The gallery of Nazarov. Lipetsk. March, 14- April, 11.
Personal exhibition “Yuriy Larin. Monolog of a happy person” State Museum of St.Petersburg’s History. Petropavlovskaya fortress, Nevskaya courtina.July, 30 - September, 13
2016
Personal exhibition “Yuriy Larin. Art- timeless plot. Yaroslavl Art Museum. December, 12, 2015 - February, 18, 2016
2016
Personal exhibition “The geography of light. Art and graphic of Yuriy Larin”. Moscow. Noviy Manej. April. 1 - April, 24, 2016
Museum Collections:
The State Russian Museum
Saint Petersburg
The State Tretyakov Gallery
Moscow
The State Museum of Oriental Art
Moscow
Radischev Art Museum in Saratov
Saratov
Historical-Architectural and Art Museum “New Jerusalem”
Istra (Moscow Region)
Branch of the State Museum
of People’s Art in Armenia
Dilijan
The Union of Art Museums and the centers of aesthetic education of the republic Udmurtiya
Ijevsk
Volgograd Museum of Fine Arts
Volgograd
Tomsk Regional Art Museum
Tomsk
Eastern-Kazakhstan Art Museum
Semey
Moscow State Museum of Vadim Sidur
Moscow
Andrey Sakharov Museum
Moscow
State Literature Museum
Moscow
The collection of the magazine “Nashe Nasledie”
Moscow
The collection of the Heinrich Boell Foundation
Berlin
Chronology:
May, 8, 1936
Yuriy Larin was born in Moscow in a family of a prominent statesman Nikolay Ivanovich Bukharin and Anna Mikhaylovna Larina;
1938–1946 years
After his parents’ arrest the artist was brought up by his relatives- Boris Izrailevich and Ida Grigorievna Gusman
1946
After B.I.Gusman’s arrest was raised in an orphanage from the age of 10 near Stalingrad (Volgograd);
Since the childhood the artist demonstrated his turn for arts that he inherited from his father (it’s known that N.I.Bukharin was a gifted artist-amateur).
1949
Sent to the camp.
1956
At the age of twenty when A.M.Larina returned from the Stalinist camp, learned for the first time his father’s name which was N.I.Bukharin;
1958
Graduated Novocherkassk Engineering-Melioration Institute, which he was enrolled into under the influence of his farther B.I.Gusman.
1958-60
Work as hydraulics civil engineer on the construction of Hydroelectric Power Station in Saratov and in project organizations; Underwent tuberculosis
1960
With his mother A.M.Larina got permission to come back to Moscow;
Started distance education at People’s University of Arts after N.K.Krupskaya at the department of drawing and painting (professor A.S. Trofimov)
1970
Yuriy Larin graduated from Moscow State Higher Art-Industry School ( Stragonovka), faculty of artwork development (industrial design), enrolled in 1965;
Starts his career of a professional artist;
from 1970 to 1986 teaches at Moscow Academy of Art in remembrance of 1905; here starts long creative cooperation with V.A.Volkov, the son of the prominent Soviet artist A.N.Volkov.
Gets married. The wife - Inga Yakovlevna Ballod, an architect by training, writer and journalist.
1970-1974
Worked from life on landscapes (watercolor and oil).
Works in traditional realistic direction, the main aim is to deliver different conditions of the nature (landscape conditions)
1972
Welcomes his son Nikolay
from 1972
Takes part in Moscow, Russian and All-Union exhibitions;
the second half of the 1970s
Works on portraits, still-lifes, nude, continuing working on landscapes
1974
Trip to Kuban as a part of the group of the Union of Artist of RSFSR, the creation of watercolor landscapes of local nature, which set the beginning of the cycle “Caucasus”;
Yuriy Larin works harder on the creation of his own formal signature, and on his own theory of art (for details see the letter of Y.Larin to V.Strada)
1975
First trip to the House of Creativity of the Union of Artists “Goryachiy Klyuch”, creation of new watercolors of Caucasus cycle.
1976
The end of the nature period. As a turning point in the artist’s career was a period when he worked at the House of Creativity “Cheluskinskaya” near Moscow. Starting from this period landscapes, portraits and still-lifes are drawn from memory. Using only some pencil sketches that are done from real life.
Long walks around the neighborhoods of Cheluskinskaya, trips to Abramtsevo, Klazma served as a strong impetus to the development of cycle of Moscow region landscapes.
1977
Became part of Moscow Union of Artists in USSR.
“Watercolors of Y.B.Larin are the world of senciar relationships between the artist and nature. The plots of his works are extremely simple, unsophisticated, but behind all that there is a whole concept: the living nature is shaped by the eyes of the artist into one-piece space masses, human creations as ships, cranes, bridges get soft, kind forms; dissolved they become part of complete, modern and artistically convincing form” (V.A.Volkov. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975)
“Yuriy Borisovich Larin appears to me as a serious and deep artist,... mature artist. His watercolors are of proof of having coloristic gift, high culture and material understanding” (M.P.Miturich. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975)
1977
Yuriy Larin directs a group of young Moscow artists in their trip to Olskiy area of Magadan region. Creates a series of landscapes of Magadan nature.
1980
In the letter to V.Strada finally justifies the theoretical part of his artistic method, later calls it the concept of limit state.
The end of the 1970s - the beginning of the 1980s
Devoted four years to the translation of the book of S.Cohen, professor of Princeton University, about N.I.Bukharin.
Ye.A.Gnedin was helping him to translate the book, they were meeting every Thursday. Afterwards, while publishing the Russian version of the book in the USA the translators Y.LArin and Ye.Gnedin were credited under pseudonyms Ye. and Y. Chetvergovy. Yevgeniy Alexandrovich Gnedin is a prominent Soviet diplomat, staff member of M.M. Litvinov, died in 1983. Y.Larin considers him to be one of the most incredible people of the XX century.
Meets famous collectionner from Moscow Ya.Ye. Rubinshtein, who buys six works of the artist (oil and watercolor);
Fall, 1981–1982
Again works at the House of Creativity “Goryachiy Klyuch”. As a result the Caucasus series are enlarged with first oil works. The long contact with the nature of Caucasus influenced greatly the creative development of the artist.
1980
The artist creates the cycle of the watercolors of Moscow region in winter, the part of which will be purchased by Ya.Ye. Rubinstein and the Russian Museum;
V.Volkov indicated in the works “a new approach to the light”
Fall, 1981–1982
Again works at the House of Creativity “Goryachiy Klyuch”. As a result the Caucasus series are enlarged with first oil works. The long contact with the nature of Caucasus influenced greatly the creative development of the artist.
1982
First own exhibition in Moscow Drama Theatre after M.N.Yermolova (together with Ye.N.Kravchenko). Mostly presented the paintings of the last decade that were painted in the central Russia, Krasnodar and Magadan regions. The exhibition and the discussion that took place afterwards helped to open up Y.Larin.
He met the ambassador of Italy to USSR Giovanni Migliuolo and became friends for a long period of time.
1979-1985
Within a few years during summer vacations Yuriy Larin works in Baltic. Creates a cycle of graphic watercolors on German paperboard. The landscapes on the constructive base greatly differ from Moscow and Caucasus cycles.
Fall, 1983
Trip to Armenia with his close friend Yu.M. Garushyants, historian. The result of that trip were thirty watercolor papers that continued the Caucasus cycle.
1985
In the almanac “Soviet Graphic” there is a publication about the watercolors of the artist that was written by G. Yelshevskaya.
December, 1985
Underwent the neurosurgery; as a consequence the loss of strength and skill in his right hand.
1987
Death of his wife Inga Ballod
First personal exhibition overseas: exhibition of watercolors in the gallery Books&Company Art, NY, USA. Since then takes part in different foreign exhibitions.
1988
N.I.Bukharin’s rehabilitation, after that Yuriy Larin was able to change his patronymic “Borisovich” to “Nikolayevich”
1989
Gets married. The wife - Olga Arsenyevna Maksakova, doctor, Lead researcher at the Institute of neurosurgery named after Burdenko.
Personal exhibition in Central House of Artists in Krymskiy Val.
Displayed over two hundred of watercolor and oil paintings...
Category
1980s Abstract Modern Times
Materials
Paper, Watercolor
Perfect Service (La Bonne Table illustration)
By Ludwig Bemelmans, 1898-1962
Located in Wilton Manors, FL
Ludwig Bemelmans (1898-1962). Perfect Service, ca. 1950. Brushed ink on paper, 19 x 24 inches. Annotated and authenticated by wife, Madeleine Bemelmans, in pencil en verso, 1979. Identified as illustration appearing on page 414 in La Bonne Table, (Simon and Schuster), 1964. Unframed.
Conservation work includes removal of tapes from verso corners, surface dry clean, removal of mat line and light exposure stains, deacidification and flattening.
"Writing is always a dreadful, tiresome business and the worst of all tortures for me, because I am convinced that I am not a writer but a graphic workman, a painter who hangs pictures in a row, who collects imagery, and my problem is always to find one for a beginning and one for an end and then, something to hang in the middle so that it resembles a book," said Ludwig Bemelmans (1898 - 1962).
Graphic workman, painter—whatever he called himself, Bemelmans belongs in the Pantheon of illustrators. A relentless connoisseur of life, he drew with a child's eye and wrote with the shrewd wit of an adult. He knew everyone worth knowing, went everywhere worth visiting, all the while recording what he saw on the backs of menus, envelopes, or on the inside covers of matchbooks. His resume was a checkerboard: hotelier, restaurateur, cartoonist, ad man, theatrical designer, novelist, screenwriter, interior decorator, journalist, and children's book author. What made Bemelmans such a creative powerhouse He confessed, "My greatest inspiration is a low bank balance."
His best-remembered work, of course, is the series of picture books starring that beguiling schoolgirl, Madeline. "I like to write for children because I suffer from a sort of arrested development. I am about six years old really," Bemelmans said, "and I am constantly surprised by everything." He knew that the Madeline books were his lasting legacy, yet it surely would have surprised him to find that they have sold upwards of ten million copies, and that the thriving Madeline merchandise empire now encompasses DVDs, dolls, board games, backpacks, tea sets, and stickers.
Bemelmans' world ranged from yachts and limousines to garrets and subways, and was peopled with moppets, jewel thieves, Ecuadorian Generals, and feather boa-clad vamps. His drawing style, humorous and reductive, captures all this in a flash. "I sketch with facility and speed," he wrote. "The drawing has to sit on the paper as if you smacked a spoon of whipped cream on a plate."
Born in Meran, Austria, and bred in Tyrolean hotels, Bemelmans came to the States at 16 and landed at the Ritz-Carlton. There he learned "to press a duck, open a bottle, and push a chair under a lady." While working his way from busboy to banquet manager, he drew, often using William Randolph Hearst's empty suite as his studio. The Ritz staff and clientele provided him with a rich menu of subjects, and he returned again and again to hotel life for inspiration.
He first set his heart on becoming a cartoonist. His earliest effort, The Thrilling Adventures of Count Bric A Brac (1926), ran for six months, but his big break happened when May Massee of Viking Press came to dinner. Admiring the scenes Bemelmans had painted on the blinds, Massee announced: "You must write children's books!" Hansi (1934), a reminiscence of his childhood, was quickly followed by three more: The Golden Basket (1936), The Castle Number 9 (1937), and Quito Express (1938).
Bemelmans met and married Madeleine (Mimi) Freund in 1934. The two honeymooned in Belgium, which provided the setting for The Golden Basket, his Newbery-Honor winner. Not many realize that Madeline makes her debut in this book. Madeleine, spelled like his wife's name here, is one of 12 little girls shepherded by a tall nun through the streets of Bruges.
In 1938, Bemelmans, Mimi, and their two-year-old Barbara traveled to France. On the recommendation of Georges, his underworld friend, Bemelmans visited the Ile d'Yeu off the coast of France. Here came more inspiration for Madeline when he was knocked off his bike by a truck. He had to walk to the hospital, where, in the next room, he wrote, "was a little girl who had had her appendix out, and on the ceiling over my bed was a crack that, in the varying light of morning, night and noon, and evening, looked like a rabbit."
He went on: "I remembered the stories my mother had told me of life in the convent school at Altotting, and the little girl, the hospital, the room, the crank on the bed, the nurse, the doctor, all fell into place. I made the first sketches on a sidewalk table...
Category
Mid-20th Century Modern Times
Materials
Ink, Paper
Bed
Located in Wilton Manors, FL
Antony Zega (1962-2019). Bed, ca. 1985. Photographic print, 12 5/8 x 8.5 inches. Mounted to acid free matting board measuring 16 x 20 inches. Unsigned. Estate stamp on verso.
Category
1980s Modern Times
Materials
Photographic Paper
Cadiz, California
Located in Wilton Manors, FL
Antony Zega (1962-2019). Cadiz, 1987. Photographic print, 10 x 10 inches. Mounted to acid free matting board measuring 16 x 20 inches. Unsigned. Estate stamp on verso.
Category
1980s Modern Times
Materials
Photographic Paper
Untitled (ER51) Abstract Expressionist painting
Located in Wilton Manors, FL
Edward Pechmann Renouf (1906-1999). Oil on panel measures 16 x 24 inches. Signed lower margin. Excellent condition.
Provenance: Allan Stone Pr...
Category
1970s Abstract Expressionist Modern Times
Materials
Masonite, Oil
Russian Landscape (abstract painting)
Located in Wilton Manors, FL
Yuri Larin (1936-2014). Landscape, 1984. Watercolor on paper, 17 x 18 inches. Unframed and unmounted. Signed and dated lower left. Excellent condition. Image is painted on verso side of block print wallpaper sheet of Russian manufacture.
Estate of Giovanni and Dagmar Migliuolo, NYC. Giovanni Migliuolo is the former Italian Ambassador to the United Nations, USSR and Egypt.
Yuri Larin, also Yuriy Larin (1936–2014) is a Russian painter and graphic artist, a member of the Union of Artists of the USSR since 1977. Larin was born in Moscow to the family of a key Soviet political leader, Nikolay Bukharin, and Anna Larina. Following the arrests of his parents in 1938 and until 1946, he lived with his relatives, and following the arrest of his step-father, he was taken to an orphanage near Stalingrad. A hydraulic engineer by training, he worked at the construction of the Saratov Hydro-Electric Plant and at design institutions. In 1960, he began his studies at the department of drawing and painting of the Krupskaya People’s University of Arts, and then, from 1965 until 1970, he studied at the department of art design at the Moscow State Higher School of Arts and Industry (the former Stroganov Institution). His career as a professional artist began in the early 1970s. From 1970 until 1986, he taught at the Moscow 1905 Memorial Arts School. His letter to prof. Vittorio Strada sent in 1980 contained the first statement of his artistic method he would later dub the “concept of the limit state”. He quit teaching after a serious illness, when he lost the ability to use his right hand. He only worked with his left hand since 1986. He died and was buried in Moscow.
Exhibitions:
1981
The sixth All-Union watercolor exhibition. Moscow
1982
Personal exhibition in Moscow Drama Theater after M.N.Ermolova (together with Ye.Kravchenko). Moscow.
1985
The eighth All-Union watercolor exhibition. Moscow
1987
The ninth All-Union watercolor exhibition. Moscow.
1989
Personal watercolor exhibition. Gallery “Books&Company Art”, NY, USA
Personal exhibition. The Central House of the Artist on Krymskiy Val, Moscow.
13 Biennale of the countries of the Baltic Region in Rostock, Germany.
1992
Personal exhibition of Russian and German landscapes. Duren, Germany.
The exhibition of the Russian graphics. Gallery «Raissa». Erfurt, Germany.
1993
Personal exhibition in exhibition hall of magazine “Nashe Nasledie” (Russian Cultural Foundation), Moscow
1994
Personal watercolor exhibition. Gallery “The Art of the XX century”.
Bonn, Germany
1996
Personal exhibition of portraits and landscapes. World Bank Moscow Office
1997
Personal exhibition “From Italian cycle”. The State Institute of Art Studies. Moscow
Exhibition “THe Russian Art of the second half of the XX century. Harmony of Contrasts”. The Academy of Arts of the Russian Federation. Moscow.
1998
Personal exhibition “The seasons of Yuriy Larin. From the Russian cycle”. Moscow State Museum of Vadim Sidur...
Category
1980s Abstract Modern Times
Materials
Paper, Watercolor
Untitled (ER 53) Abstract Expressionist Painting
Located in Wilton Manors, FL
Edward Pechmann Renouf (1906-1999). Oil on masonite panel, measures 16 x 24 inches. Excellent condition. Signed lower right.
Provenance: Allan Stone Projects, New York, NY.
Biography:
Birth place: Hsiku, China
Addresses: East St. Washington, CT
Profession: Painter, sculptor
Studied: Phillips Andover Acad., 1924; Harvard Univ., 1928; Columbia Univ., 1936-46; drawing & painting with Carlos Merida...
Category
1970s Abstract Expressionist Modern Times
Materials
Masonite, Oil
Little Blue Head (Abstract Female Portrait)
Located in Wilton Manors, FL
Elliot Barowitz (b.1937). Little Blue Head, 1965. Oil on canvas, 1965, signed 'E.O. Barowitz', titled and dated on the stretcher. 16 x 16 in., 16 3/4 x 16 3/...
Category
1960s Pop Art Modern Times
Materials
Oil
Allegory of Defense Industry (figurative male illustration)
By Frank Godwin
Located in Wilton Manors, FL
Frank Godwin (1889-1959). Allegory of Defense Industry, 1919. Oil on canvas. Signed lower right. Image measures 20.75 x 26.25 inches. The canvas measures 24 x 36 inches in total. Ann...
Category
Early 20th Century American Realist Modern Times
Materials
Oil, Canvas
Fishermen, Bahamas (North Carolina artist)
By Frank Stanley Herring
Located in Wilton Manors, FL
Beautiful ca. 1935 painting by American artist, Frank Stanley Herring (1894-1966). Watercolor on heavy rag handmade paper measures 14.5 x 19 inches, 23 x 28 inches in original vintag...
Category
1930s American Realist Modern Times
Materials
Handmade Paper, Watercolor
Plant-like
By James Brooks
Located in Wilton Manors, FL
James Brooks (1906-1992). Plantlike, c.1945. Oil on canvas measures 18 x 24 inches; 24 x 30 inches in a painted wood frame of the period. Signed "J. David Brooks" lower right, Signed...
Category
1940s Abstract Expressionist Modern Times
Materials
Cotton Canvas, Oil
Darkness (portrait of a young woman)
By Fletcher Martin
Located in Wilton Manors, FL
Fletcher Martin (1904-1979). Darkness, 1940. Oil on canvas, 18 x 22 inches; 28.5 x 32.5 inches framed. Signed and dated lower left. Presented in a carved chestnut Heydenryk custom frame of the period. Excellent condition with no damage or conservation.
Biography:
Birth place: Palisade, CO
Death place: Guanajuato, Mexico
Addresses: NYC; Woodstock, NY, 1947 and after; Guanajuato, Mexico in 1976
Profession: Painter, lithographer, block printer, muralist, illustrator, teacher
Studied: Stickney Mem. Sch. Art
Exhibited: Hatfield Gal., Los Angeles, 1932 (solo); LACMA, 1935 ( Van Rensselaer Wilbur Prize), 1939 (prize), 1944; FAP, 1937 (prize); PAFA Ann., 1939-54 frequently (prize 1947); 48 States Comp., 1939 (prize); WMAA, 1940-57; AIC, 1940-45; VMFA, 1941; CI, 1942-44; MoMA, 1942; NAD, 1943, 1949 (Altman Prize); Corcoran Gal. biennials, 1943-53 (6 times); Roberson Mem. Center, Binghamton, NY, 1968 (retrospective); Eve Loring Gal., Cedarhurst, NY & Rudolph Gals., Woodstock, NY, 1970s
Member: A.N.A., 1969; Woodstock AA (chmn., 1953-55); Calif. WC Soc.; Am. Artists Cong.; Fnd. of Western Art; AEA (nat. committee,1949-55).
Work: MMA; WMAA; MoMA; LOC; Cranbrook Acad. Art; William Rockhill Nelson Gal., Kansas City, KS; LACMA; Denver Art Mus.; Mus. FA, Houston; SFMA; PAFA. Commissions: true fresco, WPA, Hollywood H.S., 1935; oil on canvas, U.S. Secretary Fine Art, Fed. Bldg., San Pedro, CA, 1937; oil on canvas, U.S. Secretary Fine Art, Post Office Bldg., Lamesa, TX, 1938; bas relief sculpture, U.S. Secretary Fine Art, County Court House, Bonner's Ferry, ID, 1939; oil on canvas, U.S. Secretary Fine Art, Post Office Bldg., Kellogg, ID, 1940.
Comments: Preferred media: oils, watercolors, print media. Specialty: Western subjects. Illustrator: Tales of the Gold Rush, 1944; Mutiny on the Bounty, 1947; The Sea Wolf, 1961; The Jungle, 1965; Of Mice and Men...
Category
Mid-20th Century American Realist Modern Times
Materials
Oil, Canvas
Late 15th-century Old Master Burgundian Netherlands carved walnut figure
Located in Wilton Manors, FL
Beautiful late 15th-century Burgundian Netherlandish portrait of a woman. Carved walnut. Original polychrome has been removed with traces at base and lower portions of figure. Minor ...
Category
15th Century and Earlier Old Masters Modern Times
Materials
Walnut
Chimu Inca c.1500 Peruvian terra-cotta anthropomorphic face vase vessel Peru
Located in Wilton Manors, FL
Beautiful antique Peruvian face vessel. Chimu Inca, c.1500 Terracotta, measures h. 8 in., w. 4 7/8 inches. No repair or conservation.
Category
15th Century and Earlier Modern Times
Materials
Terracotta
Still Life Cabbage
By Elizabeth Osborne
Located in Wilton Manors, FL
Elizabeth Osborne (b.1936). Still Life Cabbage, 1983. Watercolor on paper, sheet measures 22.5 x 30 inches; 29.5 x 37 inches in custom frame. Original Fischbach Gallery label affixed...
Category
1980s Realist Modern Times
Materials
Archival Paper, Watercolor
Scherzo (Nude female dancer c.1920s photograph)
By Richard Dooner
Located in Wilton Manors, FL
Beautiful abstract female nude photo by American artist, Richard T. Dooner. Archival print measures 3 x 3.75 inches. Small cream in lower left corne...
Category
1920s Abstract Modern Times
Materials
Photographic Paper
Fish (Comanche Native American surrealist painting)
Located in Wilton Manors, FL
Fish (Native American, 1950-1995). Man and Spirit Wolf, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29 inches. Signed lower left. Excellent condition. Unframed.
An example of Hood's work from the 1970's, paintings which tend to be about nature and mysticism, and possess a certain innocence. Hood's mature work from the early 1980's onward contains unambiguous depictions of Native American culture and traditional themes.
A member of the Comanche Indian tribe, Larry Hood...
Category
1970s Surrealist Modern Times
Materials
Gouache, Rag Paper
Dessert Landscape (Comanche Native American surrealist painting)
Located in Wilton Manors, FL
Larry Hood (Native American, 1950-1995). Dessert Landscape, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29...
Category
1970s Surrealist Modern Times
Materials
Gouache, Rag Paper
Portrait of a Young Man
By Gilbert Lewis
Located in Wilton Manors, FL
Gilbert Lewis (b.1945). Portrait of a Young Man, ca. 1990s. Gouache on illustration board, 18 x 24 inches. Signed upper right. Excellent condition. Measures 24 x 30 inches in custom frame.
Provenance: estate of the artist.
Artist statement:
Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple.
My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself.
Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”.
Biography:
Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va.
1953 until 1962
“I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145
1963-68
Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig. While a student at PAFA he shares apartment [261 South 21st Street] with PAFA students, Jody Pinto and Barbara Sosson. In 1967 he receives PAFA’s: Bergman Prize in Painting; M. Herbert Syme Prize; and Samuel Cresson Memorial Travelling Scholarship. The latter award enables Lewis to travel to Europe during the summer of 1967 where he visits museums.
“In 1967, after having seen the Italian master’s work while on scholarship from the Pennsylvania Academy, I was to realize my great influences and to discover the earlier Sienese masters whose clarity and energy still move me.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145
1968
Horizontal painting [of an interior with a seated woman and cat by a large window] reproduced in black and white in school catalog for Pennsylvania Academy of the Fine Arts 1968-1969, p. 24. Other students whose works are reproduced include Clayton Anderson, Barkley Hendricks...
Category
1990s Realist Modern Times
Materials
Gouache
Nude Figure (Nude woman)
Located in Wilton Manors, FL
Serge Hollerbach (1923-2021). Nude Figure, 1968. Casein on illustration board, image measures 8.5 x 11 inches; 14.5 x 17 inches in a custom Kulicke welded steel frame. Signed and dated lower margin.
Painter, Instructor
Born in Pushkin, Russia November 1, 1923.
Education : Academy of Fine Arts in Munich; Art Students League with Ernest Fiene; American Art Scholarship with Gordon Samstag.
Holdings : St. Paul Gallery...
Category
Mid-20th Century Abstract Modern Times
Materials
Casein
Still Life with Roses and Pitcher (PA Impressionist woman artist)
Located in Wilton Manors, FL
Alice B. Doughten (1880-1969). Still Life with Roses, ca. 1930. Oil on masonite panel, 12 x 16 inches. Measures 18 x 22 inches framed. Signed lower right. Original label affixed on verso with Moorestown NJ identified as artist's address.
Born in Camden, New Jersey, Alice Doughten became noted for her still life and landscape paintings with figures, usually watercolors and sometimes abstract in style. She studied art at the Pennsylvania Academy of the Fine Arts with Henry McCarter, Earl Horter, Ralph Pearson...
Category
1930s Impressionist Modern Times
Materials
Oil, Masonite
Maine Morning
Located in Wilton Manors, FL
Beautiful winter landscape by American artist, J. Philip Richards (1906-1991). Maine Morning, 1974. Casein on paper, 16 x 26 inches; 26 x 36 inches framed. Signed lower right. Signed, titled and dated on verso. Excellent condition.
Born in Moosic, PA, and graduated from the College of Fine Arts of Syracuse University in New York, J Philip Richards worked and studied with such artists of international reputation as William Von Schlagell, James Fitzgerald, David Porter, and John Taylor.He was professor emeritus of Fine Arts at Wilkes College in Wilkes-Barre, PA. Member of the American Watercolor Society, NYC, NY; York Artists Association, York, ME; Ogunquit Art Association, Ogunquit, ME; Wyoming Valley Art League, Wilkes-Barre, PA; National Society of Casein Painters, NYC, NY; Director Ancestor's Art Workshops, Searsport, ME; Gallery Director, "Gallery 164," Kennebunk, ME; Professional Artists League of America, NYC, NY; Art Guild of Kennebunks, Kennebunk, ME; Maine Artists...
Category
1970s Impressionist Modern Times
Materials
Casein
Parrot (Comanche Native American surrealist painting)
Located in Wilton Manors, FL
Larry Hood (Native American, 1950-1995). Parrot, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29 inches. Si...
Category
1970s Surrealist Modern Times
Materials
Gouache, Rag Paper
Irises (abstract floral still life painting)
By Elizabeth Osborne
Located in Wilton Manors, FL
Elizabeth Osborne (b.1936). Irises, 1966. Casein and charcoal pencil on paper, sheet measures 10.5 x 12 inches. Unframed. Excellent condition with no fading or damage. A very tiny area of paper loss in lower right corner.
Biography:
Elizabeth Osborne, born in Philadelphia PA, has exhibited extensively throughout the United States for over forty years. She lives and works in Philadelphia.
Her work is included in the collections of the Philadelphia Museum of Art; the Pennsylvania Academy...
Category
1980s Abstract Expressionist Modern Times
Materials
Casein, Archival Paper, Charcoal
Two Untitled Compositions
Located in Wilton Manors, FL
Fumio Otani (Japanese, 1929-1995). Untitled and Untitled, ca, 1965. Cast and polished steel.
Smaller composition measures 14.75 x 7.75 x 1.5 inches.
Larger composition measures 16...
Category
Mid-20th Century Abstract Expressionist Modern Times
Materials
Steel
Still Life with Bowl of Strawberries
By Vito Tomasello
Located in Wilton Manors, FL
Vito Tomasello (American, ?-1982). Still Life with Strawberries, 1979. Oil on masonite panel, 10 1/2 x 11 5/8 inches. Signed and dated low...
Category
1970s Impressionist Modern Times
Materials
Oil, Masonite
Highland Lighthouse, Truro MA
By Sandor Bernath
Located in Wilton Manors, FL
Sandor Bernath (1892-1984). Highland Lighthouse at Dusk, Truro MA. Watercolor on heavy wove paper, 17 x 17 inches; 18 x 18 inches framed. Excellent condition with no fading. Signed lower right.
Silver leaf custom frame.
Sandor Bernath was known for his stylized watercolors of sailing ships. He was a student of Edward Hopper. Born in Hungary on December 30, 1892, Bernath immigrated in his youth to the United States, and by the early 1920s had begun to establish himself within New York art circles. In January of 1922, he was given a one-man show at Mrs. Malcolm's Gallery on East 64th Street.
Although little is known about Bernath's education and early training, this exhibition of nineteen watercolors included works, which suggest that by 1922, the artist had traveled and studied abroad. "Coast of Normandy" and "Shrine, Czechoslovakia" are two works the subjects of which certainly resulted from time spent in Europe.
Other paintings exhibited in the 1922 show, such as "Brooklyn Bridge", "Weehawken Freight Yards" and "East River" reveal that on the whole, Bernath's earliest subjects remained those found in New York. After his show at Mrs. Malcolm's Gallery, Bernath became a member of the American Watercolor Society and later that year, showed six works at their annual exhibition. Unlike the works exhibited on East 63rd Street, the watercolors featured at the AWS show, such as "Grand Manan Coast" and "Fishing Boats", reflected a growing attraction to the subjects offered within the Maine landscape, an attraction which truly took hold in the summer of 1922.
Like many of his peers, Bernath worked as a teacher and illustrator to support himself. In order to escape the tedium of these dreaded day-jobs, many retreated to the villages of Maine and Massachusetts where artists' communities such as those at Monhegan Island, Gloucester and Ogunquit had sprung from the modern artist's desire to study natural forms. By 1923, Bernath's fascination with these forms becomes apparent with the complete shift in focus of his subject matter from the sights and scenes of his urban surroundings to the land and seascapes of New...
Category
Mid-20th Century Realist Modern Times
Materials
Watercolor, Paper
In the Casbah
Located in Wilton Manors, FL
Philip Cheney (1897-1992) In the Casbah, 1928. Oil on canvas, 16 x 30 inches. Signed and dated lower margin.
Condition: paint loss around margins.
Category
1920s Art Deco Modern Times
Materials
Oil
Arcadian Figures
By Wright Saltus Ludington
Located in Wilton Manors, FL
Beautiful Art Deco era drawing by American artist, Wright Ludington (1900-1992). Graphite on paper measures 7.75 x 9 inches; 14.5 x 16 inches framed. No damage or restoration. Sheet is glued down to cardboard backing. Partial signature in margins under matting identifies artist.
Biography:
Born in New York on June 10, 1901. By 1940 Ludington had settled in Montecito. He died there on May 13, 1992. Exh: Montecito Country Club, 1940.
Noted philanthropist, art collector and founder of the Santa Barbara Museum of Art, Wright Luddington was a friend of Lockwood de Forest...
Category
1920s Art Deco Modern Times
Materials
Paper, Graphite
Continental School 19th-20th Century "Hindu Gathering" Watercolor on Silk
Located in West Palm Beach, FL
Continental School
19th-20th century
"Hindu Gathering"
watercolor on silk
Size with frame 33 x 25 in. (83.82 x 63.5 cm.)
Category
20th Century Modern Times
Materials
Silk
Three Antique Japanese Works of Art
Located in West Palm Beach, FL
Three Antique Japanese Works of Art
An oribe "morikage" (for the display of seasonal fruits), classic green drip glaze with spontaneous ink pain...
Category
1890s Antique Modern Times
Materials
Porcelain
Vintage Art Glass Vase Possibly Charles Schneider
Located in West Palm Beach, FL
Vintage art glass vase possibly Charles Schneider (1881-1953)
of ovoid form in clear and spotted glass, etched "Schneider France"
Measures:...
Category
20th Century Modern Times
Materials
Glass
American Sterling Silver Bowl, Tiffany & Co., New York, circa 1950
By Tiffany & Co.
Located in West Palm Beach, FL
An American sterling silver bowl, Tiffany & Co., New York, circa 1950
with a floral & vine border on the circular top rim
Marked on base
TIFFANY & CO.
MAKERS
STERLING SILVER
an...
Category
1950s Vintage Modern Times
Materials
Silver
Daum Nancy Cameo and Enamel Glass Vase France, circa 1910
By Daum
Located in West Palm Beach, FL
Daum Nancy cameo and enamel glass vase,
France, circa 1910
Decorated with pink wild flowers on a mottled ground
Cameo mark Daum Nancy with Lorraine cross
Dimensions:
Width 2 in. (5....
Category
1910s Vintage Modern Times
Materials
Glass
René Lalique Bacchantes Yellow Rene Lalique Glass Vase
By René Lalique
Located in West Palm Beach, FL
René Lalique (1860-1945)
Bacchantes
Yellow Rene Lalique glass vase with ten female nude figures in high relief on a self illuminating bronze base...
Category
1920s Vintage Modern Times
Materials
Art Glass
Japanese Porcelain Globular Jar with Dragon
Located in West Palm Beach, FL
A Japanese Porcelain globular jar with dragon design on a light brown ground, early 20th century, 10 by 8 in. (25.4 x 20.32 cm.).
Category
Early 20th Century Modern Times
Materials
Porcelain
Carved Agate Snuff Bottle Chinese, Qing Dynasty
Located in West Palm Beach, FL
A carved agate snuff bottle
Chinese, Qing dynasty
of spherical form well-hollowed, carved in low relief to one side with a boy throwing a fishing ...
Category
19th Century Antique Modern Times
Materials
Glass
After Andrea del Verrocchio a Bronze Equestrian Group of Colleone
Located in West Palm Beach, FL
After Andrea del Verrocchio
A bronze equestrian group of Colleone,
late 19th-early 20th century
brown patina, finely cast and chiseled,
on a ...
Category
Late 19th Century Antique Modern Times
Materials
Bronze
After Émile Munier '1810-Circa 1895' 'Fischend Amor' ‘K.P.M.’ Porcelain
By Emile Munier
Located in West Palm Beach, FL
After Émile Munier (1810-circa 1895)
'Fischend Amor'
A Berlin (K.P.M.) Porcelain plaque, circa 1880
painted with cupid and another putto using his bow to fish his quiver of arrows...
Category
1880s Antique Modern Times
Materials
Porcelain
Japanese Satsuma Earthenware Vase, Meiji Period
Located in West Palm Beach, FL
Japanese Satsuma Earthenware Vase, Meiji Period, 1868-1912, of baluster form, the decorated in poly-chrome enamels and gilt on a clear crackle glaze with a Daimyo procession, the nec...
Category
20th Century Modern Times
Materials
Ceramic
Fine French Cartonnier, 19th Century, Attributed to Paul Sormani, circa 1865
By Paul Sormani
Located in West Palm Beach, FL
Fine French Cartonnier, 19th century,
attributed to Paul Sormani Paris, circa 1865, bois de Violette, satine quarter-veneer and six gilt-tooled brow...
Category
1860s Antique Modern Times
Materials
Wood
Tiffany Studios Gilt-Bronze Picture Frame, circa 1900
By Tiffany Studios
Located in West Palm Beach, FL
Tiffany Studios gilt-bronze picture frame,
circa 1900
Stamped Tiffany Studios/NEW YORK/1611.
Measures: Height 11.87 in. (30.16 cm.),
Width 9.75 in. (24.76 cm.).
Category
Early 1900s Antique Modern Times
Materials
Glass
Three Chinese Watercolors, 19th Century
Located in West Palm Beach, FL
Three Chinese Watercolors
19th Century
each titled on verso
Inferior Mandarin
Governer General, his lady
Prime Minister
size with frame
9 by 12 inches
Provenance:
John High...
Category
19th Century Antique Modern Times
Materials
Paint
Leonard Howard Reedy Following Pony Tracks Drawing-Watercolor
Located in West Palm Beach, FL
Leonard Howard Reedy (1899-1956)
Following Pony Tracks
Drawing-Watercolor
Watercolour/paper
Signed Leonard H. Reedy (lower left)
Measures: Fr...
Category
20th Century Modern Times
Materials
Paper
René Lalique '1860-1945' "Moineau" Cendrier Marcilhac NO. 284
By René Lalique
Located in West Palm Beach, FL
René Lalique (1860-1945)
"Moineau" Cendrier
Marcilhac NO. 284
Script signature R. LALIQUE
molded mint green glass with an opalescent lip
model in...
Category
20th Century Modern Times
Materials
Glass