Regency Georgian Furniture Porcelain
55
to
238
3,882
1,484
603
1,573
2,186
2,167
1,126
1,514
1,324
887
772
1,005
Overall Height
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Overall Width
to
3,661
484
166
136
81
43
41
12
9
5
4
3
1
1
1,485
1,380
1,084
559
421
419
408
354
292
262
254
249
236
233
227
201
183
170
170
163
1
10
630
4,889
1
1
8
15
14
27
23
46
161
190
244
150
110
106
99
2,833
2,565
2,193
1,605
998
Micros #1
Located in AMSTERDAM, NL
C-Print, framed with museum glass
Size is excl. frame
Marcel Christ (1969) is a still life photographer and director of short films, based in Amsterdam.
Marcel Christ’s approach to...
Category
2010s Abstract Regency Georgian Furniture Porcelain
Materials
C Print
Micros #2
Located in AMSTERDAM, NL
C-Print, framed with museum glass
Size is excl. frame
Marcel Christ (1969) is a still life photographer and director of short films, based in Amsterdam.
Marcel Christ’s approach to...
Category
2010s Abstract Regency Georgian Furniture Porcelain
Materials
C Print
Micros #3
Located in AMSTERDAM, NL
C-Print, framed with museum glass
Size is excl. frame
Marcel Christ (1969) is a still life photographer and director of short films, based in Amsterdam.
Marcel Christ’s approach to...
Category
2010s Abstract Regency Georgian Furniture Porcelain
Materials
C Print
"1940", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Pigment
"No. 2", New York, 2007
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Pigment
"Cityscape", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
21st Century and Contemporary Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Pigment
"Firstgiving", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by u...
Category
2010s Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Pigment
"Running Lights", New York, 2010
By Tina West
Located in Hudson, NY
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconventional forms produced by un...
Category
21st Century and Contemporary Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Pigment
Residence, Snowstorm, New Jersey
By Haik Kocharian
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing.
Edition of 20.
If the exhibition piece is sold or the customer orders a different print size, the photograph is pro...
Category
21st Century and Contemporary Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Pigment
Beaumaris Yachts, Beaumaris, Wales, 2009
By Pete Kelly
Located in Hudson, NY
CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph.
The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017.
Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience.
Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly
is the originator of art that is tactile, archival and organic.
In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny subjects painted against a vast landscape offer a point of reference for our own trifling experiences and memories.
Kelly's fascination with photography began at an early age. Born in England in 1966, grew up in West Germany. After leaving school he enrolled in a photography course with the Royal Air Force Photographic Unit, based in Wildenrath, Germany. Although this initial training lasted only six months, it established a life long passion and dedication to photography. Already an avid traveler, Kelly initially decided to return to the UK, to study Graphic Design and Advertising at Stockport College, before moving to America in 1987. After completing an Internship at an innovative commercial photography studio in the United States, worked as a Photographers Assistant; working closely with a range of photographers allowed him to intrinsically develop his own refined sense of aesthetic as well as develop and master photographic theory and technique. Pete has taught Photo Encaustic...
Category
Early 2000s Contemporary Regency Georgian Furniture Porcelain
Materials
Pigment
Challenge to status quo, 2019
By Tina West
Located in Hudson, NY
This listing is for the unframed photograph. Inquire within for framing from the exhibition.
A NEW COLLABORATION
Tina West + Tucker Robbins 2020
The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special new collaboration between Robin Rice and furniture designer, activist Tucker Robbins. Jessica Kravitz of Exalted Alchemy created an aromatic experience exclusively for the exhibition. The installation was designed by sculpture Amy Pilkington. The opening reception will be held on Wednesday, January 29, 2019 from 6pm to 8pm. This is Tina West’s seventh solo exhibition at the Robin Rice Gallery and Tucker Robbins’ first collaboration with Robin Rice.
Inspired of a serendipitous meeting between Robin Rice and Tucker Robbins on a rainy day in New York City, this latest collaboration welcomes an exciting new era at The Robin Rice Gallery. Breaking from the gallery’s traditional style of display, West’s photography will be creatively integrated with Robbins’ artisan furniture. Designed and built on the edge of the forest by indigenous people using centuries-old techniques, these products are born out of Tucker Robbins’ travels to remote locations. Whether woven textile, clay pottery or wood sculpture, these sustainably made products are materials that have been salvaged and refashioned into works of exquisite craftsmanship that are truly one of a kind.
Found objects are essential in the installation. Boosting from an impressive visual flow, the installation discovers intersections between the works that can be seen to echo throughout the space. As West’s “Passion Lies at the Edge of Uncertainty” presents an image composed of dark negative space leading down to a snake skin on the surface below, Robbins’ “Snaka Waka...
Category
2010s Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Pigment
Concealment is divinely necessary, 2017
By Tina West
Located in Hudson, NY
Listing is for framing. UNFRAMED print. Inquire within for Any framed photographs purchased during the show will be available after March 1st, 2020. If the exhibition piece is sold ...
Category
2010s Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Pigment
Person Concerned, 2019
By Tina West
Located in Hudson, NY
This listing is for the unframed photograph. Please inquire within.
A NEW COLLABORATION
Tina West + Tucker Robbins 2020
The Robin Rice Gallery is pleased to present a photographic ...
Category
2010s Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Pigment
Confidence is not pride, 2019
By Tina West
Located in Hudson, NY
This listing is for the unframed photograph. Please inquire about the framing from the exhibition,
The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special new collaboration between Robin Rice and furniture designer, activist Tucker Robbins. Jessica Kravitz of Exalted Alchemy created an aromatic experience exclusively for the exhibition. The installation was designed by sculpture Amy Pilkington. The opening reception will be held on Wednesday, January 29, 2019 from 6pm to 8pm. This is Tina West’s seventh solo exhibition at the Robin Rice Gallery and Tucker Robbins’ first collaboration with Robin Rice.
Inspired of a serendipitous meeting between Robin Rice and Tucker Robbins on a rainy day in New York City, this latest collaboration welcomes an exciting new era at The Robin Rice Gallery. Breaking from the gallery’s traditional style of display, West’s photography will be creatively integrated with Robbins’ artisan furniture. Designed and built on the edge of the forest by indigenous people using centuries-old techniques, these products are born out of Tucker Robbins’ travels to remote locations. Whether woven textile, clay pottery or wood sculpture, these sustainably made products are materials that have been salvaged and refashioned into works of exquisite craftsmanship that are truly one of a kind.
Found objects are essential in the installation. Boosting from an impressive visual flow, the installation discovers intersections between the works that can be seen to echo throughout the space. As West’s “Passion Lies at the Edge of Uncertainty” presents an image composed of dark negative space leading down to a snake skin on the surface below, Robbins’ “Snaka Waka...
Category
2010s Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Pigment
Identity is an obstacle to overcome 1, 2019
By Tina West
Located in Hudson, NY
This listing is for the unframed photograph. Please inquire within.
A NEW COLLABORATION
Tina West + Tucker Robbins 2020
The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special new collaboration between Robin Rice and furniture designer, activist Tucker Robbins. Jessica Kravitz of Exalted Alchemy created an aromatic experience exclusively for the exhibition. The installation was designed by sculpture Amy Pilkington. The opening reception will be held on Wednesday, January 29, 2019 from 6pm to 8pm. This is Tina West’s seventh solo exhibition at the Robin Rice Gallery and Tucker Robbins’ first collaboration with Robin Rice.
Inspired of a serendipitous meeting between Robin Rice and Tucker Robbins on a rainy day in New York City, this latest collaboration welcomes an exciting new era at The Robin Rice Gallery. Breaking from the gallery’s traditional style of display, West’s photography will be creatively integrated with Robbins’ artisan furniture. Designed and built on the edge of the forest by indigenous people using centuries-old techniques, these products are born out of Tucker Robbins’ travels to remote locations. Whether woven textile, clay pottery or wood sculpture, these sustainably made products are materials that have been salvaged and refashioned into works of exquisite craftsmanship that are truly one of a kind.
Found objects are essential in the installation. Boosting from an impressive visual flow, the installation discovers intersections between the works that can be seen to echo throughout the space. As West’s “Passion Lies at the Edge of Uncertainty” presents an image composed of dark negative space leading down to a snake skin on the surface below, Robbins’ “Snaka Waka Table” is an Acadian side-table found nearby that was named by the Bamun carvers of Cameroon who likened its circular design to snake walking. Together, West and Robbins make for an installation that invites audiences to sit down and connect to the fine art objects in a manner different from what they are regularly accustomed to at the Robin Rice Gallery.
In speaking of her influences, West cites Josef Sudek as an early inspiration on her work for how he made evocative black and white photographs out of everyday happenings. Sudek himself once remarked, “I like to tell stories about the life of inanimate objects, to relate something mysterious.” This statement resonates well within West’s own work as she demonstrates a similar gift for finding the beauty in the banality of things overlooked. Her work also shares a kindred spirit with the eccentric assemblages of disparate images made by Joseph Cornell and the experimental platinum prints of Jan Groover...
Category
2010s Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Pigment
Is that you that you see, 2019
By Tina West
Located in Hudson, NY
This listing is for the unframed photograph.
The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special new collaboration between Robin ...
Category
2010s Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Pigment
Identity is an obstacle to overcome 2, 2019
By Tina West
Located in Hudson, NY
This listing is for the unframed photograph. Please inquire about framing.
A NEW COLLABORATION
Tina West + Tucker Robbins - Is That You That You See - 2020
The Robin Rice Gallery i...
Category
2010s Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Pigment
You can be broken open, 2019
By Tina West
Located in Hudson, NY
This listing is for the unframed photograph. Inquire about framing.
The Robin Rice Gallery is pleased to present a photographic exhibition by Tina West, featuring a special new col...
Category
2010s Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Pigment
"Ideal", 2007
By Ian Gittler
Located in Hudson, NY
“IDEAL" features a 1.5 horsepower lawnmower engine manufactured in 1924 that still works. And the brand name-Ideal-speaks to an attitude about fabrication and manufacture linking pri...
Category
21st Century and Contemporary Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Paper, Pigment
"Knotted Wire Brush", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Paper, Pigment
"Pressure Gauge", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life.
There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Paper, Pigment
"Oil Distribution Manifold", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexp...
Category
21st Century and Contemporary Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Paper, Pigment
"Cutting Dies", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Paper, Pigment
"Solex Carburetor 1928", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Paper, Pigment
"Speed Lever", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Paper, Pigment
"Marston Excelsior", 2007
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexpo...
Category
21st Century and Contemporary Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Paper, Pigment
"Trip Hammer", 2010
By Ian Gittler
Located in Hudson, NY
Ian Gittler’s Motor Art series-photographs of century-old engine parts, gears, sparkplugs, and brand tags-offers respite from the digital fetishism, overexposure and one-hundred-forty-character bursts of communication that seem to define our era. Gittler is no luddite, he loves his iPhone. But these images, often obscuring the objects beyond identification, take unsentimental pleasure in elements of weight, ground, volume and permanence that are more closely associated with a bygone heyday of industrialization.
These photographs are about a tangible physical experience, about moving parts. Gittler’s expert printing-his ability to see the potential in a frame and employ the techniques necessary to articulate that vision on paper-brings the work to life. There’s wit in the brand iconography and a documentary component, but Gittler resists prescribing interpretations, saying subtext isn’t the point. His use of extremely shallow depth of field, intense contrast and exploded grain is muscular and poetic. But subtext is relevant.
Although Robin Rice first approached Ian Gittler about his vector-based art on photo paper, the gallerist challenged him to create a series of photographs with that kind of machismo. As a native New Yorker who was marched through the halls of MOMA as a toddler, Gittler’s inspiration-his idea of macho-has less to do with cowboys and racecar drivers than with Franz Kline brushstrokes and modernist design. For Gittler, macho means the maximum amount of black ink that can lie across a sheet of photo paper. That kind of force. He narrowed his field of view for this series-often to a centimeter or two-in order to achieve a purely visual, visceral response.
Gittler titled the work Motor Art in tribute to the 1934 Museum of Modern Art exhibit, Machine Art. Upon its sixtieth anniversary, Phillip Johnson wrote of the show (and of his own essay for its original opening), “The thrust was clear: anti-handicraft, industrial methods alone satisfied our age; Platonic dreams of perfection were the ideal.”
Ian Gittler photographs, draws, writes, and makes music. He has created album covers for Willie Nelson, Roy Hargrove...
Category
21st Century and Contemporary Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Paper, Pigment
Tulips, Oyster Bay, N.Y.
By Horst P. Horst
Located in Santa Monica, CA
Paper 20 x 16 inches; Image 13 1/2 x 11 1/4 inches
Signed, titled, & dated in pencil with artist's stamp on print verso
Horst began his photography career in 1931 working for Paris Vogue. Shortly after he succeeded his friend and mentor, George Hoyningen-Huene, as head photographer of Vogue's photo studios. It was during the 1930's that Horst established his trademark style, which incorporated dramatic lighting and an unparalleled eye for grace that enabled Horst to create images that portray his subjects as emblems of elegance.
For sixty years, Horst photographed...
Category
1980s Regency Georgian Furniture Porcelain
Materials
Silver Gelatin
September
By Olivia Parker
Located in Santa Monica, CA
This is a Vintage Silver Gelatin Print, signed, titled, dated, and numbered in ink on recto.
Category
1980s Regency Georgian Furniture Porcelain
Materials
Silver Gelatin
Argonaut 2005
By Laszlo Layton
Located in Santa Monica, CA
Edition of 10
Category
21st Century and Contemporary Regency Georgian Furniture Porcelain
Materials
Silver Gelatin
"Aces", New York, 2007
By Tina West
Located in Hudson, NY
Framing charges includes
As if developed from memory, West’s latest collection channels imagery from a familiar past life. Just as the DaDa artists utilized art objects in unconven...
Category
21st Century and Contemporary Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Pigment
Lotus Fire #12
By Kim Reierson
Located in Hudson, NY
Black and white, Still life, Flower, Botanical, Rose, Abstract, flower, still life, photograph, black and white photograph, abstraction, b&w
All the photographs in a limited edition. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production.
Shipping time depends on method of shipping.
Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.”
ABOUT
In 2008, Andrew Arrick and Michael Hofeman first came across The Robin Rice Gallery and immediately fell in love with the fine art photography becoming fans and collectors of the work.
On a visit to the gallery this past winter, Michael and Andrew had a brilliant idea to join forces with Robin to curate an exhibition in tune with the aesthetic of their vintage lifestyle boutique, FINCH hudson...
Category
21st Century and Contemporary Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Pigment
The Scribe's House (The Library)
By Pablo Lehmann
Located in New York, NY
The Scribe's House (The Library), 2010
Photography
47.20h x 32.60w in
2/5
PL022
Pablo Lehmann was born in 1974 and currently lives and works in Buenos Aire...
Category
2010s Contemporary Regency Georgian Furniture Porcelain
Materials
Photographic Paper
Afar #13
By Lujan Candria
Located in New York, NY
Afar #13, 2016
Digital photography printed on Hahnemuhle paper
17.50h x 68w in
Edition of 5
Lujan Candria is a multidisciplinary artist who uses a wide array of media, such as pain...
Category
2010s Contemporary Regency Georgian Furniture Porcelain
Materials
Digital
Afar #8
By Lujan Candria
Located in New York, NY
Afar #8, 2015
Digital photography printed on Hahnemuhle paper
17h x 45w in
Edition of 5 + A.P.
Category
2010s Contemporary Regency Georgian Furniture Porcelain
Materials
Digital
"Amaryllis, " Original Photography Giclee Print signed by David Barnett
By David Barnett
Located in Milwaukee, WI
"Amaryllis" is an original fine art photography giclee print by David Barnett, signed and numbered beneath the image on the right and left, respectively. It is a still-life of a flow...
Category
Early 2000s Contemporary Regency Georgian Furniture Porcelain
Materials
Photographic Film, Giclée
"Synthetic Solar Silhouette, " Original Photograph signed by David Barnett
By David Barnett
Located in Milwaukee, WI
"Synthetic Solar Silhouette" is an original fine art photograph by Savid Barnett, signed and dated in the lower left. The image is composed of black and gold; silhouettes of leaves s...
Category
Early 2000s Contemporary Regency Georgian Furniture Porcelain
Materials
Photographic Film
'Chairs - Paris' original photograph by Leslie Borns
By Leslie Borns
Located in Milwaukee, WI
This image of empty broken chairs in a deserted alley is reminiscent of the work of Eugene Atget, who was capturing the streets of Paris over a 30 year pe...
Category
1980s Contemporary Regency Georgian Furniture Porcelain
Materials
Photographic Paper
Jelly Fish from the movie Stay based on a Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Marc Forster. She also created the art for several dream sequences and the end credit sequence for the movie.
Jelly Fish (Stay) - 2006
128x125cm,
Edition of 5 plus 2 Artist Proofs.
Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid.
Signature label and certificate.
Artist Inventory Number 5492.
Not mounted.
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Stefanie Schneider: A German view of the American West
The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century?
Schneider's ability to control, or at least predict, the outcome of a pack of Polaroid film is a testament to her experience and intuitive understanding of the medium. With years of practice and countless rolls of film, she has honed her skills, shooting from the hip and grounding her decisions in her gut instincts. It's a symbiotic dance, where she juggles the film, the actors, and the set simultaneously. Every aspect of a Stefanie Schneider photo...
Category
Early 2000s Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Lonely Plant (29 Palms, CA) - Polaroid, Contemporary, 21st Century
By Stefanie Schneider
Located in Morongo Valley, CA
Lonely Plant (29 Palms, CA) - 1999
20x20cm,
Edition of 10,
Archival C-Print, based on a Polaroid
Artist inventory Number 19761
Signature and Certificate
Not mounted.
A German vi...
Category
1990s Contemporary Regency Georgian Furniture Porcelain
Materials
Color, Polaroid, Archival Paper, Photographic Paper, C Print
Home - 20x20cm, Women, Nude, Polaroid, Photograph, Contemporary, Nature
By Kirsten Thys van den Audenaerde
Located in Morongo Valley, CA
'Home'
by Kirsten Thys van den Audenaerde
20x20cm,
Edition of 7 + 2 Artist Proofs.
Archival C-print, based on the Polaroid.
Artist inventory PL2017-103.
Signature label and ce...
Category
2010s Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Flower Bed - Polaroid, Collage, Contemporary, Photograph, 21st Century
By Josey Cary
Located in Morongo Valley, CA
Flower Bed - 2019
27x43cm, Edition of 10 plus 2 Artist Proofs.
Archival C-Print based on a Polaroid Collage.
Hand-signed and numbered by the artist on the back with Certificate.
N...
Category
2010s Contemporary Regency Georgian Furniture Porcelain
Materials
Photographic Paper, Archival Paper, C Print, Color, Polaroid
Traces (Frozen) - analog, hand-print, Polaroid, Contemporary, 21st Century
By Stefanie Schneider
Located in Morongo Valley, CA
Traces (Frozen)
Edition 2/3, 126x125cm, 2005.
Analog C-Print, hand-printed by the artist, printed on Fuji Crystal Archive Paper
not mounted, based on a Polaroid.
Signature label and ...
Category
Early 2000s Contemporary Regency Georgian Furniture Porcelain
Materials
Polaroid, Archival Paper, Photographic Paper, C Print, Color
Death Valley Junction #114 (US Road trip Diary) - Polaroid, Landscape, US, Color
By Carmen de Vos
Located in Morongo Valley, CA
Death Valley Junction #114, 2007
[From the series US Road Trip Diary]
21x55x0,5cm,
Edition of 7.
Photo compilation based on the 3 expired Polaroids,
printed on Plexiglass Diasec...
Category
Early 2000s Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Ink, Archival Paper, Color, Archival Pigment, Polaroid
Orange Flowered Couch at Sunset (29 Palms, CA) - Polaroid, Contemporary
By Stefanie Schneider
Located in Morongo Valley, CA
Orange Flowered Couch at Sunset (29 Palms, CA) - 1999
Edition 1/10,
20x20cm,
Archival C-Print, based on a Polaroid
Artist inventory Number 19762
Not mounted.
Stefanie Schneider:...
Category
1990s Contemporary Regency Georgian Furniture Porcelain
Materials
Photographic Paper, Archival Paper, C Print, Color, Polaroid
Trailer life - Contemporary, Portrait, Women, Polaroid, Nude
By Kirsten Thys van den Audenaerde
Located in Morongo Valley, CA
'Trailer life', 2020
20x24cm, Edition 1/7 plus 2 Artist Proofs,
digital C-Print based on a Polaroid, not mounted.
Signed on the back and with certificate.
Artist inventory - PL20...
Category
2010s Contemporary Regency Georgian Furniture Porcelain
Materials
Photographic Paper, Archival Paper, C Print, Color, Polaroid
Green Pool II (Suburbia) - Contemporary, Polaroid, Analog, Portrait
By Stefanie Schneider
Located in Morongo Valley, CA
Green Pool II (Suburbia) - 2004,
50x60cm, Edition of 1/10,
digital C-Print based on a Polaroid,
Not mounted. Signature label with Certificate. Artist Inventory No. 2763.01
The p...
Category
Early 2000s Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Santa Monica #11 (US Road trip Diary) - Polaroid, Landscape, US, Color
By Carmen de Vos
Located in Morongo Valley, CA
Santa Monica #11
[ from the series US Road trip Diary ]
2007, 30x30cm
Archival pigment print on canvas, Photo based on an expired Polaroid
on beautiful PHOTO RAG ULTRA SMOOTH
305gsm ...
Category
Early 2000s Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Paper, Archival Ink, Color, Polaroid, Archival Pigment
Primary Colors - Contemporary, Figurative, Icons, Polaroid, Photograph, expired
By Stefanie Schneider
Located in Morongo Valley, CA
'Primary Colors' (Stranger than Paradise) - 2001
each 20x20cm plus 5 cm in between each print together,
70x70cm,
sold out Edition of 10, Artist Proof 1/2,
Archival C-Print print,...
Category
Early 2000s Contemporary Regency Georgian Furniture Porcelain
Materials
Photographic Paper, C Print, Color, Polaroid
Blue Water Pistol - 29 Palms, CA, diptych mounted
By Stefanie Schneider
Located in Morongo Valley, CA
Blue Water Pistol (29 Palms, CA), diptych - 1999
Edition 3/10,
67x60cm each, 67x128cm installed.
2 analog C-Prints, hand-printed by the artist, based on the Polaroids.
Mounted on...
Category
1990s Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Burst - Contemporary, Nude, Women, Polaroid, 21st Century, Color
By Kirsten Thys van den Audenaerde
Located in Morongo Valley, CA
'Burst', 2016 Edition 2/7 plus 2 Artist Proof
Based on a Polaroid, digital C-Print, not mounted.
Signed on the back and with certificate.
Artist inventory PL2016-303
Kirsten Thys va...
Category
2010s Contemporary Regency Georgian Furniture Porcelain
Materials
C Print, Polaroid, Color, Archival Paper
Otherworldly (Zuma Beach)
By Stefanie Schneider
Located in Morongo Valley, CA
Otherworldly (Zuma Beach) - 2004
48x47cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory #20430....
Category
Early 2000s Contemporary Regency Georgian Furniture Porcelain
Materials
Metal
Sunset (Sidewinder) - Original Polaroid Unique Piece
By Stefanie Schneider
Located in Morongo Valley, CA
Sunset (Sidewinder) - 2006
Polaroid - Unique Piece 1/1,
8.8 x 7.5 cm (image area)
10.6 x 8.6 cm ( including white Polaroid frame)
Artist Inv. #23636.
Signed on verso.
Not mounted...
Category
Early 2000s Contemporary Regency Georgian Furniture Porcelain
Materials
Polaroid
Shattered (Heather's Dream) - Polaroid, Contemporary, color
By Stefanie Schneider
Located in Morongo Valley, CA
Shattered (Heather's Dream) - 2013
part of "The Girl Behind the White Picket Fence"
38x48cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certifi...
Category
Early 2000s Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Paper, Polaroid, Color, C Print, Photographic Paper
In Bloom - Contemporary, Figurative, Woman, Polaroid, 21st Centur
By Lisa Toboz
Located in Morongo Valley, CA
In Bloom - 2021
40x50cm.
Archival Print based on an original Polaroid on Hahnemuhle photo rag paper.
Edition of 10 plus 2 Artist Proofs.
Signature label and certificate.
Not mo...
Category
2010s Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Paper, Archival Ink, Color, Archival Pigment, Polaroid
Bryce Canyon #91 (US Road trip Diary) - Polaroid, Landscape, US, Color
By Carmen de Vos
Located in Morongo Valley, CA
Bryce Canyon #91
from the series US Road trip Diary
2007, 50x50cm, Edition of 10.
Archival pigment print, based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOOTH paper...
Category
Early 2000s Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Paper, Archival Ink, Color, Archival Pigment, Polaroid
Ghost Story - Contemporary, Woman, Polaroid, Interior
By Lisa Toboz
Located in Morongo Valley, CA
Ghost Story - 2020
Edition of 10 plus 2 Artist Proof, 20x25cm.
Digital C-Print based on an original Polaroid on Hahnemuhle photo rag paper, not mounte...
Category
2010s Contemporary Regency Georgian Furniture Porcelain
Materials
Archival Paper, Archival Ink, Black and White, Polaroid
Fish (Stay) - Contemporary, Expired, Polaroid, Photograph
By Stefanie Schneider
Located in Morongo Valley, CA
Fish (Stay) - 2006,
20x24cm, Edition 4/5.
Archival C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on the Polaroid.
Signature label and cer...
Category
Early 2000s Abstract Expressionist Regency Georgian Furniture Porcelain
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
