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A pair brass coat hanger designed and produced in Italy, 1940s

Beautiful Italian wooden mid-century modern coat tree stand clothing hanger.

A fresh take on hanging up your coat! Forest coat hanger in brass by Marcantonio has beautifully "flowing" branches and leaves, bringing in a bit ...

A pair of brass coat hangers designed and produced in Italy, 1940s

A brass coat hanger, designed and produced in Italy, 1940s

Italian brass coat rack with twisted poles and hangers. Ornamental fist detail. Rack comes with 10 hangers.

Hanger designed by Arash & Kelly in 1999 and made from solid 10 mm chrome plated steel rod. The product has to be suspended from the ceiling with a hook that is included in the box. The clips are sold in pairs (nr. 2 in one...

A pair of brass coat hangers designed and produced in Italy, 1950s.

A pair of brass coat hanger designed and produced in Italy, 1940s

Beautiful brass hangers gold-plated, in the style of by Carl Aubo¨ck, Vienna, in the 1970s. Excellent original condition. Up to 19 pieces available.

This striking coat hanger poetically evokes the first sprouts that appear just before the blossoms. The structure is a stylized sculpture with base and tips in solid "Canaletto" waln...

A Space Age design with the coat hanger by Studio BBPR. Graduates of the Milan Polytechnic, the four designers in their early work followed the themes of Italian Rationalism of the 1930s, although they were not an integral part of the main 'Group 7' Movement and MIAR, they collaborated on some projects with Figini and Pollini; these compositional canons can be clearly read in an exemplary building such as the colonia elioterapica in Legnano (1938), where they also realised popular housing units, the so-called Le Grazie working-class neighbourhood (1940-1942). They distinguished themselves for various town-planning schemes, the Pavia Master Plan (1932), the Tourism Plan for the Island of Elba (1939), and above all for the most important and far-reaching, the Valle d'Aosta Master Plan (1936-1937). During this period they took an active part in the controversy that arose between rationalists and traditionalists and at first, like others, felt they could support the clash for freedom of expression and the triumph of modern architecture within fascism, but after the introduction of the racial laws of 1938 that also affected one of their collaborators, the BBPR architects...