Makuzu Kozan II Furniture

Mizu ( 水 ) ~ (n) water Our Mizu bowl comes with 3 short legs. It would look elegant on its own or as a keeper of trinkets or potpourri. This Mizu bowl is the kind of piece to creat...

Mizu ( 水 ) ~ (n) water Our Mizu bowl comes with 3 short legs. It would look elegant on its own or as a keeper of trinkets or potpourri. This Mizu bowl is the kind of piece to creat...

Nicely made artifact of high quality. Condition No damages, just some ware due to age. Size 180mm wide 110mm depth 50mm high Period 19th century 20th century Meiji Perio...

Mizu ( 水 ) ~ (n) water Our Mizu bowl comes with 3 short legs. It would look elegant on its own or as a keeper of trinkets or potpourri. This Mizu bowl is the kind of piece to crea...

Very unique tall Japanese vase with abstract pattern in a variety of brown tones. The deepest brown glaze is raised, giving the vase a wonderful tac...

A large Japanese ceramic vase by the celebrated Meiji imperial potter Makuzu Kozan (1842-1916) circa 1880-1890s. Dated to his underglaze phase post 1887 after he successfully mastered the new colors available from the west and used them to the best advantage in his work deeply rooted in Japanese aesthetics. The vase has an impressive size and was potted in the classic baluster form with an elegant proportion. The surface is decorated using a combination of techniques of low relief sculpturing...

O/1393 - This bowl is more antique tha I wrote. This is one piece from a large collection of ancient pottery, gathered 35 years ago and never exhibited to the public. I woud like to sell...

A contemporary Stoneware Bowl made in the tradition of Iga ware by Japanese ceramic artist Shiro Tsujimura (1947-). In a slightly irregular round form, the de...

A large earthenware bowl with a deep and wide body supported on a foot ring decorated with incision and slip paint circa 11-12th from Iran when ...

A miniature Japanese ceramic vase from the end of Meiji period circa 1880s- 1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time ...

A rare footed dish in the form of an open scroll painting with literati landscape from the studio of Japanese Potter Makuzu Kozan. Also known as Miyagawa Kozan (1842–1916), Makuzu wa...

A large Japanese ceramic vase from the end of Meiji period circa 1890-1910s by Kinkozan (1645-1927). One of the largest studio manufacturers of the export ceramics at the time based in Kyoto. In the typical style of satsuma made at the turn of 20th century, the vase is elaborately decorated with a rather unusual kinran-de (gold paint) and green enamel highlight on a mottled brown background. The painterly decoration depicts a large seasonal floral arrangement in a circular fashion. Besides the obviously superb craftsmanship, what sets this particular vase apart from many lower quality and mass-produced pieces is its tone-on-tone color pallet that is visually somber and the small and sensitive details that heralds the change of the seasons. When the viewer goes beyond the first casual glimpse of the blossom and foliage, one would notice that on the edges of certain leaves as well as along the stalks, there accumulates a very thin layer of the white dust that represents the frost. The flower in bloom are chrysanthemums. Despite of being splendid, they are the messengers of the autumn. The large lotus leaf was subtly rendered in a bended and slightly withered manner, just past its prime. Although the lotus is still in bloom, the prominent seed pod indicates it may be the last for the season. The sentimental capture of the change of the seasons is not unusual in Japanese art. This vase poetically represents such a subtle transition from summer to fall, perhaps depicting the very first frost. The neck of the vase is also slightly unusual with two rolled rings...