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Fulvio Bianconi Floor Lamps

Italian, 1915-1996

For a range of work that includes everything from illustrating thousands of books and other publications to his role as a visionary glassmaker, Fulvio Bianconi is remembered as one of the most innovative cross-disciplinarian artists of the postwar era.

Born in Ponte di Brenta in 1915, Bianconi showed a prodigious talent for drawing at an early age and, as a teenager, earned money as a portraitist. He also worked as an apprentice decorator in his youth at the Murano glass furnaces, where he first discovered the art of glassmaking.

In 1933, he moved to Milan to pursue a career as a graphic artist, and it was there he met Dino Villani, a painter who had ties to some of Milan’s most prestigious publishing houses and advertising firms. However, at the onset of World War II, Bianconi paused his graphic design ambitions and joined the army. In 1944, he narrowly escaped the infamous Via Rasella Nazi raids in German-occupied Rome.

Following the war, Bianconi went to work designing perfume bottles for the Milan perfume house Giviemme at Venini glassworks, where he worked with glass masters Ermete and Arturo Biassuto. Bianconi became one of Venini’s most influential glass designers — and was appointed artistic director following Carlo Scarpa — known for his bold use of color, modern style and unique, playful designs.

Among Bianconi's most iconic works in glass are the series of glass figures from the Commedia dell’Arte, his remarkably fluid bowls, and the patchwork “Pezzato” technique — his colorful vases created with this technique feature patterns that resemble those of a patchwork quilt. Works made in this fashion caused a sensation at the 25th Venice Biennale in 1950.

Venini co-founder Paolo Venini’s best designs are thought to be his two-color Clessidre hourglasses, produced from 1957 onward, and the Fazzoletto (“handkerchief”) vase, designed with Bianconi in 1949. 

Bianconi worked with several other glass studios, including Cenedese in 1954 and Vistosi in 1963, creating decorative vessels, bowls, hourglasses and sculptures. He was also a graphic designer with the Italian publishing house Garzanti for nearly 30 years. Bianconi’s portfolio of graphic design included work for FIAT, Pathé and Pirelli, among others.

Bianconi’s glassworks are held in museum collections worldwide, including London’s Victoria and Albert Museum, the Museum of Modern Art and the Corning Museum of Glass in New York. The artist died in 1996.

On 1stDibs, discover a range of vintage Fulvio Bianconi decorative objects, glassware and lighting.

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Creator: Fulvio Bianconi
Mid-Century Blue and Green Murano Glass Floor lamp by Fulvio Bianconi, 1950s
By Fulvio Bianconi
Located in Brussels, BE
Mid-Century Modern Blue and Green Murano Glass Floor lamp by Fulvio Bianconi for Venini - Italy 1950s Lamp : 163x 27cm Lampshade : 45H x 50w cm
Category

1950s Italian Mid-Century Modern Vintage Fulvio Bianconi Floor Lamps

Materials

Murano Glass

Floor Lamp by Fulvio Bianconi for Venini, Italy, 1950s
By Fulvio Bianconi
Located in Brussels, BE
Floor lamp by Fulvio Bianconi for Venini, Italy, 1950s.
Category

1950s Italian Vintage Fulvio Bianconi Floor Lamps

Materials

Glass

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Fulvio Bianconi floor lamps for sale on 1stDibs.

Fulvio Bianconi floor lamps are available for sale on 1stDibs. These distinctive items are frequently made of glass and are designed with extraordinary care. There are many options to choose from in our collection of Fulvio Bianconi floor lamps, although white editions of this piece are particularly popular. Many of the original floor lamps by Fulvio Bianconi were created in the mid-century modern style in italy during the mid-20th century. If you’re looking for additional options, many customers also consider floor lamps by Archimede Seguso, Noti Massari, and Renato Toso. Prices for Fulvio Bianconi floor lamps can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $12,982 and can go as high as $16,366, while a piece like these, on average, fetch $13,881.

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