Ferruccio Gard Abstract Paintings

Title: The Bridge Builder Abstract Colorful Original Authentic Striking Invest Joy Love Figurative Beauty This series expresses the road to freedom and liberation, with Karnish's u...

Title: Ocean Whispers Abstract, Colorful, Blue, Painting, Contemporary, Joy, Invest, Bold This series portrays our connection to the earth, ocean and sky... Life, our playful part ...

Acrylic on linen canvas, 50x50x2 cm / 19,7x19,7x0,8 in. This painting features a serene composition of red and pink roses, capturing the essence of tranquility and self-contentment....

Title: Good Company - Amicus Colorful Authentic Original Contemporary Intense Striking Love Friendship One-of-a-kind Amīcus - The Latin word meaning to befriend. To be in good com...

In "The Power Within", French artist Natalya Mougenot places a strong emphasis on authenticity, suggesting that true empowerment for women arises when they embrace their most genuine...

Meredith Walker’s "Sunshine I" is a luminous fusion of contemporary folk art, naïve surrealism, and symbolic illustration, embodying a tender balance between emotional vulnerability ...

"Windows & Ladders I" Painting 18" x 20" inch by Mohamed Hussein Born 1989, Mohamed Hussein is a Fayoum native whose semi-abstract landscape and urban vistas are captured with a cul...

"Hot Lips" (FRAMED) Figurative Painting 60 x 96 inch by Yoram Katz Size framed: 61.5" x 97.5" inch ABOUT THE ARTIST: Born in Israel. Graduated from the Bazelel Art Academy in Jerus...

Edwin Mieczkowski (American, 1929-2017) Broken Ice, 1976 Gouache and pencil on paper Signed, dated (Feb. 2, 1976) and titled lower right 27.5 x 37.75 inches 35 x 45 inches, framed Edwin Mieczkowski, born in Pittsburgh, was a leader of geometric and perceptual abstraction during the latter part of the 20th century. Mieczkowski's work first came to prominence in "The Responsive Eye" exhibition, the nation's first major exhibition of perceptual art, held at the Museum of Modern Art in New York in 1965. Mieczkowski was also featured in the 1964 article in Timemagazine that first used the term "Op Art" to describe paintings that manipulated visual cues in order to reorder and excite viewers' perceptual responses. With a complex aesthetic that over time has transcended mere tricks of optical art, Mieczkowski has spent nearly four decades producing geometrically paintings, drawings and sculptures, a genre of modern art that is known broadly as perceptual abstraction. His output of static and dynamic forms create a body of work, still largely intact, that uses visually disorienting, meticulously arranged lines, dazzling kaleidoscopic colors, and alluring juxtapositions of hue and tone, to playfully and seductively present new challenges for the viewer's eyes. The desired result is an optical effect of perpetual motion, harmonics and rhythm. . . . Along with Frank Hewitt and Ernst Benkert, Mieczkowski was a co-founder in 1959 of the Anonima* group that worked together in Cleveland and New York and declared itself free from the pressures of the art market and the pursuit of personal fame. Members of Anonima often left their works unsigned and vowed to shun the usual art market venues such as commercial galleries, biennials and competitions. Instead, they engaged in a rigorous, self-imposed program of painting exercises to explore the effects of geometry and color on visual perception. Although Mieczkowski's work hung side-by-side in the MOMA "Responsive Eye" exhibition with such colleagues as Josef Albers, Victor Vasarely, Richard Anuszkiewicz, Morris Louis, Kenneth Noland, Carlos Cruz-Diaz, Ad Reinhardt and Bridget Riley, all of whom went on to considerable fame and fortune, Mieczkowski chose to eschew commercial exhibition and career promotion. Instead, he spent 39 years teaching at the Cleveland Institute of Art and quietly executing a number of public art commissions while independently pursuing his own intuitive explorations in geometric abstraction. Mieczkowski pursued virtually no commercial sales of his work. Consequently, the body of work he left behind consists of hundreds of paintings, drawings and sculptures only recently viewed...

Meredith Walker’s "Sunshine II" is a luminous fusion of contemporary folk art, naïve surrealism, and symbolic illustration, embodying a tender balance between emotional vulnerability...

Colorful abstract cowboy portrait painting by contemporary artist Ian Francis. The work features a western inspired figure with a shadowed face dressed in a blue shirt and green hat ...

This contemporary, expressive figurative oil painting titled No Limits was created by French artist Natalya Mougenot and marks a significant shift in her artistic journey. Part of he...