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Lawrence Wilbur Figurative Prints

American, 1897-1988
Painter and printmaker Lawrence Nelson Wilbur was born in Whitman, Massachusetts. He moved to Boston where he began his training as a photoengraver. He moved to Los Angeles in 1921, where he worked in the engraving department of the Los Angeles Times. Relocating to New York in 1925, Wilbur was employed as a finisher by several of New York's finest engraving shops and by several of the leading magazines of the era. Wilbur enrolled at the Grand Central Art School, where he studied under N. C. Wyeth and Harvey Dunn.a number of Lawrence Nelson Wilbur traveled to Boston and Los Angeles before settling in New York. In 1925, he enrolled in the Grand Central Art School where he studied under Harvey Dunn, N.C. Wyeth, and Pruett Carter. As a photo-engraving finisher, he worked for the finest engraving shops in New York, and a number of major magazine publishers headquartered there. The combination of his graphic arts skills and his serious pursuit of training in the fine arts formed the basis for his career as a talented draftsman, printmaker, and painter. His works have been collected by the Metropolitan Museum of Art in New York; the National Gallery of Art and the Library of Congress in Washington, D.C.; the Philadelphia Museum of Art; and many other institutions. Wilbur received numerous awards for his art, including the Audubon Artist's medal of honor for a self-portrait in oil in 1957. He was a member of the Salmagundi Club of New York, the Painters and Sculptors Society of New Jersey, and the Society of America Graphic Artists. He died in New York City.
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Artist: Lawrence Wilbur
The Spire -- New York
By Lawrence Wilbur
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 1/2 x 18). Trial proof of the second third, prior to the edition of 100. Printed on Rives cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival sleeve. This etching has never been matted. Provenance: the artist's estate. Titled, annotated 'third state - trial proof' and signed in pencil. A dramatic view of the Chrysler Building. Painter and printmaker Lawrence Nelson...
Category

20th Century American Modern Lawrence Wilbur Figurative Prints

Materials

Drypoint, Etching

Street in Marblehead, Massachussets
By Lawrence Wilbur
Located in Middletown, NY
Drypoint etching on white, buff laid paper with deckle edges, 8 13/16 x 12 inches (224 x 305 mm), full margins. One of only 25 proof impressions. In superb condition with excellent i...
Category

1930s American Modern Lawrence Wilbur Figurative Prints

Materials

Archival Paper, Drypoint, Etching

Old Brownstones -- New York
By Lawrence Wilbur
Located in Storrs, CT
Old Brownstones-- New York. c. 1985. Etching and drypoint. 8 7/ 8 x 12 1/3 (sheet 16 5/8 x 16 1/4). Fourth state. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival folder. This etching has never been matted. Provenance: the artist's estate. Signed, titled, and annotated 'Fourth state -- wheel changed to left' and 'Steves' in pencil. A dramatic view of a Manhattan neighborhood. Painter and printmaker Lawrence Nelson Wilbur...
Category

20th Century American Modern Lawrence Wilbur Figurative Prints

Materials

Drypoint, Etching

Manhattan Mountains
By Lawrence Wilbur
Located in Storrs, CT
Manhattan Mountains. 1938. Etching and drypoint. 14 3/4 x 12 3/8 (sheet 17 1/4 x 14 3/4). Artist proof, previous to the edition of 40. An atmospheric impression printed on buff-colored laid paper. Signed and dated in the plate. Signed, titled, and annotated 'Final state' and 'Jones Proof'in pencil. Housed in an archival sleeve. Painter and printmaker Lawrence Nelson...
Category

20th Century American Modern Lawrence Wilbur Figurative Prints

Materials

Drypoint, Etching

Under the Bridge
By Lawrence Wilbur
Located in Storrs, CT
Under the Bridge. 1985. Etching and drypoint. 9 1/2 x 12 1/8 (sheet 20 1/16 x 22). Edition 27, #13. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in excellent condition, housed in an archival folder. The etching has never been matted. Titled and numbered in pencil. by the artist; signed and initialed in pencil by the artist's estate. Provenance: the artist's estate A dramatic view of the lower East Side in New York. Housed in an archival folder awaiting your choice of mat and frame. Painter and printmaker Lawrence Nelson Wilbur...
Category

20th Century American Modern Lawrence Wilbur Figurative Prints

Materials

Drypoint, Etching

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Chelsea Old Church, London
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The Gargoyle and His Quarry
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The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...
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Irving Guyer, Christmas Trees on Second Street (NYC)
By Irving Guyer
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An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...
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The Enchanted Doorway; Venezia
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Etching and drypoint on antique cream laid paper, 12 3/8 x 6 9/16 inches (315 x 167 mm), full margins. Signed, dated, and inscribed "Edition 100" in pencil, lower margin. In very goo...
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Stoops in Snow
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Located in Storrs, CT
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1930s American Modern Lawrence Wilbur Figurative Prints

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Stoops in Snow
Stoops in Snow
H 18 in W 23.13 in D 2 in
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Previously Available Items
Peck's Slip, N.Y.C. - A superb and scarce proof impression printed by the artist
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Located in Middletown, NY
New York: 1934. Etching with drypoint printed in brownish black ink on white, buff wove paper, 6 3/4 x 8 3/4 inches (170 x 221 mm), full margins. Signed, titled, and inscribed "Arti...
Category

1930s American Modern Lawrence Wilbur Figurative Prints

Materials

Archival Paper, Etching, Drypoint

The Spire -- New York
By Lawrence Wilbur
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 5/8 x 18 5/8) . Edition 100, #19. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival folder. This etching has never been matted—provenance: the artist's estate. Signed, numbered, and titled in pencil. A dramatic view of the Chrysler Building. Painter and printmaker Lawrence Nelson Wilbur...
Category

20th Century American Modern Lawrence Wilbur Figurative Prints

Materials

Drypoint, Etching

The Spire -- New York
By Lawrence Wilbur
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 5/8 x 18 1/8) . Edition 100, #19. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival folder. This etching has never been matted. Provenance: the artist's estate. Signed, numbered and titled in pencil. Housed in an archival folder. A dramatic view of the Chrysler Building. Painter and printmaker Lawrence Nelson Wilbur...
Category

20th Century American Modern Lawrence Wilbur Figurative Prints

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Drypoint, Etching

The Spire -- New York
By Lawrence Wilbur
Located in Storrs, CT
The Spire -- New York. 1985. Etching and drypoint. 14 1/2 x 11 (sheet 22 5/8 x 18 5/8) . Edition 100, #5. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in pristine condition, housed in an archival folder. This etching has never been matted. Provenance: the artist's estate. Signed, numbered and titled in pencil. A dramatic view of the Chrysler Building. Painter and printmaker Lawrence Nelson Wilbur...
Category

20th Century American Modern Lawrence Wilbur Figurative Prints

Materials

Drypoint, Etching

The Spire -- New York
The Spire -- New York
H 22.63 in W 18.65 in D 0.5 in

Lawrence Wilbur figurative prints for sale on 1stDibs.

Find a wide variety of authentic Lawrence Wilbur figurative prints available for sale on 1stDibs. You can also browse by medium to find art by Lawrence Wilbur in drypoint, engraving, etching and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the modern style. Not every interior allows for large Lawrence Wilbur figurative prints, so small editions measuring 11 inches across are available. Customers who are interested in this artist might also find the work of Samuel Chamberlain, Clifford Isaac Addams, and Bernard Brussel-Smith. Lawrence Wilbur figurative prints prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $350 and tops out at $750, while the average work can sell for $463.

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