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Ben Shahn More Prints

American, 1898-1969
Ben Shahn (1898 – 1969) was a Lithuanian-born American artist. He is best known for his works of social realism, his left-wing political views, and his series of lectures published as The Shape of Content. Shahn began his path to becoming an artist in New York, where he was first trained as a lithographer. Shahn's early experiences with lithography and graphic design is apparent in his later prints and paintings which often include the combination of text and image. Shahn's primary medium was egg tempera, popular among social realists. Shahn mixed different genres of art. His body of art is distinctive for its lack of traditional landscapes, still lifes, and portraits. Shahn used both expressive and precise visual languages, which he coalesced through the consistency of his authoritative line. Shahn is also noted for his use of unique symbolism, which is often compared to the imagery in Paul Klee's drawings. His art is striking but also introspective. He often captured figures engrossed in their own worlds. Although he used many mediums, his pieces are consistently thoughtful and playful.
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Artist: Ben Shahn
Blind Botanist
By Ben Shahn
Located in New York, NY
This 1963 lithograph, printed in color, is a fine example of Ben Shahn’s long preoccupation with the theme of the blind botanist and illustrates his con...
Category

Late 20th Century Modern Ben Shahn More Prints

Materials

Lithograph

Levana
By Ben Shahn
Located in New York, NY
This elegant Ben Shahn lithograph entitled “Levana” was created in 1966. It was printed by Gemini G. E. L., Los Angeles, California, in an editi...
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1960s Modern Ben Shahn More Prints

Materials

Lithograph

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This artwork titled "Mascara Roja" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and inscribed H.C. (Hors Commerce) in pencil by the artist. The image size is 21 x 27.25 inches, framed size is 37.25 x 42 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #124. Custom framed in a wooden gold leaf frame, with gold and red spacer and fabric matting. It is in excellent condition. About the artist: A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business. In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women. In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States. After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art). Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York. In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...
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1950s Modern Ben Shahn More Prints

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1950s Modern Ben Shahn More Prints

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Joan Miro (Plate 7)
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Previously Available Items
Owl No. 1
By Ben Shahn
Located in New York, NY
Ben Shahn created this lithograph entitled “Owl No. 1” in 1968. “Channel 13, a non-profit, educational television station serving the New York-New Jersey area, was one of the many c...
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1960s Modern Ben Shahn More Prints

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Lithograph

Owl No. 1
Owl No. 1
H 26.25 in W 20.5 in D 0.94 in
And Mine Eyes a Fountain of Tears
By Ben Shahn
Located in New York, NY
Ben Shahn created this serigraph entitled “AND MINE EYES A FOUNTAIN OF TEARS” in red ink and black calligraphy in 1965. In “The Complete Graphic Works of Ben Shahn” by Prescott (197...
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1960s Modern Ben Shahn More Prints

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Screen

Culture
By Ben Shahn
Located in New York, NY
Ben Shahn created this 1968 serigraph entitled “CULTURE” in black ink with red calligraphy. This is an UNSIGNED impression. Provenance; Shahn estate, private collector, The Old Print Shop...
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1960s Modern Ben Shahn More Prints

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Screen

Culture
Culture
H 26.5 in W 20.75 in D 0.94 in
Psalm 133
By Ben Shahn
Located in New York, NY
This 1963 zinc lithograph by Ben Shahn was produced in Paris by the printer Manaranche. "Psalm 133" is a poem on the subject of brotherly love. Shahn descr...
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1960s Contemporary Ben Shahn More Prints

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Lithograph

Psalm 133
Psalm 133
H 20.5 in W 26.88 in
Psalm 133
By Ben Shahn
Located in New York, NY
This 1963 zinc lithograph by Ben Shahn was produced in Paris by the printer Manaranche. "Psalm 133" is a poem on the subject of brotherly love. Shahn descr...
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1960s Contemporary Ben Shahn More Prints

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Lithograph

Psalm 133
Psalm 133
H 20.5 in W 26.88 in
And Mine Eyes A Fountain of Tears
By Ben Shahn
Located in New York, NY
This serigraph, or screen print, was created by Ben Shahn in 1965. The paper size of "And Mine Eyes A Fountain of Tears" is 23 3/4 x 17 3/4" and Shahn's signature can be found under...
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1960s Modern Ben Shahn More Prints

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Screen

Haggadah
By Ben Shahn
Located in New York, NY
Three different techniques were used to make the print HAGGADAH by Ben Shahn. Lithography was used to print the black and gray lines of the menorah and black calligraphy. Stencils were used for the yellow calligraphy and the green branching...
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1960s Other Art Style Ben Shahn More Prints

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Lithograph, Stencil

Haggadah
Haggadah
H 15.38 in W 23.5 in
Psalm 133
By Ben Shahn
Located in New York, NY
This 1963 zinc lithograph by Ben Shahn was produced in Paris by the printer Manaranche. "Psalm 133" is a poem on the subject of brotherly love. Shahn descr...
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1960s Contemporary Ben Shahn More Prints

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Lithograph

Psalm 133
Psalm 133
H 20.5 in W 26.88 in
Angel Playing Organ And Madonna and Child
By Ben Shahn
Located in Brecon, Powys
A pair of prints from the Limited First Edition of "Sweet Was The Song" "Sweet Was The Song" by Ben Shahn was initially published in a limited first edition of 250 copies only and ...
Category

1960s American Modern Ben Shahn More Prints

Angel and Madonna With Child
By Ben Shahn
Located in Brecon, Powys
A pair of prints from the Limited First Edition of "Sweet Was The Song" "Sweet Was The Song" by Ben Shahn was initially published in a limited first edition of 250 copies only and ...
Category

1960s Ben Shahn More Prints

Ben Shahn more prints for sale on 1stDibs.

Find a wide variety of authentic Ben Shahn more prints available for sale on 1stDibs. You can also browse by medium to find art by Ben Shahn in lithograph, screen print and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Ben Shahn more prints, so small editions measuring 21 inches across are available. Customers who are interested in this artist might also find the work of Rufino Tamayo, Antonio Frasconi, and Henry Mayo Bateman. Ben Shahn more prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $525 and tops out at $2,100, while the average work can sell for $650.
Questions About Ben Shahn More Prints
  • 1stDibs ExpertFebruary 7, 2024
    The style of art of Ben Shahn is social realism. Artists working in this movement sought to highlight social issues by depicting scenes that showed the struggles of modern-day life. For example, Shahn produced four paintings and more than 100 drawings inspired by a 1947 mining accident that killed 111 people in Centralia, Illinois. Arguably the most famous of these works is Miner's Wives, which shows the widows of the miners in mourning. On 1stDibs, shop a variety of Ben Shahn art.

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