Keith Carter b.1948 Photography

"Abramson comes much closer to recording the sound of these clubs than we would have any right to expect from a photographer." - Nick Hornby (London, 2009), Light On the South Side, ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 10 If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous. Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment. The collection of black and white images conveys a sense of effervescence and Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City. Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more. In “Mercer Street...

16x20” Limited Edition Next available edition printed upon purchase. Other sizes available. Please allow 4 weeks for production.

Hand printed photograph by artist. Edition 1/30 Available in other sizes From negative 2.5 x 2.5" Rolleiflex

BOB MIZER Gelatin silver print Original from the time, no reprint 5 x 4″ (12.8 x 10.4 cm) AMG/Bob Mizer studio stamp on the verso Taken between 1962 and 1968, this photograph shows...

January 11, 1967: Top British pop group the Rolling Stones taking a stroll through London's Green Park, from left to right, Mick Jagger, Bill Wyman, Charlie Watts, Brian Jones (1942 ...

Hand printed by artist. Dry mounted to board with over mat. Signed and dated on recto.

This portrait of Helmut Newton was taken in 1995 during a TV Special on Helmut Newton with Télé Monte-Carlo (in the Principality of Monaco at...

Actress Marilyn Monroe reads the book "To the Actor: On the Technique of Acting" by Michael Chekhov in a quiet moment at the Ambassador Hotel in March 1955 in New York City, New York...

Hand printed photograph by artist. Dry mounted on acid free board. Taken in Carmel California. Edition Print

Jamie Johnson is a photographer specializing in children documentary projects and well as wet plate collodion photography. As a mother and documentary ph...

"I walked into a timeless place … full of supporting actors and actresses of every conceivable role," Abramson wrote in Light: On the South Side, published by Chicago's Numero Group ...