Office & Recreation

Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Please note, we have upgraded to a more durable outdoor finish with extra UV protection. With the extra durability comes more of a glossier finish. Please refer to photo #2 which shows the true new outdoor finish. Please specify if you'd like black, whitewash or natural when ordering. Why buy our stumps? KILN DRIED Our stumps all go through a drying process in our kiln, sometimes for up to a month. We are meticulous with bringing each and every log to a specific moisture level. This process helps with major cracking, long-term moisture issues, and bugs. ECO FRIENDLY In an effort to replenish the trees we use, we plant 50+ trees a year. In addition, we practice salvage logging. Where do we source these? Some of the trees fall naturally. Some have damage from severe wind, lightning, flood, disease, or other natural disturbance so they need to be cut and removed before they fall. Others are fresh cut because people want them off their land. Salvage logging may reduce erosion, reduce intensity of future wildfires, and slow buildup of pest insects. FAMILY OWNED These are made from our family to yours. Quality is of utmost importance, and we hand cut, de-bark, sand, and finish every piece with care. COMMERCIAL GRADE These stumps are meant to be loved and USED. Each is finished with a durable commercial-grade finish. This finish is tough enough for spills, kids, and holds up in hotel and hospitality settings. PLEASE NOTE : These stumps will age naturally, and even more so being outdoors and exposed to the elements. Each is a solid log with its own unique character so we can not guarantee the finish won't fade or discolor as this varies per climate and log. These outdoor tree stump tables are made in the heart of Ohio with locally sourced wood. They can be used for a side table, a stool, or grouped together for a coffee table. Each table is handmade with a solid trunk of red cedar with a commercial- grade outdoor finish. Please specify your color choice when ordering, whitewash, black, or natural. IMPORTANT INFORMATION ABOUT OUR STUMPS... 1. Please unpack your stump immediately and leave it out of any packaging. These are real pieces of wood and need to breathe! 2. For OUTDOOR stumps...

Zanotta Medium Sacco in Green Vip Fabric by Gatti, Paolini, Teodoro Anatomical easy-chair. Envelope containing highly resistant expanded polystyrene pellets. Outdoor cover in Vip ...

"Brown" is a pc/laptop unit cabinet or desk, designed by Stephane Lebrun and manufactured by Dessie', with four drawers, one closed front compartment, two top compartments (for CPU a...

Ko Verzuu mid-century children toy blocks, the Netherlands, 1950's Lovely patinated wooden blocks in different shapes and sizes with a colorful striped c...

The presented coffee tables are part of the Eclecticism collection, in which the designer pursues the relation between history and the present. Every piece from the collection is loosely inspired by a particular style or a movement from the past, and simultaneously, refers to a singular personality closely linked with the given era. The Kalokagathos coffee table is freely inspired by the aesthetics of Ancient Greece. Devoted to ancient Greek architect...

Very rare therapeutic toys Seal in natural jute with colored leather out of the 1970s in excellent collectors condition. The toy is designed by Renate Müller and handmade. The Renate Müller toys...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

This pillow features Camden Cotton Check with a fringe finish. A classic one and a half-inch buffalo check, this woven cotton is a wonderful complement to both prints and plains. Pil...

Duplex launches DUPLEX X CASENTINO. The iconic Roly Poly armchair designed by Faye Toogood and manufactured by Driade, with the exclusive cushions i...

Highly unusual and beautiful kids rocking toy which can be used as 2 chairs as well. Made by unknown designer or manufacturer, Italy 1960. This beautiful and ...

FLOS Bellhop T Table Lamp in Burnt Orange by Edward Barber & Jay Osgerby This sleek tabletop lamp was originally created by renowned designers Edward ...

On the occasion of its 50th anniversary, Bocca revolutionizes its image: 25 new colors dye Gufram’s iconic lips, which for the occasion are dressed up in an unprecedented, more mater...

Presented is an original map of Albert Boschke's extremely sought-after "Topographical Map of the District of Columbia Surveyed in the Years 1856 ...

Cinna / Ligne Roset model Sandra designed by Annie Hieronimus. This is the 2 seater version. The fabric has a stripe design, a truly 1970s design. The...

Antique Persian Kerman rug, Size: 4' 10''x 7' 9''.

Italian Provincial drop-leaf dining table with chestnut burl, mahogany, oak & acacia parquetry. Extending from square to round with fold under leaves on ...

Yrjö Kukkapuro Cloud Chair Set of 6, Sky Blue and Teal, Avarte Finland, 1984.

Small folding desk Cantieri Carugati Gianfranco Frattini 1959 in Italian Walnut, open depth 83 cm, completely restored with natural paints as in the past.

Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Ya...

Inspired by our silver award-winning collection "Lazy Day", the outdoor lounge armchair "Let's Go Outside" is part of our first outdoor line. B...

Views of Hotel Well I, from Moving Focus series (T. 280; DH. 67). Lithograph printed in colors on TGL handmade paper. Hand signed, dated and numbered by the artist. original Artist's...

Stool made from a single block of scented cedar that reproduces the form of a heart.

Morgan Library II New York 50 x 62.4 inches ed. of 10 $6,000 60 x 74.9 inches ed. of 7 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Paper is trim...

Acrylic painting on canvas, 2021. Signed, titled and dated on the back. Framed. The artwork comes directly from the artist's studio. Dimensions: Height 52.56 in ( 133,5 cm ), Width ...

Timeless crocus ball armchair, designed by Pierre Guariche for Meurop Belgium, in 1967. The chair is reupholsered in a soft wool bouclé fabric by Dedar...

Artist: Jack Graves III (American, 1988-) Title: "Diamond XIII" Series: Diamond *Signed, dated, and titled by Graves on verso Year: 2019 Medium: Original Acrylic Painting on Canvas C...

Classic pair of Carl Auböck bookends in a patina and polish brass mix.  

With grace and harmony, glass appears as if floating in the air. It comes to life and starts to move. It moves from tones of Red to Apple Green and Sapphire blue, before ending on cl...

The Pivot LED series with its articulated arm and adjustable head this brass lamp, is not only multidimensional, but it is an ever changing line drawing that nestles into a room. Rem...

This unique piece is the 2022 re-issue of British-designer Jane Atfield's historical, 'RCP2 Chair,' an iconic example of sustainable design, to commemorate the 30th anniversary of th...

A swivelling lounge chair and ottoman for Plycraft having molded walnut shells and bases form fitted with seamless upholstery that is devoid of tufting.

Quaint mid-century painting of a cabin interior and view by Leslie Buck (American, 1907-1991), 1930. A realistic "slice of life" rendition of the cabin interior provides an image of the artist's life. Various cooking items sit on shelves below the right window, with the sink and water pump below the window on the left. Signed on verso. Description "Kitchen Corner" Davis's Rental Cottage, Porter Beach, Indiana 1930 written on verso. Presented in a wood frame. Image, 7.5"H x 8.5"L. Born in Chicago, she studied at the School of the Art Institute of Chicago and with Claude Buck after their marriage in 1934. With her husband, she moved to the Santa Cruz mountains...

A painting by Penelope Gottlieb. "Castilleja cruenta standl" is a contemporary painting, ink, acrylic and oil on canvas panel in a variety of bright, bold colors by American artist Penelope Gottlieb. After receiving her BFA from the Art Center College for Design in Pasadena, Penelope Gottlieb went on to earn her MFA from the University of California in Santa Barbara where she currently lives and works. Gottlieb’s artistic repertoire is thoroughly modern and includes innovative paintings as well as compelling media design, for which she received an Emmy in the field of motion picture title design in 1993. Gottlieb’s more recent works showcase a unique synthesis of her modern graphic design background and the vintage botanical renderings of natural scientists. However, her paintings are also unique in their perspective on the traditional floral still life. Stylized flora and fauna are depicted as emanating from a comic book explosion, illustrating what the artist refers to as “the dire state of the planet” as faced with species extinction and the resulting biological and ecological ramifications. These violent representations of the artistically typified placid natural world are intended as “visual eulogies for lost plant life.” The particular specimens that Gottlieb depicts are in fact extinct and she is able to recreate them only from historical drawings and botanist’s descriptions. Although avant-garde and aesthetically unique, Gottlieb’s paintings delineate clear influences from the renowned artists of Pop and Expressionist art. The composition of many of her paintings is reminiscent of Kandinsky’s canvas-filling outpours while her bold color palette and black outlines recall Lichtenstein’s comic book panels. Her work is also closely related to a more contemporary group of artists, including Alexis Rockman...

The revolutionary UMA sound lantern redefines the portable lantern for the modern age. Fusing state-of the-art warm dim LED technology with 360° high fidelit...

A layering of cement and crushed aggregates, the made-to-order drum consists of an hand-dyed hunter green cement top and a packed white rock salt bottom. Pou...

Scroll down and click "view all from Seller" to see more than 400 other unique products. The idea of the rabbit, a gentle, lovable and shy animal, comes from the association of its silhouette with that of a seat, where the rabbit's ears become the backrest of the chair. It is conceived for children's fun: the rabbit chair...

This beautiful porcelain mantel clock is designed in the shape of a shield which is propped up on a gilt bronze (ormolu) easel support, composed of two shields and a staff topped by ...

Garden, patio, poolside, rocking chair of wrought iron and metal mesh. The chair is in very good original condition, clean and ready to use. We also offer custom powder coating if yo...

This tapestry titled “7am Spring” is several shades of sky blue with a white cloud which dreamily floats across the top, the artist was interested in the way we discuss fine weather ...

Ron Ron is to all intents and purposes an inanimate pet animal; hence its name, that obviously recalls the sound of purring. Created by the multifaceted artist...

This series of wall sconces is classically inspired. Scaled versions of our pendants extend from elegant metal armatures. The proximity of the glass to the wall allows for each piece...

French antique books with Moroccan leather black spine, gold leaf imprinted title and blue and black covers. A large selection available, also in red, bl...

"Fork is a steel “fork” holding a diffuser inspired by casual fashion, camping tents and an informal and gritty lifestyle. An always current concept interpreted in table, floor and s...

-Made in 2015 -Nylon and cotton cord, sewing thread. "Pitchdrop" was made in 2015 as part of a body of work for my exhibition "what it is." It is a sculptural vessel-form object made by coiling and sewing nylon and cotton rope with an industrial zig-zag sewing machine. The piece is not made with a specific form in mind when started, so its shape emerges somewhat organically during its making. Multiple smaller, individual vessels are made, then joined together. More rope is coiled and sewn onto the new form, and new parts are incorporated and built upon from there. This piece features a main body sewn with black nylon cord, which acts as a visual and physical anchor for the object. From this, a series of smaller arm-like appendages grow ni coiled cotton cord. Since 2010 Doug Johnston has produced a wide range of functional and sculptural objects using a process of coiling and stitching rope using industrial sewing machines...

Drab mirror by Zieta Prozessdesign Colored steel (black, white or grey) or stainless steel (inox). Measures: 188 x 46 x 6 cm Zieta is best known for...

Francis Bacon color lithograph on Arches paper. Edition 50 of 180. Not framed. MOURLOT IMP - stamped on bottom left DESCHAMPS LITH. - stamped on bottom right

Born of the collaboration between a Parisian antiques dealer and a rural Vietnamese artists' community, these sculptural furniture pieces are made wi...

Case The clock has a gilt-brass case which is a variation on the gorge case in that the top and bottom are ribbed, which adds to its elegance. It has bevelled glass windows on all sides so that the movement is almost entirely visible. The gilt brass platform escapement can be seen through a large rectangular window at the top. The clock is surmounted by a typically shaped carrying handle. At the back is a door giving access to the winding arbors. Movement The high-quality spring-driven eight-day movement is constructed between plates. It consists of going and striking trains, as well as alarm. The going train has an English lever...

Vintage Scandinavian Ege Rug Named "Hurricane", Country of Origin / rug type: Scandinavia Rugs, Circa date: Vintage. Size: 4 ft 7 in x 6 ft 8 in (1.4 m x 2.03 ...

Cajonera 1 is just a chest of drawers made of MDF and cherry with a soft hole for the drawers. Material: MDF and cherry. Edition: varnished. Year: 2021.

A vibrant multicolored and brass sputnik chandelier, from the Italian midcentury period. The eight arms supported from a central sphere and each ending in a colored bulb holder. Rewi...

Hand-made floor or table lamp with adjustable shade. Dimmable. Material: reclaimed plastic and wood, foam, PVA, sand, acrylic paint, spray paint, polyurethane, electrical components,...

"Longwave" is a high back swivel armchair, designed by Diesel Creative Team and manufactured by Moroso, featuring injected flame-retardant foam over internal steel frame, varnished swivel steel base golden bronze or raw black finished and optional cushion in polyester fiber. Indoor use only. Dimensions: D. 37.4", W. 38.2", H. 45.3", Seat H. 15.7" Retuning a Classic! Like a 1960s motorcycle with a new engine, every bit the attitude, but still a modern machine. A high back lounge chair with constant flowing lines, this has been designed as a personal space within the home or office for the ultimate relaxing and reading chair. Available in a full range of fabrics as well as Diesel’s treated...

Our latest design - the single form coffee table. An elemental design with a focus on form and function. Made in powder-coated aluminium and a...

The beautifully simple Savoir Harlech bed is upholstered in a specially printed cotton velvet featuring Claude Monet's Water-Lilies. Working closely wit...

FLOS Bellhop T Table Lamp in Grey Blue by Edward Barber & Jay Osgerby Portable, rechargeable and wireless, Bellhop is a sleek modern LED tabletop lamp...

The Zabuton Sofa is available in infinite configurations. It is customizable through modular system of wood partitions, futon, Zabuton, and bolsters. St...

Keith Haring Fun Gallery 1983: Original 1983 Keith Haring illustrated exhibition poster published on the occasion of Haring's historic 1983 show at the Fun Gallery in the East Village. A classic array of early Haring imagery that reveals red and black interlocking figures. A rare example in very good overall vintage condition. Offset lithograph in colors on smooth wove paper. 23 x 29 inches. Only some minor signs of handling; in otherwise very good overall vintage condition with strong colors; one of the better examples we've come across. Stored away from light; never mounted or framed. Unsigned from an edition of unknown; scarce. Catalog Raisonne: Keith Haring: Posters (Prestel Publishing). References: Included in the collection of the Cooper Hewitt, Smithsonian Design Museum. About the Fun Gallery: Historic, short-lived, East Village gallery known for giving Keith Haring, Basquiat & Kenny Scharf some of their first solo shows. “FUN Gallery was a place where neighborhood kids, downtown artists, b-boys, rock, film, and rap stars mixed with museum directors art historians and uptown collectors at wild openings featuring artists like Futura, Fab 5...

Rocking toy in the form of a bull, a nod to our Iberian culture, where the bull and the horse are present in our imagination and form part of our tradition. A form that combines the ...

Table No. 14 - Coffee Table J.M. Szymanski d. 2021 An abstract form moves organically through this unique work of art. The form ends in legs that “drip” to the floor. Solid 3/8...