Marco Segantin Sculptures

“My purpose in making this skull is to represent the different types of native maize that since remote times have brought food security to our ancestors, giving them the time to develop the knowledge and arts to the extent they did,” says Mexican ceramist Omar Hernández...

Fabulous and large Maria H. Rahmer (1911-1998) figural sculpture of a boy holding fruit circa 1930s from Hungary. Great ceramic condition with signature H. Rahmer on the side of the ...

Create a sculptural arrangement of organic shapes, combining style statement and functionality with these Italian vintage earthenware Art pieces: a group of 5 Mid-Century Modern different ceramics is available, 4 vases and a bowl/catch-all, by Bertoncello and designer Roberto Rigon, showing inspiration from Barbara Hepworth and Henry Moore work. This particular postmodern abstract sculpture vase, quite innovative for the period and particularly in the mid 20th-century ceramic sector, has a sleek slanted slice quite unexpectedly decorated with a hole in the Silhouette, leaving the admirer the feeling of looking at the moon in the night sky. Glazed in a beige terracotta...

A wonderful, unique, beautifully glazed, quite rare, and special double-faced "Haniwa" pottery sculpture by American California studio pottery master ceramists Stan Bitters whose work was instrumental in shaping the organic modernist movement in the 1960s. Bitters received his Bachelor of Arts degree in painting from the University of California Los Angeles (UCLA) in 1958. He also studied under Peter Voulkos at Otis College. After graduating, he worked for Hans Sumpf as the company's resident artist. During this time he created architectural murals, tiles, birdhouses, planters, and sculptural objects – designs that would earn him recognition later on as a pioneer of the organic modernist craft movement - many still some of the most iconic designs today. Stan Bitters' work was featured as a part of the prestigious California Design series of exhibitions and annuals that chronicled art and design in California from 1954-1976. His works were also featured as part of a group show entitled Golden State of Craft 1960-1985 at the Craft and Folk Art Museum in Los Angeles, CA. This show was part of Pacific Standard Time: Art in L.A. 1945-1980, an unprecedented collaboration of more than 60 museums and other cultural institutions in Southern California, celebrating the birth of the Los Angeles art scene. Bitters' work was also exhibited at Heath Ceramics' Boiler Room...

This reduction fired, ceramic stoneware, abstract sculpture titled "Scorpion" by Keavy Murphree is a stunning piece of art that showcases the beauty and uniqueness of handcrafted ceramics. Created through a reduction firing process, this sculpture has undergone a specialized firing technique that results in a distinct, one-of-a-kind satin finish in black and white. Measuring approximately 7" in length and 9.5" in height, this abstract scorpion sculpture...

Accolay Ceramic sculpture representative of a turtle. Orange ceramic glaze color. Signed under the base ACCOLAY Dimensions: 9 x 16 x 10cm.

A wonderful and unique work by famed American ceramic master Don Reitz who was known for his salt-fired works and the distinctive colors and forms he achiev...

An amazing and unique piece by renowned American pottery and ceramic master Paul Soldner who in the 1950s was Peter Voulkos' first student and who later became famed for developing the technique now known as "American Raku" - a practice of using low temperature salt firing...

An elegant porcelain sculpture represented a woman body with mat black glaze decoration by Tim and Jacqueline Orr. Signed at the base "Tim Orr". circa 1970-1980.

"As a Mexican and Oaxacan, but more as Omar, I see death as something present. It´s something that is a part of life and when you think about death, you begin to value a lot of things. Death is important to me because it’s a constant threat. If you think about dying now, you would probably do things that in another moment you would say, “I’ll do it later.” I see death as an opportunity to live a better life...a continuation of something," says Mexican ceramist Omar Hernández. Omar Hernandez is a Mexican ceramist born and raised in Oaxaca, Mexico. As a child, growing up in a family of potters he didn't have much interest in making pottery, but in his early 20's he realized he could do other things with clay that weren't necessarily utilitarian pieces. It was then that Omar started his skull...

Imagine a drink only drunk in weddings between royalty, accompanying the dead in their transit to the underworld, and celebrating military victories or successful commercial expediti...

A zoomorphic ceramic-sculpture- vase by Guerin. Signed under the base. Circa 1950-1960.