Alexis Duque Art

Eliyahu Boxer Facets and Faces (triptych), 2023 acrylic and ink on canvas 60 x 150 cm 24 x 59 in Eliyahu was born in the United States and moved to Israel with his family at a ver...

Acrylic on canvas painting by Joe Shannon (b.1933). Titled "Reprimand" signed and dated 1970. Corcoran Museum label on reverse. New York Times art crit...

Acrylic on canvas painting by Joe Shannon (b.1933). Titled "Three Business Men" signed and dated 1972. New York Times art critic Grace Glueck observed tha...

Part of my Nude series. "Blue Summer" in the afternoon, nude female painting. Round, 40cm, / 15.7in diameter. Shipping directly from the artist's studio.

Introducing "Ribbon," an extraordinary painting from the "Jersey Meadow Series" by Martin Hoffman in the 1970s. From the 1970s onwards, Hoffman's career showcased a masterful combination of beautiful painting techniques and challenging subject matter. This contemporary painting depicts an abandoned landscape with a hypnotic blue plastic ribbon at its center. Hoffman's landscape creates an almost mesmerizing effect, where the subject matter of destruction and decay is presented poetically. The warm shades of grey with hints of blue, brown, and purple create a limited yet powerful palette that enhances the melancholic beauty of the painting. The painting measures 151cm x 202cm / 59.5in x 79.5in and is signed 'Martin Hoffman' on the reverse side of the canvas. It is titled 'Ribbon' and is dated '73.' Additionally, the artist specifies that the painting is part of the 'Jersey Meadow Series.' It is ready to hang and comes with a silver-painted frame. The condition of the painting is great, with hardly any signs of wear. The frame has a few scratches but is otherwise in good condition. Artist Bio: Martin Hoffman was a versatile artist and illustrator, mostly known for his paintings. He was a self-taught painter and a gifted drummer who had worked as an art director for the Miami News, Graphic Arts Inc., and Steiner & Wall Advertising. In 1973, Martin Hoffman landed his first solo exhibition at the OK Harris...

"My work with abstract form, and with this recent series of oil paintings, focuses mainly on shape, form and volume as subject matter. These shapes/forms are based mainly on the squa...

Signed and dated. «Good sharks makes all the difference» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and...

Signed and dated. «Taking a chance on the dancefloor» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and fo...

"My work with abstract form, and with this recent series of oil paintings, focuses mainly on shape, form and volume as subject matter. These shapes/forms are based mainly on the squa...

Signed and dated. «This mask will last a lifetime» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and forem...

Signed and dated. «So far, so good, and then...» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremos...

Signed and dated. «O Donald, where aren't thou?» was part of O. F. Hvidsten's first solo-exhibition «This will never pass». The works comprising the exhibition is first and foremost a visual memory of two dramatic years since 2020 that have affected us all. Covid, and its consequences, have become a common point of reference that we will all talk about and bear remembrance to for a long time. But our memories are like life itself; dynamic and in constant change, often weakening with time, and can either ebb out or be reinforced. O.F. Hvidstens work in this period stand out as an anchor point for this common experience. Ole Fredrik Hvidsten...