Jakub Dolejš Photography
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Artist: Jakub Dolejš
November
By Jakub Dolejš
Located in Montreal, Quebec
Jakub Dolejš is an artist who lives and works in London. Jakub Dolejs' work been included in exhibitions at the National Gallery of Canada, Vancouver Art Gallery, East International...
Category
2010s Contemporary Jakub Dolejš Photography
Materials
C Print
Bleed
By Jakub Dolejš
Located in Montreal, Quebec
Jakub Dolejš
Text by James D. Campbell
That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. H...
Category
21st Century and Contemporary Post-Modern Jakub Dolejš Photography
Materials
C Print
London
By Jakub Dolejš
Located in Montreal, Quebec
Jakub Dolejš is an artist who lives and works in London. Jakub Dolejs' work been included in exhibitions at the National Gallery of Canada, Vancouver Art Gallery, East International...
Category
2010s Contemporary Jakub Dolejš Photography
Materials
C Print
Black Curtain
By Jakub Dolejš
Located in Montreal, Quebec
Jakub Dolejš is an artist who lives and works in London. Jakub Dolejs' work been included in exhibitions at the National Gallery of Canada, Vancouver Art Gallery, East International...
Category
2010s Contemporary Jakub Dolejš Photography
Materials
C Print
Wicked Twin
By Jakub Dolejš
Located in Montreal, Quebec
Jakub Dolejš is an artist who lives and works in London. Jakub Dolejs' work been included in exhibitions at the National Gallery of Canada, Vancouver Art Gallery, East International...
Category
2010s Contemporary Jakub Dolejš Photography
Materials
C Print
Day
By Jakub Dolejš
Located in Montreal, Quebec
Jakub Dolejš is an artist who lives and works in London. Jakub Dolejs' work been included in exhibitions at the National Gallery of Canada, Vancouver Art Gallery, East International...
Category
2010s Contemporary Jakub Dolejš Photography
Materials
C Print
Night
By Jakub Dolejš
Located in Montreal, Quebec
Jakub Dolejš is an artist who lives and works in London. Jakub Dolejs' work been included in exhibitions at the National Gallery of Canada, Vancouver Art Gallery, East International...
Category
2010s Contemporary Jakub Dolejš Photography
Materials
C Print
Boring Party
By Jakub Dolejš
Located in Montreal, Quebec
Jakub Dolejš is an artist who lives and works in London. Jakub Dolejs' work been included in exhibitions at the National Gallery of Canada, Vancouver Art Gallery, East International...
Category
2010s Contemporary Jakub Dolejš Photography
Materials
C Print
Winter
By Jakub Dolejš
Located in Montreal, Quebec
Jakub Dolejš is an artist who lives and works in London. Jakub Dolejs' work been included in exhibitions at the National Gallery of Canada, Vancouver Art Gallery, East International...
Category
2010s Jakub Dolejš Photography
Materials
C Print
Hot and Cold
By Jakub Dolejš
Located in Montreal, Quebec
Jakub Dolejš is an artist who lives and works in London. Jakub Dolejs' work been included in exhibitions at the National Gallery of Canada, Vancouver Art Gallery, East International...
Category
2010s Contemporary Jakub Dolejš Photography
Materials
C Print
Drinking Alone
By Jakub Dolejš
Located in Montreal, Quebec
Jakub Dolejš is an artist who lives and works in London. Jakub Dolejs' work been included in exhibitions at the National Gallery of Canada, Vancouver Art Gallery, East International...
Category
2010s Contemporary Jakub Dolejš Photography
Materials
C Print
Night Shift
By Jakub Dolejš
Located in Montreal, Quebec
Jakub Dolejš is an artist who lives and works in London. Jakub Dolejs' work been included in exhibitions at the National Gallery of Canada, Vancouver Art Gallery, East International...
Category
2010s Contemporary Jakub Dolejš Photography
Materials
C Print
Smoke and Mirrors
By Jakub Dolejš
Located in Montreal, Quebec
That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. His ongoing practice of deception now encompasses some of the formal language of late Modernism, and his palette is almost hallucinatory in its clarity.
Dolejš carries forwards his project of tracking his and our relationship with artworks by invoking Modernist tropes and the monochrome, and delights in undermining our commonplace assumptions about just what it is that we are seeing. His deliberate puncturing of his viewers’ assumptive contexts lends his work subversive underpinnings and a dangerous perceptual edge. It is as though he was asking us to look at his photographs through an anamorphic polyprism – and the prism shows us the splintering of our own reflections staring right back at us in a very predatory way. The level of subterfuge here is at a very high level.
As adept a painter as he is a photographer, Dolejš has achieved an enviable reputation for performing some masterful and edifying pirouettes – everything from photographing a painted set to recreate Johann Zoffany’s The Tribuna of the Uffizi (a painting of the northeast section of the Tribuna room in the Uffizi in Florence, Italy, 1772-1778) to recontextualizing Hogarth’s Marriage...
Category
21st Century and Contemporary Post-Modern Jakub Dolejš Photography
Materials
C Print
Savage
By Jakub Dolejš
Located in Montreal, Quebec
That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. His ongoing practice of deception now encompasses some of the formal language of late Modernism...
Category
21st Century and Contemporary Post-Modern Jakub Dolejš Photography
Materials
C Print
Enclosure
By Jakub Dolejš
Located in Montreal, Quebec
That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. His ongoing practice of deception now encompasses some of the formal language of late Modernism, and his palette is almost hallucinatory in its clarity.
Dolejš carries forwards his project of tracking his and our relationship with artworks by invoking Modernist tropes and the monochrome, and delights in undermining our commonplace assumptions about just what it is that we are seeing. His deliberate puncturing of his viewers’ assumptive contexts lends his work subversive underpinnings and a dangerous perceptual edge. It is as though he was asking us to look at his photographs through an anamorphic polyprism – and the prism shows us the splintering of our own reflections staring right back at us in a very predatory way. The level of subterfuge here is at a very high level.
As adept a painter as he is a photographer, Dolejš has achieved an enviable reputation for performing some masterful and edifying pirouettes – everything from photographing a painted set to recreate Johann Zoffany’s The Tribuna of the Uffizi (a painting of the northeast section of the Tribuna room in the Uffizi in Florence, Italy, 1772-1778) to recontextualizing Hogarth’s Marriage...
Category
21st Century and Contemporary Post-Modern Jakub Dolejš Photography
Materials
C Print
Reflection
By Jakub Dolejš
Located in Montreal, Quebec
Jakub Dolejš
Text by James D. Campbell
That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. His ongoing practice of deception now encompasses some of the formal language of late Modernism, and his palette is almost hallucinatory in its clarity.
Dolejš carries forwards his project of tracking his and our relationship with artworks by invoking Modernist tropes and the monochrome, and delights in undermining our commonplace assumptions about just what it is that we are seeing. His deliberate puncturing of his viewers’ assumptive contexts lends his work subversive underpinnings and a dangerous perceptual edge. It is as though he was asking us to look at his photographs through an anamorphic polyprism – and the prism shows us the splintering of our own reflections staring right back at us in a very predatory way. The level of subterfuge here is at a very high level.
As adept a painter as he is a photographer, Dolejš has achieved an enviable reputation for performing some masterful and edifying pirouettes – everything from photographing a painted set to recreate Johann Zoffany’s The Tribuna of the Uffizi (a painting of the northeast section of the Tribuna room in the Uffizi in Florence, Italy, 1772-1778) to recontextualizing Hogarth’s Marriage...
Category
21st Century and Contemporary Post-Modern Jakub Dolejš Photography
Materials
C Print
Cover Flow
By Jakub Dolejš
Located in Montreal, Quebec
Jakub Dolejš
Text by James D. Campbell
That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. His ongoing practice of deception now encompasses some of the formal language of late Modernism, and his palette is almost hallucinatory in its clarity.
Dolejš carries forwards his project of tracking his and our relationship with artworks by invoking Modernist tropes and the monochrome, and delights in undermining our commonplace assumptions about just what it is that we are seeing. His deliberate puncturing of his viewers’ assumptive contexts lends his work subversive underpinnings and a dangerous perceptual edge. It is as though he was asking us to look at his photographs through an anamorphic polyprism – and the prism shows us the splintering of our own reflections staring right back at us in a very predatory way. The level of subterfuge here is at a very high level.
As adept a painter as he is a photographer, Dolejš has achieved an enviable reputation for performing some masterful and edifying pirouettes – everything from photographing a painted set to recreate Johann Zoffany’s The Tribuna of the Uffizi (a painting of the northeast section of the Tribuna room in the Uffizi in Florence, Italy, 1772-1778) to recontextualizing Hogarth’s Marriage...
Category
21st Century and Contemporary Post-Modern Jakub Dolejš Photography
Materials
Photographic Paper
Division
By Jakub Dolejš
Located in Montreal, Quebec
Jakub Dolejš
Text by James D. Campbell
That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. His ongoing practice of deception now encompasses some of the formal language of late Modernism, and his palette is almost hallucinatory in its clarity.
Dolejš carries forwards his project of tracking his and our relationship with artworks by invoking Modernist tropes and the monochrome, and delights in undermining our commonplace assumptions about just what it is that we are seeing. His deliberate puncturing of his viewers’ assumptive contexts lends his work subversive underpinnings and a dangerous perceptual edge. It is as though he was asking us to look at his photographs through an anamorphic polyprism – and the prism shows us the splintering of our own reflections staring right back at us in a very predatory way. The level of subterfuge here is at a very high level.
As adept a painter as he is a photographer, Dolejš has achieved an enviable reputation for performing some masterful and edifying pirouettes – everything from photographing a painted set to recreate Johann Zoffany’s The Tribuna of the Uffizi (a painting of the northeast section of the Tribuna room in the Uffizi in Florence, Italy, 1772-1778) to recontextualizing Hogarth’s Marriage...
Category
21st Century and Contemporary Post-Modern Jakub Dolejš Photography
Materials
C Print
Colour Field
By Jakub Dolejš
Located in Montreal, Quebec
Jakub Dolejš
Text by James D. Campbell
That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. His ongoing practice of deception now encompasses some of the formal language of late Modernism, and his palette is almost hallucinatory in its clarity.
Dolejš carries forwards his project of tracking his and our relationship with artworks by invoking Modernist tropes and the monochrome, and delights in undermining our commonplace assumptions about just what it is that we are seeing. His deliberate puncturing of his viewers’ assumptive contexts lends his work subversive underpinnings and a dangerous perceptual edge. It is as though he was asking us to look at his photographs through an anamorphic polyprism – and the prism shows us the splintering of our own reflections staring right back at us in a very predatory way. The level of subterfuge here is at a very high level.
As adept a painter as he is a photographer, Dolejš has achieved an enviable reputation for performing some masterful and edifying pirouettes – everything from photographing a painted set to recreate Johann Zoffany’s The Tribuna of the Uffizi (a painting of the northeast section of the Tribuna room in the Uffizi in Florence, Italy, 1772-1778) to recontextualizing Hogarth’s Marriage...
Category
21st Century and Contemporary Jakub Dolejš Photography
Materials
C Print
Still Life (dyptich)
By Jakub Dolejš
Located in Montreal, Quebec
That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. His ongoing practice of deception now encompasses some of the formal language of late Modernism...
Category
21st Century and Contemporary Post-Modern Jakub Dolejš Photography
Materials
C Print
Believer
By Jakub Dolejš
Located in Montreal, Quebec
Jakub Dolejš
Text by James D. Campbell
That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. His ongoing practice of deception now encompasses some of the formal language of late Modernism, and his palette is almost hallucinatory in its clarity.
Dolejš carries forwards his project of tracking his and our relationship with artworks by invoking Modernist tropes and the monochrome, and delights in undermining our commonplace assumptions about just what it is that we are seeing. His deliberate puncturing of his viewers’ assumptive contexts lends his work subversive underpinnings and a dangerous perceptual edge. It is as though he was asking us to look at his photographs through an anamorphic polyprism – and the prism shows us the splintering of our own reflections staring right back at us in a very predatory way. The level of subterfuge here is at a very high level.
As adept a painter as he is a photographer, Dolejš has achieved an enviable reputation for performing some masterful and edifying pirouettes – everything from photographing a painted set to recreate Johann Zoffany’s The Tribuna of the Uffizi (a painting of the northeast section of the Tribuna room in the Uffizi in Florence, Italy, 1772-1778) to recontextualizing Hogarth’s Marriage...
Category
21st Century and Contemporary Post-Modern Jakub Dolejš Photography
Materials
C Print
Extension
By Jakub Dolejš
Located in Montreal, Quebec
That a photographer’s guile can make for a heady and instructive aesthetic experience is proved by the remarkable work of Jakub Dolejš. His ongoing practice of deception now encompa...
Category
21st Century and Contemporary Post-Modern Jakub Dolejš Photography
Materials
C Print
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Jakub Dolejš photography for sale on 1stDibs.
Find a wide variety of authentic Jakub Dolejš photography available for sale on 1stDibs. If you’re browsing the collection of photography to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of pink, purple, yellow and other colors. You can also browse by medium to find art by Jakub Dolejš in c print, paper, photographic paper and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Jakub Dolejš photography, so small editions measuring 16 inches across are available. Customers who are interested in this artist might also find the work of Adam Ekberg, Tortora & Travezan, and Vadim Gushchin. Jakub Dolejš photography prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,400 and tops out at $13,500, while the average work can sell for $3,100.