Manfred Wild Centerpieces

1990 Italian highly collectible glass cactus plant of limited edition, entirely handcrafted in Murano, signed Formia, with modern Minimalist design, in a lifelike organic Modernist shape in overlaid moss green Murano glass highlighted with prickles in relief, and decorated with a white glass flower...

A ceramic closed-form pot with rattle by Japanese American artist Toshiko Takaezu (American, 1922 - 2011). The story: In the 1980s, potter Lola Rae invited Toshika to her ceramic st...

Contemporary abstract curl sculpture in a love knot, with a sensuous swirled and spiraling design, mounted on a round base, in a very special dark amethyst blown Murano glass, extens...

Korean Glass with Gold 9 is a unique sculpture by the South Korean artist Choi Keeryong. Created from cast and cut glass combined with porcelain, the piece is finished with elegant details in gold lustre. Keeryong is a South Korean artist based in Scotland. His work is informed by his investigations into the similarities and cultural differences that we all experience in relation to the objects around us in contrast to where we live. Something he is has personally experienced living in another country. In this collection, Keeryong has developed a process using the ancient Korean ‘Saggam’ pottery technique, which allows him to explore a state of ambiguity created for the viewer’s visual experience. Using delineating geometric patterns and counterfeit letters (meaningless Korean words) he combines his glass with found English teapots...

Bird of paradise brutalist brass sculpture in the style of Curtis Jere.

Late 20th Century Baccarat cut crystal decorative Peacock centerpiece sculpture. The sculpture is bold yet simple and can add a terrific silhouette...

Carved rock crystal centerpiece. Designed brass base with hammered detail. Created by Phoenix Gallery, NYC. Custom size, quantity, and finish upon request.

A rare 18K gold, enamel and diamond mounted carved labradorite turkey / Capercaillie bird sculpture on a petrified wood base, attributed to Manfred Wild, Idar-Oberstein, Germany. Very finely crafted of the highest quality and best color Madagascar labradorite with excellent labradorescence. The entire hand carved turkey displays and excellent shimmer effect known as labradorescence. Madagascar labradorite, rich in the phenomenal characteristics of this remarkable gemstone which displays an ever-changing sheen, that is extremely suitable for the rendering of this turkey bird...

Vintage Steuben glass crystal pedestal centerpiece. Hand blown crystal centerpiece with scrolled pedestal base. Signed Steuben on underside of ba...

A French 1970s Gold and bronze clam shell center peice sculpture with three large quartz and amethyst crystal clusters. Signed Biography: Claude Boeltz was born in Paris in 1937. The fourth generation in a line of artists, from his early childhood Boeltz was interested in disciplines as far ranging as sculpture, painting, ceramics, architecture, and blacksmithing. From the very start he was fascinated by what would become life long inspirations—anatomy and geology. His first apprenticeship was with the sculptor Henri Molins, which was followed by apprenticeships at the prominent Susse and Houdot foundries. His last was with Soudoun, under whose tutelage he was honored with the national “Best Worker in France” award. During these apprenticeships Boeltz took night classes at the Boule School, the Gambetta School, and at the Academy of Art in Paris. He would eventually take degrees from all three. On Sundays he went to museums, particularly the Louvre, where he sought out work in the Louis XIII - Louis XVI styles. He also spent long hours in study of the many artists he admired, such as Bersus, Meunier, Giacometti, Ponpon, Chipparus, Dali, Dajou, and Ruhlman. After these apprenticeships he tried to establish himself in the Riviera, where he befriended, and briefly collaborated with Picasso. Boeltz’s time in this vibrant community was, however, cut short—in the early 1960s he was called into the French military. While on tour in the Sahara he carved miniatures, and would carry them in his baggage from base to base. One that survived—a replica of the Arc d’triumph—was later offered to President Eisenhower on behalf of the French Army. Upon leaving the service Boeltz established a foundry in the Loire, and by the late 1960s his work, now enormously popular, was shown all over Europe. In the early 1970s he met the sculptor Cesar. The famous sculptor’s “compression” pieces inspired Boeltz to create the work for which he would soon become best known. Boeltz’s “exploded” bronze works were pieces plated with 24 karat gold made to look like liquid gold crystalized an instant after explosion. Boeltz augmented this unique medium with vibrant details, often with African emeralds, but with other stones or unusual materials as well. In his famous Cleopatra, dedicated to Elizabeth Taylor and installed in Georve V hotel in Paris, the artist employed metacrylite as a base and for its veil. The immediate success of these “exploded” works allowed Boeltz to build two foundries devoted largely to their creation, one in the Faubourg St. Honore’ in Paris, and the other in Fontenay Sous Bois. “Exploded” works from the foundries were presented and sold at Fred’s Jewelers...

Gorgeous matched pair of vintage Murano hand blown white, dark amber and gold flecks Italian art glass bird on branch sculptures. Documented to th...

A Large and unusual Art Deco style rectangular form cut rock crystal centerpiece.