Nautical 2

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

This unframed, signed, limited edition pigment print by world renown artist Robert Kelly exists in an edition of 40. Paper size is 30"h x 24"w with an image size of 17"h x 14"w. Rob...

This unframed, signed, limited edition pigment print by world renown artist Robert Kelly exists in an edition of 50. Paper size is 24"h x 30"w with an image size of 14.5"h x 19"w. R...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

This unframed, signed, limited edition pigment print by world renown artist Robert Kelly exists in an edition of 50. Paper size is 24"h x 30"w with an image size of 14.5"h x 19"w. R...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

This unframed, signed, limited edition pigment print by world renown artist Robert Kelly exists in an edition of 50. Paper size is 24"h x 30"w with an image size of 14.5"h x 19"w. R...

Native American "Portrait of a Jolly Man" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 5 7/8 x 3 3/4 (17 x 15 frame) inches Emin Abbasov ...

acrylic, mixed media on panel blue green teal white black can hang verically or horizontally In his current body of work, Tim uses large gestural drawings to create energetic abs...

Antique Rooster Portrait Prosper Alphonse Isaac (France, 1858-1924) Woodblock Print circa 1910 9 x 7 1/8 (15 1/4 x 17 frame) inches The excellent book "The Great Wave: The Influence of Japanese Woodcuts on French Prints" which was an exhibition at The Metropolitan Museum of Art in 1974, recounts the phenomenal "cult of Japan" in late nineteenth-century France and reveals through direct comparisons its particular impact on the graphic work of Manet, Degas, Cassatt, Bonnard, Vuillard, Toulouse-Lautrec, and Gauguin. This print directly relates to the discovery of Japanese art most notably through the woodblock prints which found their way to the West oftentimes as stuffing or packing materials from consumer goods that were being imported to the West at the end of the 19th century. Prosper-Alphonse Isaac was born in a well-to-do family. This gave him the means not only of leaving his native Calais to pursue a career as an artist in Paris, but also the means to acquire art. Isaac was particularly drawn to Japanese arts, which he collected avidly. Many of the objects he bought were eventually given to museums. As a printmaker Isaac started drawing seascapes in dry point, but eventually moved on to become one of only a handful of artists versed in color woodcut techniques in France. His compositions, generally small in scale, are heavily influenced by the arts of Japan. He printed small editions of these works. Aside from this artistic activity, Isaac was also an active textile decorator. "This mark, which he borrows from Hokusaï and Totoya Hokkeï...

James Koskinas_ White Horse and Rider with Blue, 60 X 48 acrylic on canvas Not framed. Does not need to be framed. This large scale painting of a head hints at Picasso. Both technic...

Beautiful and atmospheric, this painting perfectly captures the tones and colors of a steamy summer's day in Venice during a trip to that city in 1959. "Venice, Petit Pont sur le Ri...

Edition of 9

Martha Mans lavender gray white blue green yellow peach brown framed in brown frame The painting process has been an evolving experience for me from the time I was very young and first started painting in oil until now. Each stage had to be experienced and has led to a deeper understanding of what my expression in paint is all about. Painting traditional realism with good design as an important element was where I began. Now, the evolution of my painting process has brought me to a point in which the subject, the texture of the oil medium and the physical application of the brushstrokes have become profoundly intertwined. All are so necessary to the finished work that if one were to be taken away the work would be left incomplete. My hope is that the synthesis of the subject, design, expressive brush strokes and the texture of the paint come together to create a work of art in which the viewer experiences all of these elements at once in a powerful statement on canvas. “New Mexico is a land of earthy colors and textures. Rocks, dirt, twiggy plants, reds and ochres against blue grays, dry, wet, cold, hot, mostly hard and rough create a movement in visual and tactile rhythms that surround me. There are times when I am standing in the New Mexico landscape on a warm day when I want to lay down and embrace it. I can’t help but be madly in love with the textures of everything around me. I am drawn to the irresistible forces that seem to bring me closer to the earth. The more I experience these textural qualities of the land, the more I am compelled to use them to express what I want to say. “ Martha was born in Pittsburgh, Pennsylvania where she attended Carlow University and received a degree in art and art education. Later she studied art at the Maryland Institute College of Art and the University of Southern California. At the beginning of her career she worked as an art teacher and art department head in Maryland and California. After becoming a full-time artist she taught watercolor and oil painting workshops in the United States and abroad. After moving to Colorado she became a master instructor for a branch of the Art Students League in Colorado Springs and then set up her own classes in her studio where she presently teaches on a weekly basis. She was director for many years of large adventure workshops combining painting and exploring. Some of these adventures include Ghost Ranch, New Mexico, where Georgia O’Keefe painted, a yearly excursion on a Clipper Ship in the Caribbean and Mediterranean Seas stopping at many ports to paint and an exciting workshop in Salvador, Brazil, painting the colorful region and people there. It was due to these painting trips on which the artists had to carry around all their painting equipment that she put together a compact painting travel kit that she marketed and that many plein air artists use as they travel to their many painting locations. Martha’s work has been featured in many art publications such as: Southwest Art Magazine, Artist’s Magazine, Watercolor Artist’s Magazine and Art Collector’s Magazine. Her work has been used in several books on painting; “Making Your Watercolors Look Professional,” by Carole Katchen, The Best of Watercolor Series, Rockport, Press, “How to Paint Better Watercolor Paintings,” by Jerald Brommer and Jerald Brommer’s Art Education Posters for High Schools. Her work has received many awards in national juried competitions including numerous best of shows awards. Western Federation of Watercolor Societies, New Mexico Watercolor Society, Pennsylvania Watercolor Society, Rocky Mountain Watercolor Society, Pikes Peak Watercolor...

Paul Shapiro began working in an abstract style in 1990, although the Land of Enchantment (and the artist's current home, New Mexico!) remained a major source of inspiration for him....

"A Colorful Crowd, Yugoslavia" Jacques Martin-Ferrières (1893-1972) Circa 1930s Oil on panel 17 1/8 x 13 3/4 (frame) inches A painter remarkable for his highly personal portraits a...

Bike Race; On the Line Bosco #46 Pierre Bosco (Italy/France, 1909-1993) 1950s Oil on canvas 25 x 13 inches, frame size “The savage art of Bosco bears its ru...

"Portrait of Horace" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 7/8 x 3 7/8 (16 3/4 x 14 3/4 frame) inches Emin Abbasov is classicall...

"Portrait of Paolo" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 7/8 x 3 7/8 (16 3/4 x 14 3/4 frame) inches Emin Abbasov is classically...

"Portrait of Zola" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 7/8 x 3 7/8 (16 1/2 x 15 3/8 frame) inches Emin Abbasov is classically ...

acrylic, ink, mixed media on panel black and white In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces...

Debra Baxter's precarious piles of precious stones are a material investigation of our continually strained relation to labor, beauty and domesticity.

This recent body of work from Jeff Suina (Cochiti Pueblo) presents a series of complex clay vessels and forms that utilize traditional Cochiti techniques in unexpected ways. As an ar...

This recent body of work from Jeff Suina (Cochiti Pueblo) presents a series of complex clay vessels and forms that utilize traditional Cochiti techniques in unexpected ways. As an ar...

Debra Baxter's precarious piles of precious stones are a material investigation of our continually strained relation to labor, beauty and domesticity.

Green, teal, sage, white, hunter green 31 x 31" Inspired by the drama of nature and light, Cynthia creates abstracted landscapes with oil on canvas.

Native American "Portrait of a Jolly Man" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 5 7/8 x 3 3/4 (17 1/2 x 15 1/2 frame) inches Emin ...

This unframed, signed, limited edition pigment print by artist Jeff Kahm exists in an edition of 40. Paper size is 25"h x 24"w with an image size of 20"h x 20"w. Jeff Kahm was born ...

"Portrait of The Sage" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 7/8 x 3 1/2 (16 x 14 1/2 frame) inches Emin Abbasov is classically ...

Native American Portrait "Wisdom" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 7/8 x 3 1/2 (15 7/8 x 14 5/8 frame) inches Emin Abbasov ...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

Solid Platinum ring one of the kind designed by Danuta set with diamond center .54 carat total weight G color VS1 clarity surrounded by emeralds o...

"Portrait of Nathalie" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 5/8 x 3 1/2 (16 1/2 x 15 1/4 frame) inches Emin Abbasov is classica...

"Portrait of Nathalie" Emin Abbasov (b. 1950, Azerbaijan) Oil on cardboard, signed 4 5/8 x 3 1/2 (16 1/2 x 15 1/4 frame) inches Emin Abbasov is classica...

acrylic, ink on canvas Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured surface. He translates those idea...

This unframed, signed, limited edition pigment print by artist Gary Mankus exists in an edition of 40. Paper size is 37"h x 35"w with an image size of 27"h x 27"w. Gary Mankus was b...

This unframed, signed, limited edition pigment print by artist Jeff Kahm exists in an edition of 40. Paper size is 25"h x 24"w with an image size of 20"h x 20"w. Jeff Kahm was born in Edmonton Alberta, Canada in 1968 and attended the Institute of American Indian Arts...

This unframed, signed, limited edition pigment print by artist Jeff Kahm exists in an edition of 40. Paper size is 25"h x 24"w with an image size of 20"h x 20"w. Jeff Kahm was born in Edmonton Alberta, Canada in 1968 and attended the Institute of American Indian Arts...

Brown, Orange, Blue, Pink, Green, Yellow, Red Mary was born in Ohio and has lived in Memphis, Tennessee since the mid-1990s. Following studies in graphic design and painting, she be...

This recent body of work from Jeff Suina (Cochiti Pueblo) presents a series of complex clay vessels and forms that utilize traditional Cochiti techniques in unexpected ways. As an ar...

Daniel Pailes-Friedman artist statement Painting is a meditative process. It begins with preparing a canvas and ends when there is nothing left to resolve. A composition starts w...

Edition of 9

Edition of 9

Edition of 6

mixed media on panel In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured surfac...

Painting has always been a part of my life. Over the course of many years I explored various styles of painting. I found that the more I let go and gave into simply the act of pain...

Painting has always been a part of my life. Over the course of many years I explored various styles of painting. I found that the more I let go and gave into simply the act of pain...

Painting has always been a part of my life. Over the course of many years I explored various styles of painting. I found that the more I let go and gave into simply the act of pain...

mixed media on panel In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich textured surfac...

acrylic, ink, mixed media on panel In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich t...

acrylic, ink, mixed media on panel In his current body of work, Tim uses large gestural drawings to create energetic abstractions. The layered process of his pieces creates a rich t...

James Koskinas_ Rider on Gray Horse with Ochre 60"x48" This large scale painting of a head hints at Picasso. Both technically accomplished and classically a...

This unframed, signed, limited edition series of 3 pigment prints by world renown artist Robert Kelly exists in an edition of 50. Paper size is 35"h x 29"w with an image size of 24"h...

3 framed 21x21" panels, image shows about 3 inch spacing, creating about a 68" height. Very Peri, gray, white, blue acrylic, mixed media on panel In his c...

Blue white orange Can hang horizontally or verically Martha Rea Baker’s technique of choice is driven by her selection of mediums. She has successfully moved between the unique pr...

Daniel Pailes-Friedman artist statement Painting is a meditative process. It begins with preparing a canvas and ends when there is nothing left to resolve. A composition starts w...

Daniel Pailes-Friedman artist statement Painting is a meditative process. It begins with preparing a canvas and ends when there is nothing left to resolve. A composition starts w...

Edition of 20

Screen print, archival inkjet, acrylic gloss varnish Edition of 30 The artist’s cubist-like portraits find inspiration in traditional West African masks...