Europa Antiques Bookcases

Library cupboard in Biedermeier style. Black Piano veneer on solid pinewood. Beech ebonized and gilted. Architectural structured front. Wing-doors ad...

A stunning quality 18th century, George III period mahogany bureau bookcase retaining the original patina. Well proportioned mahogany bookcase with moulded cornice above a pair of as...

Highly significant library cupboard in Biedermeier style. Veneer on solid pinewood. Architectural structured front crested with neo-Gothic elements....

For sale is a good quality 18th century chinoiserie Secretary bookcase. The top of the bookcase has an ornately shaped and carved pediment, above a single arched mirror door, opening...

A late 18th century English George III mahogany Bureau bookcase ‘secretaire’ with fretwork open swan neck pediment, centred by a shaped finial, above a pair of glazed doors, slant fr...

Mahogany stacking barrister bookcase with maple interiors. 3 storage sections with glass sliding up and in doors. Paneled sides, brass pulls. Each compartment is 42 x 9.5 x 8.75 h fo...

This impressively-scaled book cabinet was made from solid Teak wood and dates to the 1940's. During the late British empire in India and Burma much furniture was made in the Art Deco...

George Nelson's large bookcase, produced by Mobilier International and model CSS (Comprehensive Storage System), is an exceptional piece of antique designed around 1970. This bookcas...

Antique library from the beginning of the 20th century. Year: circa 1920 Origin: Western Europe Dimensions: Height 186 cm / width 101 cm / depth 50 cm.  

A Late 20th Century Solid Cherry Pigeon Hole Cube Bookcase in lacquered finish. Each cube measures 5.6" W x 6.25"D x 6.25"H. Great vintage condition.

A French Industrial étagère with nickel mounted frame and shelves made of Eastern European oak. Very sturdy, heavy frame and decorative cast feet. The shelves are adjustable. In ve...

A superb and exceptionally well proportioned early 18th century figured walnut ‘pagoda topped’ double dome bureau bookcase, circa 1720 England. The upper section is surmounted with what is believed to be the original solid walnut finials and soft bevelled mirror plates, opening to a removal bank of walnut veneered and feather banded drawers, cantered by pigeonholes below two shelves. Candle slides are neatly stowed below the bookcase doors to reflect the light. To the moulded bureau, the fall opens to reveal pigeonholes, long and short asymmetric drawers each beautifully veneered in figured walnut and feather banded, cantered by a cupboard door which neatly conceals an open compartment and drawer. Below the fall, two short and two long graduating oak lined drawers are each book-matched in superb sections of hand-cut figured walnut veneers over bun feet. It should be noted that this exceptional desk and bookcase, is not only of the finest cuts of figured walnut veneer but exquisitely made at the pinnacle of design which had gradually evolved predominantly in London, during the late 17thand early 18thcentury. The actual description 'desk-and-bookcase' appears to be first recorded in the accounts of the Royal cabinet-maker Gerrit Jensen (fl.1680-d.1715) who supplied several for the Royal Household from 1710 (Bowett, op. cit.), and another described as 'a walnut writing desk, the top for books and patons and glass in the doors asked' for the 5th Earl of Salisbury, Hatfield House.  Another maker of this form of desk was the London cabinet-maker John Gumley (1691-1727) who advertised in Richard Steele's Lover on April 24 1714 that he 'hath taken for a Ware-house, and furnished all the upper part of the New Exchange in the Strand' continuing with an extensive list of his stock including 'Desks and Bookcases.' In 1714 he supplied one of these in walnut to James 1st Duke of Montrose for the sum of £11. Russian cabinetwork of this period was strongly influenced by Tsar Peter I return to Russia after his studies in London. He subsequently sent twenty-four cabinetmakers who were working in Amsterdam to London to train as furniture makers. One of these cabinetmakers named Fedor Martynov made furniture for the Empress Anna Ioannovna. Martynovs drawings are almost identical to the present piece. Literature Mallett’s Great English Furniture, London: Bullfinch Press 1991, p.248, fig 287, by Lanto Synge, English Furniture 1660-1714 From Charles II to Queen Anne, by Dr Adam Bowett, Woodbridge: Antique Collector’s Club, 2002 Chapter 7 Case Furniture 1689–1714 pp.221-223 fig. 7:53 A walnut bureau bookcase of the same form and period sold from the private collection of Patricia Kluge...