Popular Artists

“Le Picador II” from the book Sabartés, “A los Toros avec Picasso“ 1961, from the edition of unknown size, printed by Mourlot Frères, Paris, published b...

Pablo Picasso - Original Lithograph La Petite Corrida (The Small Bullfight) 1958 Edition of 2000, unsigned Published in the journal XXe Siecle Dimens...

Artist: Pablo Picasso Title: Head of a Bull (Plate XXXII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Sheet Size: 13" x 10 3/16" Signed: No (signe...

Artist: Pablo Picasso Title: Head of Satyr (Plate XXV) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18" Sheet Size: 13" x 10 3/16...

Hand signed in pencil verso, numbered 5/50 verso. Published by Other Criteria, London. Screenprint in colors with glitter on heavy wove paper. Additional images available upon requ...

Monkey Train (birds) 2007 silkscreen with archival pigmented inkjet 33 x 26.25 inches ed 40

Artist: Frank Stella Title: "Jill" Black Series (Axsom 16) Medium: Lithograph Date: 1967 Edition: 100 Dimensions: 15 X 22” Description: Framed. Series of eight lithographs on Barcham Green...

from the Insect series.

Wassily Kandinsky - Composition - Original Woodcut Condition: excellent 32 x 24 cm 1959 Published by XXe siècle, San Lazzaro Printed signature (monogram) in the plate Unnumbered as i...

Wassily Kandinsky - Horse Knight - Original Etching 32 x 24 cm 1966 From the art review XXe siècle, San Lazzaro Unsigned and unumbered as issued

This artwork titled "Prowling Leopard" 2003 is an original color serigraph by noted American artist LeRoy Neiman, 1921-2012. It is hand signed and numbered 64/425 in pencil by the artist. The image size is 26.5 x 35 inches, framed size is 40 x 48 inches. It is custom framed in a gold frame, with fabric matting and green/gold spacer. It is in excellent condition. About the artist: Mr. Neiman's kinetic, quickly executed paintings and drawings, many of them published in Playboy, offered his fans gaudily colored visual reports on heavyweight boxing matches, Super Bowl games and Olympic contests, as well as social panoramas like the horse races at Deauville, France, and the Cannes Film Festival. Quite consciously, he cast himself in the mold of French Impressionists like Toulouse-Lautrec, Renoir and Degas, chroniclers of public life who found rich social material at racetracks, dance halls and cafes. Mr. Neiman often painted or sketched on live television. With the camera recording his progress at the sketchpad or easel, he interpreted the drama of Olympic Games and Super Bowls for an audience of millions. When Bobby Fischer and Boris Spassky faced off in Reykjavik, Iceland, to decide the world chess championship, Mr. Neiman was there, sketching. He was on hand to capture Federico Fellini directing "8 ½" and the Kirov Ballet performing in the Soviet Union. In popularity, Mr. Neiman rivaled American favorites like Norman Rockwell, Grandma Moses and Andrew Wyeth. A prolific one-man industry, he generated hundreds of paintings, drawings, watercolors, limited-edition serigraph prints and coffee-table books yearly, earning gross annual revenue in the tens of millions of dollars. Although he exhibited constantly and his work was included in the collections of dozens of museums around the world, critical respect eluded him. Mainstream art critics either ignored him completely or, if forced to consider his work, dismissed it with contempt as garish and superficial — magazine illustration with pretensions. Mr. Neiman professed not to care. Maybe the critics are right," he told American Artist magazine in 1995. "But what am I supposed to do about it — stop painting, change my work completely? I go back into the studio, and there I am at the easel again. I enjoy what I'm doing and feel good working. Other thoughts are just crowded out." His image suggested an artist well beyond the reach of criticism. A dandy and bon vivant, he cut an arresting figure with his luxuriant ear-to-ear mustache, white suits, flashy hats and Cuban cigars. "He quite intentionally invented himself as a flamboyant artist not unlike Salvador Dalí, in much the same way that I became Mr. Playboy in the late '50s," Hugh Hefner told Cigar Aficionado magazine in 1995. LeRoy Runquist was born on June 8, 1921, in St. Paul. His father, a railroad worker, deserted the family when LeRoy was quite young, and the boy took the surname of his stepfather. He showed a flair for art at an early age. While attending a local Roman Catholic school, he impressed schoolmates by drawing ink tattoos on their arms during recess. As a teenager, he earned money doing illustrations for local grocery stores. "I'd sketch a turkey, a cow, a fish, with the prices," he told Cigar Aficionado. "And then I had the good sense to draw the guy who owned the store. This gave me tremendous power as a kid." After being drafted into the Army in 1942, he served as a cook in the European theater but in his spare time painted risqué murals on the walls of kitchens and mess halls. The Army's Special Services Division, recognizing his talent, put him to work painting stage sets for Red Cross shows when he was stationed in Germany after the war. On leaving the military, he studied briefly at the St. Paul School of Art (now the Minnesota Museum of American Art) before enrolling in the School of the Art Institute of Chicago, where, after four years of study, he taught figure drawing and fashion illustration throughout the 1950s. When the janitor of the apartment building next door to his threw out half-empty cans of enamel house paint, Mr. Neiman found his métier. Experimenting with the new medium, he embraced a rapid style of applying paint to canvas imposed by the free-flowing quality of the house paint. While doing freelance fashion illustration for the Carson Pirie Scott department store in Chicago in the early 1950s, he became friendly with Mr. Hefner, a copywriter there who was on the verge of publishing the first issue of a men's magazine. In 1954, after five issues of Playboy had appeared, Mr. Neiman ran into Mr. Hefner and invited him to his apartment to see his paintings of boxers, strip clubs and restaurants. Mr. Hefner, impressed, showed the work to Playboy's art director, Art Paul, who commissioned an illustration for "Black Country," a story by Charles Beaumont about a jazz musician. Thus began a relationship that endured for more than half a century and established Mr. Neiman's reputation. In 1955, when Mr. Hefner decided that the party-jokes page needed visual interest, Mr. Neiman came up with the Femlin, a curvaceous brunette who cavorted across the page in thigh-high stockings, high-heeled shoes, opera gloves and nothing else. She appeared in every issue of the magazine thereafter. Three years later, Mr. Neiman devised a running feature, "Man at His Leisure." For the next 15 years, he went on assignment to glamour spots around the world, sending back visual reports on subjects as varied as the races at Royal Ascot, the dining room of the Tour d'Argent in Paris, the nude beaches of the Dalmatian coast, the running of the bulls at Pamplona and Carnaby Street in swinging London. He later produced more than 100 paintings and 2 murals for 18 of the Playboy clubs that opened around the world. "Playboy made the good life a reality for me and made it the subject matter of my paintings — not affluence and luxury as such, but joie de vivre itself," Mr. Neiman told V.I.P. magazine in 1962. Working in the same copywriting department at Carson Pirie Scott as Mr. Hefner was Janet Byrne, a student at the Art Institute. She and Mr. Neiman married in 1957. She survives him. A prolific artist, he generated dozens of paintings each year that routinely commanded five-figure prices. When Christie's auctioned off the Playboy archives in 2003, his 1969 painting Man at His Leisure: Le Mans sold for $107,550. Sales of the signed, limited-edition print versions of his paintings, published in editions of 250 to 500, became a lucrative business in itself after Knoedler Publishing, a wholesale operation, was created in 1975 to publish and distribute his serigraphs, etchings, books and posters. Mr. Neiman's most famous images came from the world of sports. His long association with the Olympics began with the Winter Games in Squaw Valley in 1960, and he went on to cover the games, on live television, in Munich in 1972, Montreal in 1976, Lake Placid in 1980, and Sarajevo and Los Angeles in 1984, using watercolor, ink or felt-tip marker to produce images with the dispatch of a courtroom sketch artist. At the 1978 and 1979 Super Bowls, he used a computerized electronic pen to portray the action for CBS. Although he was best known for scenes filled with people and incident, he also painted many portraits. Athletes predominated, with Muhammad Ali and Joe Namath among his more famous subjects, but he also painted Leonard Bernstein, the ballet dancer Suzanne...

Hand signed numbered by the artist. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 250. All reasonable offers will be considered.

Hand signed numbered by the artist. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 300. All reasonable offers will be considered.

Artist: LeRoy Neiman, American (1921 - 2012) Title: Polar Bears Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 214/300 Image Size: 38...

Hand signed numbered by the artist. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 300. All reasonable offers will be considered.

"Bovine Family" is an original etching by Leroy Neiman. The artist signed the piece lower left. It is edition 182/250 and dated 1980. It depicts a cow an...

Hand signed numbered by the artist in pencil. Serigraph on Paper. Framed. Edition of 300. Artwork is in excellent condition. Certificate of authenticity included. All reasonable o...

Hand signed numbered by the artist in pencil. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 575. All reasonable offers will be considered.

Artist: LeRoy Neiman, American (1921 - 2012) Title: Prince Charles at Windsor Year: 1982 Medium: Serigraph, signed and numbered in pencil Edition: 300 I...

Artist: LeRoy Neiman (American, 1921-2012) Title: Lion Family Year: 1974 Medium: Serigraph, signed in pencil Edition: 204/300 Image Size: 29 x 32 in....

Artist: LeRoy Neiman, American (1921 - 2012) Title: Punchinello with Text Year: 1970 Medium: Lithograph on Arches, signed in pencil Edition: AP Paper Size: 30 x 24 inches

Nevelson, Louise. CAT. Baro 80. Etching and drypoint, 1965/6. Edition of 40 (There were also three Trial Proofs and four Artist's Proofs). Signed and numbered in pencil. 17 1/2 x 11 1/2 inches (plate), (sheet). The edition was printed at the Hollander Graphic...

This is another in my series of images to encourage people to rethink fossil fuel consumption. This one is a bit of a tribute to the Ramones and their underground legacy, but the phr...

Serigraph from "Visual Poetics: The Art of Donald Sultan" framed under glass in natural wood frame. Initialed and numbered. Edition 112 of 395. Framed dimensions: 19 1/2 x 19 1/4 inc...

Yellow Poppies is a natural companion for Red Poppies, March 21, 2012 and is equally strong installed solo. The multi-layered cropped poppies bleed to the paper edge and mimic the su...

Yellow Poppies is a natural companion for Red Poppies, March 21, 2012 and is equally strong installed solo. The multi-layered cropped poppies bleed to the paper edge and mimic the su...

Bright orange leaps up like flames, or swaying grass, over which hovers a large-eyed bee sketched in black and orange. Over the fire-red in neat handwriting Ron Padgett...

A sparrow perches at the center of a swath of pale pink, around which wraps hand-written lines from Ron Padgett’s poem “Ode to Clemens Laurrell”: “So I lea...

Artist: Robert Indiana, American (1928 - 2018) Title: Parrot from the American Dream Portfolio Year: 1967 (1997) Medium: Serigraph Edition Size: 395 Image Size: 16.5 x 14 inches Size...

Original Lithograph by Jean Cocteau Title: Europe's Agriculture Signed in the stone/printed signature Dimensions: 33 x 46 cm Luxury impression from the portfolio published by Sciaky....

Original Lithograph by Jean Cocteau Title: Artaban 1961 signed in the stone/printed signature Dimensions: 38 x 28 cm Lithograph made for the portfolio "Gitans et Corridas" ...

Original Lithograph by Jean Cocteau Title: Torero's Son 1961 printed signature in the stone Dimensions: 38 x 28 cm Lithograph made for the portfolio "Gitans et Corridas" p...

Original Lithograph by Jean Cocteau Title: The Arena 1961 Dimensions: 38 x 28 cm printed signature Lithograph made for the portfolio "Gitans et Corridas" published by Socié...

Surrealist composition with a dog, figure, cockerel floating above the still life In a cream mount, visible sheet length 19.50cm, height 22.50cm Within a black and silvered moulded ...

Hand Signed. Edition of 100 prints (plus 100 not signed). From the series “Les Fables de La Fontaine”, realized by Chagall between 1952 Image Dimensions : 30 x 24 cm Ref. Cramer 2...

Hand Signed (artist's signature "M.Ch." lower right). Edition of 100 copies (62/100). From the series of “The Bible“, printed by Raymond Haasen and published by Tériade.. Ref. Cra...

Marc Chagall Fables : The Bird Harmed by an Arrow , 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 cm (c. 15 x 11 in) With COA of th...

Marc Chagall Fables : Bulls and a Frog , 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 cm (c. 15 x 11 in) With COA of the gallery a...

Hand Signed. Plate 57 from the series "Les Fables de La Fontaine". Good conditions.

Marc Chagall Fables : The Child and The Professor , 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 cm (...

Marc Chagall Fables : The Goats and the Lion, 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 cm (c. 15 x 11 in) With COA of the gal...

Marc Chagall Fables : Oak and Reed , 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 cm (c. 15 x 11 in) With COA of the gallery and ...

Marc Chagall Fables : Death and The Lumberjack, 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 cm (c. 15 x 11 in) With COA of the ga...

Marc Chagall Fables : The Wolf and The Lamb, 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 c...

Marc Chagall Fables : The Fox and The Stork , 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 cm (c. 15 x 11 in) With COA of the gall...

Marc Chagall Fables : The two mules , 1952 Original etching Numbered 61 / 85 On Montval vellum 39 x 28 cm (c. 15 x 11 in) With COA of the gallery and photocopy of the justification ...

Artist: Marc Chagall (Russian, 1887-1985) Title: l'Ivrogne et sa Femme Year: 1927 Medium: Original etching Edition: fom the unumbered edition of 200 Paper: Montval Laid paper Image ...

"Eve Incurs God's Displeasure" is an original double sided lithograph by Marc Chagall. On recto the print features the biblical story of Eve being scolded by God for her sin in the G...

Artist: Marc Chagall (Russian, 1887-1985) Title: From the suite "Les Fables De La Fontaine" Year: 1927 Medium: Original etching Edition: fom...

Artist: Marc Chagall (Russian, 1887-1985) Title: The Lion and the Gnat Year: 1927 Medium: Original etching Edition: fom the unumbered edition of 200 Paper: Japan Image (plate mark) ...

Artist: Marc Chagall (Russian, 1887-1985) Title: The Two Bulls And The Frog Year: 1927 Medium: Original etching Edition: fom the unumbered edition of 200 Pa...

Marc Chagall Fables : The Frog and the Beef Original etching Printed signature in the plate On vellum 31 x 24 cm at view (c. 12 x 10 in) Presented in tinted aluminium...

Marc Chagall Original Lithograph Title: The Green Horse 1973 Dimensions: 33 x 50 cm Reference: This lithograph was created for the portfolio "Chagall Monu...