Brian Rounds Drawings and Watercolor Paintings

Fernand de Launay (1838-1904) Portrait of a child, probably the daughter of the artist Lead pencil on paper Signed and dated "4 septembre 1890" on the lower left 27 x 21 cm In quite ...

Study for the Head of an Apostle or Saint Artist: Enrico Reffo (1831-1917) Medium: Charcoal and white chalk on colored paper Dimensions: [To be specified] Date: Late 19th - Early 20...

Circle of Charles Angrand (1854-1926) The Loving Couple Pencil and stump on paper, 30 x 22 cm Dated "10.4.19" lower left. Trace of a dedication Otherwise unsigned. Provenance: Pr...

Signed and dated center right, Seam down center where two sheets attached is original. Some slight surface smudging outside figure area .

Academic Study after Raphael’s “Portrait of Bindo Altoviti”, Tuscan School, 38 × 52 cm Mid-19th century Pencil on paper Academic drawing inspired by Raphael’s Portrait of Bindo Alto...

France, early 20th century Head of a faun bears a monogram "P H" on the lower right Pencil on paper 24.5 x 13 cm In a period frame (in good condition except a small loss on the upper...

Georges Antoine Rochegrosse (1859-1938) A man sitted, Study for the decoration of the Salle des fêtes (Ballroom) of the Exposition Internationale, Paris 1900 Pencil and charcoal on thin yellow paper 29.5 x 20 cm In acceptable condition : Tears and creases as visible on the photographs. In a modern frame : 46 x 36.5 cm Annotations on the back of the mount (now under the modern frame) that identifiy this drawing as a preparatory study for the decoration of the Salle des fêtes (Ballroom) of the 1900 Paris Exposition Internationale. It's also indicated that Henri Bataille...

The Motherhood is an Original Drawing in pencil carbon on creamy-colored paper realized by Mino Maccari in the mid-20th century. Hand-signed by the artist on the lower. Good condi...

Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. Throughout his artistic career, Castro has exalt...

Georges Antoine Rochegrosse (1859-1938) Study for "Le Cocher" carbon pencil on thin paper 14.5 x 13 cm In good condition Framed : 36.7 x 31 cm Provenance: Estate of the artist and...

Pierre-Georges Jeanniot (1848–1934) Portrait of Henri Rochefort ready for a duel, Pencil on paper Signed and titled lower left 28 x 21 cm In good condition : the left and right borders irregularly cut In a modern cardboard mount : 45.5 x 35 cm The subject of this drawing is, in a way, almost as interesting as the artist who portrayed him in this duel pose. As a reminder, Henri Rochefort, whose full name was Victor Henri de Rochefort-Luçay, was born in Paris on January 31, 1831, and died in Aix-les-Bains on July 1, 1913. He was a French journalist, playwright, and politician. A great polemicist in the pages of his newspapers (La Lanterne, La Marseillaise, L'Intransigeant), he defended radical, even extremist political views (anticlerical, nationalist, pro-Commune, Boulangist, socialist, and anti-Dreyfusard), which earned him the nickname “the man of twenty duels and thirty trials” and convictions, notably to the prison in Nouméa, from which he managed to escape in 1874, a unique feat.. Pierre-Georges Jeanniot (1848–1934) was a Swiss-French Impressionist painter, designer, watercolorist, and engraver who was born in Geneva, Switzerland, and died in France. His work often depicts the modern life in Paris. He started out pursuing a military career, as an infantry officer (1866–1881). He was a lieutenant with the Twenty-third Infantry from 1868 to 1870. He fought in the Franco-Prussian War, was wounded at Rezonville, and was awarded the Légion d'Honneur. He subsequently served with the Ninety-fourth Infantry and the Seventy-third Infantry. At the time he left the army he held the rank of major, with the Chasseurs à Pieds. He never ceased drawing. He was known for the first time in 1872 at the art exhibition Salon de Paris, where he presented a watercolor painting called Intérieur de forêt. The next year he presented the painting Le Vernan à Nass-sous-Sainte-Anne. From then on he was a regular contributor to the Salon de Paris, where he presented new works with views of Toulouse, Paris, Troyes, the edges of the Seine, and some portraits. In 1881, after the army offered him the rank of commandant, he resigned to devote himself exclusively to painting. He took up residence in Paris. His works from this period represent mainly scenes of military life that allowed him to forge a reputation. Jeanniot established himself permanently in 1882 and obtained his first award the following year (medal third class of the Salon de Paris) with his les Flanqueurs (1883, Musée du Luxembourg). In 1886, La ligne de feu, souvenirs de la bataille de Rezonville, remembering the Battle of Mars-La-Tour (Museum of Pau), assured his notoriety. From then on, he started to show a certain artistic independence. He then mostly portrayed Parisian women during the "Belle Epoque", women in bathing suits...

Artist Unknown "Tie and Glasses" c. 1940s Charcoal and pencil on paper 13.5"x17" site 19"x23" rustic wood frame Unsigned